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The Gallery of Modern British Artists : Consisting of A Series of Engravings from Works of the Most Eminent Artists of the Day, publ. London: Proprietors, I Cloudsley Terrace, Islington; Simpkin and Marshall, Stationers' Court; C. Tilt, Fleet Street; and G. Virtue, Ivy Lane (af); Les Belles Du Duc De Berry, book of hours, Thames and Hudson, label to inside cover, celebrating 10 years signed in biro by Walter Neurath Managing Director, boxed; Englebert, Omer, The Lives of the Saints, 1st edition, publ. Thames Hudson, 1951; Churchill, Winston S.; (Rhodes, Col. F. (Ed.)), The River War - An Historical Account of the Reconquest of the Soudan vol.II, Longmans, Green, and Co. 1900;  The Royal Artillery Commemoration Book, 1939-1945, lge. 4to, cloth, illus., published on behalf of The Royal Artillery Benevolent Fund by G. Bell & Sons, 1950; Frontline 1940-41 - The Official Story of the Civil Defence of Britain". Published 1942 by His Majesty's Stationery Office;  War Graves of the British Empire. Iraq, Part One A-L;  etc

watercolour on paper, signed, titled label verso mounted, framed and under glass image size 37cm x 54cm, overall size 48cm x 65cm Exhibition label verso: Earl Haig - New Paintings 10 July - 7 August 1993, The Scottish Gallery, Edinburgh Comment: a spectacular and large example with prestigious documented exhibition provenance. Note: Earl Haig (son of the Field Marshall) started painting as a prisoner of war. The paintings and drawings he made in Colditz Castle were exhibited at The Scottish Gallery in 1945 in an exhibition attended by HM The Queen. He went on to train under Victor Pasmore and Lawrence Gowing at Camberwell School of Art, London when fellow Scot William Johnstone was Principal. He had a distinguished exhibiting career primarily with The Scottish Gallery which spanned over six decades, concluding with his remarkable 90th birthday show in 2008. However, the same prestigious Edinburgh Gallery staged a Memorial show for Haig in 2011 and a major centenary show in 2018. In 2020 another solo show was staged (November - December 2020) by The Scottish Gallery focussing on examples from the Scottish Borders and Italy, where he spent an increasing amount of time from the mid-1970s. Earl Haig's work was shown widely elsewhere in Britain and on the continent, latterly including Clarges Gallery and Gallery 10, London. His work held in the collections of HM The Queen and other members of the Royal family, Scottish National Gallery of Modern Art and further public and notable corporate collections. Earl Haig was a member of the Scottish Arts Council and of the Royal Fine Art Commission for Scotland and a Trustee of the National Galleries of Scotland. As a landscape painter he was fond of simple, almost naïve images infused with a rich palette. Lived in Bemersyde, Melrose, Scotland.

Guitar Amps - 4 electric guitar practice amps to include a Marshall 5005 Lead 12, Fender Frontman 15G, Jim Harley Max Ten, Elevation EG-10J

Approximately 30 Del Prado Painted White Metal Napoleonic Mounted Military Figures, including Russian Uhlan trumpeter 1815, French Carabinier 1812 and Marshall Ney 1812, all loose, some parts may be missing.

Approximately 47 Del Prado Painted White Metal Napoleonic Military Figures All on Foot, including Field Marshall Kutuzov 1812, Marshal Berthier 1813 and French Old Guard Eagle Bearer, all loose, some parts may be missing.

COLLECTION OF GUITAR EFFECTS PEDALS, comprising MXR Analogue Chorus M234, ProCo RAT, Marshall Bluesbreaker BB2, Boss DD3 digital delay, Dunlop Crybaby GCB95

MARSHALL AMPLIFIER, ALONG WITH A FENDER AMPLIFIER the first with coverQty: 2

A pair of George IV silver sauce ladles, by James & Walter Marshall, Edinburgh 1825,15.2cm long and a silver open salt, by George Nathan & Ridely Hayes, Chester, pierced with raised harebell decoration, with a blue glass liner, 11cm diameterweighable 2.2ozt (3)Condition ReportMinor knocks, wear and rubbing throughout. Rubbing to the marks on the salt.

