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Lot 293

Ca. 1100 - 1200. A silver cup with a deep, rounded bowl that gently curves inward. The interior features a centrally placed Chi-Rho monogram enclosed within a circular border, rendered in niello. The symbol consists of the intersecting Greek letters chi (Χ) and rho (Ρ), flanked by the alpha (Α) and omega (Ω) on either side. The exterior of the bowl displays a subtly ribbed texture running vertically from the base to the rim. The cup stands on a cylindrical foot that slightly flares outward.Size: 150mm x 70mm; Weight: 395gProvenance: Private London collection; Ex. A. Moser collection, Switzerland, 1980s-2000s; formerly in an early 1980s Dutch collection. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Lot 302

Moser glass 'splendid' pattern goblet and oval bowl having gilt rims with shell and foliate details and hand cut facets to the bodies. Goblet measures 26cm tall, bowl measures 24cm wide.

Lot 346

DOXA; A Vintage Goliath Openface Pocket Watch, the (cracked) signed white dial with black Arabic numerals and seconds subsidiary dial, the movement cover detailed "Medaille D'Or Milan 1906 DOXA Hors Concours Liege 1905", within allover textured (70mm) case, detailed with huntsman with gun and gundog; Hy Moser & Cie; A Gun Metal Cased Openface Pocket Watch, the signed black dial with white Arabic numerals and seconds subsidiary dial, the movement cover numberded 558149, within plain case. (2)

Lot 77

A Great War Victory medal to 118852, Gnr W H Moser, Royal Artillery

Lot 905

Trinkglasgarnitur mit feinem Steinelschliff Moser & Söhne, Karlsbad Scheibenfuß. Sechsfach facettierter, konkaver, nach unten abgesetzter Schaft. Gering geschweifte Kuppa mit gesteineltem Ansatz. Goldrand. 12 Sektflöten, 12 Rotwein- und 6 Weißweingläser H. 17/12,4/11,5 cm, 12 Südwein- und 12 Wassergläser H. 9,5/11,5 cm sowie 4 kleine Cognacschwenker mit glattem Schaft H. 9,5 cm. Ohne Marke. Dekorvariante der Serviceform "Bavaria" von 1929, hier mit Steinelschliff wie bei den Garnituren "Royal" und "Lloyd". Vgl.: Mergl/Pankova, Moser 1857-1997, Karlovy Vary 1997, S. 83, 152, 156. (61287)

Lot 118

Kersten (Paul, binder).- Ver Sacrum. Organ der Vereinigung Bildender Kuenstler Österreichs, 23/24 issues in 2 vol. (May/June 1898 a double issue), illustrations, some colour, magnificently bound in turquoise goatskin with onlays and tooled in gilt, by Paul Kersten, each volume with different design but both extending across spine and reflected on lower cover, title in gilt to upper covers, 1898 volume with swirling Art Nouveau sprays inlaid in tan and russet goatskin and small flowers to spine, 1899 volume with more elaborate design of elliptical panel formed by onlays of olive and russet goatskin containing leafy fronds and frame of wavy lines in gilt with olive onlays & leafy fronds to corners, both signed with monogram to upper cover and name to lower, marbled blue and tan doublures and endpapers, inner gilt dentelles of small dots to first volume and wavy suns to second, original printed pictorial or decorative wrappers bound in, a little rubbed and faded, particularly spines, very slight staining to upper cover of vol.1, small repairs to spines and corners, 4to (bindings c.295 x 290mm.), Vienna [& Leipzig], 1898-99.*** The first two years of this ground-breaking five-year periodical devoted to the Vienna Secession movement in superb Art Nouveau bindings. The magazine was founded by Gustav Klimt and Max Kurzweil and designed primarily by Koloman Moser, with the architects Josef Hoffmann and Joeph Maria Olbrich among the group's members and contributors. Poems by Rainer Maria Rilke appeared in 1898 and 1899 issues while the March 1898 issue was devoted to Klimt, Alphonse Mucha designed the cover for November, and the December issue was illustrated by Fernand Khnopff. Paul Kersten (1865-1943) was the pioneer of modern German bookbinding. Having trained at his grandfather's bindery in Glauchau he worked for H.Sperling in Leipzig and the Buntpapierfabrik A.G. in Aschaffenburg, for whom he designed decorated papers. He introduced Art Nouveau into German bookbinding and became a skilled teacher of the craft to many, including Otto Dorfner. 

