We found 3695 price guide item(s) matching your search

A group of glass items 19th century and later, comprising a facet cut rule with wrythen opal and blue threads, possibly St Louis or Clichy, 25.5cm long two enamelled beakers, one cased, 10cm high, a yellow flashed mug, 12.5cm high, a cased Bohemian glass vase base, 9cm high, and a blue glass saucer dish, in the manner of Moser, with gilt Classical style mask decoration, 9cm diameter (6) Provenance: The property of the late Baron John Mauger Langin Condition ReportWear to the gilt and enamel decoration. Minor nibbles and frits. Small bruise to the rule.

Gr. Vase, Art Deco, Moser/ Karlsbad um 1930.Kristallglas. Hoher, nach oben leicht auf- schwingender Korpus m. breit facettierter Wandung (innen glatt gerundet), unten leicht verjüngt. Am Boden ov. geätzte Marke "Moser". Oberfläche partiell minim. berieben. H 29,8 cmBöhmen, facettiert, Kristallglas, schlicht

Pair of Moser style ruby and gilt glass goblets, H22cm, Bohemian cranberry and clear glass vase, with hexagonal faceted stem, Victorian glass dump, large glass paperweight with bubble inclusions and a Caithness paperweight (6)

A QUANTITY OF LADIES' AND MEN'S CLOTHING, to include men's suits, trousers and jackets, brands to include Magee, Gurteen, John Brocklehurst, Berwin, etc, sizes 42'' chest, 36'' waist, 29'' leg, ladies' dresses, jackets, skirts, knitwear and fur coat, brands to include a Barbour quilted jacket, Hobbs including a Tulisa jacket as new with tags attached, Joules, White Stuff, Lucia, Gina Bacconi, LK Bennett, Out of Xile, Jaeger, a H Moser cardigan as new with tags, and Justin Reed, etc, sizes 10-12, PLEASE NOTE RAIL IS NOT INCLUDED IN SALE AND IS FOR DISPLAY PURPOSES ONLY (qty) (sd)

Orrefors Nobel glass, boxed, Moser limited edition Mulberry Hall glass, Dartington purple glass vase, two Caithness vases, etc

An Orrefors Clear Glass Vase, engraved with a stag and deer, signed indistinct and numbered, 19cm high, a studio glass globe vase signed Milene Biot, Moser style amber flash bowl, Franklin Mint "The Golden Vase of Bast" etc. (one tray)

A Late 19th Century hand painted amber glass, 3 ring decanter. Moser style. 27cm

In the manner of Rowland Ward, a Moser cut whisky glass decorated with a pair of rabbits/hares with remains of an oval label to the underside. Height 10 cm, diameter 8 cm, together with a decanter with stopper decorated with Red Stag and Pheasants. Overall height 20 cm.

Karlovarske Sklo, Moser, Czech - a vintage mid 20th century circa 1960s clear and blue hand blown glass triangular Brutalist vase. The vase having three-point rim over a triangular body with hollow circular details.Measures approx. 31cm x 18cm x 18cm.

A pair of Bohemian ‘pansy’ enamelled glass vases, Moser, late 19th century, 29.8cm the necks graduating from green tinted to clear glass, 29.8cm high Some occasional bubble inclusions to the glass, a little wear to the gilding on the rims, otherwise in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Moser glass vase Height 14 cm

MOSER of KARLSBAD, CUT GLASS WHISKY DECANTER, signed to base, plus a Harrachov glass bowl, and a Harrachov green glass vase.

Moser, a Bohemian enamelled marbled glass vase, circa 1890, shouldered form with square section rim, yellow and opaque ground, painted with prunus decoration, finely polished pontil and enamelled numeral to underside, 13.5cm high

Moser, a tooled gilt amethyst glass box, elongated octagonal section, the lid etched with a gilded panel of a safari scene with elephant and tiger between palm trees, the base with a foliate band, 11.5cm long, 8cm deep

A Bohemian enamelled and gilt glass roemer, probably Moser circa 1900, painted with daisies, the hollow knop with three gilded prunts on a ribbed trumpet form stem, 22cm high

A ladies Tyroler-Loden coat by H. Moser, size 40 wool coat with nylon lining

A pair of antique glass decanters each with a silver label, one for Claret, the other Port, another decanter and a Moser style bonbon dish Condition Report:Available upon request

▲ Sidney Nolan (Australian, 1917-1992) 'Ram in Thicket'screenprint in colours, 1982, signed 'Nolan' in pencil l.r., inscribed with title and numbered '100/100'image 55 x 69cmProvenance: Lord and Lady Moser.Condition ReportFramed: 82.5 x 93.5cmNot viewed out of glazed frame but appears to be in good condition.

