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Mary Potter (1900-1981) Watercolour "The River Bank", sketch with trees, chair in foreground, unsigned, 12cm x 14cm, framed and glazed Messum's receipt invoice no.6424 dated 4th June 2003 (copy). From the collection of the late Maurice Costley

Charles DARWIN- Order of the Proceedings at the Darwin Celebration, Held at Cambridge June 22 - June 24, 1909. With a Sketch of Darwin's Life. Cambridge University Press, 1909, 1st. edn. Francis Darwin’s copy, with his name & date 1909 to front blank. [Francis Darwin was a botanist & the third son of Charles Darwin, There is a court in Cambridge named after him].

The Artist Steiff bear (Dark Brown 27cm) for the very first time this bear proudly hold a tribute t his creator - his very own sketch book, comes with ear tag, [ no. 00827] along with Teddybar ( Black 32cm) wearing a stylish red leather collar decorated with nine stainless steel"elephant Buttons" [No. 01893]

Parisian School, circa 1920, Eight Studies from a sketch book of the female figurepencil on paper21 x12.5 cmProvenance: Atelier Andre Lhote, Rue d’Odessa, Montparnasse, Paris. c.1925,Harry Morton Colvile (1905-92), a student of Lhote,By whom gifted to the father of the present vendor

§ Ursula Edgcumbe (1900-1985) Study for The Finding of Mosespencil and ink37.5 x 24.5cmProvenance:The collection of Quentin StevensonThe present work is a sketch used for the completion of a sculptural relief carved from Hopton Wood stone and currently held in a private collection. The Finding of Moses was Edgcumbe's first sculpture.

§ Constance Bradshaw RA, RBA, ROI, NEAC, SWA (1872-1961) Sketch in Chartressigned 'C Bradshaw' (lower left)oil on board20 x 32cmExhibited:London, The Royal Institute of Oil Painters, cat. no.4 (details untraced)Frame has some losses and chips throughout. The board has slipped from the frame, it could be secured in the frame or reframed. With an overall layer of ingrained dirt and with some minor knocks and losses to the outermost edges where the board has been in contact with the frame rebate. In nice and untouched overall condition.

§ Alexander Hollweg (1936-2020) Sketch for East River Viewsigned and dated 'Alexander Hollweg 1984' (lower right)watercolour over pencil35.5 x 55cm

§ Ada 'Betty' Swanwick RA (1915-1989) First sketch for The Reawakening pencil on paper 52 x 74cm Provenance: Sale; Bonhams, The Artists Studio Sale, London, 31 January, 1990, lot 103 Work is framed and glazed, has not been removed from the frame so the outermost margins, which are obscured by a large red mount, are not available for inspection. There is some slight acid mat burn around the mount and some minor undulation to the paper support which could be corrected by reframing, likewise, some very minor handling creases to the top and bottom edges. Otherwise the work is in very nice overall condition.

§ Stanley Spencer CBE, RA (1891-1959) Sketch of a man, believed to be a study for Easter Triptych pencil on paper, squared for transfer 16 x 9cmProvenance: With Anthony d'Offay GalleryWith Bernard Jacobson GalleryWith Archeus Fine Art

Artist unknown - pen and ink A pair of sepia Old Master-style portraits 9" x 7½" and one other 19th century pencil sketch - female bust portrait (3)

Ronald Searle (1920-2011)The Fuhrer, a caricature sketch, signed, pen and ink, 8 x 23cm

Follower of Thomas Rowlandson (1756 - 1827)'If only you could see what Red Biddy's done for Me', caricature sketch, pen, ink and watercolour, 29 x 39cm (unframed)

William Henry Brooke (1772-1860)'Princes flying to the rescue the surviving knight', pen and ink sketch, 9.5 x 6cm, a pencil sketch of a sheep grazing by a brook by Charles Hancock, 9 x 14.5cm; and William Hogarth - 'John Willies Esq', etching, 45 x 23cm, all mounted but unframed (3)