Lot 62

Set of 4 green & gilt moser cordial glasses (H 10cm); a green and gilt fluted wine glass (H 14cm); and a gilt and clear wine glass (H 14.5cm); together with Bohemian cranberry cut to clear champagne flutes (H 25cm) x 4; and hock glasses (H 20cm) x 4. (14)

Lot 269

A mixed lot to include a Delft blue and white porcelain inkwell, a Moser style bohemian crystal lidded bowl, two crystal cut decanters and other itemsLocation: G5If there is no condition report shown, please request

Lot 218

Austrian Secessionist School : Four figures in a rowing boat with Austrian flag, as two others untether the vessel from the shore, watercolour, 31 cm x 98 cm, signed Hertha Zuckermann, with Bernard J Stone gallery label verso. * Hertha Zuckermann was a student of Austrian artist and teacher Franz Cizek (1865-1946). Cizek began the Child Art Movement in Vienna, opening the Juvenile Art Class in 1897. His work 'Hertha Zuckermann, Aged 14 Years', was reproduced as a chromolithograph, and the image is now strongly associated with the Vienna Secessionist Movement, alongside the works of Klimt, Moser, and other contemporaries.

Lot 8821

Moser, Hermann (1835 Wien -?) Gebirgsfluss. Öl/Holz, li. u. sign. Ca. 31,5 x18,5 cm. Goldstuckrahmen.

Lot 5462

6 Becher, 4 Sektschalen und 4 Südweingläser, Moser, "Adele Melikoff". Farbloses Kristallglas. Teils best. Je mit Ätzmarke Moser, Karlsbad, 20. Jh. H. 10 bis 13,5 cm. In 3 Original-Kartons, Moser.

Lot 969

Moser, Maria (*1948 Frankenburg am Hausruck) "Ohne Titel", abstrakte rot-schwarze Darstellung, Mischtechnik auf Papier, unten links signiert, Blattgröße 23x30cm, 42x50cm mit Rahmen, hinter Glas gerahmt *Dieses Objekt ist folgerechtspflichtig

Lot 288

A quantity of glass and crystal ware, together with a Moser salesman's sample case

Lot 76

A collection of five various studio glass animal ornaments, to include a dolphin with cased blue and green decoration, length 24.5cm; a Moser blue tinted ram, length 9.5cm; a Baccarat clear glass squirrel; Waterford duck; and another by Val St Lambert (5)

Lot 619

Hohe Vase aus der Serie „Fipop“. Karlsbad, Manufaktur Moser 20. Jh. Farbloses Glas, violett überfangen, mittig breiter Fries mit figürlicher Szene im attischen Stil in Kaltgold gemalt; am Boden Ätzsignatur, H=35,5 cm. Provenienz: Ersteigert bei Dr. Fischer, Heilbronn 2012.

Lot 87

Uranglasvase aus der Serie „Fipop“. Karlsbad, Manufaktur Moser um 1920. Eleonoren-Grün mit breiter, geätzter Kaltgoldbordüre, am Boden gemarkt; dazu passender Pokal (H=14,5 / 19,5 cm). Provenienz: Ersteigert bei Dr. Fischer, Heilbronn 2012, Nr. 1144.

Lot 472

Acht Likörgläser. Wohl Karlsbad, Manufaktur Moser 20. Jh. Farbloses Glas, farbig überfangen, geschliffen und kaltgold bemalt, H=10,7 cm.

