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Television and Film Awards / Noele Gordon plus, five awards including TV Times top ten award to Noele Gordon in 1974 for 'Favourite TV personality known for her role on the British soap opera 'Crossroads'. Award designed, made and signed by William Timym MBE 1902-1990 plus a similar award by Timym with no dedication, a British sponsored film festival 1973 bronze award, category G Plant Shutdown (40cm high) The Lambs award given to Jack Albertson (a Oscar and Emmy winning actor) for his humanity, artistry and dedicated service to the theatre in 1973 (only the base no trophy) and a 'Look in' award, a children's magazine centred around ITVs television programs

Programmes / Brighton Hippodrome / Finsbury Park Empire plus, approximately five hundred programmes from performances at The Brighton Hippodrome, Finsbury Park Empire, Chiswick Empire, Metropolitan & Empress Theatre mainly dating from 1940s to 1960s approx 200 from Brighton including Sean Connery in South Pacific 1954, Frankie Howerd, Charlie Chester, Jon Pertwee, Max Wall, Harry Secombe, Dick Emery, Harry Worth, Tony Hancock, Larry Grayson, Adam Faith and numerous others, approx 300 programmes from the other theatres - all in folders labelled and all mainly good condition

Laurel and Hardy Programme plus, The Butlin Theatre Skegness Programme which features Laurel and Hardy in the week commencing Monday June 23rd 1947 good condition together with twenty two 'Film Fun' magazines dating from the early 1950s some discolouring but reasonable condition

Theatre World Magazines, thirty eight Theatre World Magazines, two complete monthly sets for 1945 and 1956 together with 1943 July to November and 1944 January to September all fairly good condition with some wear to spine

Goth LPs, seventeen albums of mainly Goth Rock comprising The Cult - Electric, Gene Loves Jezebel (Discover (with free LP), Immigrant, Promise), Killing Joke (Killing Joke, Fire Dances, Night Time), The Mission (Carved In Sand, Children, Gods Own Medicine), Bauhaus - The Sky's Gone Out (with free Live LP), Marc and the Mambas - Torment Toreros, Jesus and Mary Chain - Barbed Wire Kisses, Lords of the New Church - Killer Lords, Theatre of Hate - Westworld, Play Dead - The Singles 1982-85 and Essence - Ecstasy - various years and conditions

Breakfast at Tiffany's Poster Print / David O'Daniel / signed, a limited edition (29/125) hand signed Breakfast At Tiffany's 'Castro Theatre' Print by David O'Daniel - Silkscreen on Metallic Gold Paper - measuring 24" by 18" and in Excellent condition

Bullitt Poster Print / David O'Daniel / Signed, a limited edition (23/200) hand signed Bullitt 'Castro Theatre' Print by David O'Daniel - measuring 24" by 18" and in Excellent condition

Signed DVD pair including: Jupiter Ascending & X-Men First Class, autographed by the following: Douglas Booth, Tuppence Middleton, Tim Pigott-Smith, Vanessa Kirby, James McAvoy, plus others, (see photograph for vendors list of autographs), NO COA, Vendor States that "All autographs where collected in person either at theatre stage doors or conventions", Good to Good Plus. (2).

Doctor Who Autographed Topps Alien Attax Trading Cards including: The OOD, Madame Vastra, Melanie Bush, Emma Grayling, Cyber-Webley, Miss Kizlet, plus others, (see photograph for vendors list of autographs), NO COA, Vendor States that "All autographs where collected in person either at theatre stage doors or Doctor Who conventions", Good to Good Plus.

Doctor Who, Quantity of Magazines, Comics, Calendars, Medals, Colin Baker Doctor Who Flyer from The Grand Theatre & Opera House Leeds, plus others, Good to Good Plus. (Qty).

BBC Books Torchwood, The Encyclopaedia with autographs including: Eve Myles, Gary Russell (writer), Tom Price, Kai Owen, plus many others (see photograph for vendors list of autographs), NO COA, Vendor States that "All autographs where collected in person either at theatre stage doors or Torchwood/ Doctor Who conventions", Good to Good Plus.

''DEREK JACOBI BREAKING THE CODE'' THEATRE ROYAL HAYMARKET POSTER SIGNED BY THE CAST

A box of music and theatre ephemera/records. Includes Michael Jackson, John Travolta Appreciation Society, The Wombles, Chitty Chitty Bang Bang programme with ticket, Tom Jones and Madonna programmes with tickets etc.

Star Wars - Star Trek - A collection of Star Wars items, books, Monopoly set, Tazo Collector's Force Pack and a Star Trek Official Poster Collection. Includes Star Wars Complete Vehicles book, Lego Star Wars In 100 Scenes book with limited edition minifigure, Star Wars Movie Theatre Storybook & Lightsaber Projector and others. The books all appear Near Mint, the game is sill sealed but has some storage wear on the box. (This does not constitute a guarantee) [ba]

A Southwold Theatre poster, September 10th 1808

NICHOLAS GARLAND (BRITISH B.1935) ⊕ OTIS BLACKWELLsigned Nicholas Garland lower right; titled and numbered Otis Blackwell 12/25 lower leftwoodcut on paper43 x 43cm; 17 x 17in60.5 x 59cm; 23 3/4 x 23 1/4in (framed)Property from a West London CollectionProvenanceThe Fine Art Society, London (purchased by the present owners in 2003) ExhibitedLondon, The Fine Arts Society, Nicholas Garland, 2003, no. 38Rhythm and blues pianist Otis Blackwell (1931-2002) was one of the leading figures of early rock and roll, and although his own records never made it to the top of the charts, he wrote songs for a number of leading singers of the day including Elvis Presley. His hits from the late 1950s included Great Balls of Fire, All Shook up, and Handy Man. Cartoonist Nicholas Garland spent his early life in New Zealand before studying at the Slade. He subsequently worked in theatre, including at the Royal Court on Sloane Square at the end of the 1950s. But in 1964 he devoted himself to cartooning, working at the Spectator and at Private Eye where he collaborated with Barry Humphries, before being appointed the first political cartoonist of the Daily Telegraph in 1966 where he stayed for the next twenty years. In 1986 he joined the nascent Independent, before returning to the Telegraph for another two decades, retiring in 2011. He was appointed cartoonist for the London Olympics in 2012.

A collection of post cards and a stamp book, to include over 85 lose topographical black and white and colour postcards, most written on and franked. a book of over 100 inserted postcards from travels across Africa and Asia. An incomplete Stanley Gibbons improved postage stamp album, countries of the world And a vintage theatre programme of the Musical Arabian night Condition as seen View all pictures

Tommy Cooper Theatre Programme & Memorabilia Collection Featuring Folies Bergère, London Palladium, Autographs & More A remarkable collection of theatre programmes and memorabilia celebrating the legendary Tommy Cooper, offering a rare glimpse into his iconic career on stage and beyond. This unique lot includes: A programme from the famous Folies Bergère show, starring Tommy Cooper, Frankie Howerd, Millicent Martin, and other top entertainers. Programmes from the London Palladium and the Prince of Wales Theatre, featuring Cooper in some of Britain’s most prestigious variety performances. A Tommy Cooper first-day cover stamp, marking his enduring place in British comedy history. An unopened pack of 10 Tommy Cooper KP Nuts playing cards, a nostalgic promotional collectible. A Tommy Cooper autograph, adding a personal connection to this beloved entertainer. A Variety Club of Great Britain Tommy Cooper Tribute Lunch programme from 1979, signed by Tommy Cooper and others, making this collection even more special for memorabilia enthusiasts. A fantastic archive of Cooper’s legendary career and British variety theatre, perfect for collectors of comedy, magic, and entertainment history. "Just like that!" Provenance: From the single owner collection of Clive St James, one of the UK's leading Tommy Cooper impersonators. 

