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Click here to subscribeA QUANTITY OF CERAMICS AND GLASS WARES, to include a large Willow pattern dinner service of approximately one hundred pieces, from various potteries to include Swinnertons, Crown Clarence, British Anchor, Olde Alton Ware, etc, comprising two covered tureens, two meat plates, two teapots, two milk jugs, an open sugar bowl, a covered sugar bowl, six 25.5cm dinner plates, six 24.5cm dinner plates, fourteen 23cm plates in two designs, two 22cm plates, six 20cm tea plates, sixteen side plates, six egg cups, four breakfast cups and saucers, nine teacups and saucers, twelve coffee cups and eleven saucers, and a mug, together with a large TG Green Gripstand mixing bowl, diameter 38cm x height 17cm, three Babycham glasses, seaware including a Paragon cake plate, two meat plates printed with game birds, Wade Whimsies, etc (qty) (Condition Report: condition varies, most pieces appear ok, some damage, the dinner service having some cracks, chips, crazing and losses, a little gilding wear to other pieces, signs of light use, would benefit from a clean)
A QUANTITY OF PARAGON 'COUNTRY LANE' PATTERN TEA AND DINNERWARE, comprising seven dinner plates, six side plates, two pepper pots, four egg cups, two teapots, one hot water pot, milk jug, sugar bowl, cream jug, sugar bowl, one preserve pot, one cake plate, eight tea cups, nine saucers, one breakfast cup, one saucer, seven tea plates, one teapot lid (55) (Condition Report: wear to gilt one some cups and saucers in varying degrees)
Raquel Alvarez Sardina (Spanish b.1967) pencil/graphite on paper 'Membrillo III' a large depiction of a quince tree, framed and glazed 115.5cm x 119.5cm *Raquel Alvarez Sardina was born in Barcelona. At the age of seventeen she joined Academia Leonardo da Vinci and in 1986 she started a degree in Fine Arts. Whilst doing the degree she attended Academia Sant Vicenç and Boter/ Santalo and completed a drawing course at 'Academia Lorenzo de Medici' in Florence. After graduating in 1991 she came to England where she studied a Master's Degree at Cardiff University. Drawing influence from the Master painters of the Spanish Tenebrism of the Baroque period she has developed a personal contemporary style to represent beauty. Her painting method is slow, precise and full of feeling. It is as though she wants us to slow down and contemplate a few simple objects in silence. She spends a considerable amount of time setting the composition; each fruit or object is placed carefully in the space. Sketching is useful to decide, sometimes by a matter of millimetres where every fruit or leave should be. When she is happy with the composition she draws directly onto the canvas with a brush. She finds painting fruit in the tree still attached to the branch to be the most satisfying 'I love to paint the intricate shapes of the leaves against the roundness of the fruit. I enjoy the complexity of the subject, with the leaves creating unusual perspectives, spaces and light between them' Raquel works in a studio in the garden, half of the studio is painted grey, a colour that is neutral and absorbs light. This creates the best environment for Chiaroscuro style of painting. The other half of the studio is painted a lighter colour, better suited to lighter paintings. She positions fruit next to the window to make the most of the light to create a strong contrast. Sunny days are better for contrast and warm light. Her work has been exhibited in Spain, England and United States. Living and working in the Cotswolds her work is on show at Arcadia Contemporary, United States and is represented in The Biscuit Factory in Newcastle, Concept Gallery in Glasgow, Paragon Gallery in Cheltenham and Morningside Gallery in Edinburgh. In 2016 she was elected Member of the Society of Women Artists (SWA) and HRH Princess Michael of Kent presented her with The President and Vice Presidents' Choice Award for the Best Work of Art in the Annual Exhibition, Mall Galleries, London.
