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Guanacaste-Nicoya Region, Ca. AD 300 - 500. A jade axe god celt pendant with a stylised bird-headed form. The rounded head features incised circular eyes and shallow carved lines define the wings extending along the sides, while the lower section tapers to a broad, flared edge. The surface displays natural veining. Mounted on a custom-made display stand.For similar see: Christie's, Live Auction 5016, Tribal Art, 15 June 2002, Lot 11.Size: 95mm x 50mm; Weight: 255gProvenance: Private dutch collection; Ex. private collection.This piece is accompanied by Spanish Export license.

Collection of metalware, treen and wooden boxes.  To include: a lead Egyptian sarcophagus, a tribal art hammer, a 19th century animal trap (as found) plus various other items

Two Fakeye family Nigerian Yoruba tribal art carved wooden sculptures, 46cm and 39cm The largest by Akin Fakeye (1936-) depicting a man in ceremonial outfit and headpiece, the smaller figure by Gani Fakeye depicting a man with a club and pipe. Both in good condition

A LARGE TRIBAL ART NIGERIAN IGBO MASK, with painted detail, H 65 cm

A TRIBAL ART TIV MALE FIGURE, with carved detail, Nigeria, H 44 cm

A TRIBAL ART DAN FEMALE FIGURE, with typical elongated neck, Ivory Coast / Liberia, H 54 cm

An antique tribal art figure. Height 92.5 cm.

Tribal Art - Zulu Nguni Pipe Group South Africa, late 19th, early 20th century, graduated set of three, measuring 46, 26.5 & 22.2cm. long (3) * Laxey pipe factory collection.

Tribal Art - Zulu Nguni / South Africa or similar smoking pipes, probably late 19th / early 20th century, one having an unusual 'L' shaped bridge from shank to upper bowl, 14.7cm. long, the other with ornate inlaid wirework to bowl. (2) * Laxey pipe factory collection.

Tribal Art A large collection of volumes on tribal art to include of Africa, America, Oceania and of the Inuit people to include: Brodrogi (Tibor) Stammeskunst, Budapest, 1982, two volumes, 4to; Meyer (Anthony J.P.) Oceanic Art, Cologne, 1995, folio; Einstein (Carl) Negerplastik, Munich: Kurt Wolff, 1920, 4to, cloth; among other volumes on tribal art (qty) The Library of Roger Cardinal Roger Cardinal (1940-2019)Roger Cardinal was one of Britain’s most distinguished art historians, best known for defining what is generally known as Outsider Art - that is, art by people with no formal training. He began his career as a lecturer at the French department of the University of Manitoba, Canada, subsequently moving to Warwick University and finally to the University of Kent at Canterbury, where he taught for fifty years and held a professorship.Roger Cardinal was not only a leading authority on Outsider Art, but also on Surrealism. He was a prolific writer and a master of literary style. His eloquent, percipient writings include several books on a wide range of subjects such as Outsider Art (1972), German Romantics in Context (1975) Figures of Reality (1981), Expressionism (1984), The Landscape Vision of Paul Nash (1989), The Cultures of Collecting (1994), and Kurt Schwitters (2011). He also acted as a curator and was a regular contributor to art-historical publications.Cardinal’s interest in art lay in its margins - the neurodiverse, psychotic, uneducated, autistic, self-taught and ‘other’. His fascination with artists such as the violently psychotic Adolf Wölfli lay in their creativity rather than in the sensationalism of their lives. Certainly, it did not lie in the resale value of their work. That outsider art should have its own multimillion-dollar annual fair in New York and specialist departments at Christie’s auctioneers ran quite contrary to Cardinal’s thinking.Much of Roger Cardinal’s library has recently been donated to the Tate Gallery including the handwritten diaries that he kept his whole life. Cardinal often used books as working tools, heavily annotating in the margins - as with many volumes in the current sale. The library offered reflects Cardinal’s varied interests and fluent command of French and German. Alongside a large collection of art reference works in his specialist subjects, we also find collections of books on fairy tales and science fiction.

A carved softwood headrest, first half of the 20th century, Somalian, the single post with basket-weave carving, raised on a flared circular foot,20cm wide13cm deep20.5cm highProvenance: Sotheby Parke Bernet & Co., 'Tribal Art', 3 December 1984, lot 386.Condition ReportWITH ORIGINAL INVOICE. Small areas of wear, knocks, scuffs and surface scratches throughout. The rim to the foot lifting and chipped. Stands level on a flat surface.