James Duffield Harding (c. 1797-1863)Riviera scene, signed, pencil sketch with wash, 26.5 x 40.5cm; Thomas Lound (1802-1861) - An East Anglian river landscape, sepia wash, 24 x 34cm; and Francois Louis Thomas Francia (1722-1839) - Barge moored in wooden jetty, sepia wash, 11 x 17.5cm (3)

Henry Iveson (early 19th century)A sketch book, containing numerous pencil, ink and grey wash sketches, mainly views in Italy including Sorrento, Tivoli, and Rome, many inscribed with titles and dated 1825-26, inscribed to the first page 'Sketches by Henry Iveson Taken in Italy 1825-26' and titled to the spine 'Sketches Taken at Rome', 14.5 x 22cm overall. Circa 111 images, no blanks.

David Oxtoby (b. 1938)Dionne Warwick, signed and titled, crayon, 59 x 42cm; two further sketches of Elvis Presley by the same hand, entitled 'Mr Rock' and 'The King'; and one further charcoal sketch 'Dyke' (Dyke and the Blazers), all unframed (4)

A.C (?)Theatrical costume design sketch for Henry VIII, signed with initials and inscribed 'Boyd MacKenzie' in pencil, and with fabric sample attached, mixed media, 36 x 29.5cm, four further similar, 36 x 29.5cm, a similar larger pair, 52 x 36cm, all designed for the Royal Shakespeare Company, and two further similar theatrical costume studies for 'When Thou Art King'. (9)

A MEISSEN PORCELAIN GROUP 'PETRUSHKA' modelled by Peter Sheurich, impressed no. 73323, 27cm high x 22cm wide x 12cm deepNote: A rare model based on the ballet first performed by Diaghilev's Ballets Russes in Berlin in December 1912. It is likely that Scheurich saw one of the performances at the time, but it is unknown why he created a porcelain group based on the ballet 18 years later in April 1930. A sketch for the model has survived and was published in the magazine 'Sport im Bild', 37/14 (1931). The first example was formed in October 1930.

KEELEY HALSWELLE (1832-1891) A harvesting scene with a figure at rest between corn stooks monogrammed lower right, inscribed in pencil verso "Sketch by Keeley Halswelle, purchased at Edwin Hayes sale", oil on panel, 14.5cm x 24cmProvenance: The collection of Edwin Hayes R.I. (1819-1904).His sale, Christie's, London, 1905.The Grey-Egerton Family, formerly of Oulton Hall.

GEORGE HERBERT KITCHIN (c.1870-1951) THREE SKETCH BOOKS one titled 'Wales and Norway' and dated 1892, recording events and details of his summer holiday in text, drawing and watercolour, 13cm high x 18cm wide, one 'Northumberland 1915-1916', featuring numerous architectural studies, 14cm high x 23cm wide, and another similar (3)Note: George Herbert Kitchin was an architect and antiquarian. He designed and laid the arts and crafts garden at his home Compton End, Winchester, as featured in ‘Country Life’, 23 August 1919, 240-48.

λ&nbspGRAHAM SUTHERLAND (BRITISH 1903-1980) STUDIES FOR 'RED MONOLITH' 1937 Ink, watercolour, gouache, pencil and collage Signed, titled Red monolith and dated 38 (to upper edge); further inscribed with colour notes (upper right); titled vase like tree form and dated 37/8 (lower right) 20.3 x 15.3cm (7 x 6 in.) There is a sketch executed in coloured crayons to the reverse of the sheet. Provenance: Private Collection, Herbert Spencer (a gift from the artist) Thence by descentLiterature:D. Cooper, The Work of Graham Sutherland, London, 1961, no.12b (illustrated)  Condition Report: The sheet is stuck down at the four corners. Surface dirt throughout. Condition Report Disclaimer

Blowman; Scotsmen Wearing Tam O' Shanters on a Stag Hunt, pencil sketch on paper, H-89cm x 110cm, signed.

