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Lot 33

Arthur Henry Knighton-Hammond R.I., R.S.W. (British 1875-1970) "Spring - Cheshire" Signed, titled on the mount, watercolour.26.5cm x 37cm (10.5in x 14.5in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in good, original condition with strong colours. There is a spot of browning and one or two minor spots of foxing across the paper. The painting is ornately framed and glazed. The surfaces of both the glass and frame are stained by nicotine and would certainly benefit from a light clean. The frame has some knocks and losses.

Lot 38

Arthur Henry Knighton-Hammond R.I., R.S.W. (British 1875-1970) Italianate courtyard scene with figures and statues Signed, watercolour.47cm x 31cm (18.5in x 12.25in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is framed and glazed. There is extensive foxing across the mountboard. The frame has some minor scuffs and knocks commensurate with age.

Lot 198

Arthur Henry Knighton Hammond (British, 1875-1970), Venice, watercolour, signed, 44cm x 32cm, framed.

Lot 356

Arthur Henry Knighton Hammond (1875-1970), cattle by a farmyard, watercolour, framed

Lot 182

A blue glazed stoneware studio pottery vase, 19.5cmH, marks to base, together with a further small studio pottery vase, 11.5cmH, a Robert Mulcahy pin dish and a further pin dish possibly by Henry Fauchon Hammond (4)

Lot 480

ARTHUR HENRY KNIGHTON-HAMMOND (1875-1970) Lake Reflections Watercolour Signed Framed and glazed Picture size 30 x 39cm Overall size 53 x 64cm

Lot 50

Follower of Arthur Henry Knighton-Hammond (British, 20th Century), Landscape with woodland and buildings beyond, watercolour, unsigned, 14x21ins, framed, mounted and glazed.

Lot 340

ARTHUR HENRY KNIGHTON-HAMMOND R.I. R.S.W. (1875-1970), Autumn in Wales, watercolour, signed, Royal Institute of Painters in Watercolour label to reverse, 22" x 30", framed (subject to Artists Resale Right) (Est. plus 21% premium inc. VAT)Very good

Lot 143

Arthur Henry Knighton Hammond (1875-1970), Still Life, Pansies, 50x34cms, Signed Bottom Right, Some Water Staining

Lot 82

BOER WAR & GREAT WAR MEDALS TO THE NORTH STAFFORDSHIRE REGIMENT AS FOLLOWS, Queens South Africa Medal, Bars Orange Free State, Cape Colony named 7258 Pte E Hammond, Vol Coy, North Staffs Regiment and a 1914-15 broken Star trio of medals named 8094 Pte G.H.Wright, North Staff Reg't, Star and War medal named as above, but Victory is named 2200 Pte H Gilliver North Staffs, George Henry Wright was KIA/DOW on 12th March 1917 in Iraq (Mesopotania) and is remembered on the Basra War Memorial....Son of Thomas Wright; husband of Ellen Wright, of 9, Pritchard St., Wednesbury, Staffs, served in Egypt (1898) and in the South African Campaign with the Northumberland Fusiliers

Lot 187

HENRY HAMMOND (1914-1989); a shallow stoneware dish covered in oatmeal glaze with iron and cobalt bird decoration, impressed HH mark, diameter 26cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Lot 562

Arthur Henry Knighton-Hammond (1875-1970)/Iris, Mary and Ana Outside Caravan/signed lower left; titled on label to reverse/watercolour, 49.5cm x 59.25cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

Lot 566

Attributed to Arthur Henry Knighton-Hammond (1875-1970)/Summer Garden/oil on canvas, 34.5cm x 44.5cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

Lot 115

HAMMOND (Henry): 'A Paraphrase, and Annotations upon all the books of the New Testament: briefly explaining all the difficult places thereof..', London, printed by J Flesher for Richard Royston, 1653: 18thc quarter calf over marbled boards, rubbed, folio: together with 'A Paraphrase and Annotations upon the books of the Psalms, briefly explaining the difficulties thereof..', London, printed by R Norton, 1659: title page rubricated in red, contemporary blind ruled calf gilt, a good copy, folio. (2)

Lot 582

After Arthur Henry Knighton Hammond. Peveril of The Peak, signed etching, 22cm x 26.5cm.