A Vintage Double Ended Folk Art/Tribal African Comb, 22cms High

Tribal Art - a Baule colon figure, standing, wearing a spotted red garment, 28cm high, Ivory Coast, 28cm high; others, Gabon/West Africa (4)

Tribal Art - a Yaka m'bwoolo fetish figure, stylised features with upturned nose, bound in cloth and attorned with sticks, 37cm high, Democratic Republic of Congo

Tribal Art - a Yaka fetish figure, he stands, cloth bound and decorated with earth pigments, 54cm high, Democratic Republic of Congo

Tribal Art - an Nkisi N'Kondi hardwood and metal mounted power figure, stone mooyo within glass case, 48cm high, Democratic Republic of the Congo

Tribal Art - a Songye figure, the stylised triform physiognomy with pronounced features, 34cm high, Democratic Republic of Congo; another, Agni/Baule, 56.5cm high; another, decorated in polychrome and adorned with cowrie shells; another (5)

Tribal Art - a Zulu knobkerrie, domed head applied with brass tacks, 68.5cm long, South Africa, c.1900

Tribal Art - an Ekoi headdress figure, in Ejagham style, 41cm high, Nigeria; etc (4)

Tribal Art - a large Yoruba figure, female, kneeling, adorned with feathers, and a pod necklace, 72cm high, Nigeria

Tribal Art - a Mangbetu terracotta figural vessel, 37cm high, Democratic Republic of Congo

A LARGE CARVED WOODEN AFRICAN TRIBAL ART WALL HANGING, HEIGHT 97CM

Wooden tray of carved wooden items including tribal art. Not available for in-house P&P

Mixed wooden items including tribal art. Not available for in-house P&P

Tribal art, Ethnographical interest, Two 19th Century Australian Aboriginal Boomerang Clubs, one of hard wood with what appears to be fine scratched decoration possibly made by possum tooth, approximately 70cm , and a more slender example with painted decoration approximately 64cm long, both collected at the end of the 19th century, faint hard to read pencil inscription J T Kemp Victoria 1898 ( clubs have been in vendors family since being brought back in the early 20th century)

Zena Blackwell Major, 2025 Oil on linen Signed on Verso 10 x 15cm (3¾ x 5¾ in.)About Zena Blackwell is an award-winning contemporary painter whose work explores themes pertaining to childhood, parenthood and family life. Working primarily in oils, Zena allows the story on the canvas to unfold organically, with her source material ranging from her personal archive of family photos to specifically sought out found images. Education 2021-2022 TURPS Correspondence Course 2010-2011 MFA In Fine Art, Central Saint Martins 1996 - 1999 BFA in Fine Art, Wimbledon College of Art Solo Exhibitions 2022 A Delicate Balance: Solo show at Canfas, Cardigan, Wales 2018 Seen Not Heard: Solo Exhibition at Cardiff MADE, Cardiff, Wales Group Exhibitions 2025 A Dream Within A Dream, Liminal Gallery, Margate, England Intersum, Oriel Canfas, Cardiff, Wales BEEP Painting Biennial, Aberystwyth School of Art gallery, Aberystwyth, Wales 2024 The Walls Between Us, Saatchi Gallery, London, England BEEP Painting Biennial, Elysium Gallery, Swansea, Wales (Winner of the Friends of the Glynn Vivian Award) Rejects, Art Friend @ Stokey Pop Up, London, Englan Y Lle Celf, National Eisteddfod, Rhondda Cynon Taf, Wales Among Women, Vol 1 curated by Occupata, Art Market, Cardiff, Wales Primal: Tribal: Beats, Studio Cennen, Llandeilo, Wales Made in Roath Open, g39, Cardiff, Wales Arcade Campfa Studio Show, Art Market, Cardiff, Wales Breath: Inspire: Spirit at Studio Cennen, Llandeilo, Wales Cardiff MADE Winter Exhibition, Cardiff, Wales 2023 Latent Dreaming: AucArt x SeeFood Room at SeeFood Room, Hong Kong Through the Looking Glass (Aucart Group Show), Fitzrovia Gallery, London, England New Wave, Spitalfields Studios, London, England SOTA Marketplace: Accessible Art Fair, The Lab, London, England Resilience, Cardiff MADE, Cardiff, Wales Human: Nature, Studio Cennen, Llandeilo, Wales Best of the Solo Art Prize winner's exhibition, Cardiff MADE, Cardiff, Wales Awards 2024 Friends of the Glynn Vivian Award, BEEP Painting Biennial 2022 Shortlisted for BEEP Painting Biennial, BEEP 2021 Shortlisted for Summer Exhibition, Royal Academy 2019 3rd Prize at PAINT, PS MIrabel 2017 1st Prize Summer Exhibition, Cardiff MADE Statement About AOAP Submitted Artwork 'Major' is based on a found photograph of a lion by the same name that used to be an attraction at Magic Mountain theme park in California in the 1970s. He was heavily sedated and children would have their pictures taken with him. Generally, my work explores parental anxiety. Lions first started appearing in my work a few years ago, becoming a symbol of danger but also of protection. I also think a lot about the natural world and Man's destruction of it and what the future will look like for our children.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

