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Arthur Henry Knighton Hammond (1875-1970)A black and tan spaniel reclining upon a table, signed, oil on canvas, 26.5cm x 36.5cm

Arthur Henry Knighton-Hammond,Loading hay ricks,watercolour, signed,29x45cm.

A small group of books related to toy collecting - including Hammond (Pat), Triang Railways. The Story of Rovex Volume 1 1950-1965, pub. New Cavendish Books, 1993; O'Brien (Richard), Collecting Toy Trains No.3, pub. Books Americana 1991; Force (Dr Edward), Dinky Toys, pub. Schiffer, revised 5th edition 2001; Richardson (Mike), Collecting Corgi Toys 1956-1983, pub. Francis Joseph, 2004; and Greenly (Henry), TTR Permanent Way Manual, Sixth Ed. May 1941; together with Speed (John F), British Motor Cars 1952, pub. G. T. Foulis & Co. Ltd., 1952.

Bath.- Peirce (Robert) The History and Memoirs of the Bath, 2 parts in 1, folding engraved frontispiece plan of Bath by F.H. Van Houe, divisional title at R4, armorial bookplate of A. Leonard Fuller, very faint ink marks to title, trimmed close at foot, shaving catchword to O6, a few marginal defects, spotting, later calf, spine in compartments and with red and green morocco labels, for Henry Hammond, 1713 § Wood (John) An Essay Towards a Description of Bath. In Fourt Parts, 2 vol., second edition, 22 engraved plates and plans, of which 8 double-page and 5 folding, vol. 1 with bookseller's label of H. George of Bath, contemporary ownership name to pastedowns, vol. 1 front free endpaper torn at gutter, vol. 1 plan at M3 with very short tear to head of fold without loss, vol. 2 plate at 2Y2 with small paper repair to fold to verso, occasional very light spotting or soiling, but overall good copies, contemporary calf, red morocco spine labels, vol. 2 small portion of loss to spine foot, some wear to spine ends and corners, rubbed, upper joints starting but holding firm, James Bettenham, 1749; and others Bath related, 18th century, 8vo & 12mo (7) *** The first mentioned a reissue of the 1697 first edition with the title-page reset. 

HENRY WRIGHT KERR (BRITISH, 1857-1936) (4)Haymaking signed and dated 'H Kerr 4/7/14' (lower left) watercolour 29 x 45cm together with; A woodland river, a signed watercolour by William Outhwaite; Mervyn Goode (British, B. 1948), From the Studio, December, signed and dated 'Mervyn Goode 76' (lower left) and signed, titled and dated (on the canvas return), oil on canvas, 25.5x 25.5cm; and Solitude in the West Country, a reproduction print after Ken Hammond (4) ARR Provenance Property of the late Michael Blyth-Whitelock

