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Victorian silver coffee pot, William Marshall, Edinburgh 1872, domed lid with a coronet finial, the body embossed and engraved with a rams head and leafy foliage, vacant cartouche and circular footrim, the handle with bone insulators, 24cm high

An early 20th Century steamer trunk stamped, Marshall Improved Air & Water Tight Chest and bearing military inscription to lid

An Arts and Crafts American sterling silver long-handled sauce ladle, Marshall Field & Co of Chicago, model no. 1038, allover planished decoration, 29cm . Condition Report:No damage or repair, handle has applied initial S, marks clear

G D Marshall (British 19th/20th Century): Chickens Feeding by a Farmhouse, watercolour heightened with white signed 15cm x 21cm

A Victorian silver presentation table snuff box, of rectangular form, with cast floral and scroll rim, the hinged cover with a cast and applied border of shells and foliate scrolls, raised in relief, with central cartouche and script initials, 'FWM' or similar, the exterior decorated with engine-turning, the gilt interior with presentation inscription, 'Presented to Mr Thomas W Marshall as a mark of esteem & respect Nov 11th 1858', Edward Edwards II, London 1845, length 10.4cm, weight 277g/8.90ozt approx

A Victorian Scottish silver bowl, the body decorated in relief with flowers, with gilt interior, William Marshall & Son, Edinburgh 1869, height 8.2cm, together with a Victorian novelty basketweave bowl, Horace Woodward & Co., London 1889, combined weight 292g/9.38ozt approx (2)

A Second World War RASC officer's greatcoat, its label dated 1939 and inscribed 2nd Lt Wm Marshall

A John Marshall Bo'ness pottery teapot, a Furnivals 'Medina' teapot and a Losol Ware 'Shanghai' teapot

A collection of twenty five world silver proof coins, including a GB 1996 Silver Proof £2 , boxed with cert, a 1991 Marshall Islands four coin set commemorating British WWII fighter planes, boxed, no cert, along with twenty other coins presented in a Westminster case, all in capsules, from various commonwealth countries, including a 1994 Alderney D-Day £2 coin, a 1995 United States D-Day Liberty dollar, and more, some with certificates