Lot 314

Oktogonale Vase. Karlsbad, Manufaktur Moser 20. Jh. Dickes aquamarinblaues Glas, geschliffen und geätzt; am Boden Ätzsignatur, H=24,5 cm.

Lot 1082

Stengelglas. Karlsbad, Manufaktur Moser 20. Jh. Farbloses Glas, violett überfangen, teilw. poliert; am Boden Ätzsignatur, Entwurf nach Otto Prutscher, H=22 cm. Aus dem Nachlass von Prof. Dr. Dr. Erik Jayme.

Lot 247

Sechs Weingläser „Modell Splendid“. Karlsbad, Manufaktur Moser 20. Jh. Kristallglas mit Waffelschliff, kaltgold gehöht; am Boden Ätzsignatur, H=19 cm.

Lot 458

In the manner of Moser Engraved glass decanter with stopper, decorated with flower and leaves, unsigned, 34cm high approx overall Overall surface dust and dirt, would benefit from being cleaned. Rough area to the very tip of the stopper, but not sharp. Small scratches in places, most notably to the base and the neck. Consistent with age and use. Otherwise seems ok.

Lot 457

Collection of Bohemian glassComprising six drinking glasses, including a faceted stem cranberry and gilt decorated wine glass in the manner of Ludwig Moser (1833-1916), marked to the base, 19cm high, etched and gilt decorated examples, others unsigned (6) All with signs of age, wear and use. Some light scratches and wear to gilding throughout in places. Some bubbles and manufacturing flaws in places. The tallest cranberry glass with gilt leaves to the bowl has very minute losses to the underside of the foot, they are very hard to see.

Lot 243

A rare Moser Sommerso cut and polished glass vase designed by Vladimir Mika, designed in 1967, with internal glass 'pebble', blue, red bands cased in thick clear glass, unsigned, 17.5cm. high

Lot 80

A CONTINENTAL TABLE SUITE, probably Josair, comprising eighteen glasses (2 sizes) with Moser style etched and gilded rims featuring a continuous stag hunt over panelled stems and plain circular feet, 5 3/4" & 4" high (Est. plus 24% premium inc. VAT)Condition Report: to follow, please ask

Lot 3204

Werner Max Moser, Freischwinger "WB-21"(Karlsruhe 1896–1970 Zürich)Entwurf um 1930 für Embru-Werke, Rüti. Gestell aus verchromtem Stahlrohr und scharz lackiertem Holz. Gepolstert, grauer Stoffbezug. 59x66x74 cm.- Alters- und Gebrauchsspuren.

Lot 1002

sechs Fotografien, verschieden, fünf vom gleichen Fotografen ein Doppelblatt von Wilhelm Moser "World Trade Center", 40 x 29, R.

Lot 411

Hy Moser & Cie open face gun metal pocket watch having a white enamelled dial with arabic numerals to the chapter ring and subsidiary dial to six. Case measures 4.8cm diameter.

Lot 112

India.- Daniell (Thomas) Follower of. The Sacred Tree of the Hindoos at Gyah, Bahar, watercolour, brush and ink, with grey wash border with title and artist's name 'f. de Moser 1803' in the lower right corner, sheet 485 x 650 mm (19 x 25 1/2 in), under glass, framed, [circa 1800]*** One of the most important pilgrimage sites in India, with the Akshaya Vata or Undying Banyan Tree, where pilgrims make offerings to the spirit of their ancestors. The Daniell's were there in March 1790, with Thomas Daniell noting "Gyah is a place of great antiquity, much resorted to by the Hindoos...[with] fragments of mutilated idols, the work of Mahomeddan intolerance... still regarded with veneration." The present work appears to be a contemporary copy of the Daniell's aquatint [cf. Archer, Mildred, Early Views of India, The Picturesque Journeys of Thomas and William Daniell 1786-1794, 1980, no. 15.]