George Grosz (German-American, 1893-1959) 'Zu Hause (Pappi und Mammi)', 1922lithograph, signed 'Grosz' in pencil l.r. and numbered '24'sheet 65 x 50cmProvenance: The Estate of George Grosz;Lord and Lady Moser.Condition ReportFramed: 87 x 70cmTime staining and cockling. There is border of discolouration around the work which looks to be from previous framing with a mount. Some acid staining to the extreme edges. The work appears to be stuck down in the corners. The right edge is deckled. Not viewed out of glazed frame.

▲ Ivon Hitchens (1893-1979) 'Tree Arch'signed and dated 'Hitchens 73' l.r., inscribed with title on artist's label verso, oil on canvas40 x 85cmProvenance: With Theo Waddington, London;Lord and Lady Moser.Condition ReportFramed: 108 x 62cmA little rubbing to the bottom edge but appears to be in otherwise good condition. Well presented and ready to hang. Not examined under UV light, for a full report please contact the department.

▲ Carel Weight CH RA (1908-1997) Lovers in a woodsigned 'Carel Weight' l.r., oil on board35 x 19cmProvenance: Lord and Lady Moser.Condition ReportFramed: 43 x 26.5cmAppears to be in good condition. Well presented and ready to hang. Examined under UV light no retouching shows. Please see additional images.

▲ Carel Weight CH RA (1908-1997) 'Study No. 2' (for 'The Childhood of a Poet, No. 12')signed 'Carel Weight' l.r., oil on canvas41 x 31cmProvenance: Lord and Lady Moser.Exhibited: New Grafton Gallery, London, 25 March 1974, catalogue no. 14.Condition ReportFramed: 54 x 45cm

▲ Michael Noakes (1933-2018) HM Queen Elizabeth II unveiling the statue of Eric Morecambe, and talking to Robin Day in the foregroundsigned 'Michael Noakes' l.r., mixed media24.5 x 37cmProvenance: Lord and Lady Moser.Condition ReportFramed: 46.5 x 58.5cmThe work appears to comprise of pencil, watercolour and pen. There is what appears to be a faint pencil line around the edges and it is unclear if this is original, please refer to image. Overall presents well and is ready to hang. Not viewed out of glazed frame.

▲ Henry Moore OM CH FBA (1898-1986) 'Girl Doing Homework V' (Cramer 330)etching and aquatint, 1974, signed 'Moore' in pencil l.r., numbered '19/50'plate 12.5 x 14cmProvenance: With Lumley Cazalet Ltd., London;Lord and Lady Moser.Condition ReportFramed: 38.5 x 44cmA little time staining. Viewed out of the glazed frame there is a border of discolouration caused by the mount. The print has been hinge mounted with two small pieces of tape applied to the reverse of the top edge. Please see additional condition images.

▲ Henry Moore OM CH FBA (1898-1986) 'Reclining Nude', 1931 (Cramer 2)woodcut, signed 'Moore' in pencil l.r., numbered '50/50', printed by Fequet and Baudier 1962, published by Gérald Cramer, Geneva 1966 image 10 x 16cmProvenance: Lord and Lady Moser.Condition ReportFramed: 32 x 37cmLight time staining. The black ink appears a little thin in places, however the work presents well overall. Viewed out of the glazed frame there is a very faint smudge to the lower margin and a small speck of foxing to the centre of the left margin. There is a small brown mark on the reverse of the sheet which shows through the sheet in the lower right margin. Please see additional condition images. The work has been hinge mounted with two small pieces of tape applied to the reverse of the top edge. Well presented and ready to hang.

An early 20th century cobalt blue and gilded glass vase in the style of Moser. The vase with flaring rim over barrow neck and bulbous base, raised on circular foot. Heavily gilt with foliate and floral design. Measures approx. 32.5cm tall. 