Over 21 Unbuilt Kits/Accessories - Various Scales (4500g)Miniatures MJ10-005 - 1/10 Scale.MiniArt Modern Street Cafe - 1/35 Scale (Sealed)Zvezda WWII Soviet Cossacks - 1/35 Scale (Box Very Poor)ICM Chernobyle #3 Rubble Cleaners - 1/35 ScaleM350125 - German Battleship Schleswig Deck Painting Mask.Eduard - Trumpeter BIG49147 MiG-23BN AccessoriesTusk Models - 10 FiguresNotre Dame Cathedral 3D Metal Model - 1/1280 ScaleWarhammer - Skeleton Horde 16 Citadel MiniaturesWarhamer - Dark Elves Witch ElvesVerlinden - 1290 Guirassier General 120mmSKMiniatures - Kato Yoshiaki Resin Bust - 1/9 ScaleVerlinden - 2811 Luftwaffe Field Marshall Herman Goering - 1/16 Scale.ACM Models - Lancaster Crew Verlinden - 1604 Bridge too Far - 1/35 ScaleArmy ModelFeR - Aquilifer Legio XX Valeria Victrix Brittania - 1/12 ScalePerry Miniatures - British Napoleonic Hussars (Box very poor)MB British and German Cavalrymen WWI - MB35184 - 1/35 ScaleMB The Price of War European Civilian - MB35176 - 1/35 Scale.MASK - JX184 Mosquito FB Mk VI for Tamiya - 1/32 ScaleEduard - Mosquito FB Mk. VI Interior for Tamiya - 1/32 Scale Condition Report - We have been advised that all are UNBUILT and complete.

Pair: Sub-Inspector D. D. Roper-Marshall, Bristol Constabulary Defence Medal; Special Constabulary Long Service Medal, G.V.R., 2nd issue (Sub-Inspr. Douglas D. Roper-Marshall) with a photographic image of recipient, good very fine One: attributed to Nancy Roper-Marshall, ARP Defence Medal, unnamed as issued, very fine Pair: S. Burt, Penrith Constabulary Defence Medal; Special Constabulary Long Service Medal, G.VI.R., 1st issue (Sydney Burt) generally very fine or better Pair: F. Bomford, East Retford Constabulary Defence Medal; Special Constabulary Long Service Medal, G.VI.R., 1st issue (Frank Bomford) generally good very fine Pair: C. A. Compton, Evesham Constabulary Defence Medal; Special Constabulary Long Service Medal, G.VI.R., 1st issue (Claude A. Compton) generally very fine or better Pair: F. Miller, Special Constabulary Defence Medal; Special Constabulary Long Service Medal, G.VI.R., 1st issue (Fred Miller) generally good very fine Pair: Lieutenant P. G. Mountford, 5/7th Battalion, Hampshire Regiment (T.A.) and Bournemouth Constabulary Defence Medal; Special Constabulary Long Service Medal, G.VI.R., 1st issue, 1 clasp, Long Service, 1944 (Philip G. Mountford) generally very fine or better One: attributed to William Smith Batesman, Kilmarnock Burgh Police Defence Medal, unnamed as issued, with several photographic images of recipient and family, generally good very fine (14) £140-£180 --- Douglas Duff Roper-Marshal was born in Hanwell, Middlesex in October 1899, and was employed as a Manager of a Goldsmiths in Hatton Garden, 1916-1917. He enlisted in the Royal Flying Corps in November 1917, and served at home. Roper-Marshal was declared bankrupt in 1937, with his business in London folding, and he married Nancy at Bristol in September 1939. In later life he was a Publican at The Old Inn, St. Breward, Cornwall, and he died at his pub in January 1871. Sydney Burt was born in St. Michael’s Mount, Cornwall. He was a Boatman in Penrith, and also served in the Special Constabulary there. Burt served with the Royal Naval Reserve (entitled to 1914-15 Star trio), and was discharged ‘medically unfit’, 14 April 1915. He died in Marazion, Cornwall in February 1963. Frank Bomford was born in Retford, Nottinghamshire. He enlisted in the Nottinghamshire and Derbyshire Regiment, 14 September 1914 (entitled to BWM and VM), and was discharged having suffered a gunshot wound to the leg (20 April 1917) from the 2/8th Battalion, 27 August 1917 (entitled to Silver War Badge). He served with the East Retford Special Constabulary, and died in East Retford in 1979. Claude Ashley George Compton was born in Rushmore, Wiltshire. He was a Baker, served during the Great War with the 8th Battalion, Royal Irish Rifles (wounded in October 1917, entitled to BWM, VM and Silver War Badge), and subsequently served with the Evesham Special Constabulary. Compton died in Birdham, Chichester in September 1963. Philip G. Mountford was born in Bournemouth, Hampshire, and was educated at Bournemouth School - where he was a Sergeant in the O.T.C. Mountford was commissioned in to the 5/7th Battalion, Hampshire Regiment (T.A.) in May 1924, and served with the Bournemouth Special Constabulary. He died in Poole in 1975. All sold with respective memory sticks of research.

