There are 5111 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA mid 20th Century teak ladderax style chest of six short and four long drawers with spirit level mounted beech wall supports, 84cm wide x 37cm deep together with a rectangular framed wall mirror, 42cm wide x 84cm high and a small Waring and Gillow oak occasional table, bearing label beneath 32cm2 x 53cm high
ONE BOX OF METALWARE AND SUNDRIES, to include a vintage silverplated Dunhill lighter in original case (missing central plug), a brass theodolite with spirit level attachment, silverplate candle snuffer, a cased set of dessert spoons, a set of pre-decimal coins 1953, a 20th Century cylindrical leather carry case containing three glass flasks with stainless steel tops, a pair of Ross 9x35 binoculars - 91205, Hanimex IC2000 camera, a reverse painted glass shop sign 'J&F Ltd. Funeral Furnishers' white and gilt lettering on a black ground, etc. (s.d) (1 box)
Heidoskop 45 x 107 mm 1. Modell und Stereotenax 45 x 107 mm, um 19211) Franke & Heidecke, Braunschweig. Nr. 463, Stereokamera für Platten oder Filmpacks. Carl Zeiss Tessar 4,5/5,5 cm Nr. 440084 und 440085, Heidoscop-Sucher-Anastigmat 1:3,2, Verschluß läuft, Libelle funktioniert, Wechselmagazin mit Einlagen und Heidoscop-Köfferchen. (3-/3) - Und: 2) Goerz, Berlin. Stereotenax Nr. 125462 mit Goerz Dogmar 4,5/6 cm, Verschluß läuft, mit Gelbfiltern und Mattscheiben-Rückteil. (3-4/3) - Beide Kameras voll einsetzbar. Start Price: EUR 180 Zustand: (-/-)Heidoskop (45 x 107 mm) First Model and Stereotenax (45 x 107 mm), c. 19211) Franke & Heidecke, Braunschweig. No. 463, stereo camera for plates or film packs, Carl Zeiss Tessar 4.5/5.5 cm nos. 440084 and 440085, Heidoscop-Sucher-Anastigmat 1:3.2, shutter and spirit-level working, magazine with inserts and Heidoscop case. (3-/3) - And: 2) Goerz, Berlin. Stereotenax, no. 125462, with Goerz Dogmar 4.5/6 cm, with yellow filters and focusing screen back, shutter working. (3-4/3) - Both cameras full useable. Start Price: EUR 180 Condition: (-/-)
Bergbau-Vermessungsinstrument von Negretti & Zambra, um 1890Signiert auf dem Fernrohr "Negretti & Zambra, London", poliertes Messing, 7-Zoll-Kompaß, versilbert, Ø 18 cm, mit 2 Wasserwaagen, horizontaler Halbkreis mit verschiedenen Hypo- und Basisskalen, 32cm-Fernrohr mit Wasserwaage, Zahnstangen-Feinfokussierung auf das Objektiv, in Original-Mahagonikasten. Start Price: EUR 350 Zustand: (2-3/2-3)Negretti & Zambra Miner's Dial, c. 1890Engraved on the telescope "Negretti & Zambra, London", all polished brass construction, 7-inch silvered circular compass dial with 2 spirit levels, horizontal half-circle with different hypo and base scales, 15-inch sighting telescope with longitudinal bubble level, rack-and-pinion fine focussing to the objective, in original fitted mahogany case. Start Price: EUR 350 Condition: (2-3/2-3)
Stehende Dampfmaschine mit Märklin-Bauteilen, um 1930Genieteter Messingkessel, Höhe 21 cm, Ø 9 cm, mit Wasserstandglas, Manometer, Dampfpfeife und Sicherheitsventil, Spiritusbrenner, doppeltwirkender Zylinder, Steuerung mit Exzenterring, Schwungrad Ø 9 cm, Gußsockel auf Holzfundament, 19 x 17,5 cm. Die Feuerraumtür und einige weitere Teile wurden von Märklin hergestellt, leichtgängig, jedoch ungetestet. Start Price: EUR 140 Zustand: (3/-)Vertical Steam Engine with Märklin Parts, c. 1930Riveted brass boiler, length 8 1/4 in., Ø 3 1/2 in., with water level glass, manometer, steam whistle and safety valve, spirit burner, double-acting cylinder, slide control with eccentric ring, 3 ½-inch flywheel, cast-iron base on wood plinth, 7 ½ x 6 4/5 in., the firebox door and assorted other parts by Märklin, smooth-running but untested. Start Price: EUR 140 Condition: (3/-)