† HENRY HAMMOND (1914-1989); a stoneware teabowl covered in tenmoku breaking to kaki glaze, impressed HH mark, height 9cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† HENRY HAMMOND (1914-1989); a stoneware cup covered in tenmoku breaking to kaki glaze with impressed decoration, impressed HH mark, height 7cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† HENRY HAMMOND (1914-1989); a small stoneware bowl covered in mottled iron and oatmeal glaze with iron decoration, impressed HH mark, diameter 12cm.Provenance: Estate of Chris Jensen.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Golf Interest – Marshall (Robert), The Haunted Major, Edinburgh, Moray Press, new edition, 1951, 16mo, 192pp, 10 line dwgs., green boards, gilt titles; Hammerton (A.) ed., Mr. Punch on the Links, London, Educational Book Co., n.d. (1935). 8vo, 240opp, colour frontis by H. M. Bateman, 260 monochrome illus., bound embossed blue boards, gilt spine titles; Anon. (J. A. Hammerton), Mr. Punch’s Golf Stories told by his Merry Men, London, Punch, n. d. (1909) , 12mo, 192pp, 196 monochrome illus., marbled endpapers, bound red leather over red boards, gilt spine titles, slight tear to top of spine; Mutson (Mervyn J.), illus. Graham Pilsworth, Golf and Murphy’s Law, Edmonton (Canada), Hurtig, 1981, 8vo, 157pp, illus., green boards, gilt spine titles, d. w. (some minor tears); Houghton (George, 1905-1993), Believe it or not, that’s Golf! London, William Luscombe, 1974, 8vo, 199pp, illustrated by the author, blue boards, gilt spine titles d.w.; Houghton (George), Golf on my Pillow: Midnight Letters to a Son in foreign Parts, London, Stanley Paul, 1st edn., 1958 8vo, 146pp, illustrations by the author, black boards, white vignette to front board, white spine titles, d. w.,; another copy of the same, also d.w. (slightly torn); Armour (Richard), illus. Leo Hershfield, Golf is a Four-Letter Word: the intimate Confessions of a of a hooked Slicer, London, Hammond, 1962 8vo, 123pp, monochrome illus., green boards, black spine titles, d. w.; another copy, similar, but yellow boards, d. w.; Morton (Brig. Cecil), illus., John Cooper, Golf!!! The Confessions of a Club Secretary, foreword by Henry Longhurst, London, Hammond, 1963, small 4to, 93pp, monochrome illus., bound green boards, red printed vignette and spine titles, d. w., mint; Cole (C. W.) & Ralston (W.), Messrs. Kamdene, Barnesburie and d’Alston’s Tour in the North, horizontal 4to, Edinburgh, Andrew Elliott & London, Simpkin, Marshall, n. d. (1890), 25pp, decorated card covers, inner hinges strengthened with archival linen tape; Ralston (W.), Sport for Limited Purses – and the probable Cost, Glasgow, David Bryce, n. d., horizontal 4to, 32pp, 4pp period advertisements, coloured title page, monochrome frontis. and other illus., decorated coloured card covers; Dunn (Seymour) Golf Fundamentals: Orthodoxy of Style, Book One, Edinburgh, Golf Monthly, 1st UK edn., 1922 4to, 283pp, illus., folding chart at end, grey boards, gilt titles and to spine, front board weak, contents loosening; Olman (John M.) & Olman (Morton W.), foreword by Ben Crenshaw, The Encyclopedia of Golf Collectibles: a Collector’s Identification and Value Guide, Florence (Ala.), Books Americana 1985, small 4to, v + 306pp. monochrome illus., colour plates, card bound; Murdoch (Joseph S. F.), The Murdoch Golf Library. Subscribers’ Edition of 215 copies, Worcester, Grant Books, 1991, royal 8vo, ix + 233pp, colour frontis., monochrome vignettes to text, blue boards, gil titles, lines & vignette to front, gilt spine titles, matching original slip case; Donovan (Richard E.) & Murdoch (Joseph S. F.), The Game of Gold and the Printed word, 1566-1985, Endicott (NY), Castalio Press, 8vo, 658pp, printed illustrated endpapers green boards, gilt titles and to spine, d. w. (torn and worn) publisher’s original grey slip case; Acree (Edward C.), Hutchinson (Jock and Bill), Golf Simplified Chicago, Ill., USA, Ziff Davis, 1946, 8vo, vi + 118pp, monochrome illus., MS note in pencil on rear pastedown ‘Distances which should be reached by a low handicap player in normal conditions’ (table added), grey boards, dark blue vignette to front board and spine titles, wear to limits of spine; Michell (Abraham) ed. Martin (J.) Essentials of Golf, London, Hodder & Stoughton, 15th edn., 1936, 8vo, 191pp, portrait frontis., monochrome illus. and diagrams, foxed oatmeal boards, green titles to (slightly splitting) spine; table added), grey boards, dark blue vignette to front board and spine titles, wear to limits of spine; Michell (Abraham) ee. Martin (J.) Essentials of Golf, London, Hodder & Stoughton, 1st edn., n.d. (1927) 8vo, 191pp, portrait frontis., monochrome illus. and diagrams, flyleaf signed in MS D. C. Foden, foxed oatmeal boards, green titles to spine (split at top & straining to lower edge); Wind (Herbert Warren), introduction Robert T. Jones, The Complete Golfer, London, Heinemann, 1954, small 8vo, xxv + 393pp, photographic endpapers, green boards, gilt titles to spine (faded with some wear); Armour (Tommy) illus. Lealand Gustavson, How to Play your Best Golf all the Time, London, Hodder & Stoughton, 4th impression 1954, 8vo, x + 11-160pp, monochrome vignettes, photographic portrait to fontis., green boards, silver titles, sl. Worn d. w.; Morrison (Morie), Here's How in Golf, London, Thorson, reprinted 1956, 12mo, 128pp illus. by the author, brown boards, green titles to spine, d. w. (torn on lower edge); Bottome (George McDonald), Golf for the Middle Aged and Others, London Faber & Faber, 1st edn., 1940, 66pp, 12 plates, ex.-East Lothian library, green boards, sl. wear and stains to cover (23)

A collection of mid to later 20th Century 6 inch dust pressed tiles to include examples by Christina Sheppard (formerly of Chelsea Pottery), Joyce Morgan of Chelsea Pottery, Maria Geurten produced for the Barbican Gallery in Penzance, Deborah Anne Withey on a Johnson blank, Henry Hammond, Briglin Pottery and two examples by Ann Clark, decorated with abstract landscapes, florals, bird studies and abstract sun motifs. (8)

§ § Arthur Henry Knighton-Hammond (English, 1875-1970) 'Ludlow'oil on canvassigned100 x 126cm**conditionreport**Oil on original canvas in honest untouched condition, might benefit from a light clean, some fine craquelure running through the top left sky, a little elsewhere, housed in the original ornate gilt gesso frame with title label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Marianne de Trey (Mrs Sam Haile) (1913-2016): Two Tea Cups, stoneware and earthenware, impressed general mark,tallest 7.5cm highUrsula Mommens (née Darwin Mrs Ursula Trevelyan) (1908-2010): A Stoneware Bowl, tenmoku glaze, impressed DD (Darwin, Durham Wharf) mark,17cm diameterClive Bowen (b.1943): A Slipware Earthenware Bowl, with trailed honey decoration, unmarked,22.5cm diameterHenry Fauchon Hammond (1914-1989): A Stoneware Sample Dish, painted W, painted HH A.21 53,7cm diameter Carole Glover: A Slipware Earthenware Jug, inscribed WORDS are EaSY LiKe THE WiND But faiTHfuL FrieNDS ARE HARD TO FIND, signed,22cm high (6)Both the Mariane de Trey cups are in good order, the Bowen and Glower have crazing, the Mommens and Hammond and very tiny nicks on rims. See extra images.