Tommy Cooper’s ‘Joke Table’ with Comedy Legs A Classic Piece of British Stage ComedyBelieved to have been used by the legendary comedian Tommy Cooper, this iconic ‘joke table’ with comedy legs is a brilliant example of his signature slapstick humour. Designed to create the illusion of a person trapped beneath it, the table features painted wooden legs wearing red high heels, adding to the visual absurdity that made Cooper’s performances so unforgettable. This prop aligns perfectly with Cooper’s unique blend of magic and comedy, where carefully orchestrated chaos always led to roars of laughter. While its provenance is not fully documented, it is thought to have been part of his act, making it a remarkable collector’s piece for fans of British comedy, theatre memorabilia, and magic history. A fantastic and rare tribute to one of Britain’s most beloved entertainers "Just like that!" Provenance: From the single owner collection of Clive St James, one of the UK's leading Tommy Cooper impersonators. 

The famous Tommy Cooper Bottle-Glass-Bottle trick. A Rare Piece of Comedy HistoryStep into the world of classic British comedy with this remarkable piece of stage magic—Tommy Cooper’s original glass bottle trick, a prop used by the legendary comedian himself. This rare and unique item was an essential part of Cooper’s act, embodying his signature blend of slapstick humour and masterful misdirection.Crafted for performance, the trick involves an ingenious mechanism that allowed Cooper to baffle audiences as bottles and glasses seemingly swapped places in an impossible routine—often culminating in comic chaos. This item is accompanied by provenance linking it to Cooper’s stage performances, making it a must-have for collectors of magic memorabilia, theatre props, and British entertainment history. A true piece of showbiz nostalgia, perfect for fans of Tommy Cooper, vintage magic, and comedy heritage. "Just like that!" Provenance: From the single owner collection of Clive St James, one of the UK's leading Tommy Cooper impersonators. The trick comes with a letter of authenticity from Harold Taylor's agent who was gifted the item from Tommy Cooper, who then gifted it to his agent

Tommy Cooper’s Suit – Worn to Meet Queen Elizabeth II in 1977 An Iconic Piece of Comedy and Royal HistoryThis is the very suit worn by legendary comedian Tommy Cooper in 1977 when he had the honour of meeting Queen Elizabeth II, one of his most famous admirers. Known for his towering presence, red fez, and unforgettable humour, Cooper was a favourite of the Queen, who greatly enjoyed his unique blend of magic and comedy. Elegantly tailored yet unmistakably Cooper, this suit represents a significant moment in his career—a meeting between British comedy royalty and the actual Royal Family. A rare and historic piece, it captures the larger-than-life personality of one of Britain’s most beloved entertainers. A must-have for collectors of comedy, theatre, and royal memorabilia. Provenance: From the single owner collection of Clive St James, one of the UK's leading Tommy Cooper impersonators. The Suit comes with a letter of authenticity from Tommy's daughter Vicky Cooper See all photos (props and fez not included in this lot)

Original watercolour artwork STRATFORD ON AVON, SHAKESPEARE THEATRE by carriage print artist Claude Buckle R.I. for a GWR Publicity Dept. illustration. Unsigned mounted artwork measures 10in x 6in. In very good condition. (Provenance Malcolm Guest Collection Morphets sale Harrogate, 2010).

A large quantity of Books to include Books on Drama, Plays, Theatre etc.

50 Rock and Pop vinyl LP albums including signed examples and private pressings to include: Led Zeppelin (3 albums), Jack White, Duffy Power, Design (fully signed by the band), Al Stewart (signed by Al Stewart), Mick Softley (CBS), Lord Sutch And Heavy Friends (plum Atlantic), Lucifer’s Friend, Deep Purple, Rolling Stones (original unboxed Decca), Animals (original blue Columbia labels), Principal Edwards magic Theatre (Dandelion Records), Johnnie Taylor (Soul City Records) The Hep Stars, Bearfoot Beware, Keith & Donna (US), Coley - Goodbye Brains (numbered), B. Lance, Eric Justin Kaz, Grupo Batuque (double), Dirty Beatniks, Wichita Fall and many others. Condition VG+. 