Werkstattmodell mit Stuart-Dampfmaschine "Victoria"Große Dampfmaschinenanlage, Messingkessel, Länge 31 cm, Ø 15 cm, mit Wasserstandglas, Manometer, Dampfpfeife, Dampfdom mit Sicherheitsventil und Galerie mit Treppe, für Spiritusbrenner (fehlt), liegende Stuart-Victoria-Niederdruck-Dampfmaschine, mit Schwungrad Ø 18 cm, funktionierender Geschwindigkeitsregler, Lederriemen zur Kraftübertragung auf zweites Schwungrad, Messing-Kondenswasserkessel mit handbetriebener Speisepumpe, zusammen auf Stahlplatte mit Holzfundament, Gesamtmaße mit Kamin 73 x 52 x 89 cm, leichtgängig, aber ungetestet. - Ein exzellent gebautes imposantes Modell. Start Price: EUR 750 Zustand: (3+/-)Workshop Model with Stuart "Victoria" Steam EngineLarge steam engine, brass boiler, length 12 ¼ in., Ø 6 in., with water level glass, manometer, steam whistle, steam dome with safety valve and gallery with stairs, for spirit burner (missing), Stuart “Victoria” horizontal low pressure steam engine, 7-inch flywheel, working governor, leather belt for power transmission to second flywheel, brass condensing water boiler with hand-operated feed pump, on steel baseplate with wood base, overall dimensions with chimney 28 ¾ x 20 ½ x 35 in., smooth-running but untested. - A well-built and imposing model. Start Price: EUR 750 Condition: (3+/-)
Liegende Dampfmaschine mit Kessel, um 1925Genieteter Stahlkessel, Länge 30 cm, Ø 12,5 cm, mit Wasserstandglas, Manometer, Dampfpfeife und Dampfdom mit Sicherheitsventil, 5-flammiger Spiritusbrenner, Maschinenteil bezeichnet auf Schwungrad "W.B. 140" (Wilhelm Bischoff, Dresden), doppeltwirkender Zylinder, Kreuzkopfführung in Gleitlager, Steuerung mit Exzenterring, Geschwindigkeitsregler, Schwungrad Ø 14 cm, Gußsockel, zusammen auf Holzfundament, 40 x 36 cm, leichtgängig, jedoch ungetestet. Start Price: EUR 350 Zustand: (3+/-)Horizontal Steam Engine with Boiler, c. 1925Riveted steel boiler, length 11 ¾ in., Ø 4 4/5 in., with water level glass, manometer, steam whistle and steam dome with safety valve, five-flame spirit burner, marked on flywheel "W.B. 140" (Wilhelm Bischoff, Dresden), double-acting cylinder, crosshead guide in plain bearing, slide control with eccentric ring, speed regulator, 5 ½-inch flywheel, cast-iron base, on wood base, 15 ¾ x 14 1/5 in., smooth-running but untested. Start Price: EUR 350 Condition: (3+/-)
Dampfmaschine mit Dynamo, um 1920Großer Messingkessel, Länge 30,5 cm, Ø 10 cm, mit Wasserstandglas, Manometer, Sicherheitsventil und Dampfpfeife, 5-flammiger Spiritusbrenner, doppeltwirkender Messingzylinder, Schiebersteuerung, gußeisernes Speichen-Schwungrad, Ø 13 cm, Dynamo bezeichnet "Little Hustler", auf Mahagonisockel, 35,5 x 39,5 cm, leichtgängig, jedoch ungetestet. Start Price: EUR 350 Zustand: (3/-)Steam Engine with Dynamo, c. 1920Large brass boiler, length 12 in., Ø 4 in., with water level glass, manometer, safety valve and steam whistle, five-flame spirit burner, double-acting brass cylinder, slide valve control, cast-iron spoke flywheel, Ø 5 in., dynamo marked "Little Hustler", on mahogany base, 14 x 15 ½ in., smooth-running but untested. Start Price: EUR 350 Condition: (3/-)