Laurens Craen, um 1620 – 1665/71 MiddelburgSTILLLEBEN MIT RÖMER- UND STANGENGLAS, UMGEBEN VON CITRUSFRÜCHTEN UND RAUCHUTENSILIENÖl auf Leinwand.63 x 71 cm.Das Gemälde, war mehrfach in bedeutenden Sammlungen und Ausstellungen vertreten, sowie in den jeweiligen Katalogen abgebildet. Die hellfarbigen Zitronen, die tönerne Glutschale und die Meerschaumpfeife treten leuchtend aus dem dunklen Grund auf. Die Gläser, um die sich ein Weinlaub-Zweig schlingt, treten im Dunkel des Hintergrundes zurück, was der Gesamterscheinung des Bildes einen geheimnisvollen Charakter verleiht. Der Glanz von Glas und Metallplatte in meisterlicher Malerei. Von besonderem Interesse ist das Tabak-Wickelpapier links im Bild, auf dem fein geschriebener Text zu erkennen ist „R ./ Taback / I. / H.“ (Schriftbild vergleichbar mit einem Brief von Craen an Constantijn Huygens 1648, Kgl. Bibliothek, KA 42 aa, nr. 95). Das bekannte Oevre des Malers ist nicht allzu groß. Nicolaas R. A. Vroom nannte 1980 lediglich sechs Gemälde (s. Lit.). Dagegen berichtet Sam Segal von etwa zwanzig Bildern. Laurens Craen ist für 1649 in Middelburg tätig nachgewiesen, wo er für den Hof in Den Haag wirkte. Sein Frühwerk ab der 1540-er Jahre zeigt den Einfluss von Jan Davidsz. de Heem (1606-1984). Es wird angenommen, dass Johannes Borman (tätig um 1658) als Schüler Craens Einflüsse übernommen hat.Provenienz:Wohl: R. H. Ward, London, 1932.Wohl: D. A. Hoogendijk & Co., Amsterdam, 1932. A.S. Drey, London, München, NY, 1932, (nach Doku. RKD). Gallery Mortimer Brandt, New York (nach Doku. Frick-Collection).S. Hartveld, N. Y. (wie vorig).Von da erworben von S. u. Mary van Berg, NY, 1947 (Doku. Frick-Collection).Privatsammlungen Schweiz (Ausstell. 1980).Sotheby´s London, 30. 11. 1983, Lot 83 (als Hubert van Ravensteyn).Schwarz Fine Paintings Philadelphia 2002 (nach Doku. RKD).Lawrence Steigrad Fine Arts, N. Y. 2007 - 2009.Literatur: Nicolaas R.A. Vroom, De Schilders van het Monochrome Banketje, Amsterdam 1945, S.122, Nr. 107, abgebildet S/W Seite 123 (als von Laurens Craen).Mary Van Berg, The van Berg Collection of Paintings, NY 1947, S. 48 (als von Laurens Craen) mit S/W Abb.Niclaas R.A. Vroom, A Modest Message as intimated by the painters of the Monochrome Banketje, Interbook International B.V., Schiedam 1980, Band I, S. 241, Nr. 199, Abb. 326, abgebildet S/W S. 242, Abb. 326, Band II, S. 44, Nr. 199, Abb. 326 (als von Laurens Craen).Sam Segal, Still-lifes by Middleburg painters, Laurens Craen in: Masters of Middleburg, Kunsthandel K. & V. Waterman B.V., Amsterdam 1984, S. 83, fn. 1 (als von Laurens Craen).Ausstellungen: Wohl: Zeeldzame meesters uit de 17e eeuw, Kunsthandel Hoogendijk, Amsterdam 15. Juni - 16. Juli 1932, Katalognr. 19. (als von Laurens Craen, signiert oben rechts) (nach R. A. Vroom, 1980, op. cit. infra).Mortimer Brandt Gallery, New York 22. Nov.-Dez. 1941. (nach Dok. Frick Collection).An Exhibition of Three Centuries of Flower and Still-life Painting, Marshall Spink Ltd., London19. Nov. - 28. Jan 1981, Nr. 18. (als von Hubert van Ravesteyn).Portraits and Other Recent Acquisitions, Lawrence Steigrad Fine Arts, New York 2008, Nr. 12 (als von Laurens Crean). (14318611)Laurens Craen,ca. 1620 – 1665/71 MiddelburgSTILL LIFE WITH ROEMER AND STANGENGLAS SURROUNDED BY CITRUS FRUIT AND SMOKING ACCESSORIES Oil on canvas.63 x 71 cm.The painting has been represented several times in important collections and exhibitions, as well as in the respective catalogs. Of particular interest is the tobacco wrapping paper on the left of the painting, on which the finely written text “R ./ Taback / I. / H.” can be seen (typeface comparable to a letter from Craen to Constantijn Huygens 1648, Royal Library, KA 42 aa, no. 95). The painter’s known oeuvre is not very large. In 1980, Nicolaas R. A. Vroom only named six paintings (see Lit.). By contrast, Sam Segal lists around twenty paintings.Provenance:Probably R. H. Ward, London, 1932.Probably D. A. Hoogendijk & Co., Amsterdam, 1932. A.S. Drey, London, Munich, NY, 1932, corresponding with RKD.Gallery Mortimer Brandt, New York (Documented Frick-Collection).S. Hartveld, N. Y. (as before).Acquired from there by S. u. Mary van Berg, NY, 1947 (Documented Frick-Collection).Private collection, Switzerland (exhibition 1980).Sotheby’s London, 30 November 1983, lot 83 (there listed as Hubert van Ravensteyn).Schwarz Fine Paintings Philadelphia 2002 (RKD).Lawrence Steigrad Fine Arts, N. Y. 2007 – 2009.Literature: Nicolaas R.A. Vroom, De Schilders van het Monochrome Banketje, Amsterdam 1945,p. 122, no. 107, with monochrome ill. p. 123 (as by Laurens Craen).Mary van Berg, The van Berg Collection of Paintings, NY 1947, p. 48 (as by Craen) with monochrome ill.Nicolaas R. A. Vroom, A Modest Message as Intimated by the Painters of the ‘Monochrome Banketje’, Schiedam 1980, vol. I, p. 241, no. 199. fig. 326, with monochrome ill. p. 242, fig. 326, vol. II, p. 44, no. 199, fig. 326 (as by Laurens Craen).Sam Segal, Still-lifes by Middleburg painters, Laurens Craen, in: Masters of Middleburg, Kunsthandel K. & V. Waterman B.V., Amsterdam 1984, p. 83, fn. 1 (as by Laurens Craen).Exhibitions: Probably Amsterdam, Kunsthandel Hoogendijk, Zeeldzame meesters uit de 17e eeuw, 15.06.-16.07.1932, cat. no. 19 (as by Laurens Craen, signed top right) (after R. A. Vroom, 1980, op. cit. infra).New York, Mortimer Brandt Gallery, 22 nov.-20 dec 1941 (after doc. Frick Collection).London, Marshall Spink Ltd., 19 November – 28 January 1981. (as Hubert van Ravesteyn).New York, Lawrence Steigrad Fine Arts, Portraits and Other Recent Acquisitions, 2007 – 2009, no 12 (as Laurens Craen).

