Clarice Cliff & Graham Sutherland - An Art in Industry Globe shape tea cup, saucer and side plate circa 1934, decorated with an abstract design of black sketch lines over a pale blue ground with grey banded borders, artists signature and Bizarre mark, largest plate width 20cm. (3) NB - This was designed artist Graham Sutherland for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
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Clarice Cliff & Ernest Proctor - An Art in Industry Athens shape tea cup, saucer and matched side plate circa 1934 manufactured for the Harrods Art in Industry exhibition and decorated with a stylised reclining couple in silver lustre over a green glazed ground, Ernest Proctor signature and Bizarre mark, together with a small single egg cup. NB - This was designed by Ernest Proctor for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Clarice Cliff & Dod Proctor - Unknown - An Art in Industry circular plate circa 1934, hand painted with a with four fish and a starfish to the central well within blue banding and a wave line stylised seaweed border, artists signature and Bizarre mark, width 20.5cm. NB - This was designed by Dod Proctor for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Clarice Cliff & Ernest Proctor - An Art in Industry circular plate circa 1934, manufactured for the Harrods Art in Industry exhibition and decorated with a stylised dancing couple with a guitarist in silver lustre over a green glazed ground, Ernest Proctor signature and Bizarre mark, width 22cm. NB - This was designed by Ernest Proctor for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Milner Gray - Foley China - A bone china 'Old Mayfair Series' teaset, circa 1930, monochrome printed with annotated London scenes, comprising teapot, hot water pot, six cups, six saucers, milk jug and sugar bowl, printed black marks and facsimile signature, tallest 20cm. (16)NB - This was designed for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Clarice Cliff & Eva Crofts - Blue & Silver Bands - An Art in Industry Bon Jour early morning bachelor set circa 1934, decorated with wriggle silver lustre and blue lines, artists signature and Bizarre mark. (6) NB - This was designed by Eva Crofts for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Clarice Cliff & John Armstrong - Chaldean - An Art In Industry circular pedestal bowl circa 1934, hand painted with stylised horses, stars and dash lines with brown banding over a white glazed ground, artists signature together with Bizarre mark, width 26.5cm. NB - This was designed by John Armstrong for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Clarice Cliff & Ernest Proctor - Feather Leaves - A pair of Art in Industry circular plates circa 1934, hand painted with a stylised leaf motifs in green, Artist's signature and Bizarre mark, width 22.5cm. NB - This was designed by Ernest Proctor for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Albert Rutherston - Foley China - A 1934 Art In Industry tea cup and saucer, yellow sunburst flowers over white ground with silver metallic spirals over white ground and monogrammed 'D', printed marks, facsimile signature, and painted pattern no.V600, height of cup 6cm. (2)NB - This was designed for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Clarice Cliff & Milner Gray - Unknown - A pair of Art in Industry twin handled soup bowls and saucers circa 1934, hand painted with a pink wave lines and cross hatched panels to a white glazed ground, artists signature and Bizarre mark, width 23cm. (2) NB - This was designed by Milner Gray for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Clarice Cliff & Ernest Proctor - Feather Leaves - A pair of Art in Industry circular plates circa 1934, hand painted with a stylised leaf motifs in green, Artist's signature and Bizarre mark, width 22.5cm. NB - This was designed by Ernest Proctor for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Dod Procter - Foley China - A hand painted trio circa 1934, decorated with foliate cartouche within single stemmed flowers, with harebells and brick red crosses over white ground, printed black marks and facsimile signature to reverse, marked First Edition, height of cup 7cm, together with a matching dessert plate. (4) NB - This was designed by Dod Procter for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Clarice Cliff & Dod Proctor - Cheveaux - An Art in Industry circular plate circa 1934, hand painted with a stylised horse before trees in black, gold and pink over the white Latona glazed ground, artist's signature and Bizarre mark, width 22.5cm. NB - This was designed by Dod Proctor for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Clarice Cliff & Ernest Proctor - Feather Leaves - A pair of Art in Industry circular plates circa 1934, hand painted with a stylised leaf motifs in green, Artist's signature and Bizarre mark, width 22.5cm. NB - This was designed by Ernest Proctor for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Clarice