Zweizylinder-VerbunddampfmaschineGroße Dampfmaschinenanlage, mit gravierter Messingplakette "H. Rehse, Leipzig, 1917", Messingkessel, teilweise mit Zinkblech verkleidet, Länge 33 cm, Ø 12 cm, mit Wasserstandglas, Wasserablaßhähne, Manometer, Dampfpfeife und Sicherheitsventil, für Spiritusbrenner (fehlt), nebeneinander liegende Hoch- und Niederdruckzylinder, Kreuzkopfführung in röhrenförmigen Gleitlagern, Speisepumpe, 2 Speichenschwungräder, Ø jeweils 11,5 cm, auf Gußsockel mit Fliesenmuster, zusammen auf grün lackiertem Blechfundament, Gesamtmaße 55 x 41 x 42 cm, guter und leichtgängiger Zustand, jedoch ungetestet. - Es handelt sich vermutlich um eine aus Teilen der Modellbaufabrik Wilhelm Bischoff in Dresden hergestellte Dampfmaschine. Start Price: EUR 450 Zustand: (2-3/-)Twin-Cylinder Compound Steam EngineLarge steam engine, engraved on brass plaque "H. Rehse, Leipzig, 1917", part zinc-sheet-covered brass boiler, length 13 in., Ø 4 ¾ in., with water level glass, water drain cocks, manometer, steam whistle and safety valve, for spirit burner (missing), side-by-side high and low-pressure cylinders, crosshead guide in tubular slide bearings, feed pump, two spoked flywheels, Ø 4 ½ in. each, on cast-iron base with tile pattern, on green-painted sheet-metal plinth, overall dimensions 21 2/3 x 16 1/6 x 16 ½ in., good and smooth-running condition, but untested. - Note: This model is probably made of parts from the Wilhelm Bischoff Modellbaufabrik in Dresden. Start Price: EUR 450 Condition: (2-3/-)
Linhof Technika 6 x 9 mit Schneider-Objektiv-Satz, um 1955Linhof, München. Technika Nr. 80386 für 6,5 x 9 cm mit nummeridentischen Steuerkurven für Schneider-Kreuznach-Optiken Angulon 6,8/65 mm, Xenar 3,5/105 mm und Tele-Xenar 5,5/180 mm, alle Verschlüsse laufen und alle Linsen unter Punktlicht sauber, mit 3 Suchermasken, Linhof-Kompendiumblende 42 mm, 4 Filter, Linhof-Wasserwaage, 2 Rollfilmmagazine Rollex 6 x 6 und Super Rollex 56 x 72 mm, 4 Doppelkassetten 6,5 x 9 für Platten oder Filme und Mattscheiben-Rückteil. Alles in Metallkoffer. Start Price: EUR 350 Zustand: (3/3)Linhof Technika 6 x 9 with Schneider Lens Set, c. 1955Linhof, Munich. No. 80386 for 6.5 x 9 cm, with corresponding matched cam for distance-meter-coupled Schneider lenses: Angulon 6.8/65 mm, Xenar 3.5/105 mm and Tele-Xenar 5.5/180 mm, three viewfinder masks, compendium sunshade 42 mm, four filters, spirit level, two roll-film magazines Rollex 6 x 6 and Super Rollex 56 x 72 mm, four double cassettes 6,5 x 9 for plates or sheet films and focusing screen back, all in metal case, all shutters working and all lenses clean under point light. Start Price: EUR 350 Condition: (3/3)
A Collection of Miscellaneous Items, to include a Boosey & Hawkes clarinet, a violin, cowrie shells, mother of pearl mounted opera glasses, Victorian child's iron shod shoes, a Victorian truncheon, candlesticks, cigarette and tea cards, silver plated items, etched amber glass tumbler for the Edinburgh Exhibition, 19th century wooden cased brass spirit level etc. (qty)
A Mahogany 14-Inch Dial Wheel Barometer, signed L.Balerna, Halifax, circa 1840, swan neck pediment, 14-inch silvered dial, thermometer box, hydrometer, spirit level dial, ivory surround to the adjustment aperture,133cm highWith non-transferable Standard Ivory Exemption Declaration Number BX1KW3K9 Case with small scratches in parts, silvered dials are slightly discoloured, mercury tube with air bubbles.
