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‡ Henry Hammond (1914-1989) a stoneware vase, shouldered form with flaring collar rim, covered to the foot with a celadon glaze, painted in rust with a willow tree design to both sides, impressed seal mark to base, museum restoration to top rim, 23cm. high Provenance Henry Hammond, Bonhams, London 5th April 1990 lot 29. Exhibited 20th Century British Studio Pottery from the Collection of an Oxford Graduate, Ashmolean Museum 14th April-14th August 1994, catalogue number 29.

A COLLECTION OF HOP TOKENS ranging from 1 to 60 bushels, farmers identified to include Hammond, Hilder, Hobdon, Hood, Jarman, Jenner, Jewhurst, Kemp, Kenward, Levett, Edward Henry and James Lord

BÄUMEL, Jutta (ed.), Dresdner Rüstkammer (1992); BORG, Dr. Alan, Royal Armouries, Torture and Punishment; CAPPELLI, Licinio (ed.), Le Armi Degli Estensi, La collezione de Konopiste (1987); CAPWELL, Tobias, Masterpieces of European Arms and Armour in the Wallace Collection (2011); DE BORCHGRAVE D'ALTENA, Joseph (Preface), Armes Anciennes des Musée de Belgique, Collection Solvay, Bruxelles (1972); EDGE, David, The Wallace Collection, European Arms and Armour (1992), four copies; GAIER, C., Le Musée d'Armes de Liège sort de sa réserve (1990); GAIER, Claude, Prestige de l'armurerie portugaise. La part de Liège (1991); GOLDLINE, Georges (foreword), Musee d'armes de Liege, Collection Pierre Solvay (1976), two copies; GRANCSAY, Stephen V., The Metropolitan Museum of Art, Historical Armour, A Picture Book (1951); HAMMOND, Peter, The Royal Armouries at the Tower of London: Official Guide (1986); HAYWARD, J. F., Victoria and Albert Museum, European Armour (1951); HAYWARD, J. F., Victoria and Albert Museum, Swords and Daggers (1963), two copies; HOLMES, M. R., The London Museum: Arms and Armour in Tudor & Stuart London (1970); INGAMELLS, John (forward), The Wallace Collection, Guide to the Armouries (1982); JACOBS, E. A. (preface), Musée Royal de l'Armée et d'Histoire Militaire, Bruxelles, Armes and Armures (1992); KRENN, Peter, The Landeszeughaus of Graz, English Edition (1991); MANN, Sir James, Wallace Collection Catalogues, European Arms and Armour, Volume I Armour; Volume II Arms (1962); MILLER, Dr. Jurij A., Masterpieces of Russian Hunting Arms from The State Hermitage Museum, St. Petersburg (1996); MILLER, Dr. Yurij A., Caucasian Arms from The State Hermitage Museum, St. Petersburg (2000); MÜLLER, Heinrich (foreword), Alte Hieb- & Stich-waffen (1986); MUSEE DUCAL DE BOUILLON, Belles Armes Anciennes (1971); NORMAN, A. V. B. & WILSON, G. M., Treasures from the Tower of London, An exhibition of Arms and Armour (1982); NORMAN, A. V. B., Wallace Collection Catalogues, European Arms and Armour Supplement (1986); PYHRR, Stuart (introduction), The Metropolitan Museum of Art, Arms and Armor: Notable Acquisitions 1991-2002 (2002); REVERSEAU, Jean-Pierre, Musée de l'Armée, Armes et Armures (1993); ROBINSON, H. R., Treasures of the Tower, Armours of Henry VIII (1977); SCHOBEL, Johannes, Historisches Museum, Staatliche Kunstsammlungen Dresden (1987); TARASSUK, Leonid, The Art Institute of Chicago, Italian Armour for Princely Courts, Renaissance Armor from the Trupin Family Trust and The George F. Harding Collection (1986); TEMESVÁRY, Ferenc, Arms and Armour, The treasures of the Hungarian National Museum (1992); TEMESVÁRY, Ferenc, Waffenschätze Prunkwaffen (1982); THE METROPOLITAN MUSEUM OF ART, Guide to the Collections, Arms and Armour (1968); THOMAS, Bruno & GAMBER, Ortwin, Die Innsbrucker Plattnerkunst, Katalog (1954); TOJHUSMUSEET (Copenhagen), The Royal Danish Arsenal Museum, Illustrated Guide to the Permanent Exhibition (1979); UNKNOWN AUTHOUR, Oude Wapens uit de Musea van Belgie (1972); VLADESCU, Christian, KONIG, Carol & POPA, Dan, Arme in Muzeele din Romania (1973); VLADIMIRSKAYA, N. S., Treasures of the Moscow Kremlin,