Police L.S. & G.C., (2) G.VI.R. (Sergt. David J. Price.); E.II.R., 1st issue (Const. William Chalmers.); Fire Brigade L.S. & G.C., E.II.R. (Fireman Alfred T. C. Bonney); Special Constabulary Long Service Medal, (3) G.V.R., 1st issue, 2 clasps, The Great War 1914-18, Long Service 1929 (Dist. Offr. Gordon P. G. Hills); G.VI.R., 1st issue (Marshall Princ); E.II.R., 2nd issue (Frederick G. Smith) generally good very fine (6) £60-£80 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK ---

* GEORGE ALEXANDER EUGENE DOUGLAS HAIG, THE EARL HAIG OBE RSA (SCOTTISH 1918 - 2009), DRONNE NEAR LA BARIE watercolour on paper, signed, titled label versomounted, framed and under glass image size 37cm x 54cm, overall size 48cm x 65cm Exhibition label verso: Earl Haig - New Paintings 10 July - 7 August 1993, The Scottish Gallery, EdinburghComment: a spectacular and large example with prestigious documented exhibition provenance.Note: Earl Haig (son of the Field Marshall) started painting as a prisoner of war. The paintings and drawings he made in Colditz Castle were exhibited at The Scottish Gallery in 1945 in an exhibition attended by HM The Queen. He went on to train under Victor Pasmore and Lawrence Gowing at Camberwell School of Art, London when fellow Scot William Johnstone was Principal. He had a distinguished exhibiting career primarily with The Scottish Gallery which spanned over six decades, concluding with his remarkable 90th birthday show in 2008. However, the same prestigious Edinburgh Gallery staged a Memorial show for Haig in 2011 and a major centenary show in 2018. In 2020 another solo show was staged (November - December 2020) by The Scottish Gallery focussing on examples from the Scottish Borders and Italy, where he spent an increasing amount of time from the mid-1970s. Earl Haig's work was shown widely elsewhere in Britain and on the continent, latterly including Clarges Gallery and Gallery 10, London. His work held in the collections of HM The Queen and other members of the Royal family, Scottish National Gallery of Modern Art and further public and notable corporate collections. Earl Haig was a member of the Scottish Arts Council and of the Royal Fine Art Commission for Scotland and a Trustee of the National Galleries of Scotland. As a landscape painter he was fond of simple, almost naïve images infused with a rich palette. Lived in Bemersyde, Melrose, Scotland.

Scotland – Cauldcotes – Lothian – 1621. Charter granted by Sir James Richardson of Smeatoun, Kt. to John Edmonstone, Laird of Edmonstone, Kt., on the 21 June 1621, being a lease of the lands of Cauldcotes, reciting details of a charter of 1600 given by him to Sir Francis Wauchope of (Niddrie) Marshall and the said John Edmonstone, relating to the same lands. The lands being held by him and his heirs of Prince Charles; Prince of Scotland and Wales; Duke of Rothsay, Albany, Cornwall and York; Seneschal of Scotland; Lord of the Lordship and Regality of Dunfermlin. 34 lines in Latin on vellum, signed Richartsonne of Smetonne; James Richartsonne witnes; Jo cant witness; Lermont witness. The reverse is signed Thomas hope [Sir Thomas Hope, Lord Advocate]. Bearing half of the large pendant red wax seal of Sir James Richardson. In good condition and boldly written

William 'Bill' Marshall (1923-2007) Large bowlwith brushed glazewith impressed potter's seal mark to the base12.5cm high x 23cm wide. Provenance:The late Oliver Watson (1949-2023), British Studio Pottery expert at the V & A, Emeritus Professor of Islamic Art and Architecture and curator of Islamic Art at the Ashmolean Museum, Oxford and the School of Oriental Studies, London.Oliver Watson curated the pottery component of the 1985 Tate Britain exhibition St. Ives 1936–64 and contributed an essay on ceramics to the 1989 catalogue of the first major exhibition outside Britain to celebrate the work of St. Ives artists and potters, when St Ives potters toured Japan. In 1990 he published his groundbreaking book, British Studio Ceramics: a catalogue of the collection of the Victoria and Albert Museum, which was reprinted in 1993 as Studio Pottery: Twentieth-Century British Ceramics in the Victoria and Albert Museum Collection. Overall good condition with minimal signs of wear or use.

William 'Bill' Marshall (1923-2007) Yunomiwith speckled glaze and foliate brushwork painted on topimpressed potter's seal mark to the base10cm high. Minimal crazing in places. Minimal glaze and firing faults as expected, otherwise seems ok.