Howell (James) Londinopolis; an historicall discourse or perlustration of the city of London, first edition, engraved portrait frontispiece, title in red and black, folding plan of London after Wenceslaus Hollar, lacking final blank, browning, soiling and water-staining, heaviest to peripheral leaves, a few scattered holes with loss of letters, modern half calf, water-stained, [Wing H3091; Pforzheimer 515], small folio, J. Streater, for Henry Twiford, George Sawbridge, Thomas Dring, and John Place, 1657 § Hammond (Henry) A Paraphrase and Annotations upon all the books of the New Testament, first edition, half-title, title in red and black, with engraved vignette, eighteenth half calf, covers virtually detached, worn otherwise, [Wing H579], by J. Flesher for Richard Royston, 1659; and 8 others, seventeenth century, English, v.s. (10)

Henry Hammond (1914-1989)An Oak Tree, 1949signed and dated (lower right)watercolour36 x 49cm. One small rip to paper edge in the lower right corner. Looks good otherwise. Not perfectly laid flat.

Φ Arthur Henry Knighton-Hammond (1875-1970)Portrait of a lady seated, wearing a blue jacketSigned KNIGHTON HAMMOND (upper right)Oil on canvas61.2 x 51.2cm

Five Studio pottery bowls, with Henry Hammond Potter's stamp to base

Two autograph albums (19th and early 20th century), mainly to the same person/family with 100s of signed letters and some drawings and watercolours. These are some of the highlights: AUTHORS: Anderson, Sir Robert; Arnold, Sir Edwin; Austin, Alfred; Benson, A C; Besant, Sir Walter; Clarke, J Erskine; Dalton, W; Dods, Marcus; Drummond, Henry; Frankau, Gilbert; Lubbock, Sir John; Lyall, Edna; Newbolt, Sir Henry; Payn, James; Whiting, Lilian; ETC. ARTISTS: Myles Birket Foster (Signed Photograph loosely inserted); Alma Tadema, Miss A; Armitage, Edward; Barber, C B; Boehm, Sir J E; Boughton, G H; Calderon P H; Dicksee, Sir Frank; Gilbert, Sir John; Hammond, C M; McMurdie, G D; Morby, W J; Murray, David; Poynter, Sir E J; Reed, E T; Stone, Marcus; Villiers, F; George Frederic Watts; ETC. SCIENCE: Ball, Sir R S; Boys, Sir C V; Fowler; R H; Huxley, T H; Stokes, G G; Thomson, W (Lord Kelvin); ETC. MUSIC: Bridge, Sir F; Cummings, W H; Pfeiffer, G J; Coleridge-Taylor, S; ETC. USA: Barnum, P T; Blaine, J G; Sheldon, C M; Whittier, J G; POLITICS, ETC: Beaufort, L P; Brooke, Rajah; Gordon, Sir J C; Primrose, Archibald; Aubrey Smith, Sir Charles; Gypsy Smith; Sackville, Lord; Plus Many Bishops and Clergy, ETC. One album is 4to. and bound in full leather with silver hallmarked corners to upper cover, silver lettering, gilt inner dentelles, silk endpapers and aeg; the other is folio, in plain boards (2)

1843 (June 24) Cover to Ireland, with enclosed letter from Henry Bruce written on H.M.S "Agincourt", bearing an unusually fine strike of the red oval "HONG KONG POST OFFICE" arms handstamp, endorsed "Overland" and "Agincourt June 23/43" with red oval "INDIA". Backstamped at Bombay with the rare "POSTAGE / Inward Bearing Ans (3) / Outward do (2)" (Hammond Giles SR5, only 3 examples recorded, all in 1843) and at London (Oct 23) and Bombay, charged 2/3. Minor opening tears at the edges, otherwise fine, a very clear example of this attractive and very scarce Hong Kong handstamp (recorded 1842-44). Photo on Page 84.

A set of four W.T. Copeland pottery tiles Medieval Musician series, attributed to Henry Stacey Marks or Edward Hammond,15.5cm wide (4)Condition ReportSlight nibbles and imperfections to all, one with chip to underside.