Viviano Codazzi (1603/1604 – 1670) und Micco Spadaro (1609 – 1675)KLASSISCHES ARCHITEKTURCAPRICCIOÖl auf Leinwand. Doubliert.75,5 x 100 cm.In vergoldetem Profilrahmen.Beigegeben ein Gutachten von Prof. Giancarlo Sestieri, Rom, 5. Dezember 2018, in Kopie.Eindrucksvolles Gefüge von unterschiedlich beleuchteten, kontrastreich in Erscheinung tretenden Architekturelementen, deren Monumentalität durch die Figurenstaffage noch gesteigert wird. Wie häufig in der Malerei der Zeit und in den entsprechenden Themen, handelt es sich auch hier um eine Zusammenarbeit zweier Maler, wobei Codazzi hier Architektur und Hintergrund und Micco Spadaro die Figurenstaffage geschaffen hat. Sestieri datiert das vorliegende Gemälde in die 1640er Jahre wie auch die Batseba im Bade im Ringling Museum in Sarasota, die Nozze della Vergine in einer neapolitanischen Privatsammlung oder das Gemälde Portico con l‘adorazione dei pastori, dessen Standort momentan nicht zu ermitteln ist. Viviano Codazzi ist wohl der bedeutendste Veduten- und Architekturmaler des 17. Jahrhunderts in Italien, noch lange vor den späteren Vedutisten wie Canaletto u.a. Das Oeuvre des Freskanten und Barockmalers zeigt, dass sich dieser Künstler überwiegend der Darstellung antiker Tempelansichten, Veduten und fantastischer Architekturen gewidmet hat. Als Spezialist auf diesem Gebiet erfuhr Codazzi lange Zeit nur wenig Beachtung, obgleich er in seinen Wirkungsjahren bereits als der vielleicht Größte unter den Malern der perspektivischen Architekturmalerei, ja sogar als „quasi il Vitruvio die questa classe di pittori“ (Luigi Lanzi, 1732-1810) gewürdigt wurde. Der bedeutende Kunstwissenschaftler Roberto Longhi (1890-1970) erkannte in Codazzi einen „Caravaggio und Canaletto zugleich“. Inzwischen gilt es als gesichert, dass Codazzi der eigentliche Begründer der realistischen Vedute war, wie sie erst eine Generation später durch Vedutisten wie A. Canale, Marieschi oder Bellotto, aber auch Claude Lorrain, als neue Gattung voll etablierten. Die Staffagefiguren in seinen Bildern sind oft von Kollegen geschaffen. Es wird vermutet, dass der Einfluss nordeuropäischer Maler wie Bartholomeus Breenbergh oder Van Poelenburg für die klassizistische Auffassung der Architekturen bei Codazzi mitverantwortlich war.Provenienz:Sotheby‘s Auktion, London, 7. Juli 2011, Lot 357 als Viviano Codazzi.Literatur:Vgl. David Ryley Marshall, Viviano and Niccolò Codazzi and the Baroque Architectural Fantasy, Rom 1993.Vgl. Giuliano Briganti, Ludovica Trezzani, Laura Laureati, Viviano Codazzi, in: I Pittori Bergamaschi dal XIII al XIX secolo, Il Seicento, I, Bergamo 1983.Vgl. Giancarlo Sestieri, Il Capriccio architettonico in Italia nel XVII e XVIII secolo, Rom 2015. (14304511) (13)Viviano Codazzi (1603/1604 – 1670) andMicco Spadaro (1609 – 1675)CLASSICAL ARCHITECTURAL CAPRICCIO Oil on canvas. Relined.75.5 x 100 cm.Accompanied by an expert’s report by Professor Giancarlo Sestieri, Rome, 5 December 2018 (in copy). As is often the case in paintings of the time with corresponding subjects, this is a collaboration between two painters, with Codazzi creating the architecture and background and Spadaro the figures. Sestieri dates the present painting to the 1640s.Provenance: Sotheby’s, London, 7 July 2011, lot 357 as Viviano Codazzi. Literature:cf. David Ryley Marshall, Viviano and Niccolò Codazzi and the Baroque Architectural Fantasy, Rome 1993.cf. Giuliano Briganti, Ludovica Trezzani, Laura Laureati, Viviano Codazzi, in: I pittori bergamaschi dal XIII al XIX secolo, Il Seicento, I, Bergamo 1983.cf. Giancarlo Sestieri, Il Capriccio architettonico in Italia nel XVII e XVIII secolo, Rome 2015.

