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Click here to subscribeROYAL WORCESTER FIGURE OF SEA BREEZE, ALONG WITH FURTHER ITEMS the Worcester figure by F.G. Doughty, along with cranberry glassware, a Royal Crown Derby plate and vase, a Wedgwood plate, a Spode blue and white teapot, a Paragon coffee can with saucer, a Goebel figure and further the Worcester figure 21cm high Chips to the glazing of the sea breeze figure along with residue in sections of face and head, the other figure in this lot also has a minor chip to the corner of its accordion, hairline fracture to the blue and white teapot, chips around the brim of the smallest and largest cranberry glass dishes and the paragon cup has also beeen damaged and repaired with glue. The other items included in this lot appear to be in good condition with no major noticeable damage or signs of repair. No estimates or reserves for the Antiques and interiors auction.
Assorted early 20th Century Paragon mainly double warrant china to include: Yellow and gilt 56591/3 pattern coffee cup and saucer (hairline crack to cup); a floral bouquet coffee cup and saucer (hairline crack to cup); together with three gilt and flower cups (cracks and repairs to two), a gilt and turquoise teacup and a repro Queen Mary service coffee cup; further miscellaneous saucers and side plates, various patterns (1 box - Q) Plus An early 19th Century Davenport black and white part coffee service to include: two cups, three saucers, a sugar bowl with cover, transfer printed birds one drinking from a cistern within floral banding, Factory mark verso, impressed numbers and painted pattern no: 14
A FIFTY - TWO PIECE SET OF PARAGON 'VICTORIANA ROSE' DINNERWARE AND TEAWARE, comprising a large oval meat plate, covered tureen, six dinner plates, six salad plates, sauce boat, six double handled soup bowls and saucers, salt and pepper shakers, cake plate with handle, tea pot, milk creamer (damage to the base the piece broken is present) and sugar bowl, bon bon dish, six side plates, six tea cups and saucers, (52), (Condition Report: overall in good condition very light use, see main description for individual damage)
A QUANTITY OF VINTAGE PARAGON TEA WARES to include a large quantity of 'Victoriana Rose' tea wares comprising fourteen coffee cups with fifteen saucers, six teacups with six saucers, and two coffee pots, a quantity of blue tea wares comprising six teacups (one with hairline crack), ten saucers (one with hairline crack), three side plates, four tea plates, four green saucers and four side plates, (qty) (Condition Report: all 'Victoriana Rose' has some wear to gilt rims)
Collection of Paragon Commemorative Loving Cups to include 'Queen Mother', 'Golden Jubilee Queen Elizabeth II 1952-2002', 'Birth of the First Child of The Prince & Princess of Wales' 1982, 'Queen Elizabeth II & H.R.H The Duke of Edinburgh' 1947-1972 and 'Prince Andrew and Miss Sarah Ferguson' Married 1986. (H: 8cm) (5)
Royal Albert Paragon Commemorative Loving Cups to include '100th Year of H M Queen Elizabeth The Queen Mother', The Royal Collection Loving Cup to Commemorate 'The Golden Age of Queen Victoria 1819-1901', 'Birth of Prince George' 2013 and Lionhead Beaker to Celebrate 50th Anniversary of the Coronation ceremony of H M Queen Elizabeth II 2nd June 1953 Limited Edition No.1356 of 5000. Boxed. (H: 12cm) (4)
Collection of Paragon Commemorative Loving Cups to include '25th Anniversary of H M Queen Elizabeth II Coronation', 'Prince & Princess of Wales - A Second Child' 1984, 'Coronation of H M Queen Elizabeth II' 1953, 'The Prince of Wales & Lady Diana Spencer' Married 1981, Celebrate the Life of 'H M Queen Elizabeth The Queen Mother' and Royal Crown Derby ' To Mark 60th Birthday of H.R.H Duke of Edinburgh' 1981. (H: 8cm) (6)
A QUANTITY OF CERAMICS AND GLASS WARES, to include a large Willow pattern dinner service of approximately one hundred pieces, from various potteries to include Swinnertons, Crown Clarence, British Anchor, Olde Alton Ware, etc, comprising two covered tureens, two meat plates, two teapots, two milk jugs, an open sugar bowl, a covered sugar bowl, six 25.5cm dinner plates, six 24.5cm dinner plates, fourteen 23cm plates in two designs, two 22cm plates, six 20cm tea plates, sixteen side plates, six egg cups, four breakfast cups and saucers, nine teacups and saucers, twelve coffee cups and eleven saucers, and a mug, together with a large TG Green Gripstand mixing bowl, diameter 38cm x height 17cm, three Babycham glasses, seaware including a Paragon cake plate, two meat plates printed with game birds, Wade Whimsies, etc (qty) (Condition Report: condition varies, most pieces appear ok, some damage, the dinner service having some cracks, chips, crazing and losses, a little gilding wear to other pieces, signs of light use, would benefit from a clean)
A QUANTITY OF PARAGON 'COUNTRY LANE' PATTERN TEA AND DINNERWARE, comprising seven dinner plates, six side plates, two pepper pots, four egg cups, two teapots, one hot water pot, milk jug, sugar bowl, cream jug, sugar bowl, one preserve pot, one cake plate, eight tea cups, nine saucers, one breakfast cup, one saucer, seven tea plates, one teapot lid (55) (Condition Report: wear to gilt one some cups and saucers in varying degrees)
Raquel Alvarez Sardina (Spanish b.1967) pencil/graphite on paper 'Membrillo III' a large depiction of a quince tree, framed and glazed 115.5cm x 119.5cm *Raquel Alvarez Sardina was born in Barcelona. At the age of seventeen she joined Academia Leonardo da Vinci and in 1986 she started a degree in Fine Arts. Whilst doing the degree she attended Academia Sant Vicenç and Boter/ Santalo and completed a drawing course at 'Academia Lorenzo de Medici' in Florence. After graduating in 1991 she came to England where she studied a Master's Degree at Cardiff University. Drawing influence from the Master painters of the Spanish Tenebrism of the Baroque period she has developed a personal contemporary style to represent beauty. Her painting method is slow, precise and full of feeling. It is as though she wants us to slow down and contemplate a few simple objects in silence. She spends a considerable amount of time setting the composition; each fruit or object is placed carefully in the space. Sketching is useful to decide, sometimes by a matter of millimetres where every fruit or leave should be. When she is happy with the composition she draws directly onto the canvas with a brush. She finds painting fruit in the tree still attached to the branch to be the most satisfying 'I love to paint the intricate shapes of the leaves against the roundness of the fruit. I enjoy the complexity of the subject, with the leaves creating unusual perspectives, spaces and light between them' Raquel works in a studio in the garden, half of the studio is painted grey, a colour that is neutral and absorbs light. This creates the best environment for Chiaroscuro style of painting. The other half of the studio is painted a lighter colour, better suited to lighter paintings. She positions fruit next to the window to make the most of the light to create a strong contrast. Sunny days are better for contrast and warm light. Her work has been exhibited in Spain, England and United States. Living and working in the Cotswolds her work is on show at Arcadia Contemporary, United States and is represented in The Biscuit Factory in Newcastle, Concept Gallery in Glasgow, Paragon Gallery in Cheltenham and Morningside Gallery in Edinburgh. In 2016 she was elected Member of the Society of Women Artists (SWA) and HRH Princess Michael of Kent presented her with The President and Vice Presidents' Choice Award for the Best Work of Art in the Annual Exhibition, Mall Galleries, London.
Raquel Alvarez Sardina (Spanish b.1967) oil on canvas Membrillo a large depiction of a quince tree, artists monogram lower right, framed 112cm x 122cm overall. *Raquel Alvarez Sardina was born in Barcelona. At the age of seventeen she joined Academia Leonardo da Vinci and in 1986 she started a degree in Fine Arts. Whilst doing the degree she attended Academia Sant Vicenç and Boter/ Santalo and completed a drawing course at 'Academia Lorenzo de Medici' in Florence. After graduating in 1991 she came to England where she studied a Master's Degree at Cardiff University. Drawing influence from the Master painters of the Spanish Tenebrism of the Baroque period she has developed a personal contemporary style to represent beauty. Her painting method is slow, precise and full of feeling. It is as though she wants us to slow down and contemplate a few simple objects in silence. She spends a considerable amount of time setting the composition; each fruit or object is placed carefully in the space. Sketching is useful to decide, sometimes by a matter of millimetres where every fruit or leave should be. When she is happy with the composition she draws directly onto the canvas with a brush. She finds painting fruit in the tree still attached to the branch to be the most satisfying 'I love to paint the intricate shapes of the leaves against the roundness of the fruit. I enjoy the complexity of the subject, with the leaves creating unusual perspectives, spaces and light between them' Raquel works in a studio in the garden, half of the studio is painted grey, a colour that is neutral and absorbs light. This creates the best environment for Chiaroscuro style of painting. The other half of the studio is painted a lighter colour, better suited to lighter paintings. She positions fruit next to the window to make the most of the light to create a strong contrast. Sunny days are better for contrast and warm light. Her work has been exhibited in Spain, England and United States. Living and working in the Cotswolds her work is on show at Arcadia Contemporary, United States and is represented in The Biscuit Factory in Newcastle, Concept Gallery in Glasgow, Paragon Gallery in Cheltenham and Morningside Gallery in Edinburgh. In 2016 she was elected Member of the Society of Women Artists (SWA) and HRH Princess Michael of Kent presented her with The President and Vice Presidents' Choice Award for the Best Work of Art in the Annual Exhibition, Mall Galleries, London.
JUSTICE LEAGUE OF AMERICA #201 to 261 + ANNUALS #1, 2, 3 (64 in Lot) - (1982/1987 - DC) - An unbroken run of the last 61 issues in the first series and includes the first team appearance of the second Royal Flush Gang, the first appearance of Paragon + the reintroduction of the Martian Manhunter