Lot 190

Hammond (Henry) A Paraphrase and Annotations... The New Testament, Folio, 3rd edition, London 1671 and four further volumes on theology, all folio (5) CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Lot 84

ARTHUR HENRY KNIGHTON-HAMMOND (British, 1876-1970) 'Misty Coastline', watercolour, signed lower left, 20cm x 25cm, framed and glazed. (Subject to ARR - see Buyers conditions)

Lot 61

ARTHUR HENRY KNIGHTON-HAMMOND (British, 1876-1970) 'The Quay at Menton', watercolour, signed lower left, 50cm x 65cm, framed and glazed. (Subject to ARR - see Buyers conditions)

Lot 62

ARTHUR HENRY KNIGHTON-HAMMOND (British, 1876-1970) 'Côte-d'Azure Harbour Scene, possibly Villefranche-sur-Mer', watercolour, signed lower left, 50cm x 50cm, framed and glazed. (Subject to ARR - see Buyers conditions)

Lot 453

Pair: Major-General H. Hammond, Bengal Artillery, who was three times Mentioned in Despatches during the Indian Mutiny, and was severely wounded at the taking of the Secunderabagh on 16 January 1858 India General Service 1854-95, 1 clasp, North West Frontier (Lieut. H. Hammond 2nd. Punj. Fld. Batty.); Indian Mutiny 1857-59, 1 clasp, Relief of Lucknow (Capt. & Bt. Major H. Hammond. 3rd. Bn. Bengal Art.) edge bruise to first, both light polished, good very fine (2) £1,400-£1,800 --- Provenance: George McIlroy Collection. Henry Hammond was born at Kingston-upon-Hull on 26 October 1826 and was commissioned Second Lieutenant on 11 June 1838. Promoted First Lieutenant on 17 August 1841, he was appointed to raise and command No. 2 Battery, Punjab Irregular Field Force in November 1850, and served on the Punjab Frontier from January 1851 to August 1853. He was present at the various actions with the Wuzeeree Tribe of Afghanistan in 1851; with the expedition against the Eusofyze in March 1852, under Sir Colin Campbell; and in the expedition against the Sheranees in April 1853, under the command of Brigadier Hodgson, Commanding Punjab Irregular Force. Promoted Captain on 3 March 1853, Hammond saw further action during the Great Sepoy Mutiny, serving as the Brigade Major to the Artillery of the force under the command of Lord Clyde during all the operations connected with the relief of Lucknow, for which services he was Mentioned in Despatches (Calcutta Gazette 11 December 1857). He was present as Brigade Major of Artillery at the action of Kalkar Nuddee, 1 January 1858, and was severely wounded at the taking of the Secunderabagh, 16 January 1858. Promoted Brevet Major on 24 March 1858, Hammond was appointed to command the Artillery of the column under the command of General Penn for operations in Rohilcund, and was present at the action of Kukrowlee when General Penny was killed on 1 May 1858, being honourably Mentioned by Brigadier Jones commanding the column: ‘the 4 guns of Captain Hammond’s Light Field Battery were now ordered to the front, and nobly did this officer and his men respond to the call’ (London Gazette 28 July 1858). Hammond subsequently commanded the Foot Artillery at the reduction of Bareilly under Lord Clyde on 5 May 1858, and was then attached to Brigadier Coke’s column for services in Rohilcund from 9 May 1858, being present at Shajehanpore and in the pursuit of rebels to Mahomdee on 20 May 1858, again being Mentioned (Calcutta Gazette 21 July 1858). He was promoted Lieutenant-Colonel on 26 April 1859; Colonel on 31 December 1867; and Major-General on 1 August 1872. He died on 23rd February 1898.