Teesdale, Edmund B., Gunfounding in the Weald in the sixteenth century (Monograph 2), 1991; Bartlett Wells, H. (trans.), European Crossbows: A Survey by Josef Alm (Monograph 3), 1994; Liebel, Jean, Springalds and Great Crossbows (Monograph 5), 1998; Bailey, Sarah Barter, Prince Rupert's Patent Guns (Monograph 6), 2000; Blackmore, Howard L., English Pistols, 1985; Civil War: a Royal Armouries Exhibition, 1992; Royal Armouries Official Guide, 1996; Royal Armouries Museum, 1996 & 2000 editions; Royal Armouries Yearbook, Volume 3 1998 & Volume 4 1999; Blackmore, David, Arms & Armour of the English Civil Wars, 1990; Torture and Punishment, 1997; Royal Armouries: Fort Nelson, 2000; Rimer, Graeme, Wheellock Firearms of the Royal Armouries, 2001; An Introduction to Japanese Armour, 2002; Richardson, Thom, The Armour & Arms of Henry VIII, 2002; together with Norman, A.V.B. & Wilson, G.M., Treasures from the Tower of London, Norwich, 1982; and Hammond, Peter, The Tower of London, Department of the Environment, 1989 (19 volumes)

Arthur Henry Knighton Hammond, R.I., R.S.W. (British 1875-1970), children crafting, pencil signed engraving, 26x21cm, framed & glazed

Hammond (Henry). A Paraphrase, and Annotations upon all the Books of the New Testament: Briefly explaining all the difficult places thereof, London: Printed by J. Flesher for Richard Royston, 1653, title with etched illustration, also with 18th-century ownership inscription 'Samuel Taylor M.A. Vicr. of Quinton in Gloucestershire: and late Rector of Saint Clement in Worcester, 1738', advert leaf present at rear, light worming to upper and lower margins of initial few leaves and damp-stain at head of last few leaves, front endpapers with 18th and 19th-century ownership inscriptions of Robert Etherington and Samuel Taylor Etherington of Tutbury and Sudbury, contemporary calf, torn at head with loss, leather to boards also torn with some loss, worn, folio, together with:Book of Common Prayer, and Administration of the Sacraments, and other Rites and Ceremonies of the Church..., together with the Psalter or Psalms of David..., London: Printed by Charles Bill, and the Executrix of Thomas Newcomb, deceas'd, 1706, engraved frontispiece, title in red and black, margins ruled in red throughout, sewing weak at front of volume and some leaves loose/detached and frayed at edges, all edges gilt, contemporary gilt panelled and decorated red morocco, folio, plus two others Burkitt (William). Expository Notes, with Practical Observations, on the New Testament..., 13th edition, carefully corrected, London: R. Ware, J. and P. Knapton, S. Birt [et al.], 1752, engraved portrait frontispiece, title in red and black, numerous engraved plates (one folding) and folding engraved map at rear, contemporary calf, morocco title label to spine, joints cracked, extremities worn, folio, and Hooker (Richard). Of the Lawes of Ecclesiastical Politie, London: Andrew Crooke, 1666, engraved portrait frontispiece and engraved title, frontispiece detached and initial leaves frayed, damp staining and mottling throughout volume to lower margins with consequent damp-fraying particularly to lower inner corners, contemporary calf, spine torn with loss, worn, folioQTY: (4)

Henry Hammond - pen & chalk sketch North African buildings, 17 x 21cm and a Venetian etching boathouse and canoe

Arthur Henry Knighton-Hammond, Ditchling Beacon, watercolour, signed, 48cm x 61cm, framedGood condition, no foxing or paper damage

† HENRY HAMMOND (1914-1989); a pair of stoneware pin dishes covered in grey glaze with iron and porcelain slip decoration, impressed HH marks, largest diameter 9cm (2).Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† HENRY HAMMOND (1914-1989); a globular stoneware jar covered in oatmeal glaze with iron decoration, impressed HH mark, height 10cm.Provenance: Purchased from the Paul Rice Gallery, London.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Φ Henry Hammond (1914-1989)a stoneware vase, shouldered form, painted with simple foliate stems in iron on a cream ground,impressed seal mark, 16.5cm. high

Henry Hammond (1914-1989)an earthenware footed bowl, painted with a frieze of large scaly fish under a streaked green and ochre glazeimpressed seal mark18.5cm. diam. LiteratureHenry Hammond 1914-1989, Bonhams 5th April 1990, lot 139 for an identical bowl.

Arthur Henry Hammond Knighton (British, 1875-1970), 'Epsom Downs' watercolour, signed, unframed.

