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Tribal Art. Baule/Baoule, Mblo portrait mask with evidence of faded kaolin pigment, Cote D'Ivoire, 32cm high.

Tribal Art. Baule/Baoule, Mblo portrait mask on base, faded red kaolin pigment, Cote D'Ivoire, 39cm high.

Tribal Art. Grebo/Kru/Krou, 'Maou' warrior face mask with six eyes and a fixed maou beak, faded pigment, Liberia, 39cm high.

1978-2001 A.D.. Wiltshire Archaeological and Natural History Magazine 1984, card covers; Phillips - Tribal Art and Antiquities London 11 April 2001; Christie's London - Fine Antiquities 16 July 1985; W.A. Jackson - The Victorian Chemist and Druggist - Princes Risborough, 1981, card covers; Jeannine Auboyer et al - Asia - Fribourg, 1978, hardback; Pierre Amiet et al - Antiquity - Fribourg, 1981, hardback. 2.8 kg total, 22 x 12 - 27 x 22 cm (8 3/4 x 4 3/4 - 10 3/4 x 10 3/4 in.). Property of an Essex, UK, gentleman. [6, No Reserve]

A carved pole sculpture and a female figure wood sculpture possibly fertility figurines tribal art

Tribal Art: Bronze Incan Tumi knives, one with llama head handle, African ankle bracelet as a dish, and other similar metalware, etc.

Tribal Art: carved rosewood Makonde family tree totem figural sculpture

Tribal Art - large carved wood Berber dish with footed base, 52cm diameter

Tribal Art - a Dan mask, concave features with central ridge, the narrow features picked out in white pigment, textile coiffeur, 26cm long, Liberia/Ivory Coast, West Africa; another, similar (2)

Tribal Art - a West African figural rhythm pounder, 48.5cm long; another; etc (4)

Tribal Art - an African axe, brass blade chased with geometric motifs, leather bound haft, 46cm long; another (2)

Tribal Art - a Dan bronze anklet bell bracelet, rope-twist frame with seven chimes of coiled design, 15cm wide, Liberia/Ivory Coast; another; a bronze currency bangle, 18cm wide (3)

Tribal Art - a basket work milk or water container, leather straps, 16.5cm high, Kenya/Sudan; a Somali/Ethiopian camel bell; gourds; etc (qty)

Tribal art, A Bakongo painted tribal painted wall mask. (C).

Tribal Art, A Bakongo wall mask.

A hand carved piece of African tribal art

Art and Design Reference Books, including Oman (Charles C.) and Jean Hamilton, Wallpapers: A History and Illustrated Catalogue of the Collecton in the Victoria and Albert Museum, Sotheby, 1982, dust jacket; Opie (James), Tribal Rugs, Laurence King, 1998; Jones (Owen), The Grammar of Ornament, Omega Books, 1987, dust jacket; and others on wallpaper design, textile design, etc. (4 boxes).

A tribal art style occasional table with figure supports

Collection of tribal art carved figures and busts and a lidded urn with carved faces, 30cm tallest.

Group of tribal art figures with intricately carved gourds, one displayed on carved wood elephant stand.

Tribal Art / Ethnographic: Hand carved wood fertility sculpture figure. Either reliquary or fertility figure. Possibly from the Fang people of the Gabon, West Africa. Sculptural and tactile.

Tribal Art - an Xhosa pipe, 24cm long, South Africa, early 20th century

Tribal Art - a Bembe janus helmet mask, stylised features picked out with cowrie shells and decorated with red earth pigment, 47cm high, Democratic Republic of Congo, collector's display stand, 66cm high overall

Tribal Art - a pair of Toba Batak singa architectural guardian ornaments, carved as composite creatures with stylised features, 47cm high, Sumatra, Indonesia, 19th/early 20th century

Tribal Art. A pair of Dan wedding figures, Cote D'Ivoire, 51cm high.

Tribal Art. A Koulango maternity figure (protector) Cote D'Ivoire, 44cm high.

Tribal Art. Baule Mblo portrait mask with highly stylized coiffure and scarifications, Cote D'Ivoire, 33cm high, 17cm wide.

Tribal Art. A Dan slit drum with sticks with ancestor heads, Cote D'Ivoire, 46cm high.

Tribal Art. Grebo/Kru/Krou tribe, large Shield mask 'Surrender' with two sets of arms up and Maou beak, collected from village near Pleebo, Liberia, 95cm high.