Lot 374

Decorative Cloth Bindings Several illustrated by Hugh Thomson Irving, Washington Bracebridge Hall. London: Macmillan & Co., 1877. R. Caldecott illustrations; Gaskell, [Elizabeth] Cranford. London: Macmillan and Co., 1891. Hugh Thomson illustrations; Dobson, Austin The Ballad of Beau Brocade... London: Kegan Paul..., 1892. Hugh Thomson illustrations; "The Spectator" Days with Sir Roger de Coverley. London: Macmillan & Co., 1892. Hugh Thomson illustrations; and another copy; Winter, William Shakespeare's England. New York: Macmillan and Co., 1893. Illustrator uncredited; Mitford, Mary Russell Our Village. London: Macmillan & Co., 1893. Hugh Thomson illustrations; Jacobs, Joseph The Fables of Aesop. London: Macmillan & Co., 1894. Richard Heighway illustrations; Tristram, W. Outram Coaching Days and Coaching Ways. London: Macmillan and Co., 1894. Hugh Thomson and Herbert Railton illustrations; Goldsmith, Oliver The Vicar of Wakefield. London: Macmillan & Co., 1894. Hugh Thomson illustrations; Dobson, Austin Coridon's Song... London: Macmillan & Co., 1894. Hugh Thomson illustrations; [Idem] The Story of Rosina. London: Kegan Paul..., 1895. Hugh Thomson illustrations; and another copy Captain Marryat Jacob Faithful. London: Macmillan and Co., 1895. Henry M. Brock illustrations; Saintsbury, George Letters from Sir Charles Grandison. London: George Allen, 1895. 2 volumes, Chris Hammond illustrations; Edgeworth, Maria Popular Tales. London: Macmillan & Co., 1895. Chris Hammond illustrations, ex Salford library; Irving, Washington The Alhambra. London: Macmillan & Co., 1896. Joseph Pennell illustrations; Sheridan, Richard Brinsley The School for Scandal and The Rivals. London: Macmillan & Co., 1896. Edmund J. Sullivan illustrations; Reade, Charles Peg Woffington. London: George Allen, 1899. Hugh Thomson illustrations; Allen, James Lane A Kentucky Cardinal. London: Macmillan and Co., 1901. Hugh Thomson illustrations; Thackeray, William Makepeace The History of Henry Esmond. London: Macmillan & Co., 1905. Hugh Thomson illustrations; some in later editions, a little marking to some bindings, some foxing and a few ownership markings (22)

Lot 303

Baltic 1854-55 (Henry Hammond “Pygmy”) contemporary engraved naming, toned, very fine £160-£200 --- Henry Hammond was born in the Parish of Kempsey, Worcestershire, on 2 April 1823. He joined the Royal Navy as a volunteer for 10 years service on 2 May 1854, aged 31 years, and was rated Able Seaman when he joined H.M.S. Pygmy. He served in Pygmy in the Baltic under the command of Lieutenant James Hunt and received one of only three Baltic medals issued to this small Paddlewheel Steamer. On 26 October 1854, he joined H.M.S. Eurydice and served in her until discharged to shore on 12 June 1857. His medal was sent to Portsmouth on 3 June 1857. Sold with research.

Lot 18

Arthur Henry Knighton-Hammond (British, 20th Century), Borough Market, London, watercolour, signed. Framed and glazed15.3 x 11 insQty: 1

Lot 269

A circa 1940 Henry Hammond Oast Pottery St.Ives bowl with scrolling decoration, bears impressed mark to circular foot base, 21 cm diameter x 10.5 cm high, together with a shallow dish by the same hand, 18 cm diameter CONDITION REPORTS Has general wear and tear conducive with age and use to include some firing flaws for both pieces - see images for further details

Lot 799

•ARTHUR HENRY KNIGHTON-HAMMOND (1875-1970) A SUMMER STILL LIFE WITH FLOWERS AND SILVERWARE UPON A PATTERNED CLOTH Signed, oil on Masonite 50 x 59.5cm. ++ Some retouching under UV (artist's own?)

Lot 1141

* Arthur Henry Knighton-Hammond [1875-1970]- Summer landscape,:- signed bottom right watercolour and pencil drawing on buff paper 37 x 54cm.

Lot 147

NO RESERVE Religion.- Hammond (Henry) A parænesis. Or, Seasonable exhortatory to all true sons of the Church of England. Wherein is inserted a discourse of hæresy in defence of our Church against the Romanist, 2 final errata / advertisement ff., small area of worming to upper margins, water-stained, contemporary calf, joints starting, but holding firm, spine ends and corners little worn, rubbed and marked, [Wing H572], Printed by R.N. for Richard Royston, 1656; and 3 others, 17th century Religion, 1 an odd vol., v.s. (4)

Lot 2247

Arthur Henry Knight Hammond (1875-1970), Portrait of a young woman, original pastel, framed and glazed, 60 x 50cm, together with a print after Corot of a landscape, indistinctly signed in pencil to lower right margin, framed and glazed 42 x 52cm (2)