Golf, humorous – Marshall (Robert), The Haunted Major, Edinburgh, Moray Press, new edition, 1951, 16mo, 192pp, 10 line dwgs., green boards, gilt titles; Hammerton (A.) ed., Mr. Punch on the Links, London, Educational Book Co., n.d. (1935). 8vo, 240opp, colour frontis by H. M. Bateman, 260 monochrome illus., bound embossed blue boards, gilt spine titles; Anon. (J. A. Hammerton), Mr. Punch’s Golf Stories told by his Merry Men, London, Punch, n. d. (1909) , 12mo, 192pp, 196 monochrome illus., marbled endpapers, bound red leather over red boards, gilt spine titles, slight tear to top of spine; Mutson (Mervyn J.), illus. Graham Pilsworth, Golf and Murphy’s Law, Edmonton (Canada), Hurtig, 1981, 8vo, 157pp, illus., green boards, gilt spine titles, d. w. (some minor tears); Houghton (George, 1905-1993), Believe it or not, that’s Golf! London, William Luscombe, 1974, 8vo, 199pp, illustrated by the author, blue boards, gilt spine titles d.w.; Houghton (George), Golf on my Pillow: Midnight Letters to a Son in foreign Parts, London, Stanley Paul, 1st edn., 1958 8vo, 146pp, illustrations by the author, black boards, white vignette to front board, white spine titles, d. w.,; another copy of the same, also d.w. (slightly torn); Armour (Richard), illus. Leo Hershfield, Golf is a Four-Letter Word: the intimate Confessions of a of a hooked Slicer, London, Hammond, 1962 8vo, 123pp, monochrome illus., green boards, black spine titles, d. w.; another copy, similar, but yellow boards, d. w.; Morton (Brig. Cecil), illus., John Cooper, Golf!!! The Confessions of a Club Secretary, foreword by Henry Longhurst, London, Hammond, 1963, small 4to, 93pp, monochrome illus., bound green boards, red printed vignette and spine titles, d. w., mint; Cole (C. W.) & Ralston (W.), Messrs. Kamdene, Barnesburie and d’Alston’s Tour in the North, horizontal 4to, Edinburgh, Andrew Elliott & London, Simpkin, Marshall, n. d. (1890), 25pp, decorated card covers, inner hinges strengthened with archival linen tape; Ralston (W.), Sport for Limited Purses – and the probable Cost, Glasgow, David Bryce, n. d., horizontal 4to, 32pp, 4pp period advertisements, coloured title page, monochrome frontis. and other illus., decorated coloured card covers. (12)

Qty of Artist Sculptures Artwork Art by J Hammond (ex-Art Teacher and amateur artist) all with a 1960s feel, with inspiration taken from Henry Moore A Barbara Hepworth, naturalistic abstract carved figures, bones, in media if wood stone plaster polystyrene, 2 Sculpture books. The carved stone has damage to her head. Collection recommended one heavy stone lot included (2 boxes)

Essex (Robert, third Earl of, 1591-1646). Broadsides on the Death of Robert 3rd Earl of Essex. 1646 [so titled on spine], London: various printers, 1646, a bound volume of five broadside elegies, comprising: 1) A Funerall Elegy upon the most Honored upon Earth ... of Essex and Ewe ..., Written by him who doth with much grief here Speak of brave Essex, Englands Phenix Peere, Josiah Ricraft of London Merchant, illustrated with engraved portrait; 2) An Elligie upon the death of the Right Honourable Robert Devereux, late Earle of Essex, Lord Generall of the Parliaments Forces ..., illustrated with engraved skeletal effigy on tomb; 3) A Funerall Elegy upon the most Honored upon Earth .. of Essex and Ewe ..., by Henry Mill; 4) The Life and Death of the right Honourable, Robert, Earl of Essex ..., illustrated with woodcut tomb bearing armorials; 5) A Funerall Monument: or the manner of the Herse of the most Renowned Robert Devereux, Earl of Essex and Ewe ..., illustrated with engraving of the imagined funeral hearse, plus a woodcut of the horse-drawn catafalque (taken from another title), and one other partial broadside (upper portion only): An Elegie Offered Up to the Memory of his Excellencie Robert Earle of Essex and Ewe (with engraved portrait), the first five listed each with black mourning border, all laid or tipped onto 19th century backing paper and bound together, some wear to each broadside (no.s 4 & 5 previously repaired), 3 blanks leaves at front, and 8 at rear (including flyleaves), woodcut bookplate of Evelyn Philip Shirley and burgundy morocco gilt bookplate of W. A. Foyle, Beeleigh Abbey to front pastedown, early 19th century red half morocco, rubbed, some skinning to lower rear corner, gilt-lettered spine, slim folio, (binding size 45 31 cm)QTY: (1)NOTE:Provenance: Evelyn Philip Shirley (1812-1882) was a British politician, antiquary and genealogist and a descendant of Robert Shirley, 14th Baron Ferrers of Chartley, a title previously held by Robert Devereux until his death in 1646 (bookplate); W.A. Foyle, Beeleigh Abbey (bookplate). The full titles (and their imprints) included are: 1) A Funerall Elegy upon the most Honored upon Earth, and now glorious in Heaven, His Excellency Robert Devereux Earl of Essex and Ewe, Viscount Hereford, Lord Ferrers of Chartly Bourchier and Lovaine, late Generall of England / London Printed in the year one thousand six hundred forty and six In which, Septembers fourteenth day deceased noble Essex. Are to be sold by John Hancock, in Popes head Ally neer the Royall Exchange. 2) An Elligie upon the death of the Right Honourable Robert Devereux, late Earle of Essex, Lord Generall of the Parliaments Forces, who deceased the thirteene day of Sept. 1646 / London, Printed by John Hammond. 3) A Funerall Elegy upon the most Honored upon Earth, and now glorious in Heaven, His Excellency Robert Devereux Earl of Essex and Ewe, Viscount Hereford, Lord Ferrers of Chartly Bourchier and Lovaine, late Generall of England / London Printed by John Macock for William Ley, and are to be sold at his shop at Pauls Chaine. 1646. 4) The Life and Death of the right Honourable, Robert, Earl of Essex, the Noble Branch of his thrice Noble Father / London, Printed for J. Pots in the great Old-Baily, neer the Sessions-House. 1646. 5) A Funerall Monument: or the manner of the Herse of the most Renowned Robert Devereux, Earl of Essex and Ewe, Viscount Hereford, l. Ferrers of Chartley, Bourchier and Lovaine, Englands late Lord Generall, who deceased Septemb.14.1646. With a briefe Recitement of his valour and fidelity in the Kingdomes just Cause against the Enemies of Religion, Parliament and Kingdome, whose Funerall is to be solemnized on Tuesday the 13. of October, 1646 / Printed for J. Hancock in Popes-head Alley, 1646. Woodcut taken from: The True Mannor and Forme of the Proceeding to the Funerall of the Right Honourable Robert Earle of Essex and Ewe, London: printed for Henry Seale, 1646. Part broadside: An Elegie Offered Up to the Memory of his Excellencie Robert Earle of Essex and Ewe, Viscount Hereford, Lord Ferrers of Chartley, Bourchier and Lovaine, late Generall of the Parliaments Forces. Thomason Tracts: 1] 669:f.10.(81.), 2] 669:f.10.(83.), 3] 669:f.10.(95.) (but 'His Excellency" missing from their title), 4] probably 669:f.10.(93.), 5] 669:f.10.(89.), plus: 6] taken from E:360.(1.), 7] possibly 669:f.10.(82.) by Thomas Philipot.Wing: 1] R1429, 2] E475, 3] M2056, 4] L2018, 5] F2537, plus: 6] T2758A, 7] P1995?