Cliff & Gordon Forsyth - Unknown - A collection of Art in Industry Biarritz shape desert pates circa 1934, all hand painted with variations of stylised leaves and flowers in pink and purple over a blue glazed ground and simple dash line borders, artists signature and Bizarre mark, together with a similar period cake stand plate, lacking stand, width of largest 20cm. (5) NB - This was designed by Gordon Forsyth for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Clarice Cliff & Allan Walters - Swirls - An Art in Industry large circular plate circa 1934, hand painted with a stylised swirl pattern in black, green and white over a grey border, printed Allan Walters signature and Bizarre mark, width 22.5cm, together with a matched coffee can and saucer and an Odilon tureen and cover, all with matched backstamps. (3) NB - This was designed by Allan Walters for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Clarice Cliff & Billie Walters - Deer - An Art in Industry circular plate circa 1934, transfer printed and hand painted with a stylised leaping deer and tree within a wave line border to a white glazed ground, artists signature and Bizarre mark, width 25cm, together with a matched soup bowl. NB - This was designed by Billie Walters for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Clarice Cliff & Ernest Proctor - An Art in Industry circular plate circa 1934, manufactured for the Harrods Art in Industry exhibition and decorated with a stylised couple on horse back to a landscape in silver lustre over a green glazed ground, Ernest Proctor signature and Bizarre mark, width 23cm, together with a similar smaller example. (2) NB - This was designed by Ernest Proctor for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Graham Sutherland - Foley China - A dessert plate, circa 1934, of circular form, decorated with green dots with black line detail over white ground and pink and black scribbled border, printed black marks and facsimile signature, marked First Edition, diameter 23cm. NB - This was designed for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Clarice Cliff & Graham Sutherland - Purple Flowers - An Art in Industry circular plate circa 1934, hand painted with a border and abstract flower heads and spot panels against a dash ground over a honey glazed ground, artist's signature and Bizarre mark, width 23cm. NB - This was designed by Graham Sutherland for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Ernest Procter - Foley China - Three painted dessert plates, made for the 1934 Harrods and 1935 Art in Industry Exhibitions, decorated with wavy and spiral bands enclosing central floral roundel, in tonal green, blue, pink and yellow with silvered outline and spirals, diameter 23cm, together with a matching sugar bowl, printed black marks and facsimile signature. (4) NB - This was designed for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Clarice Cliff & Milner Gray - Unknown - An Art in Industry Globe shape tea cup and saucer circa 1934, hand painted with a with a central purple panel with scraffitto scrolls with a matched looped band, artist's signature and Bizarre mark, width 23cm. NB - This was designed by Milner Gray for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Clarice Cliff & Graham Sutherland - Unknown - An Art in Industry circular plate circa 1934, hand painted with a with a running wave loop border with green and black wriggle line panels over a honey glazed ground, artist's signature and Bizarre mark, width 23cm. NB - This was designed by Graham Sutherland for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Freda Beardmore - Foley China - A painted Bachelor's teaset, circa 1930, decorated with intertwined ribbons enclosing abstract flower heads and orange spirals, over white ground, comprising teapot, teacup and saucer, sugar bowl and milk jug, printed black marks and facsimile signature, painted pattern no.V604. (5) NB - This was designed for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Clarice Cliff & Graham Sutherland - Floral Bands - An Art in Industry circular plate circa 1934, transfer printed and hand painted with a with a floral spray within looped bands in pink and black over a white glazed ground, artist's signature and Bizarre mark, width 20cm. NB - This was designed by Graham Sutherland for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Allan Walton - Foley China - A 'Mornington' pattern side plate, circa 1934, of circular form, decorated with orange flower petals with yellow and black triangles over white ground and rolling lime border, black printed marks and facsimile signature, marked First Edition, diameter 18cm. NB - This was designed for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Clarice Cliff & Michael Willmer - An Art in Industry Conical tea cup and saucer with matched side plate and cake plate circa 1934, decorated with a stylised devil figure, artists signature and Bizarre mark, largest plate width 20cm. (3) NB - This was designed artist Michael Willmer for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Frank Brangwyn - Royal Doulton - A Brangwyn Ware water jug circa 1930, of baluster form, incised harvest fruit over mottled slip ground, printed marks to base and pattern no.D5034, height 21.5cm, together with a matching coffee can and saucer. (3)NB - This was designed for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Clarice Cliff & Ernest Proctor - Feather Leaves - An Art In Industry circular pedestal bowl circa 1934, hand painted with a stylised leaf motifs in green with matched banding, Artist's signature and Bizarre mark, width 21.5cm. NB - This was designed by Ernest Proctor for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Vanessa Bell - Foley China - A hand painted part tea service, flower head panel with stylised scrolling leaves over smudged grey ground, within purple lustre field and chain link hatched yellow border, comprising six tea cups, six saucers and side plates, Sandwich plate, cream jug and sugar bowl, printed black marks to base and facsimile signature, marked 'First Edition', diameter of sandwich plate 23cm. (21) NB - This was designed by Bloomsbury artist Vanessa Bell for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Albert Rutherstone - A E Brain & Co (Foley) - A 1934 Art In Industry Exhibition trio, the cup decorated with seaside bathing figures with ribboned tied floral spray to reverse, within faux jewelled jade green and gilt lined border over white ground, the side plate decorated with hiking figure, tree and distant purple mountains, together with a matching side plate and sugar bowl, printed grey marks and facsimile signature, diameter of saucer 16cm. (5)NB - This was designed for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Clarice Cliff & Gordon Forsyth - Unknown - An Art in Industry Biarritz shape desert pate, side plate and saucer boat circa 1934, hand painted with stylised leaves and flowers in pink and purple over a blue glazed ground, artists signature and Bizarre mark, width of largest 23cm. NB - This was designed by Gordon Forsyth for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Paul Nash - Foley China - A handpainted 'Forest' side plate, circa 1934, decorated with stylized tree canopies in tonal yellow, green and brown, over cream ground, printed black marks and facsimile signature to reverse, diameter 16cm. N.B - This was designed by Paul Nash for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Dame Laura Knight - Foley Pottery - Two 'Dove and Flood' trios, circa 1934, purple lustre with stylized raindrops reserving flooded landscapes and perched dove, comprising cups, saucers and side plates, printed black marks to reverse and facsimile signature and painted pattern no.V630. diameter of side plate 16cm. (6) NB - This was designed for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Clarice Cliff & Laura Knight - Fair Ladies - An Art In Industry circular plate circa 1934, decorated with a crowd of stylised ladies within an orange flash and black swirl line border, Laura Knight signature and Bizarre mark, width 22.5cm. NB - This was designed artist Laura Knight for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
THEMATIC - BUTTERFLY - NAUTICAL- & GENERAL COLLECTION A beautiful well presented collection covering 13 Volumes put together together over many years ,with lots seen to interest both on the Thematic interest and general . China 1963 Butterfly set mint , plus some values seen used , Antigua 1970 Shipping set mint , Norfolk Butterfly’s set mint, Zanzibar 1936 set mint , Australia Antarctic Territory 1970/set mint , New Hebrides 1953 set mint, Tanzania 1973 Butterfly’s set mint, Papua 1966 Butterfly set mint , Singapore Pictorial Ships set mint,v Malaya States with good range of most states to be seen mint , Belieze mint Lake run nice mint marginal ship block of 12 , overprint CEF Overprint Bahamas 1966 Decimal Currency surcharge set of 15 mint Then British Solomon Island 1965 set mint, New Zealand 1970 set mint, British Honduras 1953 set up to $2 mint, Turks & Caicos island with 1950 set mint, Gilbert & Ellis 1976 , Falkland Isl Dependancies KGVI mint sets from Shetland , South Georgia , Orkney , and Graham Land , Pitcairn Island Pitcairn 1940 KGVI set of 10 mint , Burma Milly Admin set of 16 mint , Hong Kong , 1941 Centenary of British Occupation set of 6 mint, 1938-52 KGVI with a selection of vals to $10 . Titis Solomon Isl 1966 Decimal Currency set 15 mint ,Bermuda 1962-68 set of 18 mint , Gambia 1953 set mint , A fine collection of high quality that really needs to be viewed to be appreciated for its quality
Graham Dean, acrylic on canvas, 'Tropicans 9', 1981, framed, overall size 164cm x 105cm. Graham Dean studied graphic design at Bristol in the 1960s, but found the course stifling, wanting to create 'exciting visual images' instead. The recurring theme of Dean's work is identity, physical as well as spiritual and psychological.
