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Lot 153
BALVENIE 15 YEAR OLD SINGLE BARREL FOR SANDY GRANT GORDON SPEYSIDE SINGLE MALT Bottled to mark the 65th birthday of Sandy Grant Gordon.Bottled: 1996Matured in cask #1255850.4% ABV / 70cl Balvenie is part of the Grant’s family and sits beside its sister distilleries, Glenfiddich and Kininvie, in the Speyside burgh of Dufftown. Established in 1892, just a few years after Glenfiddich, Balvenie has spent its life supplying the heart of the Grant’s blend. In fact, it wasn’t until nearly 100 years later, when Kininvie was built, that it was able to seriously market its own single malt.One of very few distilleries to retain its own malting floor, Balvenie is slightly unusual for a modern Speyside whisky in that it still uses a small percentage of peated malt to make its spirit. While the new make it produces is far from smoky, this small amount of peat gives it a distinctive character that has helped it become one of the best-selling malt whiskies in the world. The fill level is in the low neck / top of shoulder. There is some minor making and wear to the labels. Please see additional photos.
Lot 33
GLENMORANGIE 1979 VINTAGE HIGHLAND SINGLE MALT Distilled: 1979Bottled: 199640% ABV / 70cl Famous for their unique stills, each as tall as an adult giraffe, and their passion for innovation, Glenmorangie remains one of the best-selling single malts in the world. They were one of the first distilleries to experiment with cask finishing; the process of transferring spirit from one cask type to another in order to impart additional characteristics and flavours.To further this agenda of innovation, in September of 2021 Glenmorangie began production at their new “Lighthouse” facility, a futuristic R&D department protruding from the heart of their traditional distillery complex like a monolith from 2001: A Space Odyssey. Off limits to the public, it is home to a “sensory lab” as well as two of Glenmorangie’s signature stills, each of which plays host to several classified modifications. Only time will tell what exciting innovations will filter down to the rest of the industry. Fill level is in mid neck. There is a minor mark on the back of the tube. Please see additional photos.
Lot 71
ARDBEG STORY OF PEAT MINIATURE SET (4 X 5CL) ISLAY SINGLE MALT Ardbeg 10 Year Old - 46% ABV / 5clArdbeg 17 Year Old - 40% ABV / 5clArdbeg Uigeadail - 54.2% ABV / 5clArdbeg Kildalton 1981 - 52.6%. ABV / 5cl Located on the island’s rugged south coast, Ardbeg distillery represents the peatier end of the Islay spectrum. While it has endured some tough times, spending several years mothballed, the distillery has undergone a bit of a renaissance since being bought over by Glenmorangie and is now on a stable footing. While it still retains its signature sooty spirit, Ardbeg has also adopted its new parent company’s fondness for experimental cask finishes, arguably increasing its appeal. Uigeadail has a very low fill level
Lot 154
SMWS 10.17 BUNNAHABHAIN 1975 18 YEAR OLD ISLAY SINGLE MALT "Of Linseed and Walnuts"Distilled: 03/1975Bottled: 01/199459.5% ABV / 70cl Purpose built in 1881 by William Baxter, Bunnahabhain distillery on the northeast coast of Islay featured housing for its workers, as well as its own pier for ease of transporting whisky and materials to and from the mainland. As with most distilleries, much of its life was spent producing blending stock, but in the late 1980s it began to appear as a single malt.Initially this single malt output was mostly sherry matured and so lightly peated as to be barely perceptible, placing Bunna’ firmly in the minority of Islay whiskies. However, since its takeover by Distell in 2013 around 20% of the spirit produced there is now heavily peated, with these expressions bearing the name “Moine” (the Gaelic word for peat). Fill level is in mid / high neck. Please see additional photos.
Lot 26
MORTLACH 1997 MANAGERS' CHOICE SPEYSIDE SINGLE MALT 57.1% ABV / 70cl Dubbed “the Beast of Dufftown” by whisky writer, Dave Broom, Mortlach uses a complicated distillation process that minimises copper contact and produces a sulphurous “meaty” spirit that is perfect for blending (not unlike Benrinnes and Dailuaine).Until relatively recently, the only way to experience it in single malt form would have been the 16-Year-Old Flora & Fauna, or the occasional independent bottling. This was because most of its output was used for Diageo’s Johnnie Walker blend. However, that all changed in 2014 when Mortlach introduced its own core range of single malt expressions. The bottle and labels are in excellent condition. The fill level is in the low neck. There is some minor wear to the carton consistent with age. The booklet is included. Please see additional photos.