ARTHUR HENRY KNIGHTON-HAMMOND, signed gouache, "The Hay Wagon", 18.5" x 24"

ARTHUR HENRY KNIGHTON-HAMMOND, signed gouache "Will Lotts House", 18.5" x 24"

†ARTHUR HENRY KNIGHTON HAMMOND, RI, ROI, RSW (1875-1970) EXTENSIVE LANDSCAPE signed, watercolour, 32 x 43cm ++In fine condition

EARLY 20THC AUTOGRAPH ALBUM - CRICKET circa 1920's, an album of autographs including Cricket, Champion County Lancashire 1927, Rest of England 1927 (Hearne, Tate, Parkin, Hammond etc) Herbert Sutcliffe, A P Chapman, George Geary, Surrey (including Hobbs), Essex. Also with Tennis Autographs, Percy Hemming (Singer and Actor), Lady Cohen, Hon Francis Curzon, Lady Henry Grosvenor, Earl of Haddo, and various amateur drawings, poems etc.

1965 Jaguar E-Type 4.2 Coupe- 1 of 1,584 RHD Series 1 4.2 Fixed Head Coupes made- Purchased by the vendor from Eagle E-Types as a project car and extensively restored during 2014-2015- Original engine but sympathetically upgraded with a Tremec T5 gearbox, electronic ignition, Bluetooth 'hands free' telephone facility etcTriumphantly launched at the March 1961 Geneva Salon, Jaguar's '150mph' E-Type was the sports car that (a) put the swinging into the 'swinging sixties', (b) no lesser a man than Enzo Ferrari dubbed 'the most beautiful car in the world', and (c) transported a galaxy of stars from Brigitte Bardot to George Best, Tony Curtis to Donald Campbell and Roy Orbison to Steve McQueen. Though not designed as a racer, the E-Type was nevertheless a direct descendent of the all-conquering D-Type and thus had motorsport embedded in its DNA. Equipped with all-round independent suspension, rack and pinion steering and four-wheel disc brakes, its handling and roadholding proved more than a match for most rivals. Just one month from launch Graham Hill and Roy Salvadori drove the Equipe Endeavour E-Type ('ECD 400') to victory at Oulton Park and some fifty-six years later the model remains a force to be reckoned with in historic racing. Updated during August 1964, the Jaguar gained a larger 4235cc XK DOHC straight-six engine and more user-friendly manual gearbox with synchromesh on each of its four forward speeds. Thankfully, the Big Cat's beautiful styling remained unaltered until the introduction of the so-called Series 1.5 cars during September 1967 by which time just 1,584 RHD Series 1 4.2 Fixed Head Coupes had been made. According to its accompanying Jaguar Daimler Heritage Trust Production Record Trace Certificate, this particular example - chassis 1E20499 - was completed on 26th March 1965 and despatched to South London Motors Ltd early the following month. First owned by Derek Clark, it subsequently passed to Surrey residents R.H. Hopkins, K. Lockhart, Michael Hammond and Edward Baylis. Taken off the road during the 1970s, the E-Type was re-registered with the DVLA under its original registration number 'ELA 867C' on April 1st 1979. Changing hands three times thereafter, the Fixed Head Coupe was purchased by the vendor in October 2013 from Henry Pearman of renowned specialist Eagle E-Types. Mr Pearman had been holding the Jaguar in stock as a suitable candidate for one of his company's restorations but agreed to sell it 'as was'.Enlisting the services of craftsmen local to his Suffolk home, the vendor had chassis 1E20499 treated to an extensive 'bare metal' restoration during 2014-2015. The bodyshell was repaired as necessary and its opening panels trued for alignment before being painted Opalescent Dark Green. The interior was re-upholstered by Aldridge Trimming and the brightwork refurbished. A Tremec T5 five-speed manual gearbox was fitted for improved high-speed cruising (the original gearbox and propshaft come with the car) and the E-Type further upgraded via the installation of a heated rear window, electronic ignition, updated starter motor, Bluetooth 'hands free' telephone facility, period looking but modern stereo, improved cooling and uprated brakes. Sent to marque specialist Roach Classics Ltd for a stem to stern 'spanner check', 'ELA 867C' was found to need little by way of adjustment / improvement. Unhappy with the performance of the car's original 'matching numbers' engine the vendor has just recently had it overhauled again this time by Woodbridge Classic Cars.Still being 'run in', the straight-six started readily upon inspection and ran well during our recent photography visit (October 2017). A handsome, home market car, 'ELA 867C' has much to recommend it. Offered for sale with V5C Registration Document, original logbook, restoration photos and MOT certificate valid until September 2018.PLEASE NOTE: All estimates are subject to a buyer's premium of 16.2% incl. VAT