Arabella Sim Before Time, 2025 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Arabella Sim is a painter and draughtsman who works with text, dance, performance and sound. Trained at Central St Martins and the Royal Drawing School, she is a member of the Art Workers Guild and the Pollen Collective. Her work revolves around the human condition, exploring our connection to the land and the perpetual cycle of life and death. Seeing the human figure as a metaphor of our emotions, she uses abstraction and figuration to trigger memories, vulnerabilities and the subconscious. Increasingly, Arabella collaborates with other artists, believing in the synergy created through cross disciplinary practice. Seeing herself as a storyteller, her influences are wide and extensive, stemming from an eclectic mix of theatre, poetry, philosophy, music and dance. At the core of her practice is drawing. Her work is about the physical 'act' of making, and through risk and exploration, she pushes the boundaries of expression. Whether through paint, dance, charcoal or text, layer upon layer is built up, often erased, but always leaving an imprint, a trace of intention. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Fleur Yearsley To Hold the World in a Lava Lamp, 2024 Soft pastel, graphite, and ink on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Fleur Yearsley is a visual artist based in Manchester, UK. Her work explores themes of memory, humour, gender, and unfolding narratives, often drawing on pop culture to create a relatable connection with the viewer. Offering a fresh, immersive perspective, Yearsley reclaims the tradition of 'the gaze', which has historically objectified women in the Western canon of art, shifting the power dynamic. She engages viewers, inviting them into her approachable paintings to reflect on how they perceive the subjects and their own role in the act of looking. Her process is characterised by immediacy and openness, balanced with playful refinement and a colourful sensibility. Through a diverse range of gestural actions, hard edges, and flat colours, she infuses her work with energy and a sense of vibration. Yearsley's paintings resonate like a generational anthem, addressing concepts of high and low brow culture, everyday life, urban environments and social norms. Education 2015-2017 MFA in Fine Art, Slade School of Fine Art, UCL, London, UK 2010-2013 BA (Hons) Fine Art, Manchester School of Art, MMU, Manchester, UK Solo Exhibitions 2023 Breathing is Free, The Edge Gallery, UK 2022 ONE MORE TUNE, The Manchester Contemporary, UK Coming Up, Ruslan Faraev Institute of Art, UK 2021 When The Lights Go Up (Curated by Julia Lucero), Sapling Gallery, UK Group Exhibitions 2025 A Day In The Life, School Gallery, UK 2024 Input/Output, Paradise Works, UK Shifting Sands, Saan1, UK Manchester Open, HOME, UK 2023 In The Membrane, Paradise Works, UK OPEN, Bury Art Museum & Sculpture Centre, UK NSFW, Smolensky Gallery, UK Unity, Smolensky Gallery, UK 2022 Things Fall Apart, Paradise Works, UK Bankley Open, Bankley Gallery, UK 2021 SLAP-BANG, Warrington Contemporary Arts Festival (Curated by Short Supply), Castlefield Gallery's New Art Space, UK Anything Goes, Aatma, UK 2020 John Moores Painting Prize, Walker Art Gallery, UK 2019 GIFC & Velvet Ropes, House of Vans, UK Bow Open Show, Nunnery Gallery, UK Isolation Association, Art In The Docks, UK 2018 Desires, GNYP Gallery, Germany Original London Print Fair, Royal Academy of Arts, UK 2017 Paper Cuts, Tripp Gallery, UK BUFF, Slade Summer Residency, UK Slade Graduate Degree Show, Slade School of Fine Art, UK 2015 The Windshow Drawing, Camden People's Theatre, UK 2014 OBSESSION: Love, Ritual, Collection, Embassy Tea Gallery, UK 2013 We Are All Explorers, Manchester School of Art, UK Awards 2024 Shortlisted 'Macfarlanes Art Prize' Shortlisted 'Clyde & Co Art Prize' 2022 Shortlisted 'BEEP Painting Prize' 2021 Winner 'Repaint History Prize for Womxn Artists' 2016 Shortlisted 'Blooom Award, by Warsteiner' 2016 Shortlisted 'Taking Shape Prize' 2014 Shortlisted 'Young Masters Art Prize' 2014 Shortlisted 'The Signature Art Prize' Gallery Representation Seventeen (London, UK) Public Collections V&A Museum Collection (London, UK) Statement about AOAP Submitted Artwork 'Queen' is a hopeful bid for equality in light of International Women's Day, as Queen Conch shells are seen as lucky. They are a motif that I return to regularly in my work as they are also evocative of the female form. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Arabella Sim Before Earth, 2025 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Arabella Sim is a painter and draughtsman who works with text, dance, performance and sound. Trained at Central St Martins and the Royal Drawing School, she is a member of the Art Workers Guild and the Pollen Collective. Her work revolves around the human condition, exploring our connection to the land and the perpetual cycle of life and death. Seeing the human figure as a metaphor of our emotions, she uses abstraction and figuration to trigger memories, vulnerabilities and the subconscious. Increasingly, Arabella collaborates with other artists, believing in the synergy created through cross disciplinary practice. Seeing herself as a storyteller, her influences are wide and extensive, stemming from an eclectic mix of theatre, poetry, philosophy, music and dance. At the core of her practice is drawing. Her work is about the physical 'act' of making, and through risk and exploration, she pushes the boundaries of expression. Whether through paint, dance, charcoal or text, layer upon layer is built up, often erased, but always leaving an imprint, a trace of intention. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Nathalie Hollis High Priestess, 2025 Mixed media on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About My work is influenced by elements of theatre, dance, performance and film as well as an interest in the body in motion as a language in itself. I am fixated with capturing movement and the attempt to capture something fleeting on the page, I am also interested in the relationship between drawing and movement and how drawing can become a performative act. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Helen G Blake Here we sit, 2025 Ink and coloured pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Helen Blake is an artist whose practice focuses on colour; engaging with rhythm and formalism, chance and deliberation. Using a working method where process and contemplation guide the evolution of the work, she constructs overtly hand-made drawings and paintings which record and examine colour conversations within accumulating pattern structures, embracing accidents, flaws and discrepancies within their rhythms. Education 1980-1983 B.A. (Hons) in Visual Art, Aberystwyth University, Wales. Solo Exhibitions 2023 A room full of altarpieces, but not a church, The Molesworth Gallery, Dublin, Ireland. Recent Works, The Molesworth Gallery, Dublin, Ireland. 2019 Choir, Limerick Museum, Limerick, Ireland. Recent Works, The Molesworth Gallery, Dublin, Ireland. 2018 New Paintings, Fenderesky Gallery, Belfast, Northern Ireland. 2017 Recent Works, The Molesworth Gallery, Dublin, Ireland. 2016 Helen G Blake, Mermaid Arts Centre, Bray, Co Wicklow, Ireland. Group Exhibitions 2025 London Art Fair, showing with Molesworth Gallery. 2024 Winter Group Show, Molesworth Gallery, Dublin. Butterfly Memory, Fenderesky Gallery, Belfast. A0 Inside + Out, Drawing Box International, Leitrim Sculpture Centre Gallery, Manorhamilton Co. Leitrim. Kites above the Castles, curated by Patrick T Murphy, Director. RHA; Mary Lavin Place, Wilton Park, Dublin. The First Page of Summer, Fenderesky Gallery, Belfast Summer Group Exhibition, The Molesworth Gallery, Dublin RHA Royal Hibernian Academy 194th Annual Exhibition, Dublin H_A_R_D_P_A_P_E_R, Phoenix Artspace, Brighton, UK 2023 Small Paintings, Victoria Munroe Fine Art, New York Winter Group Show, Molesworth Gallery, Dublin The Ballinglen Arts Foundation and Museum of Art First Biennial Exhibition, Ballycastle, Co Mayo Call & Response, a project by The Drawing Box, curated by Anoushka Havinden and Pearl Kinnear, Glasgow Project Room Changing Group Exhibition, Fenderesky Gallery, Belfast RHA Royal Hibernian Academy 193rd Annual Exhibition, Dublin Twenty one, Mermaid Arts Centre, Bray, Co Wicklow 2022 In and of itself - abstraction in the age of images, RHA Gallery, Dublin. Winter Group Show, The Molesworth Gallery, Dublin Changing Group Exhibition, Fenderesky Gallery, Belfast Contemporary British Painting Prize 2022, judged by Hettie Judah, Geraldine Swayne, Grant Scanlan, Thames-Side Studios Gallery Contemporary British Painting Prize 2022, judged by Hettie Judah, Geraldine Swayne, Grant Scanlan, Huddersfield Art Gallery Walking in Two Worlds part 3, curated by Jonathan Powell; Volcano Theatre, Swansea RHA Royal Hibernian Academy 192nd Annual Exhibition, Dublin Generation2022: New Irish Painting, Butler Gallery, Kilkenny. Curated by Anna O'Sullivan 2021 Return to Disintegration-Periodical Review 11, selected by Sheena Barrett, Alice Butler, Mark Cullen and Gavin Murphy, Pallas Projects, Dublin Winter Group Show, The Molesworth Gallery, Dublin Changing Group Exhibition, Fenderesky Gallery, Belfast RHA Royal Hibernian Academy 191st Annual Exhibition, Dublin Walking in Two Worlds part 2, curated by Jonathan Powell; Oceans Apart Gallery, Salford, Manchester Walking in Two Worlds part 1, curated by Jonathan Powell; Oriel Carn Gallery, Caernarfon, Wales. Art Beijing 2021; showing with the Embassy of Ireland, curated by Niamh Cunningham and Peking Art Associates Awards 2023 Visual Arts Bursary Award, Arts Council of Ireland 2022 Highly Commended Award and Runner-up Prize, Contemporary British Painting Prize 2021 Agility Award, Arts Council of Ireland Gallery Representation The Molesworth Gallery, Dublin, Ireland Fenderesky Gallery, Belfast, Northern Ireland Public Collections Aberystwyth University, Aberyswyth, Wales, UK Arts Council of Ireland Ballinglen Museum of Contemporary Art, Ballycastle, Co Mayo, Ireland OPW Irish State Art Collection, Ireland Statement about AOAP Submitted Artwork 'Here we sit' is a methodical free-hand ink drawing of close-set chevrons, building up and enclosing at the lower edge two areas of warm glowing colour. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Arabella Sim Before Air, 2025 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Arabella Sim is a painter and draughtsman who works with text, dance, performance and sound. Trained at Central St Martins and the Royal Drawing School, she is a member of the Art Workers Guild and the Pollen Collective. Her work revolves around the human condition, exploring our connection to the land and the perpetual cycle of life and death. Seeing the human figure as a metaphor of our emotions, she uses abstraction and figuration to trigger memories, vulnerabilities and the subconscious. Increasingly, Arabella collaborates with other artists, believing in the synergy created through cross disciplinary practice. Seeing herself as a storyteller, her influences are wide and extensive, stemming from an eclectic mix of theatre, poetry, philosophy, music and dance. At the core of her practice is drawing. Her work is about the physical 'act' of making, and through risk and exploration, she pushes the boundaries of expression. Whether through paint, dance, charcoal or text, layer upon layer is built up, often erased, but always leaving an imprint, a trace of intention. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Renata Fernandez Lady of the Night, Venezuela, 2025 Digital drawing digitally cut vinyl on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Renata Fernandez. b. 1971, Venezuela. Based in London since 2003. Fernandez delves into themes that revolve around immigration, notions of territory, identity, and displacement. These societal issues serve as a potent source of inspiration and contemplation for her, whilst showing a deep yet subtle emotion, as she strives to bring attention to the sociopolitical aspects inherent in the found imagery she incorporates into her work. Through a multidisciplinary and self-referential approach, Fernandez weaves together a reconstructed memory of landscapes and inhabited spaces, with a static narrative where monster-like tropical plants and outdoor furniture act as signifiers. Her artistic process stems lately from mostly appropriated social media posts. As Fernandez incorporates these ready-made visuals into her work, she reflects upon how people perceive and define the world through the permanently fast-evolving media, the importance and influence of self-publishing as to what has become more visible, and the impermanence/permanence of images in the digital realm that we would rarely see again. Drawing on her background in journalism, social sciences, and theatre set design, Fernandez employs her diverse skill set to source, curate, and present her artwork thoughtfully, emphasising the inherent materiality of her works. She remains dedicated to hand-intensive processes, perpetually exploring and experimenting with materials. EducationFine Art, painting and sculpture, Armando Reveron University Institute (now UNEARTE), Caracas, VenezuelaSocial Sciences, Media and Drama-Set Design, Universidad Catolica Andres Bello, Caracas, Venezuela    Solo Exhibitions2024: Traders' Court (end of Artist Residency granted by Earls Court Developing Company), Earls Court, London 2013: Trópico Camuflado, Museo Alejandro Otero, Caracas, Venezuela    Group Exhibitions2025: Feb, San Esteban, Cabinet Gallery, Caracas, Venezuela 2024: Bury My Songs, curated by Small Works Gallery, in association with Terrace Gallery2023: 238/ARTURO, Espacio Proyecto Libertad, Merida, Venezuela; All women group show with Alex Slato Gallery, Miami2022   CARTOGRAPHY OF CARE, Spilt Milk Gallery, EdinburghATLAS INCONCLUSO, ABRA CARACAS Gallery, Caracas, VenezuelaCASAX EXHIBITION, BA curatorial project from Central St Martins, UKMexican Art Society - now Sommers Gallery - LondonWEARY HAROLD, ASC Gallery, London    Public CollectionsEarls Court Development Company, LondonBreton House, Groucho Club (Yorkshire)    Statement about AOAP Submitted ArtworkThe submitted pieces are digital drawings meticulously translated into glossy black self-adhesive vinyl, set against a matte paper backdrop. Each work depicts tropical flowers, rendered in bold, monochromatic contrast. Stripped of their usual vibrant colors, the flowers transcend their traditional associations with lushness, vitality, and tropical abundance. Instead, the absence of color reframes these motifs, inviting viewers to consider their forms, textures, and shadows anew. The interplay between the glossy vinyl and matte surface creates a striking visual tension, further distancing the imagery from conventional expectations and imbuing the pieces with an unexpected sense of intrigue and ambiguity.    You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Anne Carney Raines Gobo, 2024 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Anne Carney Raines' practice is rooted in her background in scenic painting. Her canvases often depict staged spaces filled with curtains, murals, doorways, blocked passages, and rooms within rooms. Raines completed an MA in painting at the RCA in 2021 and is the three-time recipient of the Elizabeth Greenshields Foundation Grant. Recent exhibitions include: 'Drawing Biennial 2024' (Drawing Room, London), 'Drawing Attention' (British Museum touring exhibition), Hopscotch (Soho Revue, London), 'Pleasure Zones' (Wilder Gallery, London), 'Window,' (Dans les Yeux, Paris). She currently lives and works in the UK. Education 2019-2021 The Royal College of Art, London, MA Painting 2009-2014 Indiana University Bloomington, BFA Painting History of Art Minor Solo Exhibitions 2025 Kudzu Blue, Wilder Gallery, London, UK 2023 Hopscotch, Soho Revue Gallery, London, UK 2022 Pleasure Zones, Wilder Gallery, London, UK Group Exhibitions 2024 Mind to Hand, Incubator Art Projects, London Inside/Outside, Soho Revue, London Drawing Biennial 2024, Drawing Room, London Mi Basta Uno Scorcio, Rubedo Arts, Milan 2023 A British Museum Touring Exhibition, Drawing Attention, York Art Gallery, York, UK Aggregate, Soho Revue Gallery, London Window, Dans Les Yeux D'Elsa, Paris Positions 1, Alma Pearl Gallery, London 2022 Uprising, Kristin Hjellegjerde Gallery, Schloss Gorne, Germany New Contemporaries 2021, South London Gallery, London, UK 2021 London Grads Now, Saatchi Gallery, London, UK Incubator 21 Duo Show, Marylebone, London, UK Awards 2024 Elizabeth Greenshields Foundation Grant 3 2021 Bloomberg New Contemporaries; Bloomberg Philanthropies, London, UK Hine Painting Prize 2020 Elizabeth Greenshields Foundation Grant 2 2019 Elizabeth Greenshields Foundation Grant 1 Gallery Representation Soho Revue Gallery, London, UK Public Collections British Museum - Department of Prints and Drawings, London, UK Government Arts Collection, London, UK Hine Collection, Jarnac, France Soho House Collection, Nashville, USA, and London, UK Statement about AOAP Submitted Artwork My background in scenic painting has drawn me to the stage and its many layers of reality. My paintings are similarly staged spaces that change with either the presence or absence of the figures inside them. There is an obsession with shadow in my work that has its root in Trompe L'oeil painting. In this way, I embrace the lies of painting and the fabrications of theatre to build a world within the works. I'm currently interested in ideas around collective memory of space, exterior/interior environments, and transitional places. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Arabella Sim Before Sea, 2025 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Arabella Sim is a painter and draughtsman who works with text, dance, performance and sound. Trained at Central St Martins and the Royal Drawing School, she is a member of the Art Workers Guild and the Pollen Collective. Her work revolves around the human condition, exploring our connection to the land and the perpetual cycle of life and death. Seeing the human figure as a metaphor of our emotions, she uses abstraction and figuration to trigger memories, vulnerabilities and the subconscious. Increasingly, Arabella collaborates with other artists, believing in the synergy created through cross disciplinary practice. Seeing herself as a storyteller, her influences are wide and extensive, stemming from an eclectic mix of theatre, poetry, philosophy, music and dance. At the core of her practice is drawing. Her work is about the physical 'act' of making, and through risk and exploration, she pushes the boundaries of expression. Whether through paint, dance, charcoal or text, layer upon layer is built up, often erased, but always leaving an imprint, a trace of intention. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Levant.- Febure (Michele) Theatre de la Turquie ou sont representées les choses les plus Remarquables ..., second edition in French, printers woodcut device to title, woodcut initials and headpieces, previous owner's ink initials to title and ink signature to front free endpaper, scattered faint spotting and staining, SQ1-3 with small marginal loss to bottom edge, near contemporary calf, a little rubbed, bumping to corners and extremities, [Atabey 423], 4to, Paris, Jacques le Febvre, 1688.