Lot 19
SMWS 50.1 BLADNOCH 1973 75CL LOWLAND SINGLE MALT Distilled: August 1973Bottled: October 198755.6% ABV / 75cl Bladnoch distillery, near Wigtown in Dumfries & Galloway, produces a light, grassy and malty spirit that epitomises the Lowland style. Another distillery with a history of sporadic production and closures over the years, it has been enjoying a bit of a renaissance since being resurrected by Australian entrepreneur, David Prior, in 2015. Fill level is in mid / high shoulder. Please see additional photos.
Lot 51
MACALLAN 1951 VINTAGE MINIATURE SPEYSIDE SINGLE MALT 48.8% ABV / 5cl There are few distilleries in the world quite so revered as Macallan. Nestled in the heart of the Speyside region, the rich spirit that runs from their “curiously small stills”, and their penchant for Spanish Sherry casks have proven to be a match made in Heaven, delighting the tastebuds of whisky connoisseurs around the globe.With demand far outstripping supply, they embarked upon one of the most ambitious distillery upgrades of all time, investing £140 million in an ultra-modern still house and visitor centre that seamlessly blends with the surrounding landscape, and is home to a whopping 36 stills capable of churning out around 15 million litres of spirit every year. Even so, getting your hands on a bottle can still be tricky, with new releases selling out as soon as they hit the shelves, and older examples regularly setting records at auction. Good fill level in mid neck. There is some minor staining to the tube label. Please see additional photos.
Lot 25
MACALLAN 1960 80° PROOF CAMPBELL HOPE AND KING 75CL SPEYSIDE SINGLE MALT 80° Proof / 75cl There are few distilleries in the world quite so revered as Macallan. Nestled in the heart of the Speyside region, the rich spirit that runs from their “curiously small stills”, and their penchant for Spanish Sherry casks have proven to be a match made in Heaven, delighting the tastebuds of whisky connoisseurs around the globe.With demand far outstripping supply, they embarked upon one of the most ambitious distillery upgrades of all time, investing £140 million in an ultra-modern still house and visitor centre that seamlessly blends with the surrounding landscape, and is home to a whopping 36 stills capable of churning out around 15 million litres of spirit every year. Even so, getting your hands on a bottle can still be tricky, with new releases selling out as soon as they hit the shelves, and older examples regularly setting records at auction. There is some staining to the labels. Fill level is at top of shoulder. There is also damage and staining to the carton. Please see additional photos.
Lot 519
A large brass cased balloon-shaped mantel clock, by Barrie, Edinburgh, the 8-inch painted dial with Roman numerals and a spirit level below, enclosing a chain-driven single fusee movement, the pendulum with a cylindrical lead weight with a locking screw, within a plain case mounted by a hinged door to the back and to the underside, and raised on turned ball and pin feet, 24cm wide 15.5cm deep39cm highProvenance: The David Morris Collection.Condition ReportAppears to wind tick and adjust, however we we cannot guarantee that this represents full and complete working order. Some light knocks, wear and tarnish to case.
Lot 454
Large Reversible Surveyors Level By Morin, Paris, French, .1880, engraved ‘H. Morin, 11 Rue Dulong (Anct rue Boursault), Ateliers H Morin & Gensse a Paris’, level on 3 screw feet, engraved silver sale and vernier scale, long spirit level (empty), with reversible telescope with rack and pinion focusing and spirit level, 37cm long
Lot 297
Victorian wheel barometer with a silvered dial inscribed "Archer, Hackney", and a thermometer above, in a mahogany scroll top case, H.102cm, and a Scottish "onion top" barometer/thermometer with hygrometer above and spirit level below inscribed "J R Corti, Glasgow", in an inlaid mahogany case, H.96cm. (2)
Lot 84
An extremely exquisite decorative pitcher in the historicist style made of silver, gilding and partly enamel, is a magnificent example of the craftsmanship of silversmiths of the Austro-Hungarian Empire of the 19th century. Its graceful shape and refined details of the handle embody the spirit of the era, when luxury and attention to detail reached their peak. The body of the pitcher is decorated with an intricate floral pattern, which, in combination with images of birds and foliage, made using enamel, creates a spectacular and harmonious pattern. Natural stones, cabochon cuts, pearls and small enamel elements enhance the expressiveness of the product, creating a bright contrast and emphasizing the high level of craftsmanship. Every detail of this pitcher is made with exceptional care, which indicates high artistic performance. Hallmark: Austro-Hungarian Empire of the 19th century. Weighs 840 grams. Dimensions: height - 23.5 cm, width - 15 cm. Width: 15cm, Height: 23.5cm, Depth: 15cm, Weight: 0.840kg, Condition: Good, with traces of use, Material: Pearl, ID: ID-ANTQ-11556
Lot 1149
An early 19th century mahogany barometer by J & M Riva Glasgow, and with mercury thermometer. Height 111 cm. CONDITION REPORT: The barometer case is in generally fairly good order. There are some stress fractures to the veneers particularly above and below the hydrometer and between the bottom right-hand corner of the thermometer case and the brass circumference. There is a further stress fracture beneath the spirit level and to certain places on the sides. All brasswork is a little tarnished. The silvering to all dials is a little worn. The adjusting knob operates but the adjusting pointer has slipped from its pivot.