Brunel University: Original Music Contracts, including, Pink Floyd, Fleetwood Mac, Genesis, Yes, Family, Fairport Convention, Deep Purple, and others; and related ephemera, 1969-1970 – Twenty-four original single-page contracts, headed College Entertainments, Archer Street, London, in red and black, with the band/artist salary payment and terms, location and time of the gig, length of performance, riders, technical specifications, and date and details of the agreement signed between the band/artist and Peter Willson on behalf of Students Union, Brunel University, to include – Alan Price and Friends, Signed by Alan Price, Refectory Building, Uxbridge Site, Saturday October 18, 1969, salary £325.Fleetwood Mac Ltd., Signed by Clifford Davis, Lyceum Ballroom, The Strand, London, Friday October 24, 1969, salary £750.Pink Floyd, Signed by an unknown hand, Refectory Building, Kingston Lane, Friday November 28, 1969, salary £550, ‘It is agreed that Fleetwood Mac have top billing for this engagement . . band to arrive by 12.00 midnight & appear no later than 3.00am’.Family, Signed by management, Lyceum Ballroom, The Strand, London, overnight Friday December 5, 1969, salary £400.Edgar Broughton Band, Signed by Edgar Broughton, Lyceum Ballroom, The Strand, London, Friday December 5, 1969, salary £100.John Lee Hooker with the Groundhogs, management signed, Refectory Building, Kingston Lane, Saturday November 15, 1969, salary £150.Graham Bond, management signed, Refectory Building, Kingston Lane, Saturday November 15, 1969, salary £225.Howling Wolf, management signed, Lyceum Ballroom, The Strand, London, Friday October 24, 1969, salary £150.Deep Purple, Signed by John Coletta, Lyceum Ballroom, The Strand, London, Friday October 24, 1969, salary £150.Zoot Money, management signed, Lyceum Ballroom, The Strand, London, Friday December 5, 1969, salary £150.Manfred Mann Chapter Three, management signed, Refectory Building, Kingston Lane, Saturday January 17, 1970, salary £300.Wild Wally Rock & Roll Show, Signed by Wild Wally, Brunel S.U., Acton, W.3, Saturday January 24, 1970, salary £30.Yes, management signed with further Yes printed stamp, Brunel University, Kingston Lane, Saturday January 31, 1970, salary £250.Jon Wiseman’s Colosseum, management signed, Lyceum Ballroom, The Strand, London, Friday February 6, 1970, salary £300.Geno Washington & The Ram Jam Band, management signed, Excelsior Hotel, London Airport, Friday February 13, 1970, salary £250.Georgie Fame, management signed, Refectory Building, Kingston Lane, February 21, 1970, salary £450.Fairport Convention, management signed, Refectory Building, Kingston Lane, Friday February 27, 1970, salary £450.Genesis, Signed by Peter Gabriel, Michael Rutherford, Anthony Banks, John Mayhew, and Anthony Phillips, The Refectory, Kingston Lane, Friday February 24, 1970, salary £30.East of Eden, management signed, Brunel University, Acton, W.3, Friday March 6, 1970, salary £150.Wild Wally Rock & Roll Show, Signed by Wild Wally, Brunel University, Acton, W.3, Saturday May 2, 1970, salary £35.Stack, signed by M. Berry, Brunel University, Kingston Lane, Friday May 15, 1970, salary £25.Diz Dizley, management signed, Brunel University, Acton, W.3, Friday June 5, 1970, salary £18.Bob Kerr’s Whoopee Band, management signed, Refectory Building, Kingston Lane, Saturday June 27, 1970, salary £125,Matthews Southern Comfort, management signed, Refectory Building, Kingston Lane,Saturday June 27, 1970, salary £175.together with, four tickets for Brunel University events including, University Rag presents John Peel Live, January 17, 1969; a copy of a hand-made poster, ‘Pete Willson is Standing for Social Chairman’, 8 x 10 inches; Brunel University Students Union Handbook, 1969-1970, 15 x 21cm; Brunel University Rag Magazine, 1970, 18 x 24cm; a copy of Isam magazine, Brunel, vol 10, No. 2, 23 Oct, 1969, 24 x 37cm; Brunel University, pink initial booking contract for the Lyceum Strand, October, 1969; eleven newspaper cuttings, promoting many bands and artists as listed in the above contracts; and a hand-written letter to Brunel University Social Secretary, dated 13, October, 1969, from a disgruntled fan, complaining that as a non-Brunel student, they were unable to get into many of the venues to see the bands and unless the University changed their policy . . ‘I’ll write to Melody Maker’. (qty) Provenance:The vendor attended Brunel University and as Social Secretary during the late 1960s and 70s was responsible for booking bands and artists for the University's concerts and events during this time.