Lot 323

ARTHUR HENRY KNIGHTON-HAMMOND, RI, ROI, RSW (1875-1970) Cattle Grazing beneath Stormy Skies Watercolour Signed lower right 55cm x 77cm Condition Report : frame and picture in good condition Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

Lot 324

ARTHUR HENRY KNIGHTON-HAMMOND, RI, ROI, RSW (1875-1970) Figures in a Continental Street Scene Watercolour Signed in pencil lower left 33cm x 45.5cm Condition Report : some damp and mould in the centre, but difficult to judge to what extent this in on the underside of the glass as opposed to the actual paper without unframing. Signature not totally clear, but from the same deceased estate as the other two Knighton Hammonds in this sale Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

Lot 325

ARTHUR HENRY KNIGHTON-HAMMOND, RI, ROI, RSW (1875-1970) Study of two seated figures Watercolour and pencil Signed lower left 33cm x 45.5cm Condition Report : slight foxing, some of this may be on the underside of glass rather than the picture Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

Lot 110

NO RESERVE Hammond (Henry) An Account of Mr. Cawdry's Triplex Diatribe concerning Superstition, Wil-worship, and Christmas Festivall, variant copy with p.295 misnumbered 265, previous owner's ink signature to title, scattered spotting, later half-calf, upper joint beginning to split but holding firm, a little rubbed, [Wing H511], 4to, J. Flesher, for Richard Royston ... and Richard Davis, 1655.

Lot 165

Henry Edridge,The Porch of Notre Dame, Louviers, Normandy,signed and dated 1819, watercolour,49x34cm.Footnote: Literature: Hammond Smith, The Landscapes of Henry Edridge, The Old Water-colour Society Club, 1977, plate VIII. This lot is offered with a copy of the publication.

Lot 226

HENRY HAMMOND (1914-1989); a globular porcelain vase with floral decoration, impressed HH mark, height 16.5cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Lot 227

HENRY HAMMOND (1914-1989); a small stoneware cup covered in tenmoku and kaki glaze, impressed HH mark, height 7cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Lot 228

HENRY HAMMOND (1914-1989); a small stoneware cup with wave decoration, impressed HH mark, made circa 1971, height 8cm. (D)Provenance: Purchased from Oxford Ceramics Gallery.Additional InformationAppears good with no obvious signs of faults, damage, or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Lot 229

HENRY HAMMOND (1914-1989); a squat stoneware vase with wave decoration, impressed HH mark, height 14.5cm. (D)Provenance: Purchased from Paul Rice Gallery, London.Exhibited: Herbert F Johnson Museum of Art, Cornell University, Ithaca, New York, 2016.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Lot 231

HENRY HAMMOND (1914-1989); a stoneware footed bowl with fish decoration, impressed HH mark, diameter 14cm. (D) Provenance: Purchased from Oxford Ceramics Gallery.Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Lot 232

HENRY HAMMOND (1914-1989); a tall stoneware bottle with floral decoration, impressed HH mark, height 31.5cm. (D)Provenance: Purchased from Oxford Ceramics Gallery.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Lot 318

Alan Thornhill Archive. An archive belonging to the Gloucestershire based sculptor & artist Alan Thornhill [1921-2020], including paintings, drawings, notebooks, diaries, correspondence & reference booksQty: (12 cartons)NOTESBorn in London in 1921 to Stewart Dornberger, a German Jewish businessman and Louise Warren, Alan grew up in Fittleworth, West Sussex and was educated at Brambletye and Radley College. He went up to New College, Oxford in 1939 to read History. In late 1940 Alan enlisted in the Gloucestershire Regiment and became an officer and aide-de-camp to General Sir Percy Hobart. Rejoining his regiment he took part in the D-Day landings and soon after sustained an injury. He became a conscientious objector in 1944 after the bombing of Dresden. Alan returned to New College from 1945 to 1947 where he made life-long friendships. He taught English in Italy for a year after the war, where he was inspired by Renaissance sculptors such as Donatello, Ghiberti and Pisano, and after having Reichian therapy in Norway for six months he decided he wanted to work creatively with his hands. Returning to England, Alan enrolled at Camberwell Art School where he began his life-long exploration of clay under Dick Kendal and Norah Bradon. He also spent a year at Farnham under Henry Hammond and Paul Barron and then in 1951 set up Hawkley Pottery near Stroud, Gloucestershire with Sheila. He became friends with a group of local artists, sculptors and weavers including Lynn Chadwick and Ralph Brown. He began to make figurative sculptures in clay, initially exploring the theme of communication and inspired by his friend sculptor Jack Greaves who he met when teaching pottery at Stroud School of Art. On getting a teaching job at Kingston School of Art, Alan moved with his family to London in 1959 where he set up a studio in Putney which he maintained until his death. He also taught pottery at Stroud School of Art in the 1950s and ceramics at Kingston School of Art (1957-61). From 1965-70 he taught at Barking Regional College and from 1970 to 1987 pottery and then sculpture at Morley Adult Education College in South London. In the early 1990s Alan returned to live near Stroud. He died peacefully on 4th March 2020 at his home in Stroud. He was 98 years old