Lot 3071

An early 20th century glass casket, with applied enamel flowers and gilt design, in the manner of Moser in the Czech Republic, approx. 12cm high x 11.5cm wide, (some loss to enamelled flowers and wear / loss to gilding to parts, metal mounts worn and base mount loose).

Lot 438

Pair Vintage Moser bedside cabinets, 1970s. Each two drawers and a slide. Each W 50cm, D 43cm, H 43cm.

Lot 275

The Matthew Boulton’s Medal for Trafalgar 1805 worn by Peter Moser (alias Reynolds) who served as an Able Seaman on board the Victory Matthew Boulton’s Medal for Trafalgar 1805, white metal (P. Reynolds, Victory) contemporary engraved naming in reverse field, fitted with rings for suspension, corrosion and pitting, therefore fine and rare £2,000-£2,400 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- Peter Moser (alias Reynolds) received the N.G.S. medal with 3 clasps and is confirmed in the application books for 17 June 1795 (as Moser), Gut of Gibraltar 12 July 1801 (as Moser), and Trafalgar (as Reynolds). Having been ‘beached’ after the peace in 1802, he was unfortunately ‘pressed’ the following year and began using the alias name of Peter Reynolds. In this name he fought aboard the Victory at Trafalgar but his medal, when it was issued over forty years later, bore the name Peter Moser to which he had by then reverted. With the confusion of names it is unsurprising that this medal became separated from his N.G.S. medal which now forms part of the Douglas-Morris Collection at the Royal Naval Museum, Portsmouth. However, there is more to his story. Discharged from the Navy as Peter Reynolds in early September 1812, now rated as Sailmaker’s Mate, he next appears in 1826, when on 22 July he is admitted as an ‘In Pensioner’ to Greenwich Hospital in the name of Peter Moser. During his time at Greenwich Hospital he was gainfully employed as a Boatswain’s Mate and subsequently advanced to Boatswain in 1831. He appears in the well known painting by Andrew Morton ‘Naval pensioners at the Royal Hospital at Greenwich entertaining Army pensioners at Chelsea, in the Painted Hall’, and now on display at the National Maritime Museum. Furthermore, in 1844, Peter Moser (alias Reynolds) received one of the Nelson Testimonial Medals struck for presentation to the Royal Marine guard-of-honour who were present at the ceremonial opening of Nelson’s Column, and also to the men who fought under Nelson at Cape St Vincent, Teneriffe, The Nile, Copenhagen, and Trafalgar, who, at the time of the opening, were pensioners in the Naval Hospital at Greenwich. The full story of Peter Moser (alias Reynolds) is told in Naval Medals 1793-1856 by Captain K. J. Douglas-Morris, together with illustrations of Morton’s painting (all participants identified) and of the presentation of the Testimonial Medals. Peter Moser died at Greenwich on 21 August 1856.

Lot 155

Henri de Toulouse-Lautrec (French, 1864-1901) 'Yvette Guilbert - Dans la Glu' (Delteil 252)lithograph, 1898, from an edition of 350image 32 x 26.5cmProvenance: Lord and Lady Moser.Condition ReportOverall: 57 x 42cmExecuted on laid paper within a platemark. Time staining. Foxing to the margins with light foxing starting to emerge to the printed area.. A couple of faint dirty marks to the margins. The print has been hinge mounted with two small pieces of tape attached to the top edge. Light creasing. The top of the right edge is a little uneven.

Lot 118

Selection of glass ware to include a Strombergshyttan etched bird design art glass vase, 19th century oil lamp base, cut glass vase, 19th century hand etched glass lidded jar, Moser style amethyst glass footed bowl together with a group of paperweights to include Caithness Cauldron Aqua, Acrobat, etc

Lot 1030

KURT MOSER (1925-1984) Bronzefigur "Weiblicher Akt mit Tuch"dunkel patinierte Figur einer stehenden jungen Frau mit Badetuch, verso auf dem Sockel signiert "Kurt Moser", H 38cm, 4027g