EARDLEY KNOLLYS (BRITISH 1902-1991) ⊕ EARDLEY KNOLLYS (BRITISH 1902-1991) MOUNTAIN LANDSCAPE signed with initials lower left; numbered 45 on the reverse oil on canvas 30.5 x 40.5cm; 12 x 16in 45 x 54.5cm; 17 3/4 x 21 1/2in (framed) EARDLEY KNOLLYS (LOTS 33-39) Introduction SUCH COURAGEOUS ENTHUSIASM… he is one of the purest painters I know. Duncan Grant Artist, gallerist, dealer, advertising executive and aspiring Hollywood director are just a handful of the activities Eardley Knollys pursued during his life. A descendant of the Earls of Banbury, after Christ Church College, Oxford, he worked for Lever Brothers and J Walter Thompson before travelling to America to work on silent films in California. On his return to London he was appointed private secretary to Lord Hambleden, and in 1936 joined the Storran Gallery opposite Harrods on the Brompton Road where his partner, the artist Frank Coombs, was assistant to the owner Ala Story. After buying out Story, Knollys and Coombs consolidated the Storran Gallery into a hub of avant-garde art, building up a culturally influential network in both London and Paris. Their deceptively prosaic opening exhibition Flower Paintings featured works by Gauguin, Vlaminck, Modigliani and Monet. The show explored the innovative ways such everyday subject matter had been reinterpreted in modern art (something which would come to influence Knollys’ own work – see lot 38). They welcomed a raft of esteemed collectors to their premises, including Lady Ottoline Morrell, Duncan Grant and others of the Bloomsbury set as well as the influential George Eumorfopoulos. But the tragic death of Coombs in an air raid in 1941 whilst serving in the Royal Navy in Belfast signalled the end of The Storran Gallery’s activities. Knollys lost his enthusiasm for the venture and closed it for good shortly after the end of the War. Thereafter he took a job with the nascent National Trust and moved to live near Wimborne in Dorset. At the Trust he worked as assistant to the secretary, Donald Macleod Matheson. He joined James Lee-Milne on his visits to estates and country houses across Wessex and Wales and served as the South-West representative for the National Trust for some fifteen years. At Crichel House near Wimborne he set up a communal menage with the music critics Edward Sackville-West and Desmond Shawe-Taylor, later joined by the literary critic of the New Statesman Raymond Mortimer. Crichel became a house for creatives and intellectuals. Lees-Milne came to regard it as a second home, and visitors ranged from the interior designer Sybil Colefax to film director Anthony Asquith; writers included Nancy Mitford and Laurie Lee; among visiting artists were Graham Sutherland and Ben Nicholson; musicians included the composer Benjamin Britten and soprano Elisabeth Schumann.It was thus only in his fifties that Knollys began his career as a painter when he was encouraged by the artist Edward Le Bas during a holiday in Brittany. As a dealer, Knollys had encountered a wide range of contemporary art and developed a particular love for vibrant colour and pattern through his encounters with Post-Impressionism and Fauvism, stating that ‘I have always loved bright strong colours – muddy ones seem to me symbols of gloom’. Often sketching en plein air to be later translated to canvas in his studio, or from memories of his travels in Spain, France and Italy, Knollys deployed colour to build space and form (lots 34 & 35). He had his first solo exhibition in 1960 at the Minories, Colchester and a plethora of subsequent shows including with Michael Parkin in London and Achim Moeller in New York and at Southampton City Art Gallery. Remembered by his peers for his charm and sense of humour, Frances Partridge recalled that ‘everyone loved Eardley, you couldn’t help it’. Knolly’s joie de vivre left a mark on his contemporaries which continues to radiate from his playful and typically colourful works today.
A quantity of books many with dedications signed by the author to include: 'Let's Eat Meat' and 'E is for Eating' by Tome Parker Bowles; 'Come Hell or High Water' by Clare Francis; 'The Racehorse Who Disappeared' by Clare Balding; 'Fulke Walwyn' a pictorial tribute (this book signed by the subject rather than the author); 'The Cottage Book' and 'Edwardian Requiem' by Michael Waterhouse; 'The Spirit of Britain First' by Graham Warner; 'A Lion in the Bedroom' by Pat Cavendish O'Neill; 'In the Key of Genius' by Adam Ockelford and other unsigned books.
