We found 38944 price guide item(s) matching your search

Graham EVERNDEN (1947) Yellow Seed Heads Oil on board, signed with initials, further signed, titled and dated 2023 verso, 40cm x 40cm, 50.5cm x 50.5cm framed.

Maria HEITEL (1937-2023) Apples and Flowers Oil on board, signed, 63cm x 47.5cm framed. Maria trained at St Martins in London alongside her very good friend Bryan Ingham who later became a god-parent to one of her children. In later years, during the 1960's, she became the proprietor of Newlyn Art Gallery, showcasing works by artists including Karl Weschke, Wilhelmina Barns-Graham, Roger and Rose Hilton, Jeremy Le Grice, Bryan Wynter and they all became friends of hers and remained so throughout their lives. It was only during the final twenty years of her life that Maria began to paint again herself, exhibiting in Morvah Gallery and Newlyn Arts Club.

Graham EVERNDEN (1947) Tabletop Oil on board, signed with initials, further signed, titled and dated 2023 verso, 29cm x 29cm, 38cm x 38cm framed.

Maria HEITEL (1937-2023) Still Life with Fish Oil on board, 45.5cm x 56cm, 51cm x 61cm framed. Maria trained at St Martins in London alongside her very good friend Bryan Ingham who later became a god-parent to one of her children. In later years, during the 1960's, she became the proprietor of Newlyn Art Gallery, showcasing works by artists including Karl Weschke, Wilhelmina Barns-Graham, Roger and Rose Hilton, Jeremy Le Grice, Bryan Wynter and they all became friends of hers and remained so throughout their lives. It was only during the final twenty years of her life that Maria began to paint again herself, exhibiting in Morvah Gallery and Newlyn Arts Club.

Maria HEITEL (1937-2023) Betrothed Oil on canvas, signed and dated '07, signed verso, 78.5cm x 53cm framed. Maria trained at St Martins in London alongside her very good friend Bryan Ingham who later became a god-parent to one of her children. In later years, during the 1960's, she became the proprietor of Newlyn Art Gallery, showcasing works by artists including Karl Weschke, Wilhelmina Barns-Graham, Roger and Rose Hilton, Jeremy Le Grice, Bryan Wynter and they all became friends of hers and remained so throughout their lives. It was only during the final twenty years of her life that Maria began to paint again herself, exhibiting in Morvah Gallery and Newlyn Arts Club.

Graham EVERNDEN (1947) Chinese Pot Oil on board, signed with initials, further signed, titled and dated 2023 verso, 29cm x 29cm, 38cm x 38cm framed.

Graham EVERNDEN (1947) China Cup With Fig Oil on board, signed with initials, further signed, titled and dated 2023 verso, 29cm x 29cm, 38cm x 38cm framed.

Graham EVERNDEN (1947) Green China with Two Lemons Oil on board, signed with initials, further signed, titled and dated 2023 verso, The Torrance Gallery label attached, 40cm x 40cm, 50.5cm x 50.5cm framed.

Maria HEITEL (1937-2023) Flight Oil on board, signed, titled verso, 56cm x 46cm, 58.5cm x 48.5cm framed. Maria trained at St Martins in London alongside her very good friend Bryan Ingham who later became a god-parent to one of her children. In later years, during the 1960's, she became the proprietor of Newlyn Art Gallery, showcasing works by artists including Karl Weschke, Wilhelmina Barns-Graham, Roger and Rose Hilton, Jeremy Le Grice, Bryan Wynter and they all became friends of hers and remained so throughout their lives. It was only during the final twenty years of her life that Maria began to paint again herself, exhibiting in Morvah Gallery and Newlyn Arts Club.

watercolour on paper, signed, titled verso mounted, framed and under glass image size 34cm x 48cm, overall size 67cm x 80cm Handwritten artist's label verso Note: David M Graham lives and works in Scotland. He holds a Masters Degree from Edinburgh College of Art and a teaching qualification from Moray House School of Education. In addition to paintings he has lectured at Honours Degree level for most of his career but he has also enjoyed teaching short courses in visual communication and water colour painting. Working in a variety of mediums, at times, the imagery in David’s painting borders on abstraction while retaining intriguing yet recognisable elements that relate to the subject matter. The landscape provides the inspiration for much of his work, some of which is expressed in bold statements of colour and texture. David Graham is represented in a number of prominent art galleries in Scotland and England. His work is included in many private collections at home and abroad.

Vinyl - 14 demo promo 7” singles on Stateside Records and Columbia to include: Mitch Ryder, Balloon Corps, Eddie Hodges, Mogul, Graham Bonney, Cathy Carr, The Congregation, Jay Justin, Chester and others. Condition VG overall

Vinyl - Graham Bond - Holy Magick LP on Vertigo Records 6360 021. Original Uk 1st pressing large Vertigo swirl labels with code dated October 1970 swirl inner. EX- / EX+

Vinyl - 23 Rock & Pop LPs to include The Beatles x 