Raquel Alvarez Sardina (Spanish b.1967) oil on canvas Membrillo a large depiction of a quince tree, artists monogram lower right, framed 112cm x 122cm overall. *Raquel Alvarez Sardina was born in Barcelona. At the age of seventeen she joined Academia Leonardo da Vinci and in 1986 she started a degree in Fine Arts. Whilst doing the degree she attended Academia Sant Vicenç and Boter/ Santalo and completed a drawing course at 'Academia Lorenzo de Medici' in Florence. After graduating in 1991 she came to England where she studied a Master's Degree at Cardiff University. Drawing influence from the Master painters of the Spanish Tenebrism of the Baroque period she has developed a personal contemporary style to represent beauty. Her painting method is slow, precise and full of feeling. It is as though she wants us to slow down and contemplate a few simple objects in silence. She spends a considerable amount of time setting the composition; each fruit or object is placed carefully in the space. Sketching is useful to decide, sometimes by a matter of millimetres where every fruit or leave should be. When she is happy with the composition she draws directly onto the canvas with a brush. She finds painting fruit in the tree still attached to the branch to be the most satisfying 'I love to paint the intricate shapes of the leaves against the roundness of the fruit. I enjoy the complexity of the subject, with the leaves creating unusual perspectives, spaces and light between them' Raquel works in a studio in the garden, half of the studio is painted grey, a colour that is neutral and absorbs light. This creates the best environment for Chiaroscuro style of painting. The other half of the studio is painted a lighter colour, better suited to lighter paintings. She positions fruit next to the window to make the most of the light to create a strong contrast. Sunny days are better for contrast and warm light. Her work has been exhibited in Spain, England and United States. Living and working in the Cotswolds her work is on show at Arcadia Contemporary, United States and is represented in The Biscuit Factory in Newcastle, Concept Gallery in Glasgow, Paragon Gallery in Cheltenham and Morningside Gallery in Edinburgh. In 2016 she was elected Member of the Society of Women Artists (SWA) and HRH Princess Michael of Kent presented her with The President and Vice Presidents' Choice Award for the Best Work of Art in the Annual Exhibition, Mall Galleries, London.
JUSTICE LEAGUE OF AMERICA #201 to 261 + ANNUALS #1, 2, 3 (64 in Lot) - (1982/1987 - DC) - An unbroken run of the last 61 issues in the first series and includes the first team appearance of the second Royal Flush Gang, the first appearance of Paragon + the reintroduction of the Martian Manhunter
A 1928 Clifford Essex "Paragon" guitar, made by Marco Roccia in the Clifford Essex workshops at Grafton Street, London incorporating his unique "bi-ohonal" tone chamber, later copied by his friend "Mario Maccaferri" for his run of jazz guitars, made famous by Django Reinhardt, all original hardware in OHSC, provenance (the Louis Gallo collection)
A tray of porcelain and china plates including a John Stinton (British, 1854–1956) for Royal Worcester Highland Cattle cabinet plate, signed, purple stamp and impressed 'G11' mark to base, 26cm diameter, a G. H. Cole painted plate decorated with a central pastoral scene within a pink and gilt border, 27cm diameter, another hand painted plate, likely Staffordshire, 19th century, cranberry red boarder with gilding, 23cm diameter, four Paragon 'Sandringham' pattern plates and two 19th century Prattware plates on blue ground (thermal fractured pieces retained) (1 tray)
A mixed collection of ceramics including a Royal Doulton stoneware beaker with applied sprigged decoration, stamps to base 'X28983/9886' and a Doulton ribbed vase decorated with transfer nursery rhyme decoration, marks to base inscribed '9899', together with Royal Worcester, Paragon, Crown Ducal, Royal Aynsley, etc. (3 trays)
Damien Hirst (British, born 1965)Quinizarin, from 40 Woodcut Spots Woodcut in colours, 2011-12, on wove paper, signed in pencil and numbered 31/55 in pencil verso (there were also ten artist's proofs), published by The Paragon Press, London, the full sheet, framedSheet 203 x 509mm (8 x 20in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Damien Hirst (British, born 1965)Ellipticine Etching in colours, 2007, on wove paper, signed in pencil, numbered 12/75 in pencil verso, printed by Thumbprint Editions, published by The Paragon Press, London, the full sheet, framedPlate 843 x 1142mm (33 1/4 x 45in)Sheet 1103 x 1374mm (43 3/8 x 54 1/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Anish Kapoor (British, born 1954)Green Shadow The complete set of four etchings in colours, 2011, on wove paper, each signed and numbered 17/39 in pencil verso (there were also nine artist's proofs), published by The Paragon Press, London, the full sheets, framedEach sheet 724 x 964mm (28 1/2 x 37 7/8in)(4)Footnotes:This set is accompanied by a Certificate of Authenticity issued by The Paragon Press.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
MINTON; a part tea and dinner service decorated in the 'Haddon Hall' pattern, including ten teacups, eight soup cups, eight saucers, nine larger saucers, dinner plates and a Paragon gilt decorated part tea and dinner service including saucers, dinner plates, sandwich plates, twin handled soup cups and teacups.