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FRANK ROC. "Westminster Abbey". Screen print. Signed artists proof. 21" x 21".

JOE TILSON (b.1928). Abstract with Greek letters. Screen print. Signed in pencil and dated 1985. Limited Edition 14 of 60. 26" x 24".

JOE TILSON (b.1928). Abstract with fruit. Screen print. Signed in pencil and dated 1985. Limited Edition 14 of 60. 31" x 27".

JOE TILSON (b.1928). Abstract with fruit. Screen print. Signed in pencil and dated 1985. Limited Edition 14 of 60. 32" x 25".

A William IV rosewood fire screen, circa 1835, the rectangular sliding pleated silk panel on bar plinths joined by a turned stretcher and shaped bun feet and casters, 39" high, 16" wide

A Chinese Carved Ivory Table Screen, early 18th century, the rectangular panel carved in low relief with a scholar and attendant on a pavilion veranda beside a lake, vestiges of red and green colouring, (20cm by 10.7cm), upon ivory mounted hardwood stand, with inverted T shape ends with cache coin pierced motifs to the angles, fo-dog finials, divided by repeat foliate pierced stretchers, (26cm high overall) (the panel with old crack, sign of gluing, general discolouration and drying cracks)

A Painted Leather Screen, of four arched leaves painted with scenes of hunting on horseback with dogs in a landscape, (each leaf 207cm by 52cm)

A 19th Century Mahogany Pole Screen, the screen modelled as a rococo cartouche enclosing fine floral silk needlework, the pole with leaf carved baluster base, on a cabriole tripod with claw feet, (138cm high)

A Victorian rosewood pole screen, the octagonal panel with woolwork centre on a lotus capped column, trefoil base and bun feet, 145 cms high.

A pair of Victorian painted papier mache hand held face screen, each of scalloped outline with painted decorations of exotic birds in a floral garden, each with gilt painted turned wooden handles (a/f).

An Edwardian mahogany and inlaid four fold screen, the acanthus carved tops with floral swags inlay, over fabric panels, together with another screen with glazed top panels (2).

Javanese hardwood screen carved and painted with figures and flowers, approx 6ft x 5ft.

A late 19th century automaton musical box, the hinged cover revealing a pierced gilt metal screen and a feathered 'singing' bird, the bone and ivory case carved overall with figures in 17th and 18th century costume, on four ball feet, 12cm wide (4.75")

Novelty brass fire screen in the form of curtsying lady, 30" height.

Trevor Allen (b1939), "The Run Race", coloured screen print, signed and dated '63, No 11/20 in pencil in margin, 59cm x 46cm, and another by John Sturgess (2).

Victorian ebonised polescreen, with eastern thread-work panel to face of screen on brass lacquered pole, fitted to shaped and painted base and standing on carved claw feet, (finial to pole missing), 147cm high.

A Carved, pierced, and brass inlaid four fold screen

An Elm Coffer, 110 cm, and a four fold screen

A Late Victorian Four Fold Screen, decorated popies, in the style of William Morris

A Satin Walnut Chest, a painted pot cupboard, a display cabinet and a four fold screen (4)

A three fold draught screen decorated Chinese panels.

A GOOD GEORGE IV BRASS-MOUNTED ROSEWOOD FIRESCREEN in the manner of George Smith, circa 1825, having a brass pole with cartouche-form mahogany -framed petit-point floral needlework screen, the stem having a gilt acanthus socket, spirally-reeded broadening stem and gilt foliate terminal, on a concave triangular base with scrolled-over feet applied with scaly sea-creatures, 140cm, (55in) high

A 19th century three-fold screen painted with a musical trophy, swags of roses and ribbon ties on vellum, 170 high x 125cm wide, (some damage)

An early 19th century cased face screen, the red scrim case containing green pleated silkscreen, brass telescopic arm and folding foot, the case 16.5cm wide

A Victorian walnut framed fire screen, the arched needlework panel depicting a rural couple within a moulded frame supported on finial mounted turned uprights, standing on cabriole legs with ceramic casters united with a turned stretcher, 82cm wide

A William IV mahogany pole screen, converted to a standard lamp, the adjustable floral silk work panel within a scrolling frame supported on a finial mounted brass upright, standing on a baluster turned base with carved cabriole legs with scroll feet, 160cm high

A Benham & Froude 'Aesthetic' brass firescreen, the rectangular mesh screen applied with an embossed and engraved bird and branches in Japanese style, within a tubular stand of asymmetrical geometric design with outswept feet, registration lozenge for 1880, 71 high x 70cm wide

A Victorian rosewood pole screen with rectangular cartouche panel, having an oriental scene in needlework on a scrolling trefoil base.

A mahogany framed 3-fold glazed screen.

A late Victorian mahogany 3-fold dressing screen with part glazed and part damask upholstered panels. 6' high.

B*** Charles & Other Artists. Various Sizes. Views of Durham, Whitby and North Yorkshire. One signed and inscribed, nine mounted together in a three-fold, white-painted draught screen, 57in. high overall.

