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An Edwardian strung satinwood three fold screen with Gainsborough silk panels. 1.87m high

An oak-framed fire-screen with needlework picture of a peacock perched on a flowering bough - folding to form a table on scroll legs.

A Japanese two-fold hardwood screen decorated with inlaid shibayama birds amongst flowers and branches, 42in. high.

An Edwardian mahogany three-fold screen with glazed panels, 70.5in. high.

An Edwardian four-fold mahogany and satinwood panelled screen decorated with painted flowers and figures, tapestry panels below, 59in. high.

FURNITURE - A William IV walnut cheval screen, in Romantic style, the slender panelled rectangular frame with carved rosettes to angles, the cresting pierced with flowers and leaves, enclosing a shield shaped mantel finely embroidered with flowers in silk and metal threads, silver 'bullion' border and tassels, all beneath a rising silk lined panel, on recurving scroll supports joined by a leaf carved spirally turned stretcher, brass castors, 52in high, 25.5in wide, c.1835

A Philips flat screen television with Dolby pro logic surround sound together with a Ferguson Videostar video cassette recorder in television stand

A Victorian mahogany pole screen, on tripod base with pad feet, screen lacking

A Victorian mahogany pole screen with inset petit point tapestry, on tripod base carved with acanthus.

A Late 19th Century Walnut Cheval Fire Screen, the glazed panel embroidered with a peacock on a terrace against a black ground, between spirally turned uprights. Width 31". Height 38".

A Late 19th Century Chinese Hardwood Table Screen Frame of rectangular shape with pierce carved base and side brackets. Lacking panel. Width 19". Height 27".

A Victorian Tubular Brass Fire Screen with leaded, stained and moulded glass panel. Width 18". Height 30".

A Regency simulated rosewood and rosewood veneered pole-screen with a papier mache screen of circular shape depicting a gothic country house, the screen 16in. (41cm) diam.

A Japanese carved and lacquered two-leaf room screen, pierced and carved top above a pair of inset lacquer panels depicting birds and foliage within a carved surround, 61in. (155cm) wide.

A French brass folding fan fire-screen with mask and wing motif to the front.

A black lacquered fan with a silk screen painted to depict a bird and flowering branches and painted feather fan. (2)

After P. TYMAN, colour screen print of tigers, signed and dated in the margin, 1993, 82cm x 58cm.

After SASA MARINKOV, From Richmond Hill, a limited edition screen print, signed and dated '95, 88cm x 57cm.

A Chinese padouk wood two-leaf room screen with oval lacquered panels to centre, ivory and mother-of-pearl inlaid to depict birds and foliage on a blue ground to centre and a black ground to the outside with brass castors, 66in. (168cm) wide.

A Victorian mahogany framed five-leaf room screen with upholstered panels and a turned legs, 120in. (305cm) wide.

Early 19th face screen, the asymmetric screen painted polychrome exotic birds with bone handle, 16"

William IV rosewood & brass pole screen latterly converted to a lamp standard on reeded gilt brass bun feet and another similar, both approx. 5' (one with shade)

Carved oak 4-fold screen, each fold with shaped bevel glass panel over armorial & linen fold carved panels, each fold measures 5' x 1'6"

A 19th century tripod pole screen, the oval banner worked in coloured threads with a study of garden flowers, the turned tapering fluted column with acorn finial and decorated with bead work on three 'S' scrolled supports with acanthus carved knees and scroll toes, banner 34cm (13.75"), 143cm (56.25")

An early 19th century papier mache face screen, with a painted street scene, and a papier mache snuffer stand, with paper label, 'Retailed by Maple, Deck & Lowe January 27, 1840 no. 227'. 14" (36cm) and 9 1/2" (24cm) long

An Arts and Crafts hammered copper and wrought iron fire screen embossed with stylised flowers. 32 1/2" high (82.5cm)

Michael Chow, (late 20th century), Mr Chow's Game, 30 Brook Street, Mayfair, London, W1Y 1AG, screen print and papier colle, s.63.5 x 47.5 cm.

Francis Bacon (1909-1992), Human Torso, signed by the artist lower left, signed by the printmaker within the plate lower left, inscribed 157/200 lower right, impressed mark lower left, limited edition screen print, printed by A** Manaranche, s.156 x 102.5 cm.

John R** Brunsdon, (20th century), Pink tablecloth, signed in pencil and dated '64 within the margin lower right, inscribed with title and limited edition 2/50 in pencil within the margin lower left, screen print, p.45 x 60 cm.

Sir Sidney Robert Nolan, (1971-1992), Ned Kelly pinning another figure to the ground, signed in pencil within the margin lower right, inscribed 17/60 lower left, screen print, p.45.5 x 57.5 cm.