William 'Bill' Marshall (1923-2007) at Leach Pottery Tall pitcher or jugiron glazeimpressed potter's and pottery seal marks near the footrim35cm high. Minimal glaze and firing faults as expected. Chip to spout circa 4mm.  Section to internal rim which appears different from the rest, this about 4cm in length, 2cm deep.  Looks like a bit of patching up. New photos added.

William 'Bill' Marshall (1923-2007) Yunomiwith central raised band and spotted like decorationimpressed potter's seal mark to the base9cm high. With minimal glaze and firing faults. Some small scratches to one side, otherwise seems ok.

William 'Bill' Marshall (1923-2007)Teapotstoneware, with brushed cream glaze and impressed motifsimpressed potter's seal19cm high. Chip to spout. Otherwise appears good.

A PAIR OF FRENCH OFFICER’S PISTOLS BY BOUTET, VERSAILLES, PARIS MARKS FOR 1798-1809, ‡ THE ESCUTCHEONS INSCRIBED "PRESENTED BY THE EMPEROR NAPOLEON TO CAPTAIN MARSHALL RL MS ON BOARD H.M.S. BELLEROPHON, 6TH AUGUST 1815"with browned octagonal swamped sighted polygroove rifled barrels, inscribed ‘Manufre. Impele a Versailles’ and numbered ‘189’, struck with gold-lined barrelsmith’s marks of Jean Nicolas Leclerc, further gold-lined marks (Neue Støckel 95, 97, 3741), ‘Boutet’ and a band of gold foliage at the breech (the gold with losses), case-hardened breeches incorporating the back-sights, flat bevelled locks signed ‘Boutet a Versailles’ fitted with ‘French’ cocks and semi-rainproof pans, figured walnut full stocks, chequered butts (small cracks and repairs), blued steel mounts of shaped outline comprising two-piece ‘batwing’ side-plates, trigger-guards with symmetrical finials, and moulded ramrod-pipes, the butts each fitted with finely cast and chased silver medusa-mask pommels struck with Paris silver marks and a further mark, in a lozenge NB a pistol between, silver escutcheons with presentation inscriptions, each with associated copper-alloy-tipped wooden ramrod with iron worm, perhaps the original, and some early colour throughout, 21.5 cm (2) The inscription reads: ‘Presented by the Emperor Napoleon to Captain Marshall Rl Ms on board H.M.S. Bellerophon, 6th August 1815’ George Marshall, Captain of Marines, is listed among the Officers borne on the Books of H.M.S. Bellerophon in July 1815. Six weeks after his defeat at Waterloo, Napoleon faced an uncertain future. After his abdication, he was unwelcome in France, with his capture sought by Prussian and Austrian forces. On 10 July 1815, HMS Bellerophon was guarding the French port of Rochefort when a French vessel bearing a flag of truce approached. On board were General Anne Jean Marie Rene Savary and the Comte de Las (Count of) Cases, with the first announcement of Napoleon’s consideration to surrender to the British. At 07:00 on 14th July a vessel approached the Bellerophon. The Comte de Las Cases was again on board, this time accompanied by General L’Allarand. They had a letter from Napoleon, wishing to discuss the terms of General Bonaparte’s surrender. After leaving Bellerophon, Comte de Las Cases returned at 19:00 the same day with a letter from Napoleon’s General, Count Bertrand revealing that Napoleon was currently on Isle D’Aix and fully prepared to surrender. Napoleon’s arrival on the Bellerophon is recorded in the log for the ship dated 15 July 1815. While in custody Napoleon and his entourage were treated like guests, with the former emperor given access to the Great cabin of the ship. Napoleon wanted to travel to North America, where he hoped to gain asylum; upon refusal of this by the British, he hoped to be allowed to live out his life in England which was also refused. He was held aboard the moored Bellerophon at Plymouth and not allowed to set foot on British soil, much to his annoyance. Over the following weeks, the British government considered the fate of the ship’s famous prisoner. Eventually a decision was made to designate Napoleon and his entourage as ‘Prisoners of War’, with the island of Saint Helena in the South Atlantic chosen as their place of exile. Before leaving the Bellerophon, Napoleon had not been granted his desired audience with the Prince Regent. He revealed to Captain Maitland that part of his wish to meet the Prince was in the hope that he could recommend Maitland for promotion to Rear Admiral, as an appreciation of the hospitality that the Captain had shown him (Maitland would eventually rise to the position of Rear Admiral by the time of his death in 1839). Napoleon told Maitland that he considered him ‘a man of honour’. Captain Maitland published a detailed accounts of his time spent with Napoleon: ‘About ten A.M. the barge was manned, and a captain's guard turned out. When Buonaparte came on deck, he looked at the marines, who were generally fine-looking young men, with much satisfaction; went through their ranks, inspected their arms, and admired their appearance, saying to Bertrand, "How much might be done with a hundred thousand such soldiers as these." He asked which had been longest in the corps; went up and spoke to him. His questions were put in French, which I interpreted, as well as the man's answers. He enquired how many years he had served; on being told upwards of ten, he turned to me and said, "Is it not customary in your service, to give a man who has been in it so long some mark of distinction?" He was informed that the person in question had been a sergeant, but was reduced to the ranks for some misconduct. He then put the guard through part of their exercise, whilst I interpreted to the Captain of Marines, who did not understand French, the manœuvres he wished to have performed. He made some remarks upon the difference of the charge with the bayonet between our troops and the French; and found fault with our method of fixing the bayonet to the musquet, as being more easy to twist off, if seized by an enemy when in the act of charging.’ Extract from: Rear-Admiral Sir Frederick Lewis Maitland, K.C.B, The Surrender of Napoleon being the narrative of the surrender of Buonaparte, and of his residence on board H.M.S. Bellerophon, with a detail of the principal events that occurred in that ship between the 24th of May and the 8th of August 1815 by, a new edition edited, with a memoir of the author, by William Kirk Dickson, 1904. ‘Towards evening Lord Keith came on board of us, and had a long personal interview with Napoleon in the cabin, which we may judge was not of the pleasantest nature. From some intemperate threat of Savary, I believe, who had declared that he would not allow his master to leave the Bellerophon alive, to go into such wretched captivity, it was judged proper to deprive the refugees of their arms. A good many swords, and several brace of pistols, marked with a large silver N. at the butt end, were brought down to the gun-room, where they remained for some hours. Three of the swords belonged to Napoleon, and two of them were pointed out to us as those he wore at Marengo and Austerlitz. I never in my life felt such a strong inclination to lay my hands on what was not my own. A sword I durst not think of, but could I have got a brace of pistols, or even one solitary pistol, belonging to Napoleon, I would have thought myself the happiest man alive; but it would not do, detection was certain, and with bitter vexation I saw them carried out of the gun-room. ‘ [Extracts from Memoirs of an Aristocrat, and Reminiscences of the Emperor Napoleon, by a Midshipman of the Bellerophon [George Home]. London, Whittaker & Co., and Bell & Bradfute, Edinburgh, 1838.