HENRY HAMMOND. An unmarked sake cup & a small, 6cm high cut-sided pot with impressed Henry Hammond mark. Provenance: Gifted to his nephew from the residue of his uncle Henry Hammond's studio auction held by Bonhams, London in May 2003.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

HENRY HAMMOND. Three shallow dishes by Henry Hammond, two with his mark (one with worn rim) & one unmarked. Largest diameter 17cm. Provenance: Gifted to his nephew from the residue of his uncle Henry Hammond's studio auction held by Bonhams, London in May 2003.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

HENRY HAMMOND. A slipware jar by Henry Hammond. Impressed mark. Height 8cm. Provenance: Gifted to his nephew from the residue of his uncle Henry Hammond's studio auction held by Bonhams, London in May 2003.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

HENRY HAMMOND. A Henry Hammond yunomi. Impressed mark Height 10.5 cm. Provenance: Gifted to his nephew from the residue of his uncle Henry Hammond's studio auction held by Bonhams, London in May 2003.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

Henry Hammond (1914-1989), studio pottery stoneware tankard with tree design, makers mark HH, 15cm high; together with a tea bowl, probably Helen Pincombe, unmarked, 10cm high

Φ Arthur Henry Knighton-Hammond (1875-1970)A Spring Morning, Middleton, DerbyshireSigned Arthur H Hammond (lower right) and further signed with initials, inscribed and dated A SPRING MORNING/MIDDLETON/DERBYSHIRE/AH 1908 (to reverse)Oil on canvas45.8 x 76.3cm

Φ Arthur Henry Knighton-Hammond (1875-1970)In the Parson's Orchard, Youlgreave, Derbyshire; Evening in Spring, Lathkill Dale, DerbyshireA pair, the former signed Arthur Hammond (lower right), and further signed, inscribed and dated In the parson's orchard-Youlgreave - Derbyshire/Spring 1908. Arthur Hammond (to reverse); the latter signed Arthur Hammond (lower right) and further signed, inscribed and dated Evening in Spring - Lathkill Dale - Derbyshire/1908 - Arthur Hammond (to reverse)Both oil on canvasboardEach 24.5 x 34.5cm (2)

Henry Hammond (1914-1989)a stoneware footed bowl, painted with a geometric pattern in iron on an ash ground,impressed seal mark, 21.5cm, diam.

Henry Hammond (1914-1989)a stoneware footed tea bowl, flaring conical form covered to the foot in tenmoku, with brushed panel decoration,impressed seal mark,8.5cm. high

Henry Hammond (1914-1989)a stoneware vase, ovoid, painted with a scaly fish in rust on a mottled ground,impressed seal mark, 10cm. high

A collection of 18th - early 19th century heraldic bookplates, each removed from original book and pasted to a loose leaf. The lot to include the bookplates of Francis Eyre Esq., Robert Duckle, Thomas Story Spalding, George Sowerby, William Parker Hammond, John Conacher, Valentine Cary Elwes, Rev. Chas. Stebbing Elvin M.A., Alfred J. Elkington, Francis Drake (likely a descendent of the explorer), Thomas John Elmore, Edward Fiennes Elton, Robert Duncan, Edward Duke, Culling E. Eardley, Richard Dyott, Frederic W. Earle, Gulielmi A. Drury, Andrew Mortimer Drummond, John Henry Ellis, Francis Percival Eliot Esq., Henry Earl of Shannon, William Blood, Rev. Chatwood Eustace, Arthur Cavendish Onslow Boddington, Captain Furneaux, Frederick Seymour Clarke, Philip Earl Stanhope, Viscount Gage, Cresswell Pigot, Sir Thomas Gage, Lord Gardner, etc. Along with some leaves and plates from 1785 Introduction to Heraldry on their identification. Along with a framed collection of three for Edward Bensley Gardner, the Hon. Herbert Gardner, and Samuel Gardner. A large collection.