Group of six Japanese carved netsuke, comprising: a Noh theatre mask of an oni or demon, 5cm high; a Tagua nut, with indistinct signature; owl, two seated figures, and a group of two gourds, together with a Chinese carved hediao nut toggle carved as Shoulao, 3.6cm high (7)

A BOXED LIMITED EDITION HALCYON DAYS ENAMEL 'LUDWIG VAN BEETHOVEN 1770-1827' MUSIC BOX, to mark the bicentenary of the premieres of two of the composer's most celebrated works, Symphony No. 5 (Victory) and Symphony No 6 (Pastoral) Theatre an der Wien, Vienna, 22 December 1808, the music extract playing is from the 1st movement of Symphony No. 5 1808 - 2008, No. 57 of 100, Dia. 8 cm

Euston Theatre of Varieties Bank, a collection of advertising leaflets in the form of cheques (6), all denominated 1 Shilling, 6 Pence and 3 Pence, and detailing the opening times and various prices of admission, dating variously between 1902 and 1909, all advertising different performances and special acts on reverse, the earlier three with signatures of Adney Payne and Fred McAvoy, the final three Henry Gros and Fred McAvoy, a few with knocks and small tears, but a wonderful group of items showing that these notes were anything but a one-off, very scarce (6 notes) Outing unlisted £150-£200 --- The Euston Variety Theatre was built in 1900 and operated very successfully under this name until 1920, when it was renamed the Regent Theatre. It was converted to a cinema between 1932 and 1935. It was demolished by the council in 1968 so they could extend their town hall!

Bank of Merriment, a note loosely in the style of the Bank of Ireland but denominated in fun, advertising a Christmas Pantomime, issued by W. Harrison at Her Majesties Theatre, ND (1864-64), serial numbers 1864 and 1865, promising to ‘perform every evening The Pantomime of the Lion and Unicorn, with the signature of J.H. Harlequinade, with additional advert on the reverse for half price children's matinee performances, pinhole, overall very fine and rare Outing unlisted £80-£100 --- This performance, organised by theatre director William Harrison, ran from December 1864 until February 1865. It was one of his last appearances, as he died only a few years later in 1868. The note was printed, fairly crudely, by the Nassau Steam Press, which was in operation from 1842 until 1888.

g Australia, Victoria (1837-1901), gold Half-Sovereign, 1875-S, Sydney Mint, third young head type A3 left, nose points nearer to O in legend, with date below, Latin legend surrounding, VICTORIA DEI GRATIA, 146 denticle border, rev. crowned quartered shield of arms, letter S below, BRITANNIARUM REGINA FID: DEF: (Hill 462; Bull EGC.1618; QM250; S.3862B). Toned with light surface marks, has been slabbed and graded by NGC as UNC details cleaned, from the Schiehallion shipwreck.NGC Certification 6318313-001 with Shipwreck certification label.Calendar year mintage 312,000.The Latin legends translates on obverse as "Victoria by the Grace of God," and on the reverse as "Queen of the Britons, Defender of the Faith." The iron-hulled barque Schiehallion was launched on the 2nd of December 1869 in Dundee by the shipbuilders Simpson & Co. With a beam of just 8.6m, and a length of 52m, she was by no means a large vessel. Destined for a life of trading between the United Kingdom and New Zealand, the Schiehallion was en route back to London from Auckland on the 13th January 1879 when it ran aground off the cost of the Isle of Wight in thick fog. Thankfully all but two of the original 29 passengers survived the wreck. The news was less good for the cargo, which included over 700 tons of gum, tallow, wool, cotton, cotton seed, silver plate, jewellery, nuts, oil, copra, and manganese. Also on board was a small number of gold Sovereigns and Half Sovereigns for the purpose of trade and exchange along the Schiehallion journey back to London.The wreck is perhaps most famous for the act of bravery of one of the crew members, David Moore, who swam almost a mile from the wreck to the coast in extremely cold and dangerous conditions. Once on dry land, Moore pulled the two lifeboats ashore using a length of rope he'd tied around his leg during the swim. Despite this tremendous act of bravery, Moore remained a modest man, and eventually took a job in Auckland. He was nevertheless tracked down by the Royal Humane Society and awarded their Bronze Medal for bravery. He received the medal at the Theatre Royal in London on the 15th of October 1879. In addition to this, Moore was made 'New Zealander of the Year' by the Auckland Herald - the article of which is accessible online. Whilst Moore's medal is now in a museum, these Half Sovereigns offer the ability to own a piece of maritime history.

* STEPHEN MANGAN (SCOTTISH b. 1964), CITY SCENE oil on boardframed and under glassimage size 41cm x 34cm, overall size 51cm x 43cm Note: Stephen Mangan has an ever growing reputation as an important and relevant Scottish artist. Born in Edinburgh in 1964, in 1988 he graduated with a BA Hons degree in Fine Art from Duncan of Jordanstone Art College, Dundee. Since a post-graduate diploma in 1989 his work has been shown in numerous solo and group exhibitions throughout the UK and in New York, Hong Kong and Holland. Mangan's work is fully figurative and especially distinctive. As we explore the paintings we become increasingly involved with his unique vision. Well-known for scenes of the race-course, the beach, the station, the fairground and the theatre, the work continues to develop and impress. His paintings are held in many private and public collections globally, including the Metropolitan Museum of Art in New York.

* DAVID COOK (SCOTTISH b. 1957), DRAGONFLY AND FRUIT BOWL oil on board, signed, titled versoframedimage size 56cm x 100cm, overall size 71cm x 113cm Note: David Cook was born in 1957 in Dunfermline and attended Duncan of Jordanstone College of Art in Dundee from 1979-84. He was recognised early as an exceptional talent, winning the first prize at the annual student show at the Royal Scottish Academy in 1983. He then won a travel award which took him to Paris, Amsterdam, Belgium and Cyprus. He won the Guthrie Award at the RSA in 1985 and was given Scottish Arts Council Awards in 1985, 1988 and 1989. He has exhibited irregularly but notably at The Traverse Theatre in 1982 and with the 369 Gallery throughout the following decade. In the 1990s he was already visiting "Seagreens" (his current home) and staying at a cottage at Benholm, two miles to the North also frequented by Alberto Morocco and Ian Eadie. Cook travelled regularly in these years to Turkey, the Balearics and significantly, at the invitation of the Everard Reed Gallery, to Southern Africa for three months in 1997. He was able to secure the tenancy at Seagreens shortly after his return and eventually bought it in 2004. Joan Eardley worked at Catterline, just eleven miles to the north of Seagreens and like Eardley sixty years earlier, David Cook feels the emotional draw of the sea and the wildness of the coastal environment. This sense of belonging is now deeply embedded; he can see the seasons change and paint the whole calendar; the daffodils of Spring, wild flowers of Summer, the Autumn skies and bleak drama of Winter are all on show: immediate, raw and compelling. David Cook is represented by The Scottish Gallery (Edinburgh) and his most recent solo show there was "Forged by the Sea" 29th June - 22nd July 2023. His known public collections include: The City of Edinburgh Council, Dundee Art Gallery & Museums, Dunfermline District Museum, Glasgow Museums & Galleries, The Hunterian, Kirkcaldy Museum & Gallery, Knysna Fine Art (South Africa), The Scottish Arts Council, University of Dundee, University of Warwick, Art in Healthcare and in corporate collections in the UK. Recent prices for David Cook's paintings in our auctions in 2024 include sales of £480, £550 and £800.