20TH CENTURY SCHOOL Farm and surrounding pastoral landscape Acrylic painting on board, unsigned, 73cm x 119cm, frame 87cmx 134cm. Ex Wright Marshall Ltd, Lot 392 24/02/2018.

Coffee Table Irish Interest Books: High Island -an irish Monastry in the Atlantic by Jenny White Marshall and grellan D Rourke, 2000; The Mountains of Ireland by Gareth McCormack, 2016 plus 4 others (6)

A 9 gallon wooden beer barrel marked Magee Marshall, Bolton

A mixed lot comprising a floral decorated porcelain, continental porcelain trinket box, two Wedgwood plates, two saucers, a Magee Marshall pin dish, oriental painted eggs and a jewellery box.

A Marshall practice amp, MG series 10CD, 40w.

Victorian citrine set cloak pins, largest oval cut citrines estimated weight 22.00 carats, pins connected by bar and double belcher linked chain, all testing as silver in fitted boxed, retailed by J & W Marshall 41 George Street EdinburghCondition Report: gross weight 35.1 gramsboth pins have small bends to form one at the top near stone the other at the end setting behind stones has been gilded

Moses,H.: Sketches of India: With notes on the seasons, scenery, and society of Bombay, Elephanta, and Salsette. London, Simpkin, Marshall & Co. 1750 (d.i. 1850). Mit Stahlst.-Front. XVIII, 300 S. Lwd. d. Zt. mit Rtit. (Best. u. berieb., Rckn. etw. gebräunt, Kap. etw. läd.). Innengel. angeplatzt, schwach gebräunt, tls. etw. fleckig oder wasserrandig, Leimspuren auf Innenspiegel. - ╔Dabei: (Bremer,H.).╗ Indien in Moll. Java. Reiseerinnerungen und Betrachtungen von einem Bewunderer. Stgt. u.a., UDV 1908. 4°. Mit zahlr. Abb. im Text u. auf Tafeln sowie 1 Karte. VI, 200 S. Olwd. (Schwach best. u. berieb.). - Zus. 2 Bde.