Moser Glaskunst gravierte Gläser farbig Konvolut 4 St., das violette Glas ohne Herstellermarke

Moser kl. Karaffen weiß blau Konvolut 2 St., weiß ca. 15 cm, blau ca. 17 cm, am Boden Hersteller Marke

Moser Glaskunst sehr große langstielige Weingläser Römer 5 St., sehr große Weingläser ca. 35,5 cm

Moser Miniatur Karaffen Parfümfläschchen mehrfarbig 10 St., Hersteller Marke am Boden, in orig. Verpackung, ca. 11 cm

Moser Glaskunst Schenkkanne gelb weiß mit gravierten Wasservögeln ca. 21 cm

Vase, Moser, Böhmen, 1880-1893 ausgeschliffener Abriss (Bodenkugelung) mit Goldschriftmarke in Großbuchstaben für den Zeitraum 1880-1893 und Nummer, Rubinrot, Hals mit aufgeschmolzener, goldbemalter, eckiger Gelbätze-Mündung (leicht berieben), Hals über dem Wulst mit Emailledekor, H.21,5cm

MOSER CRANBERRY GLASS BOWL, LATE 19TH / EARLY 20TH CENTURY of small proportions, enamelled with foliage, gilt rim, along with further cranberry, ruby and other coloured glassware including a Mary Gregory beaker, a jug, and two scent bottlesthe bowl 6.5cm diameterQty: 12

A set of six Art Nouveau period liqueur glass, probably Kolo Moser and made by Meyer's Neffe for E Bakalowitz Sohne, Vienna, clear bowls, green tinted stems, 15cm high, c.1900

An early 20th Century Moser clear crystal glass Art Nouveau vase, circa 1900-1910, of square sleeve section with shaped petal edged upper rim, heavily cut and engraved to all sides with wild poppies and iris flowers and foliage, H: 40cm. Chips to all four top-corners. Not available for in-house P&P

Moser, Koloman: (1868 Wien 1918) nach. 3 Bl. Werbung in Lithogr. aus Ver Sacrum, um 1900. Zw. 25,5 x 25 u. 27,5 x 26 cm. Jwls. mit dem Monogr. "M" im Stein. Jwls. uner Glas im Wechselrahmen. - 2 Bl. etw. stockfl.

Moser,F.K.v.: Geschichte der päbstlichen Nuntien in Deutschland. 2 Bde. Frankfurt u. Lpz. 1788. Mit gest. Front. u. Tvign. 582 S., [1] Bl.; 792 S., [4] Bl. Pbde. d. Zt. ADB XXII, 781. - Erste Ausgabe dieser vom deutschen Staatswissenschaftler, Reichspublizisten und Politiker Friedrich Karl von Moser (1723-1798) verfassten und anonym erschienenen Geschichte der päpstlichen Nuntien "von den ersten Zeiten" bis zum Beginn der Reformation. - Etw. berieben und gebräunt, anonsten sehr gut erhalten. Ehemaliges Bibliotheksexemplar mit Stempel und Rückensignatur.

14 Aperitif- und 11 Schnapsgläser. Kristallglas, geschliffen mit mattem und gebürstetem Goldrand (l. berieben). L. Kratzer und 2x l. best. Nach dem Entwurf "Lady Hamilton Gold" von Moser. 20. Jh. H. 5,5 bzw. 13 cm.

10 Wasser-, fünf Wasser- und fünf Weißweingläser. Kristallglas, geschliffen mit mattem und gebürstetem Goldrand. 1x best. und teils stark berieben. Nach dem Entwurf "Lady Hamilton Gold" von Moser. 20. Jh. H. 11,5 cm, 13 bzw. 16 cm.

Sechs Sektflöten, sechs Rotwein- und vier Weißweingläser. Kristallglas, geschliffen mit mattem und gebürstetem Goldrand (l. berieben). L. Kratzer. Nach dem Entwurf "Lady Hamilton Gold" von Moser. 20. Jh. H. 17,5 bis 20 cm.