Lot 723

HAGEDORN & MOSER Ring 750er Gelbgold (gepunzt) mit 1 Diamant im Emerald-Schliff, 1,037ct., lupenrein, glatte, breite Schiene, in die Schiene gemarkt "MH", Ringgröße 58, ca. 12,76g,

Lot 1647

A oak framed coloured print after C MOSER 1925

Lot 41

A mid 20th century Czechoslovakian Moser green glass facet vase, of cylindrical form, signed Moser to the base, 22cm high x 12cm wideIf there is no condition report shown, please request

Lot 483

Koloman Moser for E Bakalowits & Sohne, Vienna, a Secessionist amber stemmed and optic ribbed wine glass, circa 1900, the colourless double ogee bowl with vertical ribs, on a bowed stem and concial foot, 18cm high

Lot 465

Moser, a Bohemian enamelled glass cluster vase, circa 1890s, four olive green spherical vessels united and stacked in a pyramidal form, painted with polychrome floral and foliate scrolls highlighted in gilt 12.5cm high

Lot 468

Moser, a pair of Bohemian enamelled glass vases, circa 1900, square section tapered form, green draining to colourless, decorated with beaded borders and ribbon swags, 19cm high (2)

Lot 430

A large Bohemian gilt engraved glass candlestick, probably Moser, the bowed stem on a large splayed foot, shallow cut with interlocking beaded swags and floral sprigs, the slice cut sconce with fruiting vine panels, 32.5cm high

Lot 453

A Bohemian gilt enamelled glass vase, probably Ludwig Moser, circa 1900, Campana urn form, decorated with a Classical scene of muses dancing around a statue of a faun, between black and gilt foliate scroll bands, blind reeding below, 20cm high

Lot 464

Moser, a Bohemian enamelled and gilt glass bowl, circa 1890, pink cased with foliate enamel and gilded floral motifs, 6.5cm diameter

Lot 391

A set of 6 Moser Thomas pattern crystal water glasses or beakers, facet-cut from rim to base, designed in 1929 by Leo Moser, H12.7cm

Lot 392

A set of Moser Thomas pattern crystal wine glasses, facet-cut from rim to base, designed in 1929 by Leo Moser, H15.8cm

Lot 393

A set of 6 Moser Thomas pattern crystal glasses, facet-cut from rim to base, designed in 1929 by Leo Moser, H14cmTwo have chips to their bases, otherwise in good contion, some surface scratches

Lot 87

A collection of Moser Splendid Gold hand-cut crystal wine glasses, comprising a set of eight white wine (h-22cm) and eight red wine glasses (h-23.5cm). (16)

Lot 950

A set of six African Rowland Ward "Big Game" glass tumblers by Moser, each finely wheel cut, etched marks to bases, circa 1950s

Lot 272

Moll, Carl (1861-1945)Hausmarke, 1903Stereotypie nach HolzschnittSigniert in der Platte rechts untenBlattgröße: 25,5 x 24 cm / Plattengröße: 9,4 x 7 cmHaus Moll–Moser auf der Hohen Warte (1900/01). Dieser Holzschnitt wurde 1903 in der Zeitschrift Ver Sacrum mit Stereotypieplatten reproduziert (Jg. 6, H.15).