Lot 24

Bible, Greek.- Divinae Scripturae, nempe veteris ac novi testamenti [graece], double column, Greek text, Latin footnotes, title and verso of otherwise blank final f. with woodcut printer's device, a few marginal tears or losses, some spotting or foxing, lightly browned, new endpapers, contemporary calf, rebacked, corners repaired, covers rubbed and scuffed, [VD16 B 2578], Frankfurt, Heirs of Andreas Wechel, 1597 § Hammond (Henry, editor) Novum testamentum domini nostri Jesu Christi, 2 parts in 1 vol., first edition, commentary double column, titles in red and black and with large engraved printer's device, woodcut head- and tail-pieces, some spotting and soiling, contemporary panelled calf, spine in compartments and with later gilt and red morocco label, joints splitting, but holding firm, corners worn, rubbed, Amsterdam, Georg Galletus, 1698; and 2 others, 17th century Bible and related, folio (4)

Lot 44

17th Century Tokens, Marlborough, Borough Farthings, 1668 (3), 1.99g/12h (N 5504; BW. 123-5), 1.15g/6h N 5505; BW. 123-5), 1.43g/12h (N 5506; BW. 123-5); John [and Nathaniel] Bayly, Farthings (2), 1.43g/12h (N 5507; BW. 126), 0.68g/6h (dies not in N; BW. 126); Robert Briant, D[aniel] S[mith and] E[dward] S[outhwood], Farthing, 0.63g/12h (N 5508; BW. 127); Robert Butcher, Farthing, 1663, 0.56g/3h (N 5509; BW. 128); Henry Coleman, Farthing, 0.84g/12h (N 5510; BW. 130); Will Crabbe, Farthing, 1664, 0.68g/6h (N 5511; BW. 132), William Crabbe, Halfpenny, 1668, 1.02g/12h (N 5512; BW. 131); Edward Delamaine, Farthing, 1665, 0.66g/9h (N 5513; BW. 134); John Hammond, Farthing, [16]66, 0.93g/12h (N 5514b, this piece; BW. 135) [12]. Generally about fine, N 5509, 5513 and 5514 better £240-£300 --- Provenance: N 5508 bt C.M. Rowe; N 5513 bt R. Gladdle; *N 5514 W. Longman Collection, Glendining Auction, 12-13 March 1958, lot 452 (part), Norweb Collection, Spink Auction 149, 15 November 2000, lot 24, bt N.A. Clark; BW. 126 var bt August 2007. John (†1668) and Nathaniel Bailey, brothers, grocers; Robert Briant (†by 1662), grocer, Quaker; Robert Butcher, grocer; Henry Coleman, grocer, first wife Jane (†1661), second wife Elizabeth; William Crabbe, grocer; Edward Delamaine, glover; John Hammond, bookseller, married Katherine Lawrence 1637; Daniel Smith, Quaker; Edward Southwood, Quaker

Lot 375

Arthur Henry Knighton Hammond (1875-1970),A farmer driving sheep down a village lane,Etching on paper,Signed lower right,30cm x 38.5cm,Framed and glazed