Arthur Henry Knighton Hammond (British, 1875-1970), Lospel in the Martine Alps, signed 'Knighton Hammond' (lower left), watercolour, 33.5 x 49cm. May be subject to ARR

‡ARTHUR HENRY KNIGHTON HAMMOND (1875-1970)Cattle in a Meadowsigned 'Knighton Hammond' (lower left)watercolour21 1/2 x 30 (54.6 x 76.3cm)

Peterborough - 1892 A hand written Notice from the Town Clark and Clark and to the said urban sanitary authority served on Me Abraham Palson Giving him notice of the expenses incurred in sewering to a certain street Church Walk. Requiring payment of twenty five pounds six shilling and 8 pence within seven days. Another of the same date served on Mrs Abraham Palston and Henry 'Hammond New Road and Padholme Road Peterborough.

§ Arthur Henry Knighton-Hammond, RI, ROI, RSW (British, 1875-1970) Conversation - a study of a couple in an interior inscribed to the reverse reputedly by the artist's daughter oil on board, in a green and gold painted gilt frame 49 x 62cm (19 x 24in) Later inscription to the reverse reads: "Certified painted by my father A. H. Knighton-Hammond by his daughter Mary B. Jepp" . Condition appears fine.

Peterborough - 1892 A hand written Notice from the Town Clark and Clark and to the said urban sanitary authority served on Me Abraham Palson Giving him notice of the expenses incurred in sewering to a certain street Church Walk. Requiring payment of twenty five pounds six shilling and 8 pence within seven days. Another of the same date served on Mrs Abraham Palston and Henry 'Hammond New Road and Padholme Road Peterborough.

Arthur Henry Knighton-Hammond 1875-1970 framed and glazed watercolour of St Marks Square Venice, signed bottom left, 46.5 x 61cm