Lot 499
A.Pozzi of 'Wooten Bassett' early 19th century rosewood cased wheel or 'banjo' barometer with broken arch pediment, brass finial, removable humidity dial, removable mercury thermometer with silvered graduation plate in Fahrenheit, silvered barometer dial and spirit level set in silvered rectangular plate inscribed with maker's name. Overall height 111cm.
Lot 33
Registration - PJI 6757Chassis No. - SCBZS0007HCH21188M.O.T. - March 2025Odometer - 124,000‘PJI6757’ hails from 1987, the first model year of the “S” variant. The “S” carried through many enhancements from the range topping Turbo R, to give the Mulsanne a mid-life glow-up. ‘PJI6757’ showcases these, including the alloy wheels, interior upgrades and sportier handling courtesy of stiffer suspension. ‘PJI6757’ has covered 131,226 miles to date which is moderate for a 37-year old car with what Bentley described as “unstressed” mechanicals. Offered here with NO RESERVE and a detailed and well documented provenance including 18 service stamps and original manuals and book pack. The current MOT is valid until March 2025 to allow for immediate, elegant wafting by the next owner. ‘PJI6757’ holds a category N – non-structural – insurance marker from 2018.Given the regal nature of ‘PJI6757,’ its Georgian Silver livery seems highly appropriate. Whilst ostensibly a rebadged Rolls-Royce Silver Spirit on the SZ platform, ‘PJI6757’ offers plenty of Bentley specific differentiators. First there is big, matrix meshed radiator cowl complete with “flying B” emblem. The 15-inch, “S” specific alloy wheels with big “B” inscribed centre plates also catch the eye, shod as they are with deep 70 profile tyres with subtle white-wall details. The paint and bodywork are rated “average” by the vendor with the bulk of the imperfections being located around the sills and wheel arches.‘PJI6757’ seems to have been well cared for mechanically, throughout its life. Its mechanical provenance includes a new engine at around 34,500 miles, a conversion to unleaded fuel friendly valve seats in 1991 and a new gearbox and torque converter at 80,000 miles in 1995. Two service books with a total of 18 stamps between them and lots of supporting bills and invoices also bodes well for ‘PJI6757’s’ mechanical condition.The spacious, leather clad, Oyster hued cabin seems to have lost none of its “special occasion” grandeur for which the marque is known. Just the right level of patina appears to grace the commodious and well padded seats and accompanying contrasting piping. Deep lambswool rugs are present, except for the driver’s footwell where it is noted that the carpet is worn through in places. Surely this represents an enticing opportunity to acquire an honest and delightful Bentley at a merest fraction of its original £90,000 plus cost.In summary:· An honest and original example of the enhanced Mulsanne S model· In a very regal and Bentley appropriate colourway· Complete with a generously documented service history
Lot 106
The 1970 MG Midget is a classic British sports car that embodies the charm and spirit of the 1970s automobile culture. As part of the MG line-up, the Midget has been known for its lightweight design and agile handling, making it a popular choice among driving enthusiasts. Featuring a petite two-seater configuration, this car is both compact and fun, ideal for those who appreciate a spirited driving experience. Under the bonnet, the 1970 MG Midget is powered by a 1.3-litre four-cylinder engine, which delivers a modest yet satisfying output of around 65 horsepower. While this may not seem substantial by today’s standards, the Midget’s low weight (approximately 1,590 lbs) allows for impressive performance and excellent fuel efficiency. Coupled with a four-speed manual transmission, the Midget offers an exciting, hands-on driving experience, with the engine sound enhancing its charm on winding roads. Visually, the 1970 MG Midget showcases classic lines and an appealing design that captures the essence of 1970s motoring. The round headlights, chrome bumpers, and signature MG grille are all characteristic features that contribute to its timeless aesthetic. Available in a variety of colours, the Midget was designed for open-top driving, with a convertible roof that adds to its allure, allowing enthusiasts to enjoy sunny days on the road. The MG Midget has garnered a cult following over the decades. Owners cherish not just its performance, but also the sense of freedom and nostalgia it evokes. Club events and classic car shows often feature these spirited little cars, where owners share their passion and pride in preserving this piece of automotive history.Originally registered on 9th January 1970 this MG Midget has formed part of a private collection in recent times. It has been well stored in a dry garage, however, a small amount of recommissioning may be required. We are advised the engine starts promptly and runs with good oil pressure. Finished in white with black interior this early Midget, with its chrome bumpers and Rostyle wheels, together with a rollover bar is a good looking example. Overall, the 1970 MG Midget stands out as a representative of a bygone era, cherished by collectors and drivers alike for its fun, engaging, and timeless driving experience. A good entry level car into classic motoring. Consigned by Stewart Banks. STARTS AND RUNS WELLWILL REQUIRE SOME LIGHT RECOMMISSIONING
