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Sir Frank Brangwyn (1867-1956) unframed charcoal sketch on tracing paper, The Opening of the Manchester Ship Canal, 10 x 12.5 ins., together with three unframed lithographs

Sir Frank Brangwyn (1867-1956) two unframed pencil sketches, A sleeping dog, drawn on the title page of 'The Glory of Clementina Wing', 6.5 x 4 ins. and a sketch of a steam crane, 3.75 x 5 ins

Sir Frank Brangwyn (1867-1956) unframed sepia and red crayon sketch on card, Studies of nude figures and of figures beside a boat verso, signed in ink, 9 x 11.75 ins

Sir Frank Brangwyn (1867-1956) unframed watercolour sketch, 'Port Melon, Mevagissy', pen and ink of fishing boats verso, 5 x 6 ins

Sir Frank Brangwyn (1867-1956) unframed ink sketch, 'The return of the cockle diggers', 3.25 x 8.25 ins

Sir Frank Brangwyn (1867-1956) unframed pencil sketch, 'The Slow Life'; a peat digger, inscribed verso with a description of the digger, 8 x 5 ins

Sir Frank Brangwyn (1867-1956) unframed ink sketch, 'Whitby', drawn on the back of an envelope, 4 x 6 ins

Modern British oil on canvas, Abstract, 30 x 12 ins. together with a pencil sketch nude study

I Burnand (Late 19th century Continental school) Orchard view Pencil sketch Signed and dated 1878 46cm x 34cm

Thorburn (Archibald). A Naturalist's Sketch Book, 1st ed., Longmans, 1919, sixty plts. (inc. 24 col.), occ. scattered spotting, t.e.g., orig. cloth gilt, slight wear at head of spine, 4to (1)

Cooke (E.W.). Leaves from my Sketch - Book, 1876, twenty - six tinted litho. plts., a.e.g., orig. dark green mock morocco gilt, oblong 4to, together with Beauties of the Court of Charles II (so titled on spine), 1827, eight fine hand - col. stippple engs., lacks title, a.e.g., contemp. red half morocco gilt, a little rubbed, folio, plus Lhuer (V.), Le Costume Breton/Costume Auvergnat et Bourbonnais, n.d., pub. Paris, c. 1940, num. pochoir costume plts., loosely contained in orig. printed grey card folder with ties, 4to, and other misc. books (a carton)

Forestier (Amedee and Omand, George W.T.). Belgium, A & C Black, 1908, seventy - seven col. plts., sketch map at rear, t.e.g., later navy half morocco by Bumpus, lower front joint partly split, 8vo, with other misc. books, incl. bindings, literature, etc. (a carton)

Kim Donaldson. Owl sketch. Pastel, 12.75 x 9.75in. Mounted, framed and glazed.* Tryon Gallery label on the verso.

RYCHTER - MAY, A, sketch of an Oriental maiden,watercolour, signed lower right, framed, 38cm x 20cm

PACKET: ASSORTED 20TH CENTURY SKETCH BOOKS

SYDNEY SEYMOUR LUCAS, SIGNED WATERCOLOUR SKETCH, pine trees in landscape, 6" x 7"

JAMES HESELDIN, WATERCOLOUR, sketch of rowing boat, 3" x 6" and INDISTINCTLY SIGNED, WATERCOLOUR, boat navigating a lock, 7" x 10", (2)

ARTHUR HENRY PATTERSON (JOHN KNOWLITTLE), SIGNED PEN AND INK SKETCH, Pelican and seagulls, 3" x 5"

ENGLISH SCHOOL, c1880, A Jockey, Watercolour Sketch, 14 1/4in x 10in

ARTHUR SPOONER, A Mare and Foal, signed "Arthur Spooner", oil sketch on canvas, 16 1/2 x 18 1/2in

Attributed to Denzil Ibbetson- Portrait of Napoleon on his death bed; oil on canvas, bears inscribed letter attached to reverse, 'Painted by D. Ibbetson from a sketch made by him at St. Helena of Napoleon the morning after his death which took place in the morning of the 5th of May 1821..', 49x71.5cm

SEAGO, Edward - Caravan, 1st edition, London 1937, title page signed and inscribed by the author and with pen and ink sketch of two speeding cars, dust jacket, jacket chipped and torn etc., 4to.