Autograph book. 1930-40s containing many notable opera singers, musicians and conductors. Approx. 100 autographs. Includes Louis Kentner, George Robey, Norman Walker, Henry Coward, Peter Dawson, Thea Philips, Gerald Moore, Isabel Baillie, Muriel Bruns, Herbert Bardgett, Malcolm Sargent, Francis Russels, Odette de Foras, Eric Foss, Henry Lytton, Lord Morven Cavandish Bentinck, C Armstrong Gibbs, Alfred Barker, Leslie Hutch Hutchinson, Nellie Wallace, Margot Macgibbon, Frederic Jackson, Malcom Sargent, Astra Desmond, Les Allen, Olga Haley, Victor Harding, Clifford Curzon, Janet Hamilton Smith, Harry Roy, Gracie Fields, Elsie and Doris Waters, Bransby Williams, Helen Guest, Frank Mullings, Dale Smith, Sonia Moldensky, Norman Long, Harold Williams, Ralph Lynn, Georgie Wood, Marie Hall, Arthur Cox, Laurence Turner, Isobel Baillie, Max Bygraves, Arthur Fear, Dhio Bonyish, Nat Fonella, Henry Hall, Hamilton Harty, Ennis Hylton, Edward French, Christopher Stone, Daniel Melsa, Robert Parkin, Albert Coates, Renee Flynn, Webster Booth, Elizabeth Sellars, Clarence Raybould, Bebe Daniels, Ben Lyon, Moura Lympnis, Maurice Cole, Leslie Woodgate, Margaret Balfour, Walter Widdows or, John Wills, Henry Holst, Michel Chevalier, Elsie Suddaby, Phyllis Neilson Terry, Richard Tauber, Josie Fearon, Constant Lambert, Arthur Askey, Elsie Suddaby, John Avendo, Pierre Monteux, Reginald Stead, Dennis Noble, Joan Hammond, Stanford Robinson, Marie Foossens, Mary Jarred, Keith Falkner, Dorothy Leittor, Henry Wendon, Gladys Ripley, Anne Crawford, Sarah Lawson, Robertson Har, Bobby Howes, Stanelli and others. Good Condition. All signed items come with our certificate of authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.95, EU from £4.95, Overseas from £6.95.

Arthur Henry Knighton-Hammond RI ROI & RSW (1875-1970), study of a mountain scene, watercolour on paper, signed in pencil lower right, 49 x 31cm

Arthur Henry Knighton-Hammond, 1875-1970, coastal scene, signed pastel, 22 x 29cm

Henry Hammond (1914-1989) Two bowls each painted with fish each impressed potter's seal 20cm and 13cm diameter (2).

Arthur Henry Knighton-Hammond (1875-1970) On the coast signed (lower right) watercolour 32.5cm x 47.8cm.

Arthur Henry Knighton-Hammond (1875-1970).  The Home Farm, Crewkerne, watercolour, signed and titled verso, 33cm x 47.5cm

Arthur Henry Knighton-Hammond (British 1875-1970)/Ditchling, 1936/signed; inscribed verso 'Mrs Knighton-Hammond, her two daughters and Mrs Wright'/watercolour, 48cm x 70cm/see illustration Condition Report: ARR - Artist's Resale Right may apply. See Fees for further information

Peterborough - 1892 A hand written Notice from the Town Clark and Clark and to the said urban sanitary authority served on Me Abraham Palson Giving him notice of the expenses incurred in sewering to a certain street Church Walk. Requiring payment of twenty five pounds six shilling and 8 pence within seven days. Another of the same date served on Mrs Abraham Palston and Henry 'Hammond New Road and Padholme Road Peterborough.

Hammond (Henry). A Collection of Such Answers and Discourses, wherein The Doctrine of the Church of England, Concerning Church-Festivals, and Baptizing Infants, is defended against Mr. Cawdrey and Mr. Tombes, volume 2 only, 1658, The Baptizing of Infants Reviewed and Defended from the Exceptions of Mr. Tombes..., 1655, A Reply to the Catholick Gentlemans Answer to the most materiall parts of the Booke of Schisme..., volume 3 only, 1654, The Disarmers Dexterities Examined. In a Second Defence of the Treatise of Schisme, 1656, all printed for Richard Royston, 4 volumes bound in one, some light marks and spotting, modern gilt decorated half calf, 4to, together with Russel (Richard), A Dissertation on the Use of Sea Water in the Diseases of The Glands..., 5th edition, 1769, 2 monochrome plates, plus frontispiece, ex-library copy with associated stamps, some minor marks and spotting, split front and rear gutters, contemporary full calf, spine and hinges split, rubbed with minor loss, 8vo, and Caesar (Julius), Caii Julii Caesaris et A. Hirtii De Rebus A Caesare Getis Commentarii..., Glasgow, 1750, bookplate to front pastedown, repair to fore-edge of title page, some light spotting, new endpapers, modern calf spine retaining contemporary full calf, boards slightly rubbed, folio, plus other 17th & 19th century literature and miscellaneous reference, some foreign language, mostly leather bindings, some odd volumes, condition is generally good/very good, 8vo/folio (approximately 150 volumes) (6 shelves)