Catherine Maude Nichols, RE (British, 1847-1923) Fenland landscape pencil sketch, signed and dated 'Aug. 24. 1917' lower right, oak frame with label verso for Dimmock & Son, Fine Art Galleries, Norwich 5¼ x 14 in (13.2 x 35.5 cm)

After David Weston: Sunlight and Steam, limited edition print 9/40 with signed sketch on the mount of Jubilee Class, in pencil   + After Tim Nolan: special edition print to commemorate the first flight. Signed by artist and pilots, artist proof 'Sydney at Sixty' 12/18 signed and Dawn of a New Era, Robert Bails, signed, 148/250.

20th Century, a head study of a girl in a red hat, oil on panel, with another sketch verso, 10.5" x 9" (27 x 23cm).

Sheelagh Popham, 'The Dragonfly Pool II', pastel signed with initials, 14" x 16" (36 x 41cm) along with another smaller by the same hand and a pencil sketch of a Hawthorn Tree by Michael Williams, (3).

After Reynolds, 'The Banished Lord', oil on canvas, 30" x 25" (76 x 63.5cm), inscribed verso by a later hand 'Sir J Reynolds, Sketch for the Banished Lord', a/f.

19th century school Oil on card Coastal scene with figures, moored boats and building, unsigned, unframed, inscribed verso "Sketch by William Turner" 10cm x 13.5cm

A group of seascapes including Sydney Goodwin (British, 1867-1944) -Cloud study above calm seas -Watercolour -18 x 23cm -A pencil sketch of a ship on the reverse -Together with two further watercolours depicting the Cornish coast, reputedly by Rosa Koberwein (fl. 1876-1903), each approximately 16.5 x 24cm - And a pastel view of the bay in Malaga, signed J.B., 21 x 30.5cm (4)

Small Continental watercolour sketch, town scene with various figures, indistincty signed, 11 x 15cm

20th Century watercolour, High Street at Guildford with figures and a car, 30 x 26cm, small sketch of a fisherman and a hand coloured print inscribed ' Carte de l'Aisle de Saint Domingue '

Group of prints, including View of New Caledonia, Sketch of Nootka Sound, Views on the West Coast of America, etc

Group of art material including paint sets, brushes, sketch books, calligraphy etc

Amedeo Lanci (b.1943), a signed, limited edition etching 'Gallo' 1992 with the artist's blind stamp. With notes and an original sketch to the reverse. H.52 W.37cm

SIR DAVID WILKIE R.A (ATTR) WATERCOLOUR/SKETCH ''THE VILLAGE FESTIVAL'' WITH PROVENANCE ON VERSO - 27 X 20.5 CMS APPROX PICTURE ONLY

Selection of unframed 19th century hand-coloured Lincolnshire prints: Church of Sutton St Mary Long Sutton, Church of Tydd St Mary near Holbeach, Kirton Church near Boston, Fleet Church near Holbeach, Holbeach Church & Gedney Church near Holbeach, all 41.5cm x 31cm, all drawn 1798 by William & Hilkiah Burgess / engraved by H Burgess, hand-coloured print of Sleaford after William Brand published 1798 23.5cm x 19cm and ink sketch of Louth Market Place by Tom Brooker 1970

A collection of framed Elvis Presley memorabilia to include Jonathan Wood print of a pencil sketch portrait, limited edition Loving You gold plated vinyl display and Special Edition Film Cell.

Seven boxed games to include Maniac by Ideal, Hotel by MB Games and a complete boxed Etch-a-Sketch. UK P&P Group 3 (£30+VAT for the first lot and £8+VAT for subsequent lots)

A sketch/scrap album, a vintage indenture etc. The album 18 cm wide.

Alexander Jamieson R.O.I. (Scottish, 1873-1937), The Church at Moret sur Loing (Ile de France), oil on board, artist's hand-written label verso including "sketch from nature", in a gilt-composition frame. 17cm by 21cm. Note: Moret Sur Loing became the home of Alfred Sisley (1839-1899) and he painted this same view of this Church twelve times between 1893 and 1894 echoing Monet's work in capturing the facade of Rouen Cathedral at about the same time. 