* NORMAN EDGAR RGI (SCOTTISH 1948 - 2022), PORTRAIT OF A GIRL oil on canvas, signedframed and under glassimage size 46cm x 41cm, overall size 62cm x 57cm Note: Norman Edgar studied at Glasgow School of Art from 1966 to 70 and went on to teach there until 1990, when he left in order to paint full-time. He was a landscape and portrait painter, working in the Colourist tradition. A member of the Glasgow Institute of Fine Arts, he showed work regularly in the annual Royal Scottish Academy exhibitions. He was a long time resident of Gourock on the south bank of the River Clyde and marine activities feature prominently in his work. He was also widely regarded to be one of Scotland's leading still life painters. Known collections include: HRH The late Duke of Edinburgh, Heriot Watt University, Greenock Art Gallery, Argyll Education Authority, Renfrew Education Authority, Lord Morton, Guinness Plc, United Distillers, Lord Macfarlane of Bearsden, Glasgow Dental Hospital, Pitlochry Theatre and in numerous corporate and private collections in the USA, Germany and the UK.

* GORDON K MITCHELL RSA RSW RGI (SCOTTISH b. 1952), SUBLIME oil on canvas, signed, titled versoframed and under glassimage size 24cm x 19cm, overall size 44cm x 39cm Handwritten artist's label versoLabel verso: Roger Billcliffe Gallery, Glasgow.Note: Prizes and Awards include: Borders Biennial Exhibition; First Prize, City Arts Centre, Open Exhibition; First Prize, Educational Institute for Scotland; Purchase Prize, Glasgow Mayfest Award, Royal Scottish Academy Award; First Prize, Royal Scottish Society of Painters in Watercolour; William Gillies Award, Scottish Drawing Competition, Paisley; Second Prize, Royal Scottish Academy; J. Murray Thompson Award, Scottish Artists and Artist Craftsmen; Arts Club Prize, Scottish Artists and Artist Craftsmen; Whyte & Mackay Award, Scottish Artists and Artist Craftsmen; Scottish Provident Award, Scottish Artists and Artist Craftsmen; Dunfermline Building Society Prize, Scottish Artists and Artist Craftsmen; SSWA Special Award. Solo Exhibitions include Dorothy Quinn Gallery, St. Andrews, Henderson Gallery, Edinburgh, Old City Art Gallery, Jerusalem, Traverse Theatre, Edinburgh, Open Eye Gallery, Edinburgh (biannually since 1992), Roger Billcliffe Fine Art, Glasgow (biannually since 1993), Atholl Gallery, Dunkeld (1993) Albemarle Gallery (biannually since 1997). Represented in Group Exhibitions in the United Kingdom, including:Allan Park Gallery, Stirling, Atholl Gallery, Dunkeld, Borders Biennial Exhibition, City Arts Centre, Edinburgh, Contemporary British Art Show, London, Contemporary Fine Art Gallery, Fine Art Society Galleries, Glasgow, Gracefield Art Centre, Dumfries, Hilton Hotel, Hong Kong, John Martin of London, Kirkcaldy Art Gallery, Mall Galleries, London, Morrison Scottish Portrait ExhibitionOpen Eye Gallery, Edinburgh, Paisley Art Institute, Portland Gallery, London, Richard Demarco Gallery, Edinburgh, Roger Billcliffe Fine Art, Glasgow, Royal Glasgow Institute, Royal Scottish Academy, Edinburgh, Royal Scottish Society of Painters in Watercolour, Scottish Arts Club, Edinburgh, Scottish Arts Council Gallery, Smith Art Gallery & Museum, Society of Scottish ArtistsSociety of Scottish Artists and Artist Craftsmen, Stirling Gallery, Talbot Rice Gallery, Edinburgh Group Exhibitions held abroad: Through the `Old City Gallery` Jerusalem, paintings have been included in group exhibitions in Israel, Australia, Canada, U.S.A. and Sweden. Blue and White Gallery, Jerusalem, Contemporary Scottish Art 1994, Hilton Hotel, Hong Kong Collections: Works held in a great many private and public collections, including; Alliance & Leicester Building Society, Edinburgh Distillers Co. Ltd, Edinburgh College of Art, Educational Institute for Scotland, Johnny Walker Whisky Co, Kansas City Art Institute, Macfarlane Group Plc, National Westminster Bank, Paisley Art Institute, Scottish Arts Council, Scottish Brewers Limited, Slottseal Forthside Limited, The Knesset, Israel, University of Edinburgh, Welcome Inns, Whyte & Mackay Group, William Teacher & Sons (Whisky). One of the most recent examples of Gordon Mitchell's paintings we've offered was "Castaway" a 73 x 98cm oil on canvas which sold in The Scottish Contemporary Art Auction of 24th January 2021 for £8000 (hammer) setting a new auction world record for a work by the artist.

* GORDON K MITCHELL RSA RSW RGI (SCOTTISH b. 1952), LIGHT READING oil on canvas, signed,framed and under glasstitled and dated 1994 versoimage size 41cm x 56cm, overall size 56cm x 71cm Handwritten label verso.Exhibition label verso: The Open Eye Gallery, Edinburgh.Note: Prizes and Awards include: Borders Biennial Exhibition; First Prize, City Arts Centre, Open Exhibition; First Prize, Educational Institute for Scotland; Purchase Prize, Glasgow Mayfest Award, Royal Scottish Academy Award; First Prize, Royal Scottish Society of Painters in Watercolour; William Gillies Award, Scottish Drawing Competition, Paisley; Second Prize, Royal Scottish Academy; J. Murray Thompson Award, Scottish Artists and Artist Craftsmen; Arts Club Prize, Scottish Artists and Artist Craftsmen; Whyte & Mackay Award, Scottish Artists and Artist Craftsmen; Scottish Provident Award, Scottish Artists and Artist Craftsmen; Dunfermline Building Society Prize, Scottish Artists and Artist Craftsmen; SSWA Special Award. Solo Exhibitions include Dorothy Quinn Gallery, St. Andrews, Henderson Gallery, Edinburgh, Old City Art Gallery, Jerusalem, Traverse Theatre, Edinburgh, Open Eye Gallery, Edinburgh (biannually since 1992), Roger Billcliffe Fine Art, Glasgow (biannually since 1993), Atholl Gallery, Dunkeld (1993) Albemarle Gallery (biannually since 1997). Represented in Group Exhibitions in the United Kingdom, including:Allan Park Gallery, Stirling, Atholl Gallery, Dunkeld, Borders Biennial Exhibition, City Arts Centre, Edinburgh, Contemporary British Art Show, London, Contemporary Fine Art Gallery, Fine Art Society Galleries, Glasgow, Gracefield Art Centre, Dumfries, Hilton Hotel, Hong Kong, John Martin of London, Kirkcaldy Art Gallery, Mall Galleries, London, Morrison Scottish Portrait ExhibitionOpen Eye Gallery, Edinburgh, Paisley Art Institute, Portland Gallery, London, Richard Demarco Gallery, Edinburgh, Roger Billcliffe Fine Art, Glasgow, Royal Glasgow Institute, Royal Scottish Academy, Edinburgh, Royal Scottish Society of Painters in Watercolour, Scottish Arts Club, Edinburgh, Scottish Arts Council Gallery, Smith Art Gallery & Museum, Society of Scottish ArtistsSociety of Scottish Artists and Artist Craftsmen, Stirling Gallery, Talbot Rice Gallery, Edinburgh Group Exhibitions held abroad: Through the `Old City Gallery` Jerusalem, paintings have been included in group exhibitions in Israel, Australia, Canada, U.S.A. and Sweden. Blue and White Gallery, Jerusalem, Contemporary Scottish Art 1994, Hilton Hotel, Hong Kong Collections: Works held in a great many private and public collections, including; Alliance & Leicester Building Society, Edinburgh Distillers Co. Ltd, Edinburgh College of Art, Educational Institute for Scotland, Johnny Walker Whisky Co, Kansas City Art Institute, Macfarlane Group Plc, National Westminster Bank, Paisley Art Institute, Scottish Arts Council, Scottish Brewers Limited, Slottseal Forthside Limited, The Knesset, Israel, University of Edinburgh, Welcome Inns, Whyte & Mackay Group, William Teacher & Sons (Whisky). One of the most recent examples of Gordon Mitchell's paintings we've offered was "Castaway" a 73 x 98cm oil on canvas which sold in The Scottish Contemporary Art Auction of 24th January 2021 for £8000 (hammer) setting a new auction world record for a work by the artist.