Jack Barkla (American, 20th/21st c). Oil on canvas painting titled "Foreign Body" depicting the genitalia of a woman resting atop a pyramid-shaped plinth, 1976. Signed, dated, and titled along the verso.Barkla is a lifelong resident of Minnesota having grown up in Edina and attended the University of Minnesota. He has performed and designed for numerous theater companies including the Guthrie. He also designed flower shows for Dayton's (later Marshall Fields and then Macy's) department store. Other clients of his have included Prince, Princess Grace of Monaco, and Jennifer Lopez.Unframed; height: 14 in x width: 11 in. Framed; height: 18 in x width: 15 3/4 in x depth: 2 in.Condition: The colors are bold and bright. The surface is stable. There are no major visible tears, losses, or restorations. Light wear to the frame. Not inspected out of frame.

Jack Barkla (American, 20th/21st c). Oil on canvas painting titled "Olo the Great - Prisoner." Signed and titled along the verso.Barkla is a lifelong resident of Minnesota having grown up in Edina and attended the University of Minnesota. He has performed and designed for numerous theater companies including the Guthrie. He also designed flower shows for Dayton's (later Marshall Fields and then Macy's) department store. Other clients of his have included Prince, Princess Grace of Monaco, and Jennifer Lopez.Unframed; height: 24 in x width: 12 in. Framed; height: 30 in x width: 18 in x depth: 1 1/2 in.Condition: The colors are bold and bright. There are no apparent losses, tears, or restorations. Light wear to the frame.

Group of two pairs (four total) mid-century modern bookends. Including:Jane and Gordon Martz for Marshall Studios, United States. Pair of walnut and ceramic mosaic tile bookends with velvet backing, circa 1970s. With Marshall Studios label and model number "TBES1-14-D43".Paul Evans (American, 1931-1987) for Matina, United States. Pair of brutalist bookends, composed of composite resin with silver wash and stainless steel base.(Small bookends, each) height: 5 in x width: 4 1/2 in x depth: 4 in. (Large bookends, each) height: 7 1/2 in x width: 5 in x depth: 5 1/2 in.Condition: There are no major breaks, losses, or signs of restoration. Some tarnishing to the metal components. Some toning and discoloration to the fabric backing of the walnut bookends. Light wear along the extreme edges of the walnut bookends including fleabite chips along the extreme edges of the corners.

Jack Barkla (American, 20th/21st c). Mixed media painting titled "Bead Escape," 1993. Signed and dated along the lower margin; titled along the verso.Barkla is a lifelong resident of Minnesota having grown up in Edina and attended the University of Minnesota. He has performed and designed for numerous theater companies including the Guthrie. He also designed flower shows for Dayton's (later Marshall Fields and then Macy's) department store. Other clients of his have included Prince, Princess Grace of Monaco, and Jennifer Lopez.Height: 15 1/2 in x width: 13 in x depth: 1 1/4 in.Condition: The colors are bold and bright. There are no apparent losses or restorations. Some wear including losses to the gilt to the frame. Framed under glass. Not inspected out of frame.

Jack Barkla (American, 20th/21st c). Oil on canvas painting titled "Waiting Room (A Green Room)," 1975. Signed and dated along the lower right; titled along the verso.Barkla is a lifelong resident of Minnesota having grown up in Edina and attended the University of Minnesota. He has performed and designed for numerous theater companies including the Guthrie. He also designed flower shows for Dayton's (later Marshall Fields and then Macy's) department store. Other clients of his have included Prince, Princess Grace of Monaco, and Jennifer Lopez.Unframed; height: 18 in x width: 24 in. Framed; height: 24 in x width: 29 1/4 in x depth: 2 1/2 in.Condition: The colors are bold and bright. There are no apparent tears, losses, or restorations. There are two areas with areas that fluoresce under UV light (the upper center and lower center). Light wear to the frame.