12 Weißwein- und 12 Likörgläser. Kristallglas, geschliffen mit mattem und gebürstetem Goldrand (l. berieben). L. Kratzer. Nach dem Entwurf "Lady Hamilton Gold" von Moser. 20. Jh. H. 15,5 cm.

Josef HOFFMANN (1870-1956) Moser a Karlsbad - Elegant green faceted crystal vase. Normal wear - Weight: 300 g - Shipping available - Region: Autriche - Sizes: H 90MM X D 110MM - At first glance: normal wear / patina of use

Moser Art Déco Karaffe mit Stöpsel und vier Schnapsgläser, Tschechoslowakei. Gelbes geschliffenes Glas. Höhe Karaffe 26 cm, Höhe Gläser 6 cm.Standort: Konstanz

Schale (wohl Moser Karlsbad, 20er J.), klares Glas m. bordeauxrotem Überfang u. uml.goldfarb. Reliefband, ovale Form m. hohem Rand, Gr. ca. 21 x 12 x 12 cm. Zustand: Verweis auf Vorbesichtigung. Versand nur durch externen Dienstleister möglich.

An early 20th century cobalt blue and gilded glass vase in the style of Moser. The vase with flaring rim over barrow neck and bulbous base, raised on circular foot. Heavily gilt with foliate and floral design. Measures approx. 32.5cm tall. 

Carl Moser1873 Bozen - 1939 Bozen - "Schleirn mit Seser Alm" - Farbholzschnitt/Japan. 38,2 x 50 cm (Passepartoutausschnitt). Sign. und dat. l. u.: C. Moser 1925. Numm. r. u.: No. 35. Fest im Passepartout montiert. Unter Glas gerahmt. - Lit.: Kirschl HS 61.

Hoffmann, E. T. A. - (Schiff, Hermann David): Nachlaß des Katers Murr. Eine Fortsetzung der Lebensansichten des Katers Murr. Leipzig: Lauffer 1826. 17,5 x 11 cm. XII SS., 1 Bl., 190, 56 SS. HLdr.(Berieben und bestoßen. Titel mit Besitzvermerk, Vordergelenk etwas angebrochen, l. altersfleckig.)Holzmann/Boh. VI, 6725. Goed. VIII, 496, 48 u. X, 430, 2. Deneke 958. Salomon 246. - Erste Ausgabe. - Schiff verkehrte als entfernter Verwandter mit Heine, aber sein "zweifellos großes Talent wurde durch sein unglückseliges Wesen und Leben an der vollen Entfaltung gehemmt" (Goed. X, 429). Im November 1825 schrieb Heine an seinen Freund Moses Moser: "Hast Du schon gehört, daß mein Vetter Schiff Hoffmanns Kater Murr fortgsetzt hat? Ich habe von dieser Schreckensnachricht fast den Tod aufgeladen!" (Deneke). - Exlibris von Richard M. Meyer.

Hussmann, Heinrich (1897 - 1982) Vase. So genanntes "annagrünes" Uranglas. Tief geätztes, stilisiertes Dekor mit Blüten und Blattwerk. L. Kratzer. Entwurf für Moser, Karlsbad, um 1927. H. 13 cm. Beigegeben: Kopie einer Buchseite als Infoblatt.

Champagnerschale und zwei Sektschalen Josephinenhütte, Malerei Hanney-Werkstatt, um 1900/05 bzw. Moser, Karlsbad, um 1910/20 Auf der Schalenkuppa geometrischer Golddekor mit Behangmotiv, Volutenfüllwerk sowie emailblauen Dreiecken und Rauten. Doppelte Goldränderungen. H. 13,9 cm. Die zwei Sektschalen "Copenhagen" mit sechsfach facettiertem Fuß und Schaft, um den Munrand Ätzgoldband mit Akanthus und Palmetten. H. 11,4 cm. Żelasko, S., Josephinenhütte 1900-1950, Passau 2009, Nr. 44. Mergl/Pánková, Moser 1857 - 1997, Karlovy Vary 1997, Nr. 69. (60991)

A Late 19th Century Bohemian, Moser style cranberry glass bottle vase, with hand painted gilt leaves. 18.5cm.

A mid-century Moser Purity glass vase. Of octagonal tapering form, acid etched mark to base, H23cm Condition Report: Has several nibbles along the straight edges and scratches to the surface. No cracks or restoration.