* DAVID COOK (SCOTTISH b. 1957), THE LAST HARVEST oil on board, signed, titled and dated 1986 label versoframed and under glassimage size 113cm x 82cm, overall size 126cm x 95cm Note: David Cook was born in 1957 in Dunfermline and attended Duncan of Jordanstone College of Art in Dundee from 1979-84. He was recognised early as an exceptional talent, winning the first prize at the annual student show at the Royal Scottish Academy in 1983. He then won a travel award which took him to Paris, Amsterdam, Belgium and Cyprus. He won the Guthrie Award at the RSA in 1985 and was given Scottish Arts Council Awards in 1985, 1988 and 1989. He has exhibited irregularly but notably at The Traverse Theatre in 1982 and with the 369 Gallery throughout the following decade. In the 1990s he was already visiting "Seagreens" (his current home) and staying at a cottage at Benholm, two miles to the North also frequented by Alberto Morocco and Ian Eadie. Cook travelled regularly in these years to Turkey, the Balearics and significantly, at the invitation of the Everard Reed Gallery, to Southern Africa for three months in 1997. He was able to secure the tenancy at Seagreens shortly after his return and eventually bought it in 2004. Joan Eardley worked at Catterline, just eleven miles to the north of Seagreens and like Eardley sixty years earlier, David Cook feels the emotional draw of the sea and the wildness of the coastal environment. This sense of belonging is now deeply embedded; he can see the seasons change and paint the whole calendar; the daffodils of Spring, wild flowers of Summer, the Autumn skies and bleak drama of Winter are all on show: immediate, raw and compelling. David Cook is represented by The Scottish Gallery (Edinburgh) and his most recent solo show there was "Forged by the Sea" 29th June - 22nd July 2023. His known public collections include: The City of Edinburgh Council, Dundee Art Gallery & Museums, Dunfermline District Museum, Glasgow Museums & Galleries, The Hunterian, Kirkcaldy Museum & Gallery, Knysna Fine Art (South Africa), The Scottish Arts Council, University of Dundee, University of Warwick, Art in Healthcare and in corporate collections in the UK.

* STEPHEN MANGAN (SCOTTISH b. 1964), PARK SCENE oil on board, signedframed and under glassimage size 70cm x 70cm, overall size 82cm x 82cm Note: Stephen Mangan has an ever growing reputation as an important and relevant Scottish artist. Born in Edinburgh in 1964, in 1988 he graduated with a BA Hons degree in Fine Art from Duncan of Jordanstone Art College, Dundee. Since a post-graduate diploma in 1989 his work has been shown in numerous solo and group exhibitions throughout the UK and in New York, Hong Kong and Holland. Mangan's work is fully figurative and especially distinctive. As we explore the paintings we become increasingly involved with his unique vision. Well-known for scenes of the race-course, the beach, the station, the fairground and the theatre, the work continues to develop and impress. His paintings are held in many private and public collections globally, including the Metropolitan Museum of Art in New York.

* STEPHEN MANGAN (SCOTTISH b. 1964), BEHIND THE LINES oil on canvas, titled label versoframed image size 76cm x 97cm, overall size 95cm x 115cm Label verso: Flying Colours Gallery, London.Note: Stephen Mangan has an ever growing reputation as an important and relevant Scottish artist. Born in Edinburgh in 1964, in 1988 he graduated with a BA Hons degree in Fine Art from Duncan of Jordanstone Art College, Dundee. Since a post-graduate diploma in 1989 his work has been shown in numerous solo and group exhibitions throughout the UK and in New York, Hong Kong and Holland. Mangan's work is fully figurative and especially distinctive. As we explore the paintings we become increasingly involved with his unique vision. Well-known for scenes of the race-course, the beach, the station, the fairground and the theatre, the work continues to develop and impress. His paintings are held in many private and public collections globally, including the Metropolitan Museum of Art in New York.

* STEPHEN MANGAN (SCOTTISH b. 1964), THE INTERVAL oil on canvas, titled versoframedimage size 30cm x 40cm, overall size 46cm x 56cm Label verso: Open Eye Gallery, Edinburgh.Note: Stephen Mangan has an ever growing reputation as an important and relevant Scottish artist. Born in Edinburgh in 1964, in 1988 he graduated with a BA Hons degree in Fine Art from Duncan of Jordanstone Art College, Dundee. Since a post-graduate diploma in 1989 his work has been shown in numerous solo and group exhibitions throughout the UK and in New York, Hong Kong and Holland. Mangan's work is fully figurative and especially distinctive. As we explore the paintings we become increasingly involved with his unique vision. Well-known for scenes of the race-course, the beach, the station, the fairground and the theatre, the work continues to develop and impress. His paintings are held in many private and public collections globally, including the Metropolitan Museum of Art in New York.

* STEPHEN MANGAN (SCOTTISH b. 1964) ANCHOR WATCH oil on canvas, signed, titled label versoframed image size 60cm x 80cm, overall size 79cm x 99cm Label verso: Richard Hagen Gallery, BroadwayNote: Stephen Mangan has an ever growing reputation as an important and relevant Scottish artist. Born in Edinburgh in 1964, in 1988 he graduated with a BA Hons degree in Fine Art from Duncan of Jordanstone Art College, Dundee. Since a post-graduate diploma in 1989 his work has been shown in numerous solo and group exhibitions throughout the UK and in New York, Hong Kong and Holland. Mangan's work is fully figurative and especially distinctive. As we explore the paintings we become increasingly involved with his unique vision. Well-known for scenes of the race-course, the beach, the station, the fairground and the theatre, the work continues to develop and impress. His paintings are held in many private and public collections globally, including the Metropolitan Museum of Art in New York.Very good condition with no visible or known issues.