A Victorian three fold scrap screen with giltwood borders, arches and brass hinges, decorated to both sides, each leaf 185.5 high x 61.5cm wide.

A four fold screen, with swag printed paper to one side and a green border, painted verso with stylised flowerheads in lozenges in grey on a pink wash ground, each leaf 213.5 high x 53.5cm wide.

A three fold screen with swag printed paper to one side, painted verso in pale green, each leaf 168.5 high x 78cm wide.

A WILLIAM MORRIS TEXTILE DESIGN, 'Bachelors Button', a screen print by Sanderson

A late Victorian mahogany three-fold screen, circa 1890, with glazed and ribbed upper section and three floral panels worked in coloured wools, within reeded borders, each panel 21" wide x 70.5" high

Japanese four leaf lacquered draught screen, the carved birds and foliate ebonized frame enclosing black and gilt lacquered panels with mother of pearl and ivory, encrusted eagles and doves. Each panel 46 x 89cm.

A VICTORIAN CARVED WALNUT PIANO STOOL with revolving needle work seat and tripod base and a needlework draught screen in woodend frame.(2)

AN EARLY VICTORIAN ROSEWOOD FIRE SCREEN with inset needlework panel and barley twist supports on scroll legs, 29"wide.

A Victorian mahogany pole screen, (a piano stool base)

A rosewood occasional table, converted from a William IV pole screen. 19" wide (48cm)

A Victorian mahogany pole screen, the 'c' scroll moulded rectangular banner worked with woolwork study of roses, vase and baluster turned column support with 3 acanthus carved cabriole legs with scroll toes, 137cm (54")

A 19th century mahogany screen of slatted form, on cabriole legs and pad feet, 115.5 high x 91cm wide

An oak table top four fold screen, painted with hunting scenes

A four fold tapestry screen, embroidered with flowers and ducks

An attractive three-fold mahogany and oil-painted screen, the folds graduating in size and each having a long and short panel, variously painted in naturalistic colours with branches of roses, swags of violets and further roses with swallows, butterflies and dragonflies in flight, all against cumulus clouds in a blue sky, highest fold 175cm., total width 147cm., two of the panels signed 'S.A. Mirfield' and dated '03

A stylish 1950's screen-printed sideboard, designed by Robert Heritage and made by A. G. Evans of rectangular shape with ebonised top and sides, with a short top rail, three short frieze drawers veneered in pale birch and having recessed handles, with a pair of cupboards below flanking a compartment with drop-down flap, the fronts of each are silk-screen printed with overlapping buildings in flattened perspective, and having curved wire loop handles, the whole supported on four legs formed from three metal rods linked by an inverted conical foot, 88cm. high x 137cm. wide x 43cm. deep.

An ivory netsuke in the form of a table screen, pierced and carved with a tiger beneath a tree; an okimono carving of a figure seated on a log (damaged) and a netsuke in the form of a Dog of Fo and a ball (damaged)

A Japanese porcelain table screen in the form of a crescent moon resting on rocks on which stand two tortoises, the moon covered in a thick blue glaze moulded and reserved in white with bats amongst clouds, 16cm, 19th century, (one tortoise head restored)

A Chinese lac burgaute table screen, finely inlaid with figures by a pavilion in a garden to one side and an inscription to the other, 23 x 12.8cm (9 x 5in), carved wood stand, Qianlong

A GEORGE III MAHOGANY SCREEN with turned finials and shaped supports, 44"high.

A William IV mahogany pole screen, and another pole screen. (2)

Terry Frost, (1915-), Tolycarne Moon Blue, Newlyn, screen print, limited edition 110/150, signed in pencil lower right, s. 64.5 x 64 cm (25 1/4 x 25 in)

John Piper, (1903-1992), Death in Venice VII; signed in crayon within the plate lower right, screen print, s. 78 x 68 cm (30 3/4 x 26 3/4 in)

A REGENCY PAINTED POLE SCREEN on turned central column and triform base, 56" high.

A 19TH CENTURY MAHOGANY SQUARE STOOL with drop in seat, a four fold screen and an oak rectangular foot stool (2)

A FOUR FOLD DRAUGHT SCREEN

Chinese table screen, carved and pierced hardwood, of rectangular form on two carved legs with fretwork between, 69 x 43cm.

Georgian style mahogany fire screen with an urn finial and rectangular gros point floral needlework panel, raised on a vase central column and downswept tripod base.

19th century Japanese four fold carved screen surmounted by carved dragon panel over black red lacquer panels with birds and foliage in bone, ivory and mother of pearl, the framework similarly carved, 1.85m.

A mahogany fire screen in George II style, the adjustable banner with an 18th century rectangular woolwork of a basket of flowers, on cabriole legs and pad feet, 119 high x 65cm wide (46 3/4 x 25 3/4in), (some damage to the woolwork banner).