ACADEMY AWARD NOMINEES: An excellent selection of signed 8 x 10 photographs and slightly smaller (1) by various actors, each of them Best Supporting Actor Oscar nominees from the first half of the 1990s comprising Bruce Davison (for his performance as David in Longtime Companion, 1990), Andy Garcia (for his performance as Vincent Mancini in The Godfather Part III, 1990), Graham Greene (for his performance as Kicking Bird in Dances with Wolves, 1990), Harvey Keitel (for his performance as Mickey Cohen in Bugsy, 1991), Michael Lerner (for his performance as Jack Lipnick in Barton Fink, 1991; the image depicting him in costume from the film), David Paymer (for his performance as Stan Young in Mr. Saturday Night, 1992), Ralph Fiennes (for his performance as Amon Goth in Schindler´s List, 1993), John Malkovich (for his performance as Mitch Leary in In the Line of Fire, 1993), Pete Postlethwaite (for his performance as Giuseppe Conlon in In the Name of the Father, 1993), Chazz Palminteri (for his performance as Cheech in Bullets over Broadway, 1994), and Gary Sinise (for his performance as Lt. Dan Taylor in Forrest Gump, 1994). All are boldly signed by the actors in blue or black inks to largely lighter areas of the images and none are inscribed. Colour (4). VG to EX, 11
ADER CLEMENT: (1841-1925) French inventor and engineer who is primarily remembered for his pioneering work in aviation, although was also responsible for improving the telephone invented by Alexander Graham Bell and establishing the telephone network in Paris in 1880. Ader was also one of the pioneers in the sport of cycling in France. An unusual A.L.S., C Ader, to the recto of a vintage postcard depicting Ader making an experimental flight in October 1897 at Satory military camp, n.p., n.d., to a gentleman, in French. Ader writes, in part, ´Voici le mot que vous désirez en votre qualité de jeune admirateur de l´aviation.....Votre vocation poussera vos désirs vers l´aviation militaire et il n´appartiendra qu´à vous de vous y signaler comme défenseur de la Patrie´ (Translation: ´Here is the word you are looking for as a young aviation enthusiast... Your vocation will steer your desires towards military aviation and it will be up to you to signal your interest as a defender of the Fatherland´). The name of the recipient has been neatly erased from both the recto and verso, leaving some light, minor staining. About VG
HAYWARD SUSAN: (1917-1975) American actress, Academy Award winner for Best Actress in 1958 for her role as Barbara Graham in I Want to Live! An excellent vintage signed 8 x 10 photograph of Hayward in a head and shoulders pose, the publicity portrait dating from 1955 at the time of Hayward´s performance as the Broadway star Lillian Roth in the biopic I´ll Cry Tomorrow, for which Hayward received a Best Actress Oscar nomination. Signed by the actress in bold blue fountain pen ink with her name alone to a light area at the centre of the image. A very lengthy pencil note in the hand of a collector to the verso explains in detail how the signature was obtained in person on 16th May 1959. About EX
ENGLAND FOOTBALL: Selection of multiple signed 16.5 x 12 magazine photographs, and a few slightly smaller, by various English football league teams of the late 1970s and early 1980s, including Nottingham Forest (Brian Clough, John Robertson, David Needham, Pater Shilton, Ian Wallace, John McGovern, Justin Fashanu, Bryn Gunn, Viv Anderson etc.), Arsenal (2; David O´Leary, Pat Jennings, Frank Stapleton, Alan Sunderland, Kenny Sansom, John Hollins, Brian Talbot, Tony Woodcock etc.), Tottenham Hotspur (Glenn Hoddle, Ricardo Villa, Graham Roberts, Steve Archibald, Osvaldo Ardiles, Garth Crooks etc.), Manchester City (Paul Power, Joe Corrigan, Dennis Tueart etc.), Newcastle United (Peter Withe, Terry Hibbitt etc.), Southampton (3; Ivan Golac, Chris Nicholl, Mike Channon, Charlie George, Kevin Keegan, Alan Ball, Peter Shilton, Lawrie McMenemy etc.), West Bromwich Albion (Brendon Batson, Cyrille Regis, Remi Moses etc.), Aston Villa (4; Jimmy Rimmer, Gordon Cowans, Andy Gray, John Gregory, Nigel Spink, Kemmy Swain, Peter Withe etc.), Leeds United (Paul Hart, Tony Currie, Frank Gray, Eddie Gray, Trevor Cherry etc.), Bolton Wanderers (Peter Reid, Brian Kidd etc.), Ipswich Town (Kevin Beattie, Bobby Robson, Arnold Muhren, Paul Mariner, Terry Butcher, Russel Osman, Paul Cooper, George Burley etc.), Watford (Gerry Armstrong, Pat Rice, John Barnes, Luther Blissett, Graham Taylor etc.) and a few others. Some folds and other minor faults, generally G to about VG, 21