A model by Timothy Richards of the Tyl Theatre, Mozart's Theatre, Prague, 18.5cm high

Ephemera, to include theatre programmes, postcards and stereographs

Collection of 3 Wizard of Oz (1939) Castro Theatre Screen Print (2012), artwork by David ODaniel, all hand signed, all numbered 49/350, all unfolded, all 20 x 26 inches (3 items) Condition Report: All excellent condition

Amended Description: Theatre of Death (AKA Il Teatro Della Morte) (1967), Italian One Panel Film Poster, starring Christopher Lee, folded, 39 ¼ x 55 inches Condition Report: Good condition, edge wear/nicks, light creasing

* Theatre Costume. A four-piece Spanish-style braided velvet costume, late 19th century, hand-stitched, comprising: a long sleeved jacket and breeches of red velvet with borders, epaulettes, and pockets of light blue silk (a trifle frayed in places) overlaid with elaborate gold metallised braiding, the sleeves with deep slit at cuffs edged with a wide flounce of hand-made needlelace, yellow metal filigree bauble buttons to sleeve edges and down length of breeches (a few missing), jacket with underams rubbed, and lined with light blue silk incorporating 2 interior pockets (silk perishing), breeches with button fastenings (impressed 'best solid eyelet' or 'Macrae & Cameron Edinburgh'), and lined with cream twilled cotton, 3 x 6.5 cm piece missing from top of waistband at rear, jacket chest 96 cm (37.5 ins), sleeves including flounce 61 cm (24 ins), length 56 cm (22 ins), breeches waist 79 cm (31 ins), length 78 cm (30.75 ins); a matching light blue silk waistcoat, lined with cotton twill, with yellow metal basket weave buttons, remains of (later?) silk ribbon tie on rear, some faint fading and marks, edges rubbed and just beginning to fray in places, chest 90 cm (35.5 ins), length 60.5 cm (23.75 ins); and a satin-lined red velvet hat, diameter 21 cm (8.25 ins), both embellished with gold metallised braiding as before, together with a number of other theatrical garments and accessoriesQTY: (a carton)

A collection of mid 20th Century vintage postcards, theatre programmes with autographs, tickets, 19th Century Christmas books with greeting cards and lots more.

3 architectural stone effect models, 1 marked Lichfield House, London, the other the Tyl Mozart Theatre, Prague and a Georgian doorway

Brunel University: Original music concert and related posters, 1969-1971 -a group of fourteen promotional concert and related posters, all rolled, various sizes, the largest 20 x 30 inches, to include:Moody Blues Days of Future Past – Happiness Rains, Junior’s Eyes, The Game, artwork by A Young H Design, Brunel University, Kingston Lane, Uxbridge, Saturday 22nd February 1969.Family, East of Eden, Atomic Rooster and others, Brunel University, Carnival at Lyceum Strand, WC2, printed Impact, Windsor, 68379.Alan Price & His Friends, Brunel University, Kingston Lane, Uxbridge, Friday 28th Feb 1969, other acts included The Wurzels and the Brian Fredericks Band, printed b Rufus Manning?, Cambridge 63305.Jon Hisman’s Colosseum Jigsaw Classic and Guest groups, Optic Nerve Lights, Discs etc., Brunel University, Kingston Lane, Uxbridge, Rag Christmas Rave, Saturday 13th December 1969, printed by Impact, Windsor.Georgie Fame and the Blue Flames; Aylesbury BluesVille, Borough Assembly Hall, Aylesbury, Tuesday 22nd September 1970, featuring Speedy, printed by Arthur’s, Woodchester, Stroud.John Mayall and Black Cat Bones, Brunel University, Kingston Lane, Uxbridge, Saturday 15th February 1969.Traffic, Fairport Convention, Searchers, Brunel University, Kingston Lane, Uxbridge, End of Term Flop Out, Friday 7th March 1969, Printed by Impact, Windsor, 68379Caravan, Brunel University, Kingston Lane, Uxbridge, Saturday 1st November 1969, featuring Idle Race and Screw, Printed by Impact, Windsor, 68379Third Ear Band, Magna Carter, Brunel University, Woodlands Av., Acton, W.3, Friday 21st November 1969, Printed Impact, Windsor, 68379Kenny Ball Jazz Men, Aylesbury Bluesville, Borough Assembly Hall, Aylesbury, Tuesday 26th January 1971, Printed Arthur’s, Woodchester, StroudSix Hour Summer Special, Brunel University, Kingston Lane, Uxbridge, featuring Uriah Heep, Matthew’s Southern Comfort, Bob Kurr’s Whoopee Band and others, printed Impact, Windsor; together with,Christine Perfect, Principal Edwards Magic Theatre, Stone The Crows, design by Pete Morrow, printed by London College of Printing, Elephant and Castle, London SE1.Clouds Village, Hardin & York, London College of Printing, c. 1970s,Hertfordshire Constabulary Recruitment poster, “Step Towards a Worthwhile Career” c. 1970s. (14) Provenance:The vendor attended Brunel University and as Social Secretary during the late 1960s and 70s was responsible for booking bands and artists for the University's concerts and events during this time. Georgie Fame and the Blue Flames - tape present to top edge.John Mayall and Black Cat Bones - tape present on corners, clean edge tear top centre.Kenny Ball Jazz Men – chips to lower left edgeSix Hour Summer Special - clean edge tear lower right edgeChristine Perfect - tape present to corners

The Smiths: a handwritten and signed letter from Morrissey, to Mike Hinc, live booking agent for The Smiths (and also for Morrissey), the letter undated, but likely March 1985. It reads 'Dear Mike, Question: Is it possible to reserve one BOX per group member for Palace and RAH (for relatives etc)? I madly appreciate the help last week. Hope it hasn't left too much damage. Will we see you in Manchester this week? Morrissey'.The Smiths played live at the Palace Theatre in Manchester, on 31st March 1985, and the Royal Albert Hall a week later on 6th April. The reverse side of this letter reads' Village Inn, Kensal Rise, towards Kilburn Lane', in pencil, but not apparently in Morrissey's hand. Provenance:From the personal collection of the late Mike Hinc, former booking agent at Rough Trade for Morrissey, The Smiths and others. The lot forms part of an extensive archive of related items on this sale, consigned by the family of Mike Hinc.

The Beatles: original window card to promote The Beatles supporting Helen Shapiro at Empire Theatre Sunderland, Saturday 9th February 1963, other artists included, Danny Williams, The Kestrels, The Honeys, The Red Price Band, and Kenny Lynch, flat, 15 x 10 inches; together with;five other original window cards for performances at the Empire Theatre, Sunderland, to include,Cliff Richard and The Shadows, Sunday 16th December; Billy J.Kramer with the Dakotas and Gene Pitney, Saturday 28th March; Anne Shelton, Peter Jones, and Jimmy James, Monday 8th October; Jerry Lee Lewis, The Nighthawks and Dave Cornel, 29th November; Nina & Frederik, Monday 30th April; all flat, each measuring 15 x 10 inches; together with,The Beatles, 'Reveille Special' (1963), bus stop poster, printed as part of an issue of Reveille magazine, folded, 60 x 39 ½ inches, The Beatles, 'Boyfriend's Big Beat Extra' (1964), wall panel, printed by Boyfriend magazine as a Big Beat insert, folded, 60 x 20 inches. (8)

French Theatre glasses, c1870s. Gilt brass body with mother of pearl eye pieces and adjustor. Enamel decoration with sprays of hand painted flowers. W 10.8cm, H 8.5cm closed.