A Victorian silver tray, Daniel & John Wellby, London 1895, the twin handles above an oval tray engraved 'Presented to James Herbert Marshall Esq MA, by the residents in the County town of Dolgelley [Dolgellau] & Others, in grateful appreciation of his valuable services, as headmaster, first of the grammer school, and afterwards of the County school of the town, for a period of 9 years from 1886 to 1885 inclusive' 84.5cm long, approx. 96ozt

An Edwardian silver twin handled trophy, Walker and Hall, Sheffield 1909, the angular handles above engraving 'Presented to Mrs JH Marshall, by the parishioners of St Johns Church, West Vale, as a tribute of their high regard for her zealous work, to the Parish for over ten years, December 2nd 1911' 17cm high, 27ozt

Thomas Marshall 1788-1874, a portrait miniature on ivory of a lady, signed and dated 1830.  10 x 7.5 cm.  NOTE: This item has been assigned an ivory exemption certificate number L6TW4BBT.

Alfred Wainwright (1907-1991), a Pictorial Guide to the Lakeland Fells, book 1 The Eastern Fells, published in 1955 by Henry Marshall, dark green Rexine covers with rounded corners and gold lettering, issued without a dust wrapper, first edition.This book is free from any inscriptions, notes, ticks or pen marks.  There is a light pencil price which will rub out.  Overall this is a nice clean copy.

Alfred Wainwright (1907-1991), a Pictorial Guide to the Lakeland Fells, book 2 The Far Eastern Fells, published in 1955 by Henry Marshall, grey Rexine covers with rounded corners and red lettering, dust wrapper prices 12/6, first edition (see illustration).Underneath the dust wrapper on the front board is a name and address, date April 1957, the spine is severely faded, there is foxing to the dust cover, the internal pages are in good condition with no marks. 

Alfred Wainwright (1907-1991), a Pictorial Guide to the Lakeland Fells, book 3 The Central Fells published in 1958 by Henry Marshall, blue Rexine covers with rounded corners and silver lettering, dust wrapper priced 12/6, first edition. The book says published 1958 and book for in preparation.  The cover has a price of 12 shillings and sixpence. There are no later impression marks. There are no internal inscriptions or marks on the pages, the dust cover has been covered in plastic to repair the rips to the dust cover.

Alfred Wainwright (1907-1991), a Pictorial Guide to the Lakeland Fells, book 4 The Southern Fells, published in 1960 by Henry Marshall, brown Rexine covers with rounded corners and blue lettering, dust wrapper priced 12/6, first edition.No internal inscriptions or marks to the pages, dust jacket is slightly grubby but not faded. 

A Reichs Marshall Hermann Goring's Krieghoff presentation Luger #16999, mounted on wooden display board, with box.

Y AN EDWARDIAN SILVER MOUNTED AND INLAID TORTOISESHELL DESK/CARRIAGE TIMEPIECEUNSIGNED, THE MOUNTS WITH MARKS FOR WILLIAM COMYNS AND SONS, LONDON 1909The French rectangular eight-day back-winding movement with platform lever escapement regulated by sprung balance and stamped MADE IN FRANCE to the lower edge of the backplate, the 1.25 inch circular white enamel Roman numeral dial with blued steel hands set behind convex glass with moulded bezel, the ogee top case with fine symmetrical foliate scroll engraved silver inlay executed in the style of Robert Adam beneath the dial and lion's mask cast ring handles to sides, the rear with full-height hinged door fitted with silver hinges and clasp, on four bell-shaped silver feet, the mounts Hallmarked for London 1909 makers W.C. for William Comyns and Sons.8.2cm (3.25ins) high, 5.7cm (2.25ins) wide, 4cm (1.625ins) deep. The celebrated firm of manufacturing silversmiths, William Comyns, was established in 1859 when Comyns purchased the business of Robert Tagg, 2 Carlise Street, Soho Square. He then moved to 1 Percy Mews, Rathbone Place, followed by 16 Silver Street, Golden Square, Soho, then finally to Beak Street, Regent Street. The Beak Street premises were later expanded to encompass numbers 41 to 47 and additional premises were acquired at 54 Marshall Street, Soho from circa 1903. The name of the firm was changed to William Comyns & Son in circa 1885 when William Comyn's two sons, Charles Harling Comyns and Richard Harling Comyns were admitted to their partnership. William Comyns died in January 1916, and C.H. Comyns while attending a sale at Christie's in 1925. The business was incorporated as Limited Company in October 1930 and continued under R.H. Comyns until his death in 1953, when was subsequently purchased by Bernard Copping. Condition Report: Movement is reasonably clean with no visible evidence of alteration of noticeable replacements; the escapement will beat but is prone to stopping after a few seconds so a gentle clean/service is required. The dial appears free form visible damage. The case is complete with no losses to the inlay etc., however there are two cracks in the lower part of the case. The first is to the front apron area and continues down around where the front left-hand foot is attached; the second is to the rear right hand side continuing down towards the rear foot. Case is otherwise structurally sound and in original condition.Timepiece is complete with an integral winding key. Condition Report Disclaimer