GREENE GRAHAM: (1904-1991) English novelist. A good T.L.S., Graham, one page, 8vo, Avenue Pasteur, Antibes, 28th July 1984, to Tadeusz Murek. Greene commences his letter announcing ´I don´t think you realise at all the strain and the obligations I am living under in my 80th year´ and continues ´I don´t care a damn about my obsession with the United States or the Soviet Union´, explaining ´I have far more difficult problems and more important ones from a human point of view to deal with as well as the necessity of writing books and avoiding interviews with journalists. For the time being I can´t be of any help to you discussing your obsessions or mine´. Greene further informs his correspondent that ´The film of Dr Fischer is finished and will be shown for the first time in London on September 3 and afterwards on television´, and concludes by writing ´I never talk about a book I am writing because it destroys the desire to write it. I am glad to say I was able to avoid the film based on The Heart of the Matter except for the awful final instalment´. Accompanied by the original envelope (postmarked at Tonbridge, Kent). A letter of excellent content. VG
SCOTLAND NATIONAL FOOTBALL TEAM: An oblong 8vo feint ruled sheet of paper individually signed by twenty members of the Scotland national football squad of 1958 including Jackie Mudie, Tommy Docherty, Alex Scott, Bill Brown, John Coyle, Alex Parker (on a small piece neatly affixed to the page with tape), Doug Cowie, Jimmy Murray (scored Scotland´s first-ever goal in a World Cup finals match, against Yugoslavia in 1958), Ian McColl, Willie Fernie, Eddie Turnbull, Graham Leggat, Harry Haddock, Bobby Evans, Archie Robertson, Eric Caldow, John Hewie etc. All of the players have signed in blue inks and a collector has added a number alongside each. Accompanied by a vintage unsigned 4.5 x 3.5 photograph of the team at the time of the 1958 FIFA World Cup held in Sweden. Some light age wear and a few small, minor stains to the edges, G, 2
λ GRAHAM SUTHERLAND (BRITISH 1908-1980) THROUGH THE WOODS Ink, gouache, watercolour and pencil Signed and dated 1958 (lower right) 28 x 21cm (11 x 8¼ in.) Condition Report: Unexamined out of glazed frame. Slight undulation to the sheet throughout. A cluster of pin holes to the centre of the upper edge. A diagonal crease circa. 3cm at the centre of the right edge. Some very fine surface scratches and marks to the extreme right edge, but not particularly noticeable. There is a very small loss to the green oil pigment in the lower right quadrant circa. 1mm. Otherwise the work appears to be in good original condition. Condition Report Disclaimer
λ GRAHAM SUTHERLAND (BRITISH 1903-1980) STUDY FOR A CACTUS Gouache, watercolour and ink Stamped Tuesday - 5 Apr 1960 (verso) 23 x 18cm (9 x 7 in.)Painted in 1948. Provenance: Private Collection, Herbert Spencer (a gift from the artist) Thence by descent Literature:D. Cooper, The Work of Graham Sutherland, London, 1961, no.106d (illustrated) Condition Report: Knicks and losses to the extreme left edges. Corners slightly bent/rounded. A small vertical tear to the left side of the lower edge approx. 1cm and another slightly further towards the centre of the left edge circa. 2cm. Condition Report Disclaimer