Wines and Spirits - Parliament Genuine Classic Russian Vodka, 40% vol, 70cl, level to base of neck, boxed; Maúkobckuú Tchaíkovski Lemon Vodka, 40% vol, 70cl, level mid neck; Royalty Vodka, 40% vol, 1ltr, level under seal; Finlandia Vodka of Finland, 40% vol, 1ltr, level mid neck; Mainstay International Original Pure Cane Spirit, 43% vol, 750ml, level to top of neck, all with seals intact (5)
CARPENTRY & OTHER VINTAGE TOOLS, MEASURES AND SPIRIT LEVELS ETC including boxed set of cutters for Stanley Plane no. 50, Mathieson Glasgow brass and ebony spirit level, Elliott-Lucas Elvicta brass and mahogany spirit level, and others, Rabone boxwood folding rules and other interesting itemsProvenance: private collection Gwynedd
A boxed Mamod Live Steam SR1a Steam Roller, a spirit-fired engine with lever reversing, brass whistle and level plug, exhaust steam piped to chimney, complete with spirit burner, funnel and double steering extension, VG, appears very little used, firebox casing bright, a little staining to the burner top, in original box, box VG
A mahogany and box strung wheel combination barometer/thermometer by Vanetti & Benzzoni, Brighton, late 19th / early 20th century, the swan neck pediment with brass finial, above a hygrometer and arched silvered thermometer scale for Fahrenheit, the silvered 8-inch dial calibrated in barometric inches with typical weather observations, the base with spirit level signed Vanetti & Benzzoni, 22 North St Brighton, Warranted, 97.5cm high, together with a Surveying Aneroid barometer by Short & Mason, London, no. L. 736, made for Ahrend no. 7906, with silvered dial and attached magnifying loop, in leather case (2)Please note Roseberys do not guarantee the working condition of barometers offered for sale.
FERNANDO BOTERO (1932-2023)Dog on a cushion 1976 incised with the artist's signature and numbered 5/6bronze34 by 37 by 40 cm.13 3/8 by 14 9/16 by 15 3/4 in.This work was executed in 1976, and is number 5 from an edition of 6.Footnotes:Provenance Didier Imbert Fine Art, ParisPrivate Collection, Saint Tropez (acquired from the above in 1993)Thence by descent to the present ownerExhibitedMonte Carlo, Marisa del Re Gallery, Fernando Botero, 1992, another example exhibitedParis, Avenue Des Champs-Élysées, Grand Palais and Galerie Didier Imbert Fine Art, Botero Aux Champs-Élysées - Sculptures et Œuvres sur Papiers, 1992-1993, p. 156, another example exhibited and illustrated in colour Literature Jean-Clarence Lambert, Benjamín Villegas (Ed.), Botero Sculptures, Colombia 1998, p. 61, another example illustrated in colour, n.p., another example illustrated in colour Renowned for his distinctive style characterised by voluptuous and exaggerated forms, the Colombian artist Fernando Botero has left an indelible mark on the history of art. His works evoke a sense of affection and endearment, transcending cultural and linguistic boundaries and animals often play a quintessential role in them. Having studied under Roberto Longhi, a distinguished authority on Italian Renaissance and Baroque art, Botero obtained a remarkable art historical knowledge of Western Classicism that transfuses his oeuvre and made him one of the world's most revered and sought-after artists of the present day. The canon of art history, especially the European one became a rich source of inspiration, and no subject is quite as interwoven into the history of art as the humble dog, man's best friend and faithful companion. Dog on a Cushion from 1976 is a beautifully playful example of Botero's celebrated sculptural practice, with the small well-rounded canine proudly perching on a fluffy cushion- an emblem of domesticity and comfort but also a nod to the importance we give to the pets in our lives. The artist's fascination with horses, cats, birds, and dogs is a prominent feature throughout his oeuvre. Characterised by an intentional exaggeration of his subjects' forms, Botero's ability to infuse life into his sculptures is striking. The present work is not a mere imitation of a dog but a celebration of its essence, the exaggerated curves and humorous expectantly outstretched tongue emphasize the joviality and charm of the animal, which might at any moment jump off the cushion.Dogs have held a significant role in art history as subjects of fascination, symbolism, and companionship. From ancient cave paintings to the masterpieces of the Renaissance and beyond, dogs have been depicted in various contexts, reflecting their diverse roles in human societies. As companions and symbols of fidelity, dogs often appear in portraits, signifying loyalty, trust, and