An early 20thC terracotta bust of Field Marshall Earl Roberts of Kandahar, 15.5cm high, together with a Jackfield cow creamer, with gilt spot decoration, raised on an oval base, 17cm wide. (2, AF)

Marshall speaker with Celestion K128 speaker. Not available for in-house P&P

Created as a 40th anniversary issue, this vintage porcelain bluebird sits atop a tree stump above 2 pink roses. The colors used on the bluebird are as vivid as the green on the rose leaves. Incredible detail throughout. Marked item #40379. Boehm backstamp. Issued: 1990Dimensions: 4.25"L x 3.5"W x 4.5"HManufacturer: Edward Marshall BoehmCountry of Origin: United StatesCondition: Age related wear.

Vintage hand-painted porcelain depiction of a young swan seated on a lily pad. Boehm stated that he loved working with porcelain because when properly fired, the colors would not change. This piece has beautiful grading on the green lily pad and realistic shading on the brown ducking. Boehm backstamp. Artist: Edward Marshall BoehmIssued: 20th centuryDimensions: 5.75"L x 5.5"W x 4"HManufacturer: BoehmCountry of Origin: United StatesCondition: Age related wear.

Selection of Magazines To include: Marvel Clint Magazine March, April, June July: Charlton Publications Space 1999 October 1976: Toxic Marshall Law 1990 Nos 1, 3: The Terminator Magazine 1991 Nos 1, 2: Graphixus No2 1978: Terminator 2 1991 Kenner Parker: Cracked Collectors Edition 1975 Major Magazines: 2000AD Special Souvenir Issue Dec 1986: The House Of Hammer Horror Magazine Vol 1 No1: All 15 magazines are bagged NM.

William Bill Marshall (1923-2007)a stoneware unomi, waisted cylindrical form, covered in a brushed glazeimpressed seal mark inside foot rim10cm. high ProvenanceThe Collection of Michael and Henrietta Gough

Dinky Toys Group Of 3 - (1) 301 (27N) Field Marshall Tractor - Burnt orange, metal wheels, (2) 319 Weeks Trailer - Yellow and red, (3) 428 Large Trailer - Grey, red supertoy hubs - conditions are Fair to good Plus in Fair to Good yellow and red carded picture boxes (3) 

Six coins from all with paperwork, AUD $5 Sydney 2000, Marshall Islands Battle of Britain, four from Kings and Queens of Great Britain - Edward the Confessor, Henry VIII, Elizabeth 1, Victoria.

A 19th CENTURY ROUND BOX; 'OAK FROM SHAKESPEARES HOUSE'with explanatory note in the lid (with transcript); '...got from a waste bit of a beam...made into a bookcase...1872 by John Marshall, Carver....' 9cm dia (lid repaired)

Ben Marshall blue England v. Greece and Turkey Under 16 cap, 1995-96, blue velvet cap with green tassel. embroidered GREECE TURKEY, the peak inscribed 14th European Under 16 Youth Tournament 1995-96 with original catalogue

Imperial German triptych of three hand-tinted photographic portraits of Kaiser Wilhelm I, Field Marshall Moltke and Von Bismark in original oak frame with gilt metal crown and title 'Der Alte Kurs' 29.5 x 49cm and collection of Imperial German military related prints in frames (7)

Victorian 1845 Pattern Infantry Officers' sword with pierced brass Gothic hilt, original leather liner to guard and dress knot, etched blade retaining most original polish, retailed by Marshall, London, decorated with crowned VR cypher and scrolls, in brass field officers scabbard

First World War Imperial German portrait print of Field Marshall Von Hindenburg wearing decorations in glazed frame 32 x 27cm and another etching of him with printed signature in glazed frame (2)

Matchbox by Lesney - six diecast models comprising three early Boxed models: Nestles Van # 69, Hillman Minx # 43, and Morris J2 Pickup # 60, and three Unboxed: Tippax Refuse Collector # 15, Marshall Horse Box Mk 7 # 35, and Euclid # 6 as illustrated, models generally ex or better, boxes generally g to vg (this does not constitute a guarantee) [b]

Matchbox by Lesney - six diecast models comprising four Boxed models, Marshall Horse Box Mk 7 # 35, Cement Mixer Truck # 26, Diesel Road Roller # 1, and Atlantic Trailer # 16, and two Unboxed models: VW Panel Van # 34 and Crane Truck # 30, models generally ex to nm, boxes generally vg or better (this does not constitute a guarantee) [b]