Bob Raymond. 24.5in. x 16in. (61 x 41cm), "Drawing for Sculpture - Relief" - ink and gouache. Signed, inscribed and dated 1965; and a colour silk-screen print, Abstraction, signed proof, by Chris Hall, 1988. (2)

Godfrey Phillips, International Caps, Gallagher Ltd. Film Partners, Park Drive, Stars of Screen and Stage, and various other cigarette and trade cards, a lot.

Victorian pole screen, circa 1880, brass pole with engraved decoration, mounted upon carved wooden tripod cabriole base, hung with embroidered armorial shield, 147cm tall.

English Provincial School, late 19th century - Cockerel; oil on metal screen within a giltwood arched mount and oak moulding frame, 65.7x64.5cm

A three-fold leather screen painted with various scenes of figures, a dog, horses and children (poor condition), 70in. high.

A Large Imari Charger, circa 1700, decorated in iron-red enamel and gilt on underglaze-blue, the central panel with a screen, a cage containing a bird beneath an awning and amidst flowering cherry blossom, surrounded by a band depicting a landscape with pavilions, the rim with panels depicting ho-o birds in flight and kiku, 56cm.; 22in.

A Blue and White Rectangular Table Screen, Transitional period, circa 1640, standing on four bracket feet, one side with a design of a sage inspecting a scroll with a central ying-yang medallion held by two attendants beneath a phoenix flying among stylised clouds, a crouching deer in the foreground, the other side with two small figures in an elaborate riverscape, blossoming twigs on the edges, 26.5cm., 10.5in.

A 'Famille-Verte' Rectangular Panel, Kangxi period, probably from a large screen with numerous panels, finely painted with bright enamels, with a lady seated on a bench beside a young boy, her arm resting on a weather-beaten rock, mounted in burlwood frame, 32cm., 12.5in., by 27.5cm., 10.75in.

A papier mache folding three-section fire screen inlaid with mother-of-pearl and painted to depict a landscape and a lacquered smokers stand with gilt decoration on a turned column. (2)

A Chinese lacquered two-leaf room screen with arched panels, one side depicting trees and blossom with birds on a red ground, the other side with a black ground, 66in. (168cm) wide.

An early Victorian mahogany fire screen with a carved scallop shell motif to the crest with three sliding upholstered screens, one to the top and two to the sides, turned and fluted column, splayed legs, 26in. (66cm) wide closed.

Jaime Tressera Clapes, A cherrywood and inlaid four fold screen, inlaid with beechwood horizontal bandings and roundels of mother-of-pearl, sycamore and rosewood, with designers monogram roundel

Regency mahogany and floral tapestry pole screen

Moorish design white painted cast iron screen, in 3 sections 194cm wide x 122.5cm high and 2 other similar panels.

William IV rosewood work table, circa 1835, the rounded rectangular top with twin hinged compartments flanking a central screen compartment, above a shallow frieze fitted with a dummy drawer, on rectangular tapered end supports and bar platforms on bun feet and brass castors, united by a pole stretcher, 56cm wide, screen lacking, restorations.

Edwardian ebonised 3 fold screen, the panels decorated in long thread needlework with scenes of kingfisher amongst reeds, 168cm x 65cm (3).

A copper and cast iron firescreen the shaped copper screen stamped in relief with sprays of foliage 72cm. high.

Norman Stevens (1937-1988), A corner of Grathes Castle Garden, screen print, signed and dated 1982 lower right, inscribed with title lower centre, inscribed Artist's Proof and numbered X/XII lower left, s. 81 x 92 cm

A NORTH AFRICAN EBONISED FIRE SCREEN set with spindles, 44 3/4in. (114cm.) high

Three panels from an early 19th Century Chinese hardwood screen, each inlaid with four painted stone panels depicting interior scenes of noblemen and servants, precious things and key fret patterns, 20.5cm x 91.5cm.

Japanese triptych print by Chikanobu Toyohara (1838-1912) depicting a scene with three bijin helping a young boy to practice archery. A target hangs on a clothing screen in front of an elaborate kimono. Printed on a decorative ground, signed, printers marks and untrimmed. Oban.

Edwardian gilt wood framed three-fold draught screen, with fitted glass and upholstered panels, 1.75m high.

Victorian mahogany carved scroll framed fire screen, fitted with a glass panel on flower carved scroll feet, 75cm.

Victorian three-fold scrapwork screen having rectangular panels, decorated with scrapwork of flowers, figures, ships etc, 1.71m high.

19th Century Dutch kingwood and other woods fire screen having a shaped moulded scroll top rail with chevron veneering, the centre section rising with shell carved handle, moulded supports with splay feet united by a platform stretcher, 69cm high.

French four-fold screen decorated with painted panels in a fabric style of ribbons and garlands of flowers flanked by borders, each panel 205cm high.

Antique tooled leather four-fold screen, the rectangular panel with urn style foliate decoration, 195cm high.

Louis XV carved giltwood four-fold screen having rococo style carved glazed upper panels, the lower sections with Oriental cloisonne vases of varying types holding cherry blossom, chrysanthemum and other flowers, 201cm.

Four-fold painted canvas screen, the frame with shaped top rectangular panels decorated in the Oriental style, 200cm high.