Tribal Art. Grebo/Kru six eyed warriors mask, Cote D'Ivoire, 34cm high, 22cm wide.

Tribal Art. A Baule Gbekre monkey divination mask, Cote D'Ivoire, 57cm high.

Tribal Art. A Krahn (Kru) large warrior 'angry animal' mask, with Kaogle eyes/moveable jaw, Liberia, 61cm high.

Tribal Art. A Baoule Sun mask, 26cm high.

Tribal Art. A Grebo six eyed warrior mask, 31cm high.

Tribal Art. A Baule 'Mblo' mask, 30cm high.

Tribal Art. A Bouale Mblo mask, 39cm high.

Tribal Art. A Bonale Janns portrait mask, 34cm high.

Tribal Art. Igbo/Ibo tribe, 'Agbogho Mmwo' Spirit Maiden mask, from village near Enugu, Nigeria, 61cm high. (AF)

Tribal Art. Three carved wooden figure groups, depicting female in headdress, 22cm high, gentleman in flowing robes, 35cm high, and figure kneeling with basket of fruit, 35cm wide. (3)

Tribal Art. A Baule 'Mblo' mask, 31cm high.

Tribal Art. A Baule Mblo mask, 28cm high.

Tribal Art. A grebo six eyed spiritual Mao mask, 45cm high.

Tribal Art. A Kran animal mask with articulated Jaw, Liberia, 61cm high.

Tribal art. A Tibetan leather belt, late 19th/early 20th c, 110cm x 9cm Leather dry and cracking in places, some losses to metal decoration

Tribal art. Australia, a boomerang, late 19th/20th c, 55cm w and a contemporary woomera, 58cm l (2) Boomerang with some minor chips and losses to edges, otherwise both good condition

MARGARET METCALFE (BRITISH, 1877-1972) (7)Sitting for a portrait black and white chalk 24 x 32cm (unframed) together with six pastels by the same hand; A tribal mask, 31 x 24cm; A village street, 23 x 32cm; The porch of a house, 38 x 28cm; A tree lined path, signed, 38 x 30.5cm; Still life of fruit, 38 x 35cm; and Surreal pink figure, 51 x 38cm, (all unframed) (7) ARRProvenanceThe artist, thence by descent to her grandson;Private collection, UKFootnoteMargaret was brought up in Horsted Keynes, East Sussex. She studied art at the Slade under Professor Tonks alongside Gwen and Augustus John. She then set up and ran a small commercial art studio in London. When she married, she moved to Nyasaland (Malawi) with her husband who worked for the Agriculture Department of the Colonial Office. They had a small farm of their own where Metcalfe stayed until moving back to the UK in the early 1960s. Throughout her long life she produced a large and varied body of work, much of it recording the people and landscapes of her beloved African home. She regularly exhibited her work both in Malawi and South Africa.The purpose of this sale of work is to raise money for the charity “Mary’s Meals” so as to provide free lunches for schoolchildren in Malawi.

MARGARET METCALFE (BRITISH, 1877-1972) (4)Durban Docks signed and dated 'M. Metcalfe 50' (lower right) and titled (to mount) watercolour 20.5 x 16cm (unframed) together with three other watercolour by the same hand; Harvesting Bananas, 36.5 x 21.5cm; A woman in tribal dress, 19.5 x 14cm; and A study of a man sitting on a wall, with a pencil study of a man (verso), 26.5 x 18cm, (all unframed) (4) ARRProvenanceThe artist, thence by descent to her grandson;Private collection, UKFootnoteMargaret was brought up in Horsted Keynes, East Sussex. She studied art at the Slade under Professor Tonks alongside Gwen and Augustus John. She then set up and ran a small commercial art studio in London. When she married, she moved to Nyasaland (Malawi) with her husband who worked for the Agriculture Department of the Colonial Office. They had a small farm of their own where Metcalfe stayed until moving back to the UK in the early 1960s. Throughout her long life she produced a large and varied body of work, much of it recording the people and landscapes of her beloved African home. She regularly exhibited her work both in Malawi and South Africa.The purpose of this sale of work is to raise money for the charity “Mary’s Meals” so as to provide free lunches for schoolchildren in Malawi.