Dudley D. Watkins pen and ink sketch of Oor Wullie and The Broons, signed and dated 27th June 1945 Provenance; a gift from the artist to the landlady with whom he was billeted during a wartime secondment to the Police in Kincardine and by descent to the current owner. Note; a copy photograph with this lot shows the artist in uniform with a Sergeant Marnock reputedley the model for the P.C. Murdoch famous in the Oor Wullie stories, the image 14in x 10 1/in (35.5cm x 26.7cm)

Cornelius Varley, Boat Ashore, pencil sketch, signed, 4in x 4 1/in (10.1cm x 11.4cm)

ATTRIBUTED TO WILLIAM DANIELL (1769-1837), Open mountainous landscape with trees, dated '93, pencil sketch, 8 1/2" x 14 1/2".

AN EARLY 19TH CENTURY PEN AND INK SKETCH of the Trinity Chain Bridge at Newhaven, Scotland, by H A Fortescue 1823, 6" x 12 1/2", framed.

BARBARA ROBINSON (b.1928) British, Pencil sketch, church with cupola, signed and dated February 1972, 8" x 10".

CARTIER (20th century), Red, blue and green abstract, oil on board, signed and dated, '60, 12 1/2" x 9", framed, , and a black chalk and watercolour sketch by the same artist, 9" x 13". (2)

VICTOR PASMORE R.A. (1908 -1998) British, Still life with a jug of zinnias and green ladder back chair, signed with monogrammed initials, with a sketch of two fishermen verso, oil on board, 21" x 17".

Lawrence (Sir Thomas P.R.A., 1769 - 1830). Figures seated on a bench beneath a tree, with food stall beyond, pencil, ink and wash sketch, with another sketch to verso, unsigned, approx. 10.5 x 16.5 cms, mounted, together with Webster (Thomas, R.A., 1800 - 86). Old buildings with figure by the waterside, watercolour drawing, signed, approx. 11.5 x 14 cms, mounted, plus Channel Islands, etc. La Hocque Bie, Jersey, by Renée Keiley, 19th c.pencil landscape, initialled, approx. 29 x 39 cm, plus The Entrance to Fort Regent, St. Helier, Jersey, late 19th c. pencil and watercolour, signed, titled and dated in pencil 20.9.80, approx. 10 x 17 cm, mounted, plus LeJeune (Charles), View of St. Malo Harbour, 1849, watercolour, signed and dated 24.5 x 34 cm, mounted, plus an early 20th c. watercolour view of Dinard landing, unsigned, approx. 9 x 22 cm, mounted, together with Donne (Benjamin John Merriefield), The White Cliff, Seaton, South Devon, watercolour, unsigned inscribed with title to reverse, approx. 13 x 17.5 cm, mounted, and A Wave Swept Rock, 1904, orig. watercolour, heightened with bodycolour, signed and dated, inscribed with title to reverse, and "E.M.A. Donne from B.J.D. Decr. 05", approx. 22 x 36.5 cm (6)

Leech (John, 1817 - 64). attrib. 'Rooti - Tooti - I've got cher!', [Collection of Mr Punch, Third Series, p.87], c. 1864, pencil sketch, approx. 200 x 120 mm., contemp. wood and gilt frame, glazed, with old Boydell Galleries, Liverpool, label to verso (1)

Orpen (Sir William, 1878 - 1931). Self Portrait, 1925, pen & ink self portrait sketch, signed and dated London 1925, image size approx. 95 x 115 mm, on watermarked notepaper (creased where previously folded) (1)

Moore (Henry, 1831 - 1895). Shelter sketch book, pub. Editions Poetry, 1945, col. and b&w plts., some minor foxing to endpapers, orig. cloth, upper inner hinge loosened, oblong square 8vo. Presentation copy, inscribed to front endpaper 'for Mac & Denise from Henry M. Paris. November 1945'. (1)

Gren 'Local Gout' Pen and ink sketch Signed and unframed Together with four others, (5).