Matchbox by Lesney - ten diecast models comprising four Boxed models: Army Wireless Truck # 68, Diamond T Prime Mover Truck # 15, Saracen Carrier # 54, and Ford Pick-up # 6, and six early Unboxed models as illustrated to include Fire truck with turntable ladder, Aveling Road Roller, International Express van # 34, Aveling Barford tractor shovel, Marshall Horse Box Mk 7, and Crane truck, models generally ex or better, boxes generally g (this does not constitute a guarantee) [b]

Matchbox by Lesney - ten diecast models comprising six Boxed models, Thames Estate Car # 70, Atlantic Trailer # 16, Hydraulic Excavator Digger # 24, Boat and Trailer # 48, Aveling-Barford Tractor Shovel # 43 and Land Rover Fire Truck # 57, and four Unboxed models: Esso Tanker wagon, Marshall Horse Box Mk7, Laing Tipper Truck and Tipper Container Truck # 47, models generally ex to nm, boxes generally g+ to vg or better (this does not constitute a guarantee) [b]

Matchbox by Lesney - four diecast models comprising three Boxed military models, Saracen Carrier # 54, Army Scout Car # 61 and DUKW Amphibian # 55, and Unboxed Marshall Horse Box Mk 7 #, models generally ex to nm, boxes generally g+ to vg (this does not constitute a guarantee) [b]

Matchbox by Lesney - ten diecast models comprising seven Boxed models: Dennis Fire Engine # 9, two off Atlantic Trailer # 16, Ford Prefect # 30, yellow Vauxhall Victor # 45, Boat and Trailer # 48, and 8-wheel Tipper # 51, and three Unboxed models: London Trolleybus, D.U.K. W. Amphibian # 55, and Marshall Horse Box Mk7, models generally ex to nm, boxes generally g+ to vg (this does not constitute a guarantee) [b]

Matchbox by Lesney - eleven diecast models comprising six Boxed models: Thames Estate Car # 70, Ford Anglia # 7, Morris J2 Pick-up # 60, Mercedes Benz Coupe # 53, Opel Diplomat # 36, and Cattle Truck with two Cows # 37, and five Unboxed models: Claas Combine Harvester, Kent Fire Truck with ladder, Marshall Horse Box Mk7, Bedford Milk van # 29 and Fire truck with turntable ladder, models generally ex to nm, boxes generally g+ to vg (this does not constitute a guarantee) [b]

Model Wall of Marshall Stack Amplifier Speakers

Bond Girls Are Forever multi signed booklet. Signed by Eunice Gayson, Pamela Salem, Caroline Munro, Shirley Eaton, Deborah Moore, Kate Gayson, Britt Ekland, Zena Marshall and Ken Wallis (designer of Little Nellie). Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Attrib. William Elstob Marshall (British fl.1859-1880): 'Jerry's Comical Dogs', original sketch on board for Charles Dickens' Old Curiosity Shop unsigned, attributed and inscribed verso 14cm x 19cmProvenance: in the possession of B PeacockCondition Report: Good condition, ready to hang

Richard Marshall (British 1944-2006): Fishing Boats in Staithes Beck and Whitby Harbour, pair watercolours heightened in white signed 14cm x 20cm (2)Condition Report:Good condition, original colours

Richard Marshall (British 1944-2006): Whitby Harbour, watercolour heightened in white signed 14cm x 24.5cmCondition Report:Good colour and condition

Electro Harmix Hog foot controlled Guitar Synthesizer with six presets, a Marshall two way footswitch plus a Delux Electro Harmix Octave Multiplexer. Untested condition. See photos.

Marshall, Valvestate 80V, model 8080. Will power up but untested on Guitar. See photos.

Marshall, MG30FX Amp with original box. Powers up in working order plus a Marshall Accoustic Solo-ist which also powers up together with a two channel foot switch. See photos.

Jean-Michel Basquiat(1960 New York City - 1988 ebenda) nach "Fishing" (Fischen). OriginaltitelFarboffsetlithographie/festes Papier. Im Stein sign. sowie von fremder Hand nummeriert 96/300. Blindstempel der Künstlersignatur. Nach dem Gemälde (ohne Titel) von Basquiat aus dem Jahr 1981 (Wvz. Marshall/Prat II, 3). Blatt 50,2 cm x 35,1 cm.Offset lithograph in colours on Magnani paper (watermark). Printed signature and numbered 96/300. Blindstamp with artist's signature. After the painting by Basquiat from 1981.