Lot 42

Selection of vintage illustrated books including Poe's Tales of Mystery & Imagination illustrated by Arthur Rackham 1st edition pub. Harrap 1935, includes 12 full-page colour illustrations w/ tissue guards & b/w full-page illustrations bound in black gilt cloth, contents nice & clean, spine needs attention, and South & East by John Masefield illustrated by Jacynth Parsons pub. Medici Society London 1929 limited to 2750 copies w/ 6 beautiful fantasy tipped-in colour plates, handsomely rebound in blue leather w/ raised bands on spine, and Railway Ribaldry by Heath Robinson pub. G.W.R. 1935, rebound in hardback green cloth with original covers laid on, generally nice clean copy though few pages have staining to page edge, not affecting illustrations, and Bairnsfather - A Few Fragments from his Life, pub. The Bystander hardcover, and Baby's Bouquet by Walter Crane, pub. George Routledge, truly charming collection of rhymes, tunes & artwork of Victorian era, and Yama Yama Land by Grace Duffie Boylan illustrated Edgar Keller, pub. 1909 Reilly & Britton Co. of Chicago w/ intriguing colour illustrations, and The Water-Babies with 16 lovely colour plates by Harry Theaker,  pub. Ward Lock Sunshine Series in dust j., and Guilliver's Travels by Jonathan Swift illustrated by R.G. Mossa pub. Hodder & Stoughton for Boots, 12 detailed colour illustrations, and Alice's Adventures in Wonderland by Lewis Carrol illustrated by  Gwynedd M. Hudson, pub. Hodder & Stoughton for Boots 12 intricate colour plates in facsimile wrapper original boards beneath showing some staining, some cellotape to front/end papers, and Sketches & Scraps by Laura E. Richards illustrated Henry Richards, pub. Estes & Lauriat Boston 1881 lovely book in illustrated decorative boards, and The Flapdoodle Who Always Knew Best written & illustrated by Carol Hope, 1948 Hammond Hammond & Co. interesting war-time story, and The Greater Abbeys of England by Abbot Gasquet illustrated by Warrick Gobel, pub. Chatto & Windus 1908 w/ many delightful colour plates. 

Lot 1353

Arthur Henry Knight Hammond (1875-1970), Portrait of a young woman, original pastel, framed and glazed, 60 x 50cm, together with a print after Corot of a landscape, indistinctly signed in pencil to lower right margin, framed and glazed 42 x 52cm (2)

Lot 226

* Theatre archive. A large archive containing autograph letters and notes, photographs, postcards, photogravures, prints, programmes, playbills, press cuttings etc, 1890's-1900's, most alphabetically bound into 5 folio and 11 quarto albums, plus some loose and mounted sheets, most albums and sheets with multiple mounted photo postcards, letters, cuttings, prints etc, the collection containing approximately 550 photographs and photo postcards, some signed, 750 18th and 19th century portrait and costume prints, 80 autograph letters, cut signatures etc, signatures including Henry Irving, Ellen Terry, Marie Studholme, Florence St. John, Mary Rorke, Johnston Forbes-Robertson, Ada Rehan, Harry Randall, Olga Netherstone, Julia Neilson, George Alexander, Lena Ashwell, Dorothy Baird, Wilson Barrett, Jessie Bond, Charles Brookfield, Hayden Coffin, Mabel Love, Ellis Jeffries, Ellaline & William Terriss, Edward, Fred & Marion Terry, J.L. Toole, Herbert Beerbohm Tree, Harry Irving, Lily Hanbury, Hammond Yates, Ben Webster, Arthur Playfair, Geraldine Olliffe and others, various sizes in generally good condition, occasional light toning and spotting, some wear to a few album spines, 4to and folioQty: (archive)