λ MICHAEL AYRTON (BRITISH 1921-1975) CHALK PITS Ink, wash and gouache Signed and dated March 15 '45 (lower left) 37 x 55cm (14½ x 21½ in.)Provenance: Roland, Browse and Delbanco, London The Piccadilly Gallery, London Sale, Sotheby's, London, 7 June 2007, lot 114 Private Collection, Andrew BurtNote for online:This evocative work is thought to originate from a period when Ayrton was in contact with Paul Nash and Graham Sutherland, visiting the latter in Pembrokeshire in the Summer of 1945. It is also clearly related to the background of 'Winter Stream', a key painting of the same year, held at Aberdeen Art Gallery and Museum:
λ GRAHAM SUTHERLAND (BRITISH 1903-1980) TRAPPES - WRECKED LOCOMOTIVE Watercolour, ink and charcoal 27.7 x 20.2cm (10¾ x 7¾ in.) Painted in 1944. Provenance: Private Collection, Herbert Spencer (a gift from the artist) Thence by descent Literature:D. Cooper, The Work of Graham Sutherland, London, 1961, no.49 (illustrated) Condition Report: Creases and small nicks to the extreme lower corners. Light surface dirt throughout. Condition Report Disclaimer
Pair: Corporal J. Graham, Cape Town Highlanders Queen’s South Africa 1899-1902, 2 clasps, Cape Colony, Orange Free State (1075 L. Corpl: J. Graham. Cape Town Highrs:); King’s South Africa 1901-02, 2 clasps, South Africa 1901, South Africa 1902 (1075 Corpl: J. Graham. C.T. Highrs:) nearly extremely fine (2) £100-£140
James Faed, Junior, Scottish 1856-1920- Highland Town; oil on canvas, signed and dated 'J. Faed Junr / Decr 1887', (lower right), 24 x 35 cm. Provenance: Private Collection, UK. Note: James Faed 'Junior' was born in West Lothian in Scotland. He was a highly skilled landscape painter, inspired directly by his father, the painter James Faed (1821-1911). He really captured the depth and colour of the Scottish countryside and, in particular, his treatment of heather and running water is highly regarded. His later canvases in oil are reminiscent of Horatio MacCulloch's grand highland scenes, while his lowland watercolours follow the style of Sam Bough. Faed's landscapes would also have been influenced by Peter Graham, a friend of Thomas Faed, and John MacWhirter, whom he later knew in London. He spent time at Appin, Loch Fyne and in the Trossachs, and in addition to works on the Avon and in Cadzow Forest, he sketched in the Edinburgh area, in Invernesshire and on the west coast of Sutherland.
SOUL - 7" COLLECTION (INC PROMOS/ MOTOWN). A collection of around 100 soul 7" singles, including promos. All UK pressings, mostly in picture sleeves. Artists/ titles include Run DMC inc It's Tricky, Walk This Way. Diana Ross inc Mahogany, I'm Gonna Make You Love Me, No One Gets The Prize, Stevie Wonder - Superstition, R&J Stone inc We Love Each Other, We Do It. John Williams - Theme From Jaws, George Benson - The Greatest Love Of All. Jaki Graham, Detroit Spinners, Gap Band, Boris Gardner, Sade, Teddy Pendergrass, Public Enemy, Aretha Franklin, Bootsy Collins, Lou Rawls, Eddy Grant, Marvin Gaye, Black Echoes, Michael Jackson. Condition is generally Ex to Ex+.
THE GRAHAM COLLIER SEPTET - DEEP DARK BLUE CENTRE LP (UK MONO - DML 1005). A sought-after slice of Post Bop Jazz here with The Graham Collier Septet - Deep Dark Blue Centre (UK mono, DML 1005). The record is in Ex condition with some light surface marks/ hairlines. Centre labels are crisp and clean. The sleeve is in VG condition with creasing to the top left corner/ creasing to the laminate
SOUL, FUNK, AND DISCO LP COLLECTION - a collection of approximately 78 Soul, Funk, and Disco LPs. Collection to include: The Originals, Isaac Hayes, Dobie Gray, Ann Peebles, Otis Redding, Major Lance, Various - Where Soul Begins: Kent/Modern - The Best Of Northern Tracks, The Ohio Players, New York City, Lowell Fulson, Sandy Nelson, Average White Band, Dobie Gray, Billy Preston, Gloria Jones, Lou Rawls, Commodores, Clarence Carter, The Javells, Graham Central Station, Mahalia Jackson, Gladys Knight & The Pips, Four Tops, Martha Reeves & The Vandellas, Ramsey Lewis, King Floyd, Ellie Greenwich and more. The collection is generally in VG condition, with some dropping below.
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