THORBURN Archibald A naturalist's sketch book ... 1st edition, 60 plates (including 24 in colour), publisher's cloth, spine slightly darkened, 4to., London: Longmans, 1919

Cooke (Lieut-Col. A.C.). Routes in Abyssinia, pub. H.M.S.O., 1867, folding sketch map and large folding route map at rear, hand-col. in outline, later cloth, a little rubbed and marked, 8vo (1)

Dickson (Walter). Japan: being a Sketch of the History, Government and Officers of the Empire, 1st ed., 1869, col. litho. frontis from a Japanese woodblock illust., orig. brick-red cloth, slightly soiled and rubbed at extremities, 8vo, together with Albert Victor (Prince, & Prince George of Wales), The Cruise of Her Majesty's Ship "Bacchante" 1879-1882. Compiled from the Private Journals, Letters and Note-Books of Prince Albert Victor and Prince George of Wales, with Additions by john N. Dalton, 2 vols., 1st ed., 1886, folding map, fifteen wood eng. plts., smaller wood engs. and sketch maps in the text, orig. blue bloth gilt, slightly rubbed, re-cased, spines strengthened at head and foot, t.e.g., stout 8vo, (The "Bacchante" arrived in Japan on October 21st 1881, where the Princes spent nearly a month sightseeing and exploring before moving on to China, Hong Kong, Singapore, etc.), plus Sladen (Douglas and Lorimer, Norma), More Queer Things About Japan. To which are added "The Letters of Will Adams", written from Japan, 1611-17 ... and "A Life of Napoleon", written and illustrated by Japanese in the first half of the Nineteenth Century, 1st ed., 1904, authors presentation copy, inscribed on half-title, frontis. and four double-page illusts. in col., ten double-page b & w illusts. after Hokusai, fourteen other double-page b & w illusts. after other Japanese artists, orig. maroon buckram, faded, slightly rubbed, t.e.g., others untrimmed, stout 8vo (4)

Kerr (Robert). A General History and Collection of Voyages and Travels, Arranged in Systematic Order: Forming a Complete History of the Origin and Progress of Navigation, Discovery, and Commerce, by Sea and Land, from the Earliest Ages to the Present Time, 18 vols., Edinburgh, 1811-24, seventeen eng. maps incl. six folding, one folding table, some browning and offsetting, contemp. sprinkled calf, gilt dec. spines with red morocco labels, some minor wear to head and foot of spines, a few joints partly cracked, 8vo. Sabin 37631. Volume 18 comprises William Stevenson's Historical Sketch of the Progress of Discovery, Navigation and Commerce (Sabin 91609). (18)

Percival (Captain Robert). An Account of the Cape of Good Hope; Containing an Historical View of its Original Settlement by the Dutch, its Capture by the British in 1795, and the Different Policy Pursued by the Dutch and British Governments. Also a Sketch of its Geography, Productions, the Manners and Customs of the Inhabitants, etc., 1804, some spotting throughout, contemp. half calf gilt, joints cracked and some wear, 4to (1)

Percival (Captain Robert). An Account of the Cape of Good Hope; containing an Historical View of its Original Settlement by the Dutch, its Capture by the British in 1795 ... Also a Sketch of its Geography, Productions, the Manners and Customs of the Inhabitants, etc., 1st ed., 1804, some spotting and light browning, untrimmed, 4pp. pubs. at rear, orig. boards with recent leather backstrip, 4to (1)

Birmingham. An Historical and Descriptive Sketch of Birmingham, pub. Beilby, Knott, and Beilby, Birmingham, 1830, eng. plts., slight damp staining, modern green qtr. calf gilt, 12mo, together with Cambridge, The New Cambridge Guide; or a Description of the University, Town, and County of Cambridge, printed by M. Watson for J. Nicholson, Cambridge, 1804, folding aquatint frontis. and folding eng. plan, modern qtr. calf, 8vo, plus seven other 19th c. mostly Birmingham & Coventry related (9)

Payne (Charles Johnson, "Snaffles", fl. 1915-23). My Sketch Book in the Shiny, 1st ed., [1930], authors signed presentation copy, inscribed in pencil on title 'To the Chapmans from Snaffles', num. b & w illusts., several identified or captioned by Snaffles, some minor scattered spotting, orig. cloth, a little rubbed and soiled, 4to (1)

*Napoleon I (Emperor of France). An original pencil drawing of Napoleon on his deathbed, attributed to Captain Ward at St Helena, c. 5th-7th May 1821, an amateur outline pencil sketch on tracing paper, showing Napoleon lying dead with two pillows under his head, dressed in full military uniform, with helmet, medals and cape, some spotting and sl. creasing, approx. 11.5 x 20 cm, glued at corners to a later album leaf, with an old ink inscription beneath, 'Taken by Captain Ward, who was quartered at St. Helena at the time'. Provenance: Believed to be from Marie Wragg de Winton, a South Wales or Midlands artist (fl. 1839-60), and since handed down through the family. The implication is that Captain Ward was Captain of the Guards responsible for guarding the dead Emperor before his funeral, and that subsequently Captain Ward gave the sketch to his friend Madame Marie Wragg de Winton. (1)