Lot 158

Three: Private E. J. Miller, 1st Battalion, Duke of Cambridge’s Own (Middlesex Regiment), who was reported missing, presumed dead, near La Boutillerie, during the Battle of Armentières, on 31 October 1914 1914 Star, with later slide clasp (L-12132 Pte. E. J. Miller. 1/Midd: R); British War and Victory Medals (L-12132 Pte. E. J. Miller. Midd’x R.) good very fine (3) £200-£240 --- Edwin John Miller was born in 1890 at Hove, Sussex and attested for the Middlesex Regiment in London in 1908. Following the outbreak of the Great War, he was posted to the 1st Battalion and served with them on the Western Front from 11 August 1914, his battalion seeing action in 1914 at the battles of Mons (and subsequent Retreat), The Marne, The Aisne, la Bassèe, Messines and Armentières. Miller was reported missing on 31 October 1914 during the Battle of Armentières and later presumed to have been killed in action on or since that date. His date of death for official purposes was deemed to be 31 October 1914 although it is likely that he was killed in the heavy fighting which took place on 30 October. His battalion had been holding trenches in front of La Boutilleries between 23 and 29 October, suffering casualties under heavy shell-fire and sniping, when the enemy broke through between C and D Companies on 30 October. B Company then made a successful counter attack and cleared the enemy from the lost trenches: ‘This attack, in which every man was used—servants, pioneers, cooks, etc., who were carrying ammunition or fighting with “B” Company—was entirely successful. Every German who had penetrated the line was killed—37 being accounted for in this way—or captured. And on the following morning over 200 dead Germans were counted lying out in No Man’s Land in front of the trenches. But “B” Company practically ceased to exist. In this very gallant little fight, the 1st Middlesex lost 16 other ranks killed and 25 wounded, including Lieut.-Colonel Rowley, Capt. Gibbons and 2nd Lieut. Shaw. “Where all ranks behaved well,” said Colonel Rowley, “it was hard to single out any for reward, but at any rate all had the satisfaction of worthily upholding the name of Die-Hards. The Battle of Armentières closed on 2nd November, with the 1st Middlesex still holding the line at La Boutillerie.’ (The Die-Hards in the Great War. Vol I. 1914-16 by Everard Wyrall refers). Miller’s body was later found and identified and lies buried in Le Trou Aid Post Cemetery, Fleurbaix, France. He was the son of Joseph Henry and Eliza Miller (nee Hammond) of 9 Reeves Place, Hoxton, London.

Lot 1215

Opera and Classical Music. An extensive archive of printed ephemera, sheet music, programmes, concert flyers and press cuttings, late 19th c and later, the singers represented including Maria Callas, Toti Dal Monte, Emma Albani, Frieda Hempel, Joan Hammond, Paul Robeson, Luisa Tetrazzini, Renata Tabaldi, Richard Tauber, Grace Moor, Feodor Chaliapin, Anna Moffo, Giovanni Martinelli, Diani Durvin, Conchita Supervia, Enrico Caruso, Charles Santley, Marie Brema, Beniamino Gigli, Kirstin Flagstadt, Kathleen Ferrier, Sir Henry J Wood, Sir John Barbirolli, Sir Yehudi Menuhin and numerous others, several hundreds Mostly in excellent condition

Lot 27

PHILIP WADSWORTH (1910-1991); a waisted stoneware vase covered in white glaze with polychrome decoration, incised PSW mark and number/year codes, probably made 1950s, height 12.5cm. (D)Exhibited: Masters of Studio Pottery, Part 1: William Staite Murray and his pupils, Oxford Ceramics Gallery, 2018.PR - Wadsworth was a student of Staite Murray and a contemporary of Sam Haile, Percy Brown and Henry Hammond at the RCA. He exhibited relatively little and consequently his work is less well known than it should be.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Lot 38

HENRY HAMMOND (1914-1989); a globular porcelain vase with iron leaf decoration, impressed HH mark, made 1960/70s, height 18cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Lot 39

HENRY HAMMOND (1914-1989); a stoneware footed bowl with iron fish and floral decoration and circular design to well, impressed HH mark, made 1970s, diameter 20cm. (D)Exhibited: Masters of Studio Pottery, Part 1: William Staite Murray and his pupils, Oxford Ceramics Gallery, 2018.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Lot 40

HENRY HAMMOND (1914-1989); a large stoneware footed bowl with cobalt wave decoration to well, impressed HH mark, made 1980s, diameter 26.5cm. (D)Provenance: Liliana Epstein collection.PR – Hokusai’s wave was one of Henry’s favourite works of art and he used its form – sometimes incredibly abstracted - on many of his later pots. Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Lot 41

HENRY HAMMOND (1914-1989); a stoneware bottle with iron widgeon decoration, impressed HH mark, made 1970s, height 22cm. (D)Exhibited: Masters of Studio Pottery, Part 1: William Staite Murray and his pupils, Oxford Ceramics Gallery, 2018.PR – Henry was adamant that his birds were widgeons. If you called one a pigeon or a dove he got quite peeved.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Lot 42

HENRY HAMMOND (1914-1989); a stoneware yunomi with white dot decoration on blue/grey ground, impressed HH mark, made 1970s, height 9cm. (D)Provenance: Sue James collection.Exhibited: Masters of Studio Pottery, Part 1: William Staite Murray and his pupils, Oxford Ceramics Gallery, 2018.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Lot 748

* Arthur Henry Knighton Hammond [1875-1970]- Landscape,:- signed watercolour, 27 x 37cm.