Arthur Henry Knighton-Hammond (1875-1970) watercolour of Hardington church, signed lower right, 20" x 25 including frame

† HENRY HAMMOND (1914-1989); a small stoneware bowl covered in grey glaze with cobalt decoration to the well, impressed HH mark, diameter 14cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

* Inwood (Derek, 1925-2012). Henry Ramey Upcher Lifeboat, Sheringham, Norfolk, 1999, oil pastel on paper, signed lower right, 23.5 x 17.5 cm (9 1/4 x 6 3/4 ins), framed and glazed, with two handwriiten postcards attached to verso (one of which reproduces the present work) from Derek Inwood to Michael and Megan Dawson, dated 11 January 2002 and 21 February 2002, the first providing details of accomodation nearby, and the second thanking the Dawsons for their visit and purchase of pictures (overall frame size 39.5 x 32 cm), together withSutton (Philip, 1928-). Self Portrait, 1965, coloured ink and pencil, showing the artist wearing a ladies hat, 14 x 9.5 cm (5 1/2 x 3 3/4 ins), note to verso 'Dear Sam and Cissi, Here is a little drawing of the Artist wearing a womans hat to cheer you both up Love from Heather The Artist Philip Sutton', framed and glazed (32.5 x 26 cm), together with 9 other original artworks including: Evening Between the Hillsides by David Blackburn, Soliders and Owners by B Lewis, Above Wokingham by John Byrom, View of Wilson's Pool...by Peter Bishop, Landscape by P Hammond, The Gazebo by Karl Torok, etc., various sizes, largest 86 x 61 cm (33 7/8 x 24 ins), all framed and glazedQTY: (13)NOTE:Provenance: Collection of Michael and Megan Dawson.

Substantial archive of letters, ephemera and research relating to the Hammond family, the tree accompanying the papers including William Hammond (1727-1793) Hull interest, John Hammond (1790-1869) Rector of Priston, Somerset, Henry Edward Denison Hammond (1866-1910) footballer and folk music historian. Includes many 19thC letters, lists of research conducted including dates going back as far as the 17thC

A CARVED GILTWOOD MIRROR 18TH CENTURY AND LATER The architectural pediment and frame carved with a pierced shell, foliate scrolls and a trellis ground, the bevelled plate re-silvered and possibly original, the gilding revealing a yellow and red bole ground 274cm high, 142cm wide, 20cm deepProvenance:Gerald Tyrwhitt-Wilson, 14th Baron Berners (1883-1950), Faringdon House, Oxfordshire; and by descent from Lord Berners's companion Robert Heber-Percy toSofka Zinovieff (b. 1961), by whom sold; Christie's, London, 12 April 2018, lot 50, where described as George IV, with a subsequent saleroom notice analysing the two layers of gilding strataWith Jamb, London, (who undertook the removal of the late 19th century gilding by dry-stripping to reveal the 18th century gilding), where purchased by Robert Kime, 2022. It is difficult to attribute the mirror to a particular carver / gilder, though it is likely that the maker was London-based, and probably well-established as the scale, complexity and quality suggests that it was probably part of a major commission for a large house from an established maker. The British and Irish Furniture Makers Online lists ten carvers and gilders active in London in the second quarter of the 18th century, any of whom may be candidates for the manufacture of this mirror: of the group, perhaps the most likely is William Walters or Waters (fl. 1732-42), who supplied giltwood furniture and mirrors for Benjamin Mildmay, Earl Fitzwalter at Moulsham Hall, Essex, for Charles Wyndham at Petworth House, and for the Earl of Leicester's London house; also to be considered is Henry Joris (fl. 1739), who worked with Paul Petit on the magnificent frame for Frederick the Great of Prussia; the other makers' reputations are less prominent, although Robert Johnson (fl. 1737-49) who was recorded at the Golden Head, Frith St, St Ann's, made frames for Petworth House; Charles Groves, fl. 1750, 'at the Golden Head, the further End of Brownlow Street from Drury Lane'; Robert Pulsford (fl. 1749), of Knightsbridge; Thomas King, carver and gilder of Long Acre (his stock-in-trade sold in October 1742); Christopher Mason, carver and gilder of Charles Court (fl. 1749); Stephen Maren, carver and gilder of New Compton St, Soho (fl. 1749); Christopher Hammond, frame maker and gilder of Phoenix Court, Long Acre (fl. 1732); Godwin Prince, who advertised 'all sorts of cabinet & Upholsterers work in General, Likewise Carving & Gilding ... near Durham Yard, in the Strand' (fl. c. 1749) (British Museum, Heal 28.181).The rectangular 'tabernacle' design of mirror frame is derived from designs of the 1720s by the architect James Gibbs (1682-1754). These depend on overmantel designs by Inigo Jones which were published in Isaac Ware's Some Designs of Mr Inigo Jones and others (1731) - notably pl.31. Ware's book was highly influential in the development of English architecture and interiors in the 18th century. It brought together a collection of designs by two of the most important architects of the 17th and 18th centuries: Inigo Jones and William Kent. Jones was a leading figure in the introduction of Italian Renaissance architecture to England, while Kent was a leading exponent of the Palladian style, as promoted by his patron, the influential Italophile Lord Burlington: many of the books' designs were taken from interior schemes devised by Kent at Burlington House.FOR THE FULL DESCRIPTON AND PROVENANCE, PLEASE CLICK HERE.SALEROOM NOTICE:The catalogue entry is now 'A CARVED GILTWOOD MIRROR, 18TH CENTURY AND LATER' Condition Report:Overall there are scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some losses, restorations and observations including:Holes to the back from previous wall fixings and some other vacant holes, with later modern hooks.The mirror plate is later and is backed with paper.There are some repairs including a later strut support to the back of the crest.There is evidence of old worm. There are some chips and knocks, for example to the tips of leaves, some with restoration.The overall patina has vestiges of the stripped gilding, bole, gesso and underlying wood.The not inconsiderable process of dry stripping means that some old repairs have restricted the extent of removal of the gesso so that the level of carved detail revealed has slight variances (for example the left side of the architectural pediment, compared to the right side).  Some inaccessible areas of carving retain a little more gilding than other more accessible areas.The upper ledge is later ebonised with vacant holes and marks to the centre suggesting that there was previously a carved element corresponding to the carving directly below this area.As per the provenance note, the surface was dry stripped of gilding circa 2018-2021.   Please see the condition report additional images for the document of analysis dated April 2021.Please see the additional condition report photographs as a visual reference of condition.Condition Report Disclaimer