Philotheos Physiologus [Tryon (Thomas)] A way to health, long life and happiness or, a discourse of temperance and the particular nature of all things ... to which is added a treatise of most sorts of English herbs, London: by Andrew Sowle, 1683, 8vo, full calf, bookplate for Edward Braxton Reynolds, one page advertisement opposing title, three pages of advertisements to back; together with Easton (James) Human Longevity: Recording the name, age, place of residence, and year of the Decease of 1712 Person who attained a Century & upwards ..., London: James Easton, 1799, 8vo, original boards with renewed spine, inscribed to half title 'David W Marshall Douglas' heavily annotated in a neat hand (2)

A Framed Christopher Marshall Jersey Cow Print, 24x19cms

Selection of metal and paper Railway memorabilia (10), comprising Warship Locomotive cast aluminium commemorative plaque with certificate (33/3000), Road Marshall tractor badge, a Locomotive Builders plate from North British 26094 of 1947 (replica), assorted London Transport signal signage (4 different), LT signalling track plan (blueprint), LT District Line paper route maps (2 different), F-VG, (10)

A scarce Royal Doulton mid-tan glazed stoneware grotesque figure - the Mock Turtle (from Alice in Wonderland), incised 'EB' on base - attributed to Mark V Marshall, 6 cm highGood condition

A George IV Scottish silver tea service of compressed melon form with cast foliate finial and scroll handles with ivory insulators, on stemmed foot, William Marshall, Edinburgh 1828, 45oz gross Ivory Submission Reference number 2J4ZLHGP

Base Toys - 40 boxed 1:76 diecast model vehicles from Base Toys. Lot includes D-74 Leyland LAD Artic with Single Axle Box Van 'BRS Swindon'; DA-03 Ford D Series Twin Axle Flatbed 'S. Marshall & Sons'; DA-35 Commer Twin Axle Flatbed 'Mackenzie Bros / Dalmore Distillery' and similar. Models appear to be in Mint condition, housed within generally Very Good - Excellent boxes with some minor general wear. Models are unchecked for completeness. (This does not constitute a guarantee) (K)

A Copeland parian gilt highlighted bust 'Lesbia' modelled by W.G. Marshall, 40cm. Condition - minor chips to base rim

Colin Pearson (1923-2007), a large stoneware cup and saucer, a JG cylindrical vase, Scott Marshall (1936-2008), a Boscean Pottery slip decorated box and cover, a similar cover lacking base and a ?Davies ‘Angels’ dish, largest 24cm high. Condition - fair, minor chipping One chip to the cup rim, two small chips to the vase rim, the 'Angels' dish has cracks and crazing to the glaze.

A French Tractoys 1/16 scale Field Marshall tractor.Base 22 x 14.5cm Tractor Length 17.5cm, Width 12.5cm, Height 10cm. Looks in good condition, dusty. Missing exhaust, surface dirty.

Camden, Theophilus: The History Of The Present War In Spain And Portugal, From It's Commencement To The Capture Of Madrid, London: J. Stratford, No. 112, Holbourn-Hill, 1812, re-bound in half leather over marbled boards, 8vo, together with Stanier Clarke, Rev. James and McArthur, John: The Lives And Services Of Horatio Nelson, vols I & II, London: Fisher, Son & Co. Newgate Street, N/D, full leather with gilt spines, Gurwood, Lieut. Colonel: Selections From The Dispatches And General Orders Of Field Marshall The Duke Of Wellington, London: John Murray, Abermarle Street, 1851, Kinglake, A.W.: The Invasion Of The Crimea, sixth edition vol V, William Blackwood And Sons, Edinburgh And London, 1877 and Boulger, Demetrius C.: The Life Of Gordon, fifth edition, London: T. Fisher Unwin, N/D. (6)

A collection of music equipment to include a Zoom RHYTHM TRAK RT-123 drum machine, boxed, with accessories, together with a Dod TEC Series Multi Effect Processor, boxed, Marshall 'The Guv'nor' guitar pedal, various other guitar pedals, microphone, instrument stands, etc

A collection of modern large format front of house / lobby cards, mainly 28 x 36cm to include The Rugrats Movie x8, The Sum Of All Fears x4, Red Corner x8, Murder By Numbers x3, Clockstoppers x4, Instinct x6, U.S. Marshall x8, Three Men And A Little Lady x8, Hannibal x12 and The Green Mile x8.