Bell (Quentin). Virginia Woolf, A Biography, volumes 1 & 2, 4th & 2nd impressions, 1972, monochrome illustrations, original grey cloth in dust jackets and slipcase, covers slightly rubbed with loss to head, 8vo, together with Williamson (Henry), The Flax of Dream, circa 1930, The Innocent Moon, 1961, It Was The Nightingale, 1962, The Power of the Dead, 1963, Lucifer Before Sunrise, 1967, all 1st editions, some light spotting, all original cloth in dust jackets, spines lightly rubbed to head and foot, 8vo, and De La Mare (Walter), Winged Charot, 1st edition, 1951, original yellow boards in dust jacket, covers slightly marked, loss to foot of spine, 4to, plus other modern 1st edition fiction, biography and historical reference, including Agatha Christie, Dick Francis, C.P. Snow, Hammond Innes, William Harwood, all original cloth, mostly in dust jackets, G/VG, also includes a carton of mixed 19th century prints (6 shelves & 2 cartons)

Henry Hammond (c.1915-1989), Villa di Monte Fiano, watercolour, signed and dated 1944, 27cm x 37cm. DDS

ARTHUR HENRY KNIGHTON-HAMMOND (British, 1875-1970), 'Mrs Knighton-Hammond and John', crayon and tempera on teal paper, signed lower right, 44cm x 61cm, framed and glazed.(Subject to ARR - please see Buyers Conditions)

AUSTEN, Jane - Sense and Sensibility - 1899, first edition, with illustrations by Chris Hammond; another by the same author, Pride and Prejudice - September, 1903, reprint with illustrations by Hugh Thomson, each cloth bound with gilt tooling tog. w. The Complete Works of William Shakespeare, with a biographical introduction by Henry Glassford Bell and MACLEOD, Norman (Ed.) - Good Words for 1864, (4)

Henry Hammond (1914-1989) a stoneware footed bowl, cylindrical form, covered in an ash glaze, a Charles Vyse stoneware bowl, a Katherine Pleydell-Bouverie stoneware bowl and a Bojewyan Pottery earthenware jug by Peter Smith, impressed seal mark, 21.5cm. diam. (4)

Going to Church, early 20th century watercolour signed by Arthur Henry Knighton-Hammond (1875-1970), 21cm x 29cm Condition Report Click here for further images, condition, auction times & delivery costs

Arthur Henry Knighton Hammond, watercolour, study of a plough team on a hillside, signed and framed, 13ins x 19ins

Arthur Henry Knighton-Hammond RI ROI & RSW (1875-1970) - Study of a man and a woman in an interior, oil on board, inscribed verso 'Certified painted by my father A H Knighton-Hammond by his daughter Mary B Jopp', 51 x 64cm

Arthur Henry Knighton Hammond (British, 1875-1970) Cottages and figures in a coastal landscape watercolour, signed bottom right 15½in x 21½in (39.25cm x 54.5cm), framed, together with another picture by the same hand, Amberley Church, Sussex, pencil and watercolour, signed bottom right, 13in x 19in (33cm x 48cm), framed (2)

Arthur Henry Knighton-Hammond (1875 - 1970), pastel - Liguria, signed and inscribed, in glazed frame, 26cm x 36.5cm. Exhibited: The Pastel Society. Provenance: Purchased by the late vendor from Mary Knighton-Hammond in the 1970s