A quantity of various table glassware to include paperweights, cut glasses, Moser style cordials etc.

A Thomas Moser cherrywood folio stand, width 81cm, depth 58cm, height 102cm. Condition good

Ernst-Schlumberger-Archiv BerlinAlles Aufnahmen nur von Berlin und Umgebung als Stereokarten 9 x 18 cm um 1855-1900 (meist normal bis gut erhalten) sowie von Ernst Schlumberger um 1928-1934 als Dias 6 x 13 cm. - 1) Schatulle "Stereographs" mit 51 Karten 1868-1884 von Stiehm und Sophus Williams. - 2) Schatulle "Berlin" mit kompletter Serie 1-34 von Stereokarten 9 x 18 cm, ohne Namens-Nennung, um 1900, gut erhalten. - 3) S.P. Christmann, 33 Karten ab 1865. - 4) C. Eckenrath 32 Karten ab 1855. - 5) Einzugsfeierlichkeiten 16. Juni 1871: 9 Karten von Christmann, Moser senior und Senteck. - 6) 13 Karten von Gustav Liersch, H. Boll, P. Hermann und 36 unbenannte Karten. - 7) Max Wendt, Olympia-Raumbild-Album, 1936, 160 Seiten, mit 76 Anaglyphenbilder und unbezeichneter Brille, Einband abgegriffen, Schmutzblatt fehlt, Zitate: "… und haben Sie recht viel Freude an den schönen Bauten, Anlagen und Fernsichten, die sich nun wie in einem 'Kaiserpanorama' vor Ihnen aufbauen." S. 156: "Die Aufnahmen für die Raumbilder wurden zum größten Teil durch Herrn Ernst Schlumberger besorgt, der im Jahre 1935 bei dem gemeinsam von dem Verband Deutscher Amateurphotographenvereine und der Deutschen Gesellschaft für Stereoskopie durchgeführten Wettbewerb mit der Meisterschaftsmedaille ausgezeichnet wurde." - 8) 14 Schachteln mit 106 gerahmten Schlumberger-Dias in 6 x 13 cm, gestalterisch und bildtechnisch von hoher Qualität, vorderseitig der Ort mit Schreibmaschine beschrieben, rückseitig meist mit Jahr und Aufnahme-Nummer, sehr gut erhalten. - 9) 2 Holzkisten des Schlumberger-Dia-Archivs 1928-1934 mit ca. 500 Dias, beschriftet, auch Berlin, meist Süddeutschland, etliche getont. - Dabei: Tagung eines Stereovereins mit Betrachter. Zu seinem Umfeld: sein Vater war Ernst Schlumberger (* 2. 11. 1856 Augsburg, + 23. 7. 1920 Göggingen), ferner ein Bild seiner Mutter von ihrem 75. Geburtstag. Start Price: EUR 350 Zustand: (3/3)Archive of Stereoscopic Photographs of BerlinImages of Berlin and surroundings as 8 x 18 cm stereo cards, c. 1855-1900 (mostly normal to well-preserved condition) and by Ernst Schlumberger as 6 x 13 cm stereo slides, c. 1928-1934. 1) Cased set of "Stereographs" with 51 cards from 1868-1884 by Stiehm and Sophus Williams. - 2) Cased set of "Berlin" with complete series of 1-34 of stereo cards, 9 x 18 cm, without names, c. 1900, well-preserved. - 3) S.P. Christmann, 33 cards, 1865 onwards. - 4) C. Eckenrath 32 cards, 1855 onwards. - 5) Celebrations, 16 June 1871: 9 cards by Christmann, Moser senior and Senteck. - 6) 13 cards by Gustav Liersch, H. Boll, P. Hermann and 36 unnamed maps. - 7) 14 boxes of 106 framed Schlumberger slides, 6 x 13 cm, good image quality, with typed location captions on the front, most with the year and image number on the back, very well-preserved. - 8) Two wood boxes of the Schlumberger slide archive 1928-1934, with approx. 500 labeled slides, Berlin and southern Germany, several toned, including the meeting of a stereo club with viewer and a photograph of Schlumberger’s mother on the occasion of her 75th birthday. - 9) Max Wendt, Olympia-Raumbild-Album, 1936, 160 pages, with 76 anaglyph images and unmarked viewer, cover worn, dust sheet missing, quotes: "… enjoy the beautiful buildings, amenities and the distant views that now unfold before you like a 'Kaiserpanorama'". Page 156: "The majority of the images for the stereo images were taken by Mr Ernst Schlumberger, who was awarded the championship medal in 1935 in the competition organized jointly by the Association of German Amateur Photographers’ Associations and the German Society for Stereoscopy." - Note: Ernst Schlumberger (* 2. 11. 1856 in Augsburg, + 23. 7. 1920 in Göggingen). Start Price: EUR 350 Condition: (3/3)