Lot 1185

Historical Medals, Visit of Queen Victoria to Sheffield to Open the New Town Hall, 1897, white metal medals (3), by H. Jenkins & Son for the Duke of Norfolk, Mayor, 32mm (W & E 3156D.1), by Spink, 51mm (W & E 3476G.1; BHM 3604), unsigned, 39mm (W & E 3608D.1); Welcome by the Children of Sheffield to Queen Victoria in Norfolk Park, 1897, white metal medals by the Mint, Birmingham (4), all 39mm (W & E 3275N.1; BHM 3605); St Mary’s Church Sunday School, Sheffield, 1897, a gilt white metal medal, unsigned, for Revd. R.H. Hammond, Vicar, 32mm (W & E –); Children of Nether Hallam, 1897, a bronze medal, unsigned, for Councillor A. Muir Wilson, 33mm [9]. Second and last extremely fine, others generally very fine and pierced for suspension; three with original ribands £70-£90 --- Queen Victoria, accompanied by Princess Christian of Denmark and the Duke of Connaught, travelled from Windsor Castle to Sheffield on 21 May 1897 to open the new Town Hall, built at a cost of some £130,000. The royal party transferred to Norfolk Park to be serenaded by some 50,000 schoolchildren, and then the Cammell steelworks, before the Queen proceeded to Balmoral. Henry Fitzalan Howard, 15th Duke of Norfolk (1847-1917), philanthropist, mayor of Sheffield 1895-7. Arnold Muir Wilson (1857-1909), solicitor, mountaineer and pioneer motorist, elected to Sheffield City Council 1883, stood as Conservative candidate for Sheffield Attercliffe on two occasions, both unsuccessfully

Lot 611

Arthur Henry Knighton Hammond (1875-1970) : Castle on a rocky mountain, watercolour, 53 x 44 cm, signed, framed.

Lot 612

Arthur Henry Knighton Hammond (1875-1970) : Sunset with castle beyond, watercolour, 48 x 30 cm, signed, framed.

Lot 9

[BIBLE, Polyglot]. Biblia sacra polyglotta. Edited by Brian Walton. London: Thomas Roycroft, 1655-57.6 volumes, folio (450 x 277 mm). Engraved frontispiece portrait of Walton, pictorial additional title in Volume 1, double-page map of the Holy Land, double-page plan of Jerusalem, 3 double-page plates (2 showing plans and elevations of the Temple, one depicting ritual artifacts), and single-page plan of the Temple, all by Wenceslaus Hollar; errata slip mounted and tipped in to Vol. I at p.48. (A few mostly marginal tears, dampstaining to gutter margin in Vol. IV, some minor browning or soiling.) Full red crushed morocco richly gilt (some scuffing or rubbing). Provenance: Lynd (armorial bookplate)The fourth, last, and most accurate of the large-scale Polyglots of the 16th and 17th centuries, the London Polyglot was a tour-de-force of typography and layout employing Greek, Hebrew, Syriac, Arabic, Samaritan, and Ethiopic fonts to print versions in 8 languages in addition to the Vulgate. While being less elegant than its predecessors, is the most accurate and with the addition of Persian and Ethiopic to the usual Samaritan, Hebrew, Greek, Syriac, Arabic, Chaldaean and Latin. The editor was Brian Walton, made Bishop of Chester by Charles II in 1660, who called upon for assistance the considerable talents of, inter alios, James Ussher, Robert Sanderson, Henry Hammond, Edward Pococke, John Greaves and Edmund Castell. Republican issue with Walton's thanks to Cromwell for having waived customs duties on the imported paper. Wing B2797; Darlow and Moule 1446; ESTC R36567[Uniformly bound with:] CASTELL, Edmund. Lexicon Heptaglotton. London: Thomas Roycroft, 1669. 2 volumes, folio. Uniformly bound with above. According to Darlow & Moule, the Lexicon Heptaglotton is "often bound uniformly with, and as a supplement to, this Polyglot Bible"¦ they really form an essential part of the work." ESTC R218940.Property from the Collection of LSC Communications, Inc.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

Lot 2124

HENRY F HAMMOND (1914-88), a stoneware vase with iron banding, with part of purchase label for Arts & Crafts Exhibition Society, height 34cmSome firing faults, no chips or restoration.

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