A TRIBAL ART DAN FEMALE FIGURE, with typical elongated neck, Ivory Coast / Liberia, H 54 cm

A TRIBAL ART TIV MALE FIGURE, with carved detail, Nigeria, H 44 cm

A LARGE TRIBAL ART NIGERIAN IGBO MASK, with painted detail, H 65 cm

A striking hand-carved soapstone sculpture depicting a kneeling woman presenting an offering. The elongated form and stylized features evoke traditional African and Southeast Asian tribal art, with intricate carved textures adorning the figure's clothing and hair. The woman's pose, with her head tilted upward, conveys a sense of devotion and reverence, making this piece a symbolic representation of gratitude and spirituality. Crafted from solid stone, the sculpture has a natural, earthy finish that enhances its organic aesthetic.Issued: 20th centuryDimensions: 11"HCondition: Age related wear.

A unique handcrafted lava stone sculpture featuring an abstract tribal mask mounted on a curved, textured base. The mask design draws inspiration from traditional tribal art, with a geometric structure and rich earthy tones that add depth and character. The textured surface contrasts with the smooth, polished black backing, enhancing the sculptural form. Crafted in the Philippines, this piece embodies a fusion of traditional influences and contemporary design, making it a striking decorative object for modern interiors.Issued: 20th centuryDimensions: 13"HCountry of Origin: PhilippinesCondition: Age related wear.

A bold and expressive handcrafted metal tribal sculpture, featuring a stylized abstract face with geometric elements. This piece showcases traditional African and Indigenous artistic influences, with squared-off facial features, an elongated neck, and a strong symmetrical design. The sculpture is mounted on a sturdy base, giving it a commanding presence as a decorative or collectible art object. The dark metal finish enhances the textured details, making it a striking addition to any ethnographic, folk art, or modernist collection.Issued: 20th centuryDimensions: 9.5"HCountry of Origin: AfricaCondition: Age related wear.

A finely crafted African tribal mask, carved from wood and presented on a black metal stand. The mask features intricate detailing, with deeply set eyes, a prominent nose, and pursed lips. Decorative carvings and markings embellish the forehead and cheeks, while a textured crest adorns the top. This piece exhibits the characteristic stylization of traditional African art, making it an excellent addition to any ethnographic collection or home decor display.Issued: 21st centuryDimensions: 20.5"HCondition: Age related wear.

A striking hand-carved wooden mask from Indonesia, featuring a serene face with intricate headdress detailing. The mask is finished in a deep blue-black patina, giving it an aged and artistic appearance. Presented on a custom wooden stand for tabletop display, the mask can also be removed and hung as wall decor. This finely crafted piece reflects traditional Indonesian artistry and would make an excellent addition to a cultural or tribal art collection.Issued: 20th centuryDimensions: 19.5"HCountry of Origin: IndonesiaCondition: Age related wear.

Tribal art. A collection of African hardstone and other sculptures, 32cm h and smaller and a serpentine aneroid barometer, 18.5cm diam (8) Wood bust with shrinkage crack, stone statues with minor chips and knocksBarometer - faded dial

Lot to include tribal art, briefcases / satchels, brass figure, transport related ephemera and other. [W] ALL ITEMS MUST BE PAID FOR AND COLLECTED/SHIPPED BY CLOSE OF BUSINESS ON WED 12TH MARCH

Carved wooden tribal art mask and artefacts including a handled bowl

Tribal Art - African carvings, figures, baskets, etc

Tribal Art - a Samburu hunting spear, 93cm long, Kenya; Maasai spears; an East African dagger, 21cm blade, horn hilt, leather scabbard, 38cm long; another (6)