John Bulloch Souter (Scottish, 1890-1972) A Sketch Book, containing approximately twenty-two comic or satirical cartoon sketches, probably c. 1930, crayon, each titled, on paper in a cloth-bound volume. Sketches each 25cm by 18.75cm 

Pastel sketch of a maned wolf attributed to John Rattenbury Skeaping RA (1901-1980)

ALEX ROSS 1:100 VARIANT LOT (2 in Lot) - Includes CHAMPIONS VOL.2 #1 + SPIDER-MAN VOL.4 #7 Sketch Cover

John Frye Bourne (1912-1991) Pencil sketch study of a Female Nude. Gallery dated Oct 1950

Collection of eight print etchings to include 'A view of Paris', 'Le singe et le chat', portrait of lady, deer pencil sketch, cottage pencil sketch, French double sided trade card, engraving, undated,' Le Fete du Hameau', cottage sketch, together with flat back castle ornament

Sophie D'Ouseley (Irish 1851-1932): Lake Como, watercolour signed, titled verso together with a selection of original watercolours including David Moore, an oil, a pencil sketch etc in one box (12)

Watercolour of flowers signed Patience Arnold together with a pencil sketch signed John Atkinson (2)

Spanish [Espana Plaza de Toros De Palma De Mallorca advertising poster dated 1964 together with Angling fishing sketch print after W.H Pyne

Thomas Sunderland (British 1744-1823), Cava in the Isle of Ulva, pencil sketch, unsigned, gallery label verso, titled bellow, in a glazed gilt frame. (24cmx34cm)

Attributed to John Wilson Carmichael (1799-1868), inscribed on backboard in ink 'The Castle Rock Matlour from a sketch by AN.[?] S/F? in pencil 'Drawn by Mr Carmichael from a sketch by A.N. [?] Fox., 29.5x20cm, framed and glazed

John Wilson Carmichael (1799-1868), inscribed on backboard in ink 'On Bath Matlour Derbyshire from a sketch by A.N [?] J/T/S/L/F.', watercolour, signed and dated 1834, 29.5x20cm, framed and glazed.Car

Gillian E Hoare (20th Century) Portrait of three dogs: "Dusty, Buttons and Brail" Signed and dated (19)87, pastel, oval; Together with a pencil sketch of the racehorse "Crisp" by the same hand, signed and dated (19)77 and a limited edition coloured etching No. 4/75 after Henry Wilkinson, Retriever with a duck, signed in pencil; 50.5cm by 37.5cm, 39cm by 29cm and 27cm by 31.5cm respectively (3)

Ernest Howard Shepard (1879-1976), afterChristopher Robin with Umbrellamonogrammed, label to verso, pencil sketch on paper, 24cm x 14cm

George Richmond (1809-1896), afterStudy after a Portrait by Parmigianino monogrammed, label to verso, pencil sketch on paper, 25cm x 18cm

English School (19th century) Going to Chiswick Market unsigned, pencil sketch, 17cm x 22cm

Jack Rigg (British 1927-2023): Preliminary sketch for 'London River', ink and watercolour signed, variously inscribed with reference image verso 19cm x 25cm (unframed)

Jack Rigg (British 1927-2023): 'Reminder in the Blackwater at Osea - Going back to Malden', ink sketch signed titled and dated 1976, 19cm x 17cm (unframed)

Jack Rigg (British 1927-2023): Preliminary sketch for ''Whitby Piers from Saltwick Nab', pencil unsigned, variously inscribed and dated 1962, 17cm x 25cm (unframed)

Jack Rigg (British 1927-2023): Preliminary sketch for 'Bank Top - Robin Hood's Bay 1962', ink signed, variously inscribed 18cm x 24cm (unframed)

Joseph Richard Bagshawe (Staithes Group 1870-1909): Fishermen in a Sailing Coble, unsigned pencil with sketch verso 17cm x 21cm Provenance: acquired direct from the trustees of the Bagshawe Estate when the final part of the artist's studio collection was dispersed in Whitby in the 1990s, never previously been on the open market Condition Report:good overall condition with original marks and creases