Lot 402
COLLECTION OF DOMESTIC & SCIENTIFIC TREEN, French brass and glass microscope plate in turned treen box with Irish retailers label, 2 pin electrical plug, pendant light switch, cased spirit level, light pull, code bottle opener, acorn light pull, light bulb case, withy splitter etc. (qty)Provenance: the Karl Johansen (1937-2021) Collection, by family descent
Lot 678
A Brass Atmos Clock, signed Jaeger LeCoultre, 20th Century, case with five glass panels, stop/start lever above the balance wheel, 4-1/4-inch white chapter ring dial with Arabic and dagger markers, large balance wheel below and spirit level in the base, movement numbered 233122, with Jaeger LeCoultre fitted case22cm highCase with small scratches to the brass surfaces and slightly discoloured in parts, front door is not closing at present and needs slight attention, front door glass panel with slight rubbing to the makers signature, dial white chapter ring with very minor staining in parts, movement has been placed on a short test and in going order.
Lot 524
Thirty works by or about Seamus Heaney. Some duplicates, but different editions. The following four are signed: Anything can happen (2004); Sweeney Astray (1983); Ukkasvaloa (1997); North (1975 – 1st ed – Inscribed ‘For Ewan Hogan with admiration for his poem. Seamus Heaney, 25 November 1975). First editions: The Spirit Level (1996); The Burial at Thebes (2004); District and Circle (2006); Beowulf (1999); Finders Keepers – selected prose (2002); Seeing things (1991); Field Work (1979); Sweeney Astray (1983); Electric Light (2001); Human Chain (2010); Station Island (1984); Diary of One Who Vanished (1999). A rare opportunity to acquire a substantial collection of Heaney’s works
Lot 67
Pet Portrait Commission: An original artwork of your beloved pet by Kate Raggett Donated by: the artist Kate Raggett Your chance to bid for an original drawing of your beloved pet exquisitely created by artist Kate Raggett from your favourite photo. A portrait is the perfect present for the animal lover in your life, as it is such a special and meaningful gift that captures the timeless spirit of your beloved four-legged friend. The artwork will be produced using Fine Art quality pencils and pastels on Fine Art acid-free paper, supplied unframed so that the portrait can be framed to your own taste. It takes c. 6-8 weeks to create a portrait from the confirmation of the reference photo. About the Artist: Kate is a professional artist who graduated with a Fine Art BA Hons from Goldsmiths College, London in 1994. Living and working in the rural village of Grosmont, on the Welsh border, she is a devoted animal lover having grown up with cats and dogs and feeling a deep connection with them. Kate enjoys sensing the individual personality and soul of the animal she draws and goes to great lengths to capture the idiosyncrasies of each animal. She has her own beloved four-legged companion, a Romanian rescue dog named Merlin, with whom she has an inseparable bond. Dimensions (unframed) Height x 24 cm Width x 24 cm https://www.facebook.com/katedrawmypet Terms & Conditions: Photos of the pet supplied by the client should be of good quality and a high resolution (minimum 1MB), in focus, taken at eye level with the animal, in natural daylight, with sufficient detail of the animal’s eyes and fur. Please supply a good range of images to ensure that the best photo can be selected. Once the most appropriate image has been agreed, by both the client and artist, the portrait will be commenced. Minimum lead time required is 6-8 weeks (subject to the artist’s commission schedule) from confirmation of the agreed photo to be used. The portrait will be a single head portrait on a white background, with the head centred on the paper. To be signed on the front by the artist, titled with the animal’s name and dated on the date of completion (any preferred variance of this needs to be confirmed in writing by the client prior to the portrait’s completion). Once the portrait is complete the client will be emailed a photo of the portrait prior to its dispatch. We are hosting this auction on behalf of The Country Trust - please contact Victoria Cable if you require further information about the individual lots.