Lot 3014

RICHTER, Klaus(1887-1948) "Grosse Schauspieler um Reinhardt" - Grafikmappe(1930). Gurlitt-Verlag, Berlin. Mappe 57 x 47 cm / 3,2 kg. 24 Originallithographien auf Japan-Papier. Nummerierte Mappe 23/100, jedes Blatt signiert und nummeriert, vollständig. Vorwort von Rolf Heise. Abbildungen: Deutsches Theater in Berlin-Mitte, Maria Bard, Leopoldine Konstantin, Lili Darvas, Tilla Durieux, Else Eckersberg, Gertrud Eysoldt, Rudolf Forster, Max Gülstorff, Paul Hartmann, Lucie Höflich, Friedrich Kayssler, Werner Krauss, Margo Lion, Hans Moser, Wladimir Sokolow, Helene Thimig, Jakob Tiedtke, Michael Tschechoff, Gustav Waldau, Hedwig Wangel, Hans Wassmann, Paul Wegener, Mathias Wiemann und Eduard von Winterstein. Mappenhülle mit stärkeren Alters- und Gebrauchsspuren. Beiblatt stockfleckig, Blatt mit Theaterdarstellung faltig. Sonst guter Zustand der Blätter. Es handelt sich hier um die seltene Originalausgabe. Aufrufzeit 01. | März 2025 | voraussichtlich 10:35 Uhr (CET) RICHTER, Klaus(1887-1948) "Grosse Schauspieler um Reinhardt" - Grafikmappe(1930). Gurlitt publishing house, Berlin. Folder 57 x 47 cm / 3.2 kg. 24 original lithographs on Japan paper. Numbered portfolio 23/100, each sheet signed and numbered, complete. Foreword by Rolf Heise. Illustrations: Deutsches Theater in Berlin-Mitte, Maria Bard, Leopoldine Konstantin, Lili Darvas, Tilla Durieux, Else Eckersberg, Gertrud Eysoldt, Rudolf Forster, Max Gülstorff, Paul Hartmann, Lucie Höflich, Friedrich Kayssler, Werner Krauss, Margo Lion, Hans Moser, Wladimir Sokolow, Helene Thimig, Jakob Tiedtke, Michael Tschechoff, Gustav Waldau, Hedwig Wangel, Hans Wassmann, Paul Wegener, Mathias Wiemann and Eduard von Winterstein. Folder cover with strong signs of age and wear. Supplementary sheet foxed, sheet with theater illustration creased. Otherwise good condition of the leaves. This is the rare original edition. Call time 01 | March 2025 | probably 10:35 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Lot 235

Moser Karlsbad Glass Mosque Lamp c.1897, #3996/III D511 inscribed on neck, a green glass Mosque lamp, Arabic inspired inscription, three attached lug handles, blue enamel paint outlined in red Property from: a Private Collector, Glen Ellyn, Illinois Height: 8 1/4 inches, Diameter: 4 inches Condition: overall light wear consistent with normal use, minor enamel loss Category: Decorative Arts > Fine Glass Estimated Sale Time: 11:58 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5

Lot 521

A Victorian cranberry glass jug, 18.5cm hightogether with a Moser clear and amethyst glass box and coverwith enamelled decoration,13cm diameter11cm high (2)

Lot 316

Omega a pair of lady's 18ct gold wristwatches each with small round dials having raised baton numerals, tapered hands, signed Omega with the Omega logo, both round cases marked 0.750, 18K within and numbered 10773 with attached circular lugs, both diameter 17mm, one having a calibre 480 movement and numbered 14445220 and 11388080 to the case and having an Omega crown, weight c. 15.82gs, the other having a calibre 481 movement numbered 15267448 and numbered 143758 to the case and without an Omega crown, weight c. 17.11gs.Both with expandable rolled-gold bracelets.Complete with a box, guarantee and booklet for watch 15267448 from E. Moser, Zurich dated 29th July 1957.

Lot 362

Vase mit Reliefband, Böhmen, in der Art von Moser, 1930er Jahre ungemarkt, amethystfarbenens Glas, facettiert, 3,6cm breites, aufgearbeitetes Reliefband (an den Kanten tlw.berieben), H.15,5cm

Lot 363

Vase, attr. Ludwig Moser, Karlsbad, 1.Viertel 20.Jh. dunkles, rubinrotes Glas, Facettenschliff, H. 24,3cm