*Gauci (Maxim, 1774-1854). Portraits of distinguished characters of all nations; drawn on stone by M. Gauci, from the sketch book of P. E. Stroehling Historical Painter to His Majesty George the Fourth, pub. Engelmann, Graf, Coindet, & Co., n.d., c. 1820s, eng. title (discol.), and ten proof litho. ports. on India paper, some marks and a little fraying to margins, loose, without covers, slim folio (sheet size approx. 34.5 x 25 cm) . Not found in BL or Abbey. (1)

Nature and Art, Vols.1 and 2 (all publ.), Day & Son, 1866-67, all of the various plts., incl. chromos. present as listed, except for "Hawking in the Olden Time" in Vol.1 (? issued later as a general title-page), orig. blue cloth, upper covers and spines blocked in gilt to an ornate design representing the arts and the natural world, lower covers blocked in blind, a.e.g., a good bright copy, together with a copy rebound as a single volume, including the "Hawking" plt. in Vol.1, in contemp. half blue calf, spine gilt, red leather label, red cloth sides, a.e.g., large 8vo. "Nature and Art" was the first periodical to use chromolithograph plates as illustrations. It was continued, in 1867, as "The Chromolithograph". The copy in orig. cloth has, loosely inserted, the original watercolour sketch of the Entrance of Glenfinlas, near the Brigg of Turk and the Trosachs, by Aaron Penley, reproduced facing p.48 in Vol.1. See McLean, Design, p.136. (3)

Sharpe (R. Bowdler). Sketch-Book of British Birds, with Coloured Illustrations by A.F. & C. Lydon, 1898, col. frontis. and illusts., orig. pict. cloth gilt, a little rubbed and soiled, together with Adams (H.G. and H.B.), The Smaller British Birds, 1874, thirty-two col. plts., orig. pict. cloth gilt, a little rubbed, plus an 1894 edition of the same work, thirty-two col. plts., orig. cloth gilt, slightly rubbed and faded on spine, all large 8vo, together with other Victorian natural history, published Routledge, etc., mostly orig. cloth or printed boards (approx. 80)

An early 20th century linen bound sketch book relating to a visit to Lausanne in 1911, containing a map, sketches and designs, and including later sketches in England and Abergele, Wales, 1917

Frank Shipsides (born 1908) 'Placidity' - a British man of war Watercolour Signed, titled and dated 1983 34cm x 24.5cm A Bristol Savages evening sketch, November 9th 1983

George Earp watercolour and ink, Church and cottages, 7 x 10 ins. Continental beggars, 9.5 x 7.5 ins. and a sketch of a stream, 4.5 x 5.5 ins., all signed.

Henry Earp Snr (1831-1914) three watercolours, Sportsman and cattle in a landscape, Figures beside a tavern and sketch of a maid, signed, Largest 8.5 x 12.5 ins.

Henry Earp Snr (1831-1914) three watercolours, Lewes Castle, signed, 7 x 10 ins., a similar pencil sketch, 7 x 10.5 ins. and another view, 10 x 7 ins.

Henry Earp Snr (1831-1914) gold locket and ephemera, Locket containing a photograph of Henry Earp and his wife Susanna, their marriage certificate from 1873, other photographs, various written work including an agreement to sell all of his pictures to a Mr Biddle of Brighton, 1878-1880, and three sketch books including Sussex and Switzerland.

A contemporary galvanised wire garden seat, 'A Pencil Sketch', 1.3m long

Tom Espley, a nude study, watercolour, inscribed To Philip with best wishes Tom Espley 1981, another charcoal sketch, figures in a studio, and a pencil study of buildings (3)

Robert Winter Fraser, A view of a stream, watercolour sketch, 8x12cm.

Manner of Daumier, Wild Horses, oil sketch, 34.5x28cm.

ELLIS SILAS. Figure Sketches, Brittany, inscribed, pencil sketch, 11 1/2in x 7in, and four other drawings by the same artist , including one depicting 'A Bridge, Venice'(5)

WILLIAM LEIGHTON LEITCH,.Portrait study of a Young Lady, monogrammed, watercolour sketch , 4 1/2 x 4in.

Robert Winter Fraser, A view of a stream, watercolour sketch, 8x12cm.

Manner of Daumier, Wild Horses, oil sketch, 34.5x28cm.