ARTHUR HENRY KNIGHTON HAMMOND (1875-1970) “Evening, Grimaldi Church, 1926”, signed & inscribed, watercolour: 45cm x 31.5cm, framed & glazed (51 x 65).

Arthur Henry Knighton-Hammond (British, 1875-1970),A lake scene with town beyond,Watercolour on paper,Signed lower left,52.5cm x 45cm,Framed and glazed

Arthur Henry Hammond Knighton (British, 1875-1970), 'Epsom Downs' watercolour, signed, unframed.

Arthur Henry Knighton-Hammond (British 1875-1970), a cottage interior, watercolour, signed bottom right, framed, glazed and mounted frame size 47cm x 60cm

Arthur Henry Hammond Knighton (British, 1875-1970), 'Epsom Downs' watercolour, signed, unframed.

A Victorian silver plated Walker & Hall sardine dish, the cover chased & engraved with fern leaves & foliage, shell finial (missing liner); a Hammond, Creake & Co. sardine dish, the cover chased & engraved with foliage, fish finial, original Wiltshire & Robinson Carlton Ware liner decorted with lilies; an EPNS sweet meat dish; a Walker & Hall sweet meat pedestal dish, swing handle; a cased set of  six silver hafted butter knives, Henry Greaves, Sheffield, 1904; another five etc.

Manuscript Maps. Thompson (Henry), Palestine, circa 1850, pen, ink and watercolour map, inset map of Jerusalem, slight dust soiling, pinholes to each corner, laid on later card, 510 x 400 mm, together with Rolfe (T.). South America, circa 1850, large pen, ink and watercolour map, some marginal fraying and short closed tears, some dust soiling, 760 x 630 mm, with Hammond (John). The Western Hemisphere, 1857, pen. ink and watercolour map of the Americas on card, set with a gilt printed border, slight spotting, 365 x 290 mm, plus an album (dated 1898) containing four naive manuscript maps (East Indies, The Americas, West Indies & Africa) contemporary half morocco with a manuscript label to the upper cover, binding size 340 x 215 mmQTY: (4)

Attributed to Henry Hammond (1914-1989)Footed bowloatmeal glaze with iron brushwork11cm high, 21cm diameter.Appears in good condition, no damage or restoration. Lots of small brown firing spots are visible.

Arthur Henry Knighton-Hammond (British 1875-1970) Boats in a Harbour, signed lower right, watercolour, measurements 33.5 x 49 cm, frame 52 x 68 cm Condition:The painting is a watercolour, framed under glazing. The sheet has some minor cockling and also some ageing (yellowing) to the paper in parts. The paint surface appears stable and the colours well preserved. Frame has general wear and tear.

Arthur Henry Knighton-Hammond (British 1875-1970) Hayricks, signed lower left, watercolour, measurements 33.5 x 48.5 cm, frame 53 x 68 cm Condition:The painting is a watercolour, framed under glazing- not examined external to the frame. The paper appears in generally good condition, no obvious evidence for damage or deterioration, the colours are good and the paint surface appears stable. Frame has general wear and tear, the joints are sound.

Arthur Henry Knighton-Hammond (British 1875-1970) Continental Street Scene, signed lower right, watercolour, measurements 32 x 44 cm, frame 50.5 x 63 cmCondition:The painting is a watercolour on paper, framed under glazing- not examined external to the frame. The paper appears in good general condition no obvious evidence for tears, losses or deterioration. The paint condition is good- no obvious paint loss, colours have minor fade. Frame has solid joints, general wear and tear

English School, Arthur Henry Knighton Hammond, etching on paper; another, Autumn Cottage; W.H.Potter, Woodlands, etching on paper, framed (3)