TWO BOXES AND LOOSE MISCELLANEOUS SUNDRIES, to include a boxed 'The Doorman at Harrods of London', two brass kitchen scales, a brass nutcracker in the form of a dog, cast iron shoe last, two vintage umbrellas, a 1988 Beano annual, a May 17th 1933 edition of Punch, a book 'Cap Guns with Values' by James Dundas, a souvenir tribal art dart gun (possibly Aboriginal) and rain stick, etc. (s.d) (2 boxes + loose)

A collection of jewellery to include tribal style bead necklaces, including a lapis lazuli and white metal version, together with a multi stand beaded necklace with coin clasp, various bead necklaces including lapis and coral, glass and plastic/Bakelite, together with a Bakelite brooch modelled as Cherry's, length approx 90mm and another with leaves, along with two 1930's Bakelite circular Westclox, blue and white (cracked with a chip) and a small black and white Art Deco watch with clip reverse a/f cracked will not wind and a plated ladies Bulova wristwatch (1 bag) westclox wind and ticking wear and tear commensurate with age  Note: regarding watches/pocket watches please note movements untested, functionality untested, modifications and restorations may not be disclosed in the catalogue description, for more information on any detail related to this lot please request a condition report with specific questions or view the lot in person

A tribal art carved occasional table having pictorial carvings to top and elephant supports

19th century tribal art sami knife made from a reindeer antler engraved with typical Scandinavian symbols. Length approx 46 cm

Two pieces of ebony African Tribal Art and a hand-held piece of Mauri tribal art.

A composite tribal warrior sculpural figure, 65 cm h to/with a bronzed Art Deco style female golfer, 50 cm h, an Art Deco style sculptural table lamp and an 8-branch table candelabra, all a/f (4)

Stock-Figur der Nyamwezi Tansania, Ostafrika Stark elongierte, schmale, männliche Figur mit überlangen Gliedmaßen, der kleine Kopf mit weißen Glasperlenaugen. Holz. H. 154 cm, auf modernem Sockel ges. 159 cm. - Aus süddeutscher Privatsammlung.afrikanische Stammeskunst, Ethnie, Ethnografische Kunst, Ethnologie, Kunst aus Afrika, Tribal Art

Stock-Figur der Nyamwezi Tansania, Ostafrika Stark elongierte, schmale, weibliche Figur mit überlangen Gliedmaßen, der kleine Kopf mit weißen Glasperlenaugen. Holz. H. 153 cm, auf modernem Sockel ges. 158 cm. - Aus süddeutscher Privatsammlung.afrikanische Stammeskunst, Ethnie, Ethnografische Kunst, Ethnologie, Kunst aus Afrika, Tribal Art

Chiwara-Tanzaufsatzmaske der Bambara Mali, Westafrika Vertikal geführter Aufsatz in Gestalt einer stilisierten Antilope, an den Spitzen Pflanzenfaserbüschel sowie eine kleine Kette aus gelben Glasperlen; flächendeckende, ornamentale Kerbschnitzerei. Holz. 61 x 31 x 7,5 cm. - Nur kleinere Gebrauchsspuren. - Aus süddeutscher Privatsammlung.afrikanische Stammeskunst, Ethnie, Ethnografische Kunst, Ethnographie, Ethnologie, Holzskulptur, Kunst aus Afrika, Tribal Art, zoomorph

Zwillingsfiguren "Ibeji" der Yoruba Nigeria, Westafrika Standfiguren zweier Hermaphroditen. Holz, vollrund geschnitzt. H. 79 und 81 cm. - Alters- und Gebrauchsspuren, Bereibungen, Schwundrisse. - Aus süddeutscher Privatsammlung.afrikanische Stammeskunst, Ethnie, Ethnografische Kunst, Ethnologie, Kunst aus Afrika, Tribal Art

Ngil-Maske der Fang Gabun, Zentralafrika Großes, tropfenförmiges Gesicht mit ausgeprägter, langer, schmaler Nase und Skarifizierung an der Stirn. Holz mit Resten weißer Pigmentierung. 72 x 26 x 18 cm. - Altersspuren, Ausbrüche, Wurmfraßlöcher, Fassung verloren. - Aus süddeutscher Privatsammlung.Äquatorialguinea, afrikanische Stammeskunst, Ethnografische Kunst, Ethnologie, Geheimgesellschaft, Kunst aus Afrika, Ngil-Gesellschaft, Tribal Art

Tribal Art: British Columbian carved jade bear, signed and a cut glass dish with silver rim (approx. 10cm diameter)

Tribal Art: large African carved wooden bowl (approx. 70cm long), wooden platter and trough