A LOETZ ART NOUVEAU GLASS AND BRONZE VASE the glass with thistle detail and blue/purple lustre, sat within a bronze two handled stand decorated with flowers, 30cm high,  together with a purple glass Loetz vase with copper overlay, possibly a design by Koloman Moser, 26cm high (2) Condition Report:Available upon request

A VERY FINE GEORGE I GOLD REPOUSSE PAIR-CASED POCKET WATCH WITH CYLINDER ESCAPEMENTGEORGE GRAHAM, LONDON, NUMBER 5438, 1732The gilt full plate single fusee movement with four Egyptian pillars pinned through the backplate, scroll-pierced stop-iron block and cylinder escapement regulated by sprung three-arm steel balance with Tompion type regulation, the backplate with fine symmetric foliate scroll pierced and engraved balance cock with faceted diamond endstone, herringbone bordered canted rim and with wedge-shaped scroll engraved foot flanked by silvered regulation disc set within adjacent applied scroll engraved panel infill opposing signature Geo: Graham, London and numbered 5438, with gilt brass dust cover similarly signed Geo. Graham, London, the slightly convex white enamel Roman numeral dial with Arabic five minutes to outer track and finely worked beetle and poker hands, the inner case with shuttered winding hole to rear cover and suspension post with bow at twelve o'clock, the outer case repousse decorated in the manner of George Moser with Diana the huntress seated within a woodland landscape with a hound within repeating S-scroll surround adorned with scallop shells at the quadrants within further scroll-bordered reserves alternating with floral panels, the bezel with circumference engraved with further scrolls into a matted ground and with moulded collar to outer edge, the inner case with marks for London 1732 maker IW for John Ward and stamped with repeat serial number 5438.The pillar plate 3.5cm (1.375ins) diameter, the outer case 5cm (2ins) diameter. Provenance:The Leonard Fuller Collection. Purchased from Malcolm Gardner, Sevenoaks, 29th August 1967 for £265. George Graham was born in around 1673 in Kirklinton, Cumberland, but by 1688 he had moved to London and entered into an apprenticeship with Henry Aske. Graham gained his freedom of the Clockmakers' Company in 1695 and went to work for Thomas Tompion, whose niece, Elizabeth, he married at St. Mary le Bow in September 1704. After the Tompion's failed partnership with Edard Banger Graham was trusted to become his successor with the two makers entering into a formal a partnership in 1711. On Tompion's death in 1713 George Graham inherited the business 'on the corner of Water Lane in Fleet Street' and continued there until 1720 when he relocated to 'the Dial and One Crown' further up Fleet Street, nearer Fleet Bridge.George Graham maintained the same exacting standards as his former master and also continued the serial numbering system established in around 1680/81. In 1722 he served as Master of the Clockmakers' Company and went on to establish himself as one of the most important clockmakers of his generation. Amongst his achievements was the further development of the deadbeat escapement, invention of the mercury compensated pendulum and the cylinder watch escapement. As well as clocks and watches George Graham was also a highly accomplished maker of scientific instruments with perhaps his most famous creation being the planetarium made for Charles Boyle, Earl of Orrery. He also produced the great mural quadrant for Edmund Halley at Greenwich observatory, also a fine transit instrument and the zenith sector used by James Bradley in his discoveries. Through his observations in testing his very highly regarded compasses Graham also discovered the diurnal variation in the terrestrial magnetic field in 1722/23.George Graham also became an ardent supporter of John Harrison in the development of his marine chronometers to the extent that he forwarded an interest free private loan of £200 to Harrison to facilitate the building of H1. George Graham died in 1751 and was buried next to his former master in Westminster Abbey, leaving the business in the hands of a former apprentices, Samuel Barclay and Thomas Colley. George Graham's legacy is perhaps best reflected by the subsequent work of another former apprentice, Thomas Mudge, who went on to continue in the development of the marine chronometer after Harrison, and to invent the lever watch escapement. The cylinder escapement was developed in around 1695 by Thomas Tompion and further refined by George Graham in 1726. This new escapement was perhaps the first developed exclusively for watch work and, as well as being a better rate keeper, the cylinder escapement also allowed movements to be made more compact (due to the escapement operating in one plane only). However, being a form of frictional rest escapement, the cylinder escapement was prone to relatively heavy rates of wear hence was less reliable than the verge (until hardened steel escape wheels and ruby cylinders were developed later in the 18th century). George Graham's faith in this new design of escapement was such that he incorporated it into all of his watches from around 1725/6 (between serial numbers 5175 and 5182). The present lot is a fine relatively early example of a Graham cylinder watch in fine condition complete with finely worked heavy outer repousse case. Condition Report: The watch is in fine clean working condition with no visible evidence of alteration or noticeable replacements however it is possible that the escapewheel and cylinder may be 'service' replacements. The mechanism retains its gilt finish with minimal wear and with other faults limited to a couple of small scratches to the backplate. The dust cover is in fine condition. The dial appears to be in perfect condition including the hands which are vey finely made. The inner case is in fine original condition with minimal wear and no discernible denting. The outer case has some slight wear to the high spots to the rear cover otherwise in in fine original condition.Gross weight 133g. Watch has a winding key. Condition Report Disclaimer