Lot 901

Trinkglas-Garnitur für 4-11 Pers.,Moser Ende 20. Jh. Modell "Maharani". Farbloses Glas m. Schliffdekor. Kon. Kelch auf facettiertem Schaft m. angespitzten Kanten und Scheibenfuß. Kelch m. dichtem Dekor aus Blütenbouquets und Girlanden, Lippe m. Perlschliffband. Am Boden geätzter Firmenstempel "Moser". Bestehend aus: 5 Wassergläser, 4 Süßweingläser, 4 Rotwein- gläser, 6 Sektflöten, 11 Weißweingläser, Karaffe, zus. 31 Teile. 1 Wasserglas/ 1 Weißweinglas jeweils m. minimalem Chip am Lippenrand, Karaffenstöpsel innen m. minimalem Chip.Blüten, Firmenstempel, Floral, Maharani, Österreich, Schliffdekor

Lot 9006

Moser, 5 Gläser "Rose" (später "Paula"), Kristall, Goldstaffage, Gravur mit 24 ct.-Vergoldung. 1 x Rotweinkelch, H 26 cm; 4 x Weißweinkelche, H 24 cm, gemarkt (Ludwig Moser & Söhne, Meierhofen bei Karlsbad) / Moser, 5 glasses, ‘Rose’ (later ‘Paula’), crystal, gold staffage, engraving with 24 ct. gold plating. 1 x red wine goblet, h 26 cm; 4 x white wine goblets, h 24 cm, marked (Ludwig Moser & Söhne, Meierhofen near Karlsbad)

Lot 698

Büchervitrine, Jugendstil, Darmstadt, um 1904, Entwurf Joseph Maria Olbrich, Ausführung wohl Möbelfabrik Julius Glückert, Vogelaugenahorn und diverse Edelhölzer, zweitüriger Korpus auf rechteckiger Sockelplatte mit flachen Füßen, korrespondierende getreppte Giebelplatte, diese an der äußeren Kante schauseitig mit feiner Schachbrettmarketerie, flankierend ebonisierte Vollsäulen mit Perlmutteinlagen, die Türen im oberen Teil mit facettierten Glasscheiben, im unteren Drittel mit abstrahierten floralen Einlagen, ein Einlegeboden, 156 x 103 x 45 cmJoseph Maria Olbrich (1867 - 1908) studierte ab 1890 bei Karl von Hasenauer an der Wiener Akademie der bildenden Künste und trat 1893 in das Büro Otto Wagners ein. Dort wirkte er an den Gebäuden der Wiener Stadtbahn mit. Im Dunstkreis der Secessionisten um Gustav Klimt, Josef Hoffmann, Koloman Moser und Otto Wagner wurde Olbricht mit dem Entwurf des Secessionsgebäudes im 1. Bezirk beauftragt, welches durchaus als seine prominenteste Arbeit gelten kann. Ab 1899 leitete Olbrich auf Bestreben des Großherzogs Ernst Ludwig von Hessen-Darmstadt den Bau der neu geschaffene Darmstädter Künstlerkolonie auf der Mathildenhöhe.Ein korrespondierendes und in vielen wesentlichen Details identisches Möbel aus der Feder Olbrichs ist abgebildet in: Renate Möller, Jugendstil, Deutscher Kunstverlag, München; Berlin, S. 58

Lot 316

DARTINGTON GLASS; a set of four wine glasses, height 22.5cm, a set of three matching wine glasses, height 23cm and, two Moser shallow glass bowls, diameter 11cm, height 7cm, both with etched marks to base, and various drinking glasses (14).Condition Report: - Please note that this lot is not suitable for our in-house postage service.We would recommend collecting this lot or contacting Mailboxes Etc for postage of this lot, their details can be found on https://www.adampartridge.co.uk/services/transport/

Lot 1850

Fünf Taschenuhrenum 1890-1920, alle mit schwarzen Zifferblättern, der Marken Waltham, Moser, Huber, L. Rosenthal und Robert Calame, alle Werke mit Ankergang, Gehäuse in Eisen und Nickel, alle funktionstüchtig, Taschenuhr Huber läuft nur an, unterschiedliche Erhaltungen, D ca. 50 mm.

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