Sandford (Francis) The History of the Coronation of the Most High, Most Mighty, and Most Excellent Monarch, James II... and His Royal Consort Queen Mary, first edition, imprimatur f. signed Norfolke & Marshall, title in red and black with engraved coat-of-arms, engraved head-pieces, initials, text illustrations and 30 engraved plates by William Sherwin and others, all but one double-page and mounted on stubs, the first foxed at edges, occasional light off-setting or foxing, contemporary mottled calf, gilt with central arms to covers within ruled border, rebacked, rubbed, g.e., [Wing S652], folio, by Thomas Newcomb, 1687.*** Magnificent record of James II's lavish coronation which set the model for subsequent coronations.Provenance: from the Bridgeman family, Baronets of Great Lever [engraved arms stuck down to title verso; arms to covers]. This book presumably belonged to Sir John Bridgeman, 2nd Baronet (1631-1710) whose father Sir Orlando, 1st Baronet (1606-74) had been a supporter of the Royalist cause in the Civil War and was Lord Keeper of the Great Seal from 1667-72. 

Emblemata.- Wither (George) A Collection of Emblemes, Ancient and Moderne..., 4 parts in 1, engraved additional pictorial title by William Marshall, engraved portrait of author, engraved circular emblems after Crispijn van de Passe the elder, with final leaf of two woodcut dials but lacking volvelles, lacking initial 'Preposition to this frontispiece' leaf, initial 7ff. (including titles) with small paper repair to gutter foot, 3 ff. trimmed and paper repairs to edges but not affecting engravings (A3, B3 & 2L1), 2M1 small marginal defect at foot affecting ruled border, final woodcut leaf with 2 paper repairs to verso (lower woodcut small portion supplied in manuscript facsimile), occasional water-stains or other instances of soiling, endpapers defective or renewed, contemporary calf, repairs to lower joint and spine ends, upper cracked but firm, [STC 25900], folio, A[ugustine] M[atthewes] for Robert Allot, 1635.

Ices.- Elizabeth David's copies.- Masters (Thomas) The Ice Book: being a compendious & concise History of everything connected with Ice, from its first introduction into Europe as an article of luxury to the present time, first edition, half-title, 6 lithographed plates of ‘T. Masters’ Patent Freezing Apparatus’ and 2 full-page illustrations of a rotary knife-cleaner, 4pp. folding lithographed advertisements / testimonials, 2 folding wood-engraved advertisement plates, spotting and damp-staining, occasional water-staining, lightly browned, original pictorial cloth, gilt, head of spine and foot of lower joint frayed, corners little worn, little staining, some fading, [Bitting p.135; Cagle 866; Oxford p.174], Simpkin, Marshall, & Co., 1844; and 2 others, 19th century American Ices, all 3 from the library of Elizabeth David, with bookplate and a few autograph notes loosely inserted, v.s. (3)

Ices.- Elizabeth David's copy.- Marshall (Mrs. A[gnes] B[ertha]) Fancy Ices. With 86 illustrations, first edition, second issue (with address in imprint corrected), Elizabeth David's copy, with her bookplate and name and address to half-title, half-title, wood-engraved illustrations, 30pp. advertisements at end, occasional spotting, lightly browned, original pictorial cloth, silver dulled, a few nicks / small splits, corners worn, rubbed and marked, [Driver 686.1], Marshall’s School of Cookery, 30 & 32 Mortimer Street, [1894]; and 3 others, by the same (two on ices), one from the library of Elizabeth David, v.s. (4) *** David was working on her history of ice and ices when she died in 1992. It was posthumously edited by Jill Norman and published in 1994 as Harvest of the Cold Months. The Social History of Ice and Ices. 

James Boswell; George Birkbeck Hill (ed.): 'Boswell's Life Of Johnson. Including Boswell's Journal Of A Tour To The Hebrides And Johnson's Diary Of A Journey Into North Wales.', Oxford, Clarendon Press, 1887, 6 volumes, 14 illustrations complete, including portrait plates, folding plates etc, uniform contemporary full crushed tan morocco gilt by Henry Sotheran & Co, London, spines gilt in compartments, all edges gilt, Westminster School gilt coats of arms to front covers. Formerly the copy of Sir Edward Howard Marsh (1872-1953), British polymath, translator, arts patron and civil servant, with Westminster School prize presentation inscription to him on first blank of volume I. "St. Peter's College, Westminster. Election 1889 - The Marshall Memorial Prize awarded to E.H. Marsh", signed by the Scottish scholar and then headmaster, William Gunion Rutherford (1853-1907), with an unrelated autograph letter to Marsh dated 1904 loosely inserted (6)