Lot 142
Rolleidoscop 6 x 13 und Bessa II 6 x 91) Franke & Heidecke, Braunschweig. Rolleidoscop 6 x 13, 4. Modell 1931, Nr. 16679, Stereokamera für Rollfilm 120, 2 x Tessar 4,5/7,5 cm, Glas unter Punktlicht innen etwas Altersbelag, Sucher-Triplet 4,2/7,5 cm, Stereo-Zentralverschluß B, Z, 1–1/300 Sek., läuft, mit passenden Aufsteck-Sonnenblenden, anmontierte zusätzliche Wasserwaage (im Sucher die Wasserwaage läuft) und einigen Farbdias um 1970 in Metallrähmchen. Stark benutzte Kamera, die nach Optikreinigung wieder tätig sein will. (4+/3) – Und: 2) Voigtländer, Braunschweig. Bessa II, für 6 x 9 cm, Color-Heliar 3,5/105 mm, Glas unter Punktlicht sauber, Synchro-Compur und Entfernungsmesser laufen, Feet-Skala, mit passender Sonnenblende Zeiss Ikon 1112. (3–4/2-) – Beides bewährte Rollfilmkameras für Anwender. Start Price: EUR 280 Zustand: (–/–)Rolleidoscop Stereo (6 x 13) and Bessa II (6 x 9) Cameras1) Franke & Heidecke, Braunschweig. Rolleidoscop 6 x 13, fourth model, 1931, no. 16679, for 120-rollfilm, 2 x Tessar 4.5/7.5 cm, viewfinder triplet 4.2/7.5 cm, stereo central shutter B, Z, 1–1/300 sec., with matching clip-on lens hoods, additional mounted spirit level (spirit level working in the viewfinder) and a selection of colored slides in metal frames, c. 1970, camera heavily worn, shutter working, optics under point light show some ageing on the inside, ready to be used again after the lenses have been cleaned. (4+/3) – And: 2) Voigtländer, Braunschweig, Bessa II, for 6 x 9 cm, Color-Heliar 3.5/105 mm, feet scale, with matching lens hood Zeiss Ikon 1112, optics clean under point light, Synchro-Compur shutter and rangefinder working. (3–4/2-) – Tried and tested rollfilm cameras for active use. Start Price: EUR 280 Condition: (–/–)
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Lot 22
Flemish School. 16th century.‘Mary as the Gateway to Heaven. Allegory of the examination of conscience to achieve a Good Death’.Oil on panel. Accompanied by an imposing carved and gilded wooden frame.92 x 70 cm.Magnificent panel depicting the final moment of a human being lying in the centre of the bottom of the composition, taking stock of his good and bad deeds, the examination of conscience of his life; a prayerful reflection on his thoughts, words and actions in the light of the Gospel to determine how he may have sinned against God and others. The artist must have been familiar with the theology of the time, as taught by St. Ignatius of Loyola in his Spiritual Exercises, which taught: ‘at the end of the day, at the time of going to rest’ ‘to make a daily peaceful reflection on all that has happened [...] to find God in all things [...] even in those where God had apparently hidden himself’. 'The human conscience imagines its life at the ‘hour of eternal rest’. The painter places Mary, the Gate of Heaven, at the centre, as the Mother of Mercy who always awaits with open hands on her heart. In Glory, the Holy Trinity awaits, God the reigning Father, the Suffering Son and the Holy Spirit who flies over everything and everyone. When contemplating this work, we see three differentiated levels, in which numbered phylacteries fly, like speech bubbles, which arrange the conversation. Above in the sky: Son (11) ‘PATER RESPICE VULNERA MEA...’ (‘Father, remember my wounds...’). And he also addresses his mother (14): ‘MATER MEA, FIAT TIBI SICUT VIS’ (‘My mother, let it be done as you will’). God the Father (12) ‘VENIT TEMPUS MISEREN DIEORUM’ (‘The hour has come for the miserable days’).The Father, who addresses the Virgin and calls her Daughter: ‘FILIA FIAT TIBI SICUT VIS’ (‘Daughter, be it done as you will’). And the third from heaven is the Dove or Holy Spirit (1) ‘SPONSA FIAT TIBI SICUT VIS’ (‘Bride, be it as thou wilt’). On the second level, horizontally speaking, and in the centre, the Virgin responds with three phylacteries (8): ‘PATER RESPICIE IN FACIEM CHRISTI’ (‘Father receive and look at the face of Christ’), (9) ‘FILI ASPICE UBERA QUAE TE LACTAVERUNT’ (‘Son, look at the breasts that suckled you’), and (10) ‘S. Se. DEUS ECCE QUOS AMAS INFIRMANTUR‘ (’God, Holy among the Saints, strengthen those you love"). The angels on the left, over which he prays: ‘PER HANC NOS AD DEUM’ (‘Through these, we go to God’), ask their Queen (7): ‘IUUA PUSILLANIMES, MARIA ANGELORUM REGINA’ (‘Mary, Queen of Angels, look upon the fainthearted youth’). On the right are saints and the Church: Saints Peter and Paul, Popes and Holy Fathers, and Saint Peter the Martyr, among others. Above them: ‘PER HANC DEUS AD NOS’ (‘Through these, God goes to us’), and they respond to their Mother: ‘SU COURE MISERIS SANCTORUM MATER’ (‘Merciful Mother of Saints, attend this tribunal with your heart’). On the earthly level, rests the conscience, lying in the form of a sick human being, who speaks to the Virgin (2): ‘MARIA, TU AB HOSTES PROTEGE ET HORA MORTIS SUSCIPE’ (‘Mary, protect yourself from the enemy and listen to the hour of death’). To which she replies from heaven (16): ‘CONFIDITE FILII, EXAUDITE EST ORATIO NOSTRA’. (‘Son of trust, hear our prayer’). And St. Michael the Archangel, who is named, brandishes his sword over the devil, and says to him (17): ‘IMPERET TIBI DEUS’ (‘God will annihilate you’). And that devil, who is leaning over the recumbent, says (1): ‘PECCAMUSTIS NON SPERETIS VENIAM’ (‘You must sin, do not expect forgiveness’). To the left of the couch, is an angel looking up and praying (5): ‘OCURRITE ANGELI DOMINI’ (‘Angels of the Lord, come’). To the left of his wing we read ‘STOS’ (‘he who remains standing’). To the right of the sick man Saint John the Evangelist (‘PROTECTOR’, behind him, above the shield) cries out: ‘SUB VENITE SANCTI DEI’ (‘Saints of God, come to him’). Two saints pray with the sick man, a Carmelite and an Augustinian, behind whom ‘death breathes, symbolised by the caravel waiting patiently with its shining dart’. The sick man communicates that he has had only one thought, of the fear of God (‘TIMOR DEI’), his whole life rests on the theological virtues, Faith, Hope and Charity (pillows), rests on his good works, thoughts and words (‘BONAE OPERA, BONAE COGITATIONIS, BONAE LOQUTIONES’), and rests on the cardinal virtues (legs of the bed) Prudence, Justice, Fortitude and Temperance. The devil, who stalks the dying man, sticks out from under his bed, which raised on a platform covered with a valance: ‘CONFUNDANTUR QUI ME PERSEQUNTUR ET NON CONFUNDAR’ (‘Those who persecute me will be confused, and they will not confuse me’); while the dying man prays and speaks to all: ‘MISEREMINI NOSTRI SALTEM VOS, AMICI NOSTRI’ (‘At least, you, our friends, have mercy on us’). All this theological life ‘has a face, an owner, a face, a family’, represented by the heraldic shield on the right of the evangelist and beloved disciple, either the person who commissioned the work or its painter. A shield in gold, gules and black with a heart surmounted by the Holy Cross of Jerusalem with initials B, E, P, O.Finally, we should note that an almost exactly similar panel, although not so dark in the background colour, with more light, with the same iconography, perhaps also by the same artist, is in the Pilgrimage Museum in Santiago de Compostela.
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