Arthur Henry Knighton Hammond, watercolour, mountainous coastal scene with figures to the foreground, signed, 18ins x 23.5ins, gilt framed

Arthur Henry Knighton Hammond, watercolour, ' The Ligurian Alps from the Nervia Valley ', signed, signed again and inscribed verso, 18.5ins x 24ins, gilt framed

Arthur Henry Knighton Hammond, watercolour, ' The Market Place at San Remo ', signed, 17ins x 23ins (foxing)

Arthur Henry Knighton Hammond, watercolour, street scene at Castellane, near Grasse, signed, 12.75ins x 18ins, gilt framed

Attributed to SERGEANT, JOHN (1622-1707); Schism Dis-arm'd of the Defensive Weapons, lent it by Doctor Hammond, and the Bishop of Derry, by SW, printed at Paris by M Blageart, 1655, a treatise on schism in the Church of England answering the writing of Henry Hammond and John Bramhall, old rebind in leather, title page and body of work intact, with owners' signatures to title page and some old marginalia. CONDITION REPORT: The introductory "note to reader", Table of Contents, "Bill of Fare" and some of the introduction missing, owner signature: John Lough 1779 and WGP 1858, some sepia ink marginalia, underlining and writing to back inside cover.

Arthur Henry Knighton Hammond (1876-1970) British. "Sur La Plage, Dieppe", Figures on a Beach, Watercolour, Signed, 17.5" x 24". Provenance; Exhibited at the Royal Academy, 1930.

Arthur Henry Knighton-Hammond (1875-1970),watercolour, sheep in landscape, signed, 10" x 14", framed.

HENRY VIII: (1491-1547) King of England 1509-47.  A fine D.S., Henry R, (a good, bold example) as King, at the head, one page (vellum), oblong folio, Westminster, 30th October 1533. The manuscript warrant is addressed to Baron Windsor, Keeper of the Great Wardrobe, and orders him to deliver clothing to John Berwick, Richard Bolton, William Hammond and Thomas Maxson, the 'children of our lease' [leash], each to receive 'oon Dublet of chamlet…any dublet….lyned with fustyan and Canvas….three shyrthendy shyrte….made with draught worke….a gowne of fowre brode yardes of woollen cloth….to bee finred with yrisshe lambe….thre peyre of hosen….fowre peyre of doble soled shoes (or eight peyres of single-soled)…oon hatte…five brace of colers, fowre cheynes of the best…[and]…thre leases'. With a blind embossed paper signet seal at the foot. A very small printed identification slip is neatly affixed at the base. Some extremely minor overall creasing and very light dust staining and two very slight traces of former mounting to the verso, otherwise a clean and attractive document overall, about VG Andrews Windsor (1467-1543) English Nobleman, Keeper of the Great Wardrobe from 1504 until his death. King Henry VIII's household was the home for many animals and pets (he kept ferrets, his first wife Catherine of Aragon owned a monkey; canaries and nightingales could be found in ornamental birdcages hanging in the windows at Hampton Court) however it was his dogs, particularly beagles, spaniels and greyhounds, that the King considered his favourites. As illustrated by the present document, the monarch's dogs were adorned with decorative collars of velvet (permitted only to Royal dogs) and the Royal leash boys were equally handsomely attired. King Henry VIII regularly sent dogs (all garnished with a good iron collar) as gifts to foreign leaders. It has been recorded that some sixty-five dog leashes were found in the King's closet upon his death. Henry VIII was the second monarch of the Tudor dynasty and has been described as 'one of the most charismatic rulers to sit on the English throne'. The monarch notably initiated the English Reformation, thereby greatly expanding royal power, and the scale and complexities of his legacy are such that, in their work Henry VIII in History (2012) Betteridge and Freeman state 'throughout the centuries [since his death] Henry has been praised and reviled, but he has never been ignored'. Provenance: Formerly part of the Enys Collection of Autographs and Manuscripts. 