2nd-3rd century A.D. Bust and torso of an indigenous nobleman modelled in the round; with rounded facial features, the shoulder-length hair dressed in hanks and cut into tiers, centre-parted and framing the face; the eyes exaggerated, probably originally emphasised with sheet-silver detailing; the broad chest smooth with ring-and-dot nipples; a thick collar or torc sitting high on the collar-bone, with braided detailing and finished with a D-shaped pendant; each upper-arm supported by a barley-twist column with cup finial and stylised flames above; the centre supported by a rectangular block with incised herringbone linear pattern interspersed with pointillé pellets; the base broad and gently curved away from the figure, with a lattice of bilinear panels bearing groups of three ring-and-dot motifs, D-shaped loop to the forward edge flanked by smaller lobes; the reverse plain, the head hollow with remains of a thick loop at the lower edge of the hair; significant iron deposits to surface from its deposition environment; of provincial Roman workmanship. See Boucher, S. & Tassinari, S., Musée de la Civilisation Gallo-Romaine a Lyon: Bronzes Antiques I. Inscriptions, Statuaire, Vaisselle, Lyon, 1976. 461 grams, 13 cm (5 1/8 in.). [No Reserve] From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.Its construction with a central block flanked by two short pillars (i.e. leaving two slots) suggests that the piece may have been intended as a rein-guide for a chariot, whereby the leather or fabric straps would pass through the two apertures and, by their separation, be prevented from tangling. Bronze figural busts are known from Gallo-Roman contexts: they are usually female and interpreted as tutelae or protective tribal spirits (Boucher & Tassinari, 1976, items 62-4). The present example is evidently designed to impress the viewer with its portrayal of the 'noble barbarian' as a suitable conveyor of martial splendour (Boucher & Tassinari, 1976, item 321). The impressive figure recalls the famed statue 'The Dying Gaul' in the Capitoline Museum, Rome, showing a 'barbarian' warrior with a neck torc, thick hair and moustache, discarded weapons and shield carved on the ground and a carnyx trumpet between his legs. The statue is a copy of a Hellenistic original celebrating a Greek victory over the Galatians.

Tribal Art: African carved wooden figural groups and some elephant figures

Good collection of assorted wooden objects in round tray, boxes, Tribal Art figures, truncheon, mask, etc

Two tribal art carved bone figures, two agate brooches, a gilt egg, a small figure with pop out eyes, a 19thC. oval yellow metal brooch set with pearl, tests electronically as 9ct gold, a small novelty abacus & other items

A tribal art blow pipe with darts

Tribal Art - a Canadian Boma totem pole model, decorated with grotesque masks in the indigenous manner, 17cm high overall

Tribal Art - an African hardwood figurative funerary or boundary marker, as a tribesman, the head carved, 40cm long overall

Tribal Art - an African reliquary power figure, probably Fang, depicted standing, the elongated body with figure-of-eight cavity, 48.5cm high, Democratic Republic of Congo

Tribal Art - a Dogon figural carving, depicting the primordial couple, 59cm high, Mali, West Africa

Tribal Art - a Senufo figure, of elongated proportions, stylised features, geometric scarification, 74cm high, Ivory Coast

Tribal Art - a Southeast Asian composite cast, of a double-ended phallus, loop handle, 31cm long overall, probably Thai

Tribal Art - a Chokwe male figure, he stands, 66cm high, Angola

Tribal Art - a Kota hardwood and copper mounted reliquary guardian figure (mbulu ngulu), 47cm high, 25cm wide, Gabon

Tribal Art - a 19th century spatulate club or lime spatula, possibly Polynesian or Papua New Guinea, stone carved, 88cm long

Tribal Art - a Baule colon figure, standing, wearing a spotted red garment, 28cm high, Ivory Coast, 28cm high; others, Gabon/West Africa (4)

Tribal Art - a Zulu status or prestige staff, loop finial, spirally turned shaft, 85.5cm lkong, South Africa, c.1900

Tribal Art - a Mbete reliquary figure, picked out with white pigment, 31cm high, Democratic Republic of Congo

Tribal Art - a Benin bronze, cast as the head of a young man wearing a ceremonial head-dress, painted in green, 20cm high overall

Tribal Art - a Lobi bateba figure, depicted with arms outsretched upwards, 48cm high, Burkina Faso, collector's display stand

Tribal Art - a large Fijian kava bowl, of one-piece dug-out construction, four tapered cylindrical legs, 61cm diam, Fiji, MelanesiaProvenance: Silver coloured metal presentation plaque engraved with the insignia of the Fiji Infantry Regiment and inscribed 'To Tony and Pat Palmer from all ranks 1 FIR, Malaya 1955-56'

Tribal Art - an African Mossi softwood ceremonial wango or mask, figural cresting painted in tones of black, red, and white, above concave mask, 94cm high, Burkina Faso