G & M Originals 1/16 farm model issue comprising Marshall MP6 tractor. Looks to be complete without obvious signs of fault complete in original box.

A rose metal Omega automatic wristwatch, engraved to the caseback J Marshall 25 Years Service, 34mm (d) case, date at 3 o'clock, on black leather strap, contained in original box with paperwork dated 1974, unmarked but has been tested with a Kee gold tester which indicates 9ct, (this does not constitute a guarantee). [W]

A SUPERB LATE-19th/EARLY-20th CENTURY AUTOGRAPH ALBUM COMPILED BY THE HON. Mrs. IRMA BAILEY (nee COZENS-HARDY) Bound in purple suede, containing a fascinating array of single autographs and autographed correspondence, including Joseph and Neville Chamberlain, Sir Winston and Clementine Churchill, Stanley Baldwin and David Lloyd George, Walter Hines Page, British Admirals John Fisher and David Beatty, Admiral William Sims of the U.S. Navy, British Statesman George Curzon, Viceroy of India, Sir Francis Reginald Wingate, High Commissioner in Egypt, Field Marshall Douglas Haig on General Headquarters of British Armies in France stationary dated Nov. 30th 1918, Brigadier-General Sir Douglas Dawson on Buckingham Palace Lord Chamberlain's Office stationary; two envelopes addressed to His Royal Highness Prince George in the hands of Princess Mary and Queen Mary, two autographed letters from Charlotte Knollys on Marlborough House stationary, various correspondence addressed to Field Marshal Sir Linton Simmons including an envelope with the wax seal of Lord Kitchener and letters from Field Marshal Sir John Fox Burgoyne dated 20th Feb. 1870 and Field Marshal Earl Roberts on Commander in Chief black-edged stationary dated 6th April 1907; General Beauvoir de Lisle on Cavalry Club embossed notepaper; a letter addressed to Lady Simmons from Empress Eugenie of France on Farnborough Hill black-edged stationary, Maud Petty-Fitzmaurice Marchioness of Lansdowne on monogrammed stationary addressed Bowood, Calne, Wiltshire, a letter on Gloucester House, Park Lane stationary signed George (presumably Prince George, Duke of Cambridge), Cecil Rhodes, Princess Margaret of Sweden, autographed notes from authors E.F. Benson, H.G. Wells, Arthur Conan Doyle and John Buchan, King Edward VIII (then as Prince, on King George's Jubilee Trust Stationary) Provenance: The Honourable Mrs. Irma Bailey was the daughter of Baron Cozens-Hardy and his wife Constance. She was married to Major Frederick Marshman Bailey (1882-1967), British Political Officer. Condition Report:Available upon request

WILLIAM MARSHALL BROWN RSA RSW (SCOTTISH 1863-1936) FISHER WOMEN, FIFE Oil on canvas laid on board, signed lower left, dated 1902, 52.5 x 75.5cm (20.5 x 29.75") Condition Report:On canvas laid on board. Possible repair to central upper area. Craquelure. Scattered flaring under UV

FOUR 9ct GOLD FOOTBALL MEDALS Comprising a Paisley & District League Cup medal by Joseph Cutler, Chester, engraved verso "Coralea F.C. 1932-33 M.  Marshall"; a Glasgow North Eastern District Intermediate Football Association medal by J. McMenamin, Birmingham, engraved verso "J. McKeown, St. Roch F.C., Delegate, 1927-31"; a further Glasgow North Eastern Football Association medal awarded to McKeown, "Life Member"; and a Scottish Junior Football Association Winners' medal by Robert Scott, Glasgow, engraved verso "Musselburgh Bruntonian F.C., F. Stewart, 1922-23"; weight together 45.1g Condition Report:Available upon request