Arthur Henry Knighton Hammond (British, 1875-1970) Amberley Church, Sussex pencil and watercolour, signed bottom right 13in x 19in (33cm x 48cm), framed.

MILLER (Henry): 'The Cosmological Eye', London, Editions Poetry, 1945: 8vo, publishers cloth in dustjacket, browned and marked: together with 37 other volumes by Henry Miller, Hammond Innes and Henry Treece, some first editions, most in dustjacket, generally in good condition. (38)

Arthur Henry Knighton-Hammond (British 1875-1970)/By the Hay Stacks/signed/watercolour, 55cm x 67cm Condition Report: Artist's resale right may apply to this lot if the hammer price is equivalent of 1000 Euros or more. Please contact the office if you require further information about this.

Silver Teaspoons - Sheffield 1910 Teaspoon Joseph Rodgers; Sheffield 1926 Dessert Fork J Round & Sons; Sheffield 1908 Rat Tailed Teaspoon Cooper Brothers & Son; Sheffield 1926 James & William Deakin Teaspoon; Sheffield 1907 Hammond Crick & Son Teaspoon; Sheffield 1937 Joseph Rodgers & Son Teaspoon; Sheffield 1878 Henry James Iveson Teaspoon (7)

Arthur Henry Knighton Hammond (1875 - 1970)Archway at Orangesigned, dated 1940, pencil presentation to Frank Brangwyn, New Year 1941, watercolour, 49cm x 33.5cm

SETH CARDEW.A pair of Seth Cardew, Wenford Bridge Pottery bird decorated small chargers formerly the property of potter & teacher Henry Hammond. Personal & Pottery marks. Diameter 27cm. Provenance: by descent through the family.

Arthur Henry Knighton Hammond (British, 1875-1970) Still life floral study with gladiolus, oil on panel, signed lower right, framed, 50 x 60cm

*Hammond (Arthur Henry Knighton, 1875-1970). Sur la plage, Dieppe, watercolour on paper, signed lower right, some overall fading and light paper toning, 442 x 596mm (17.4 x 23.5ins) mount aperture, framed and glazed (1)

Henry Hammond, woman feeding ducks, watercolour, 44cm x 29cm, signed, framed and glazed.

Woodford (Samuel). A Paraphrase upon the Psalms of David, 1667, engraved frontispiece, printing flaw affecting last 10 lines of 3D1r with some loss of text, lacks (?)half-title and final blank, all edges gilt, Huth Library book ticket to front pastedown, modern dark blue morocco gilt by F. Bedford, gilt-decorated spine with floral motifs, minor marks, 4to (Wing B2491), together with Hammond (Henry), A Practicall Catechisme, 2nd edition, printed for Ric: Royston, 1646, engraved title by Hollar, some dampstaining throughout, trimmed at lower margin of both 'To the reader' leaves with loss of catchwords, contemporary calf, rebacked using original title label, some wear, 4to, (Wing F593), plus Reeve (Edmund), The Christian Divinitie..., 1631, title-page printed in red and black (soiled and torn with some loss to lower outer corner, re-lined), heavily foxed throughout, some old dampstaining, recent antique-style half morocco gilt, 4to, (STC 20829), plus 2 others related (5)