the bonds of friendship. Furthermore, their depictions in hunting scenes highlight their utilitarian roles as skilled hunters and trackers. In the broader context of art history, dogs have served as allegorical symbols, representing virtue, faithfulness, or even human qualities, reminding us of their enduring importance in the human experience.Profoundly influenced by the classical masterworks he saw during his studies and travels, Botero dedicated his life to critically re-interpret iconic paintings, paying homage to the great artists of the past whilst finding true originality doing so. Not unlike Picasso, whose Cubist breakthrough came after experimenting with the construction of a guitar, Botero had his artistic revolution with a mandolin. In 1956, the artist painted an image of a mandolin resting on a table and decided to place a disproportionately small hole in the body of the instrument, thus transforming it into an object of exaggerated mass and monumentality; a lifelong fascination with the exploration of volume was born.World-renowned for his often epic paintings, Botero's foray into sculpture has further enriched his artistic repertoire over the decades. Dog on a Cushion stands as a prime example of his prowess in this medium. His sculptures are characterised by the same aesthetic principles that define his paintings—exaggerated volumes, harmonious proportions, and a playful approach to form. The transition from canvas to three-dimensional sculpture however allowed the artist to bring his iconic subjects to life in a tangible and interactive way with a tactile quality that invites viewers to engage on a more physical level. Dog on a Cushion exemplifies this approach, with its smooth, sensuous surfaces inviting touch and exploration. The artist said that 'For my entire life, I've felt as if I had something to say in terms of sculpture. It's a very strong desire...pleasure—that of touching the new reality that you create. Certainly, in a painting you give the illusion of truth, but with sculpture, you can touch its reality . . . . If I paint a knife in my pictures, it's imaginary, but if I sculpt it, then the sensation of having it in your hand is real— it's an object from your spirit, it's a sensual experience even in its execution. It brings a special joy to touch the material with your hands.' (the artist in: E. J. Sullivan, Botero Sculpture, New York 1986, p. 13.Fernando Botero's contributions to the world of art are substantial and far-reaching and his unique style and unwavering commitment to his artistic vision have earned him a significant place in art history. His oeuvre serves as a bridge between traditional and contemporary art, drawing from classical techniques while infusing them with a modern and innovative sensibility. Embracing diversity and celebrating the inherent charm in all subjects, he challenges conventional notions of beauty and representation and forces viewers to reconsider their preconceived notions and stereotypes. The same dog of undefined breed as in the present work can be found in many of the artist's paintings, and a large-scale sculpture version, without the plump cushion, can be found in the Plaza Botero in the artist's hometown of Medellín. Other Botero works are presently held in the collections of The Museum of Modern Art in New York, the Art Institute of Chicago, and the Museo Botero in Bogotá. In 1958 and 1992 Botero participated in the Venice Biennale and represented Colombia in the 5th São Paulo Biennial, Brazil. He has had major retrospectives at the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC (1979); Seibu Museum of Art, Tokyo (1981); Museo Nacional Centro de Arte Reina Sofía, Madrid (1987); Museo de Bellas Artes, Bilbao (2012); and many others. Botero's international recognition and ability to transcend geographical and cultural boundaries has elevated the visibility of Latin American artists on the global stage. Unequivocally timeless, his work continues to inspire artists worldwide, encouraging them to explore new dimensions of expression and representation and Dog on a Cushion offers a wonderful opportunity to acquire a charming example from the contemporary master's celebrated oeuvre.For further information on this lot please visit Bonhams.com
A natural sine brass cased compass with dual spirit level marked Stanley London with natural sine table to outer case, contained in wooden case. [W]Condition Report: No significant damage noted, some discolouration in areas, surface marks and dirt in areas, wooden case is in good order with some slight surface marks.