† WILLIAM MARSHALL (1923-2007); a stoneware yunomi covered in nuka over tenmoku glaze with copper green and kaki decoration, impressed WM mark, height 10.5cm. Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† WILLIAM MARSHALL (1923-2007); a deep faceted stoneware bowl covered in brushed slip with dabs of running copper green and iron decoration, impressed WM mark, diameter 11.5cm, height 11cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Mixed assortment of unframed aviation prints, including 'End of an Era' by David Marshall, 'Thunder and Lighting' and 'A Bolt for the Blue' by Gerald Coulson, etc. (Qty)POA  https://www.bradleys.ltd/quotation-request-form

A signed Golden State Warriors promotional photograph featuring Donyell Marshall, the former professional basketball player known for his time with the Warriors and several other NBA teams. This vintage print showcases Marshall in action and portrait shots, with his autograph prominently displayed. A great collectible for basketball fans and Warriors enthusiasts.Issued: 1996Dimensions: 10"HCondition: Age related wear.

An autograph booklet signed by Field Marshall Montgomery of Alamein, John Hunt (Everest expedition 1953), Peter Sellers and others. Shipping category A.

James Bond Diamonds are Forever Jeff Marshall Numbered and Signed Limited Edition Print purchased directly from Pinewood Studios No. 61/500 Provenance: from the collection of Tony King, an avid movie prop collector, many items purchased at auction and collected over the past 30 years

James Bond : Dr No. Jeff Marshall Numbered and Signed Limited Edition Print purchased directly from Pinewood Studios No 48/500. Provenance: from the collection of Tony King, an avid movie prop collector, many items purchased at auction and collected over the past 30 years

James Bond From Russia With Love Jeff Marshall Numbered and Signed Limited Edition Print purchased directly from Pinewood Studios No. 645/1500 Provenance: from the collection of Tony King, an avid movie prop collector, many items purchased at auction and collected over the past 30 years

James Bond Moonraker Jeff Marshall Numbered and Signed Limited Edition Print purchased directly from Pinewood Studios No. 35/300 Provenance: from the collection of Tony King, an avid movie prop collector, many items purchased at auction and collected over the past 30 years

James Bond Octopussy Jeff Marshall Numbered and Signed Limited Edition Print purchased directly from Pinewood Studios No. 88/300 Provenance: from the collection of Tony King, an avid movie prop collector, many items purchased at auction and collected over the past 30 years

James Bond A View to a Kill Jeff Marshall Numbered and Signed Limited Edition Print purchased directly from Pinewood Studios No. 112/300 Provenance: from the collection of Tony King, an avid movie prop collector, many items purchased at auction and collected over the past 30 years

James Bond Thunderball Jeff Marshall Numbered and Signed Limited Edition Print purchased directly from Pinewood Studios No. 137/500 Provenance: from the collection of Tony King, an avid movie prop collector, many items purchased at auction and collected over the past 30 years

James Bond The Living Daylights Jeff Marshall Numbered and Signed Limited Edition Print purchased directly from Pinewood Studios no. 69/750 Provenance: from the collection of Tony King, an avid movie prop collector, many items purchased at auction and collected over the past 30 years

James Bond License to Kill Jeff Marshall Numbered and Signed Limited Edition Print purchased directly from Pinewood Studios No. 90/300 Provenance: from the collection of Tony King, an avid movie prop collector, many items purchased at auction and collected over the past 30 years

Five silver commemorative crowns including Turks and Caicos Victory in Europe 1995 commemorative crown, Marshall Islands fiftieth anniversary of the Battle of the Bulge; Isle of Man D-Day fiftieth anniversary etc (5) with certificates

Three twenty fifth anniversary of the moon landing silver commemorative crowns and a Marshall Islands 1994 moon landing silver twenty dollars (4) with certificates

Nine boxed Matchbox Lesney Series diecast models to include 7 Ford Anglia, 23 Caravan, 27 Cadillac, 30 German Crane, 10 Scammell Mechanical Horse And Trailer, 43 Hillman Minx, 42 Evening News Van, 18 Caterpillar Bulldozer and 35 ERF Marshall Horsebox, all diecast ex overall with a couple of paint chips and marks in places, boxes gd overall with signs of storage and edge wear, all flaps either showing tape repairs or missing

Twenty three boxes of Hornby Dublo late 3-rail Track, Turntable and Controllers including 4x EOP, 1x box Large Radius Curves, 2x boxes of Straights, 1x Curved Terminal Rail, 4x Hand Operated Points, 2x Diamond Crossings, 1x box Isolating Rails, 8x boxes of Buffers, all Ex-M, A3 Power Controller, Marshall No.2 Controller and two Standard Controllers, one with factory repair label to end, boxes all generally Ex-Ex plus