14th-15th century AD. A silver heater-shaped escutcheon or pendant with incised heraldic design; the arms quarterly, one and four a fess between three leopards' heads, two and three per fess a lion rampant; the upper edge of the escutcheon thickened. 4.36 grams, 30mm (1 1/4"). Ex TimeLine Auctions 2 December 2011, Lot 804; formerly in the Hare collection, Lincolnshire, UK. Hammond, B. Benet's Medieval Artefacts of England & The United Kingdom, Witham, 2015, p.206, item HP-31655. The 1st and 4th arms (fess between leopards' heads"). represent the de la Pole family who were prominent from the 14th century. Michael de la Pole, the first baron of the name was later 1st Earl of Suffolk (c. 1330 - 1389"). and Lord Chancellor of England. The quartered arms are associated with Edmund [de la Pole], 6th Earl of Suffolk (formerly 3rd Duke of Suffolk), Knight of the Garter, who was born in 1471-72 and by 1496 had married Margaret Scrope (d. Feb 1514/5), the sixth daughter of Sir Richard Scrope of Upsall, Yorkshire and his wife Eleanor Washbourne, and their second son Henry Scrope, 4th Baron Scrope of Bolton. His daughter was Lady Anne de la Pole, who became a nun. Edmund was a Knight of the Bath at the coronation of his uncle, King Richard III in 1483. He was present at the siege of Boulogne in 1492 and succeeded his father between 29 Oct 1491 and 27 Oct 1492 as third Duke of Suffolk. Edmund agreed with King Henry VII to surrender the Dukedom and Marquessate of Suffolk and to be known henceforth as Earl of Suffolk, which was ratified by Act of Parliament 1495. He was a leader in the struggle against the Cornish rebels at Blackheath 1497. He was appointed a Knight of the Garter in 1499 and, with his brother Richard, left England without permission in 1501. He illicitly assumed the title of Duke of Suffolk and the style of White Rose whereby he was declared an outlaw in 1502 and all his honours were forfeited. He was in Aix, France, between 1502 and 1504, imprisoned by the Duke of Gueldres from 1504 to1505 and by the Archduke Philip 1505-06. He surrendered to King Henry VII and was committed to the Tower of London in 1506. After 7 years in the Tower of London, he was beheaded without trial. Fine condition, small tear. Excessively rare.

14th-15th century AD. A gilded harness pendant in the form of an ornate fleur; with hinged rectangular suspender, diagonally divided with cross in each panel reserved against red enamel background. 17.16 grams, 67mm (2 3/4"). From an old North Country collection; found Norfolk, UK, 2001. Cf. Hammond, Brett M., Benet's Artefacts of England & the United Kingdom, Essex, 2014, no.M08-0242 for a very similar example. The arms of the Howard family are reported to have appeared in this format in the carved ornament to a window of Hever Castle, Kent, in The Gentleman's Magazine, vol.XI, 1839; John Howard was appointed Duke of Norfolk by Richard III in 1483 and the arms were later augmented by an escutcheon of the arms of Scotland with the lion rampant truncated, a reference to the family's leading role in the defence of England from Scottish invasion at the battle of Flodden Field in 1513. Subsequently, Catherine Howard became the fifth wife of King Henry VIII; the family's adherence to the Catholic faith led to loss of influence at the Reformation, although Queen Elizabeth I was descended from John Howard (great-great-granddaughter). Fine condition.

***Arthur Henry Knighton-Hammond, (1875 - 1970) - Oil Painting - Shoulder length portrait of a young woman, panel 22.5ins x 17ins, signed, in painted frame 200-300

*Arthur Henry Knighton-Hammond (1875 - 1970), pencil and watercolour - four female figures in an interior, signed, in glazed frame, 49.5cm x 61.5cm

HENRY HAMMOND (1914-1989) A STONEWARE JUG with brown and dark glaze, painted and impressed mark, 5" high

*Arthur Henry Knighton-Hammond (1875 - 1970), pencil and watercolour - Cortina, signed and inscribed, in glazed gilt frame, 30.5cm x 40.5cm

*Arthur Henry Knighton-Hammond (1875 - 1970), watercolour - Early Morning, Dorset, signed and inscribed, in glazed gilt frame, 27cm x 38.5cm, together with another similar watercolour, 33.5cm x 35.5cm (2) CONDITION REPORT Both in very good condition

*Arthur Henry Knighton-Hammond (1875 - 1970), pencil and watercolour - portrait of the artist's wife, signed, in glazed gilt frame, 44.5cm x 32.5cm, together with a pastel portrait of a young man, 26cm x 18cm (2)

*Arthur Henry Knighton-Hammond (1875 - 1970), oil on board - portrait of a young girl, in maple frame, 27cm x 24cm