A Bohemian glass flask, green cased in opal and cut in a chevron design and highlighted in gilt, with a fish tail stopper, height 14.5cm, together with a Moser glass vase of globe and shaft form with applied trail, damaged. (2)

A late 19th Century Moser glass vase of slender globe and shaft form, decorated with floral enamel with gilded highlights over a graduated blue to clear ground, height 26.5cm.

Wilfrid Moser (1914 Zürich 1997)Ohne TitelUm 1971Kunststoff, farbig gefasst, auf schwarzem Holzsockel27 cm, Höhe; 32,5 cm Höhe mit SockelSignaturAuf der Vorderseite vom Künstler bezeichnet "IFA"ProvenienzPrivatsammlung SchweizZustandKunststofffigur auf Holzsockel (5,5x19,5x17 cm) montiert. Minim berieben, kleine Riss- und Farbfehlstellen sowie Atelierspuren. In sehr guter ErhaltungErläuterungenDie Skulptur stand von 1968 bis 1978 im Zentrum von Mosers Schaffen. Als Auftragswerke in der Schweiz und in Frankreich entstanden begehbare, farbige Grossplastiken aus Kunststoff wie der "Blaue Brunnen" von 1975 in Zürich Oerlikon, ein Höhepunkt des dreidimensionalen Schaffens. Der Künstler nannte diese Skulpturen "farbige, dreidimensional begehbare Bilder". Die kleinformatigen Werke dienten Moser oft als Modelle für Werke in grossem Massstab. Ob die hier vorliegende Plastik in vergrösserter Form ausgeführt wurde, ist nicht bekannt. Die Bezeichnung "IFA" bezieht sich nicht auf den Inhalt der vorliegenden Skulptur; es waren rein formale Überlegungen, die den Künstler zur Verwendung dieser Lettern bewogen. Buchstaben oder auch Zahlen finden sich immer wieder in dieser Funktion in Mosers Plastiken (siehe Felix Baumann, Moser, Zürich 1979, S. 57 ff).Erwartete Ausrufzeit (+/- 15min)12.09.2024; 16:50 h (MEST)VersandkostenAuf Anfrage / On request

A Czechoslovakian amber glass 'Ice' decanter and stopper by Moser, late 20th century, of dimpled rectangular form, etched maker's name to base, applied maker's labels to body, 26cm high overall CONDITION REPORT:The piece shows minor surface wear and the odd small nibble to the facet edges, but no obvious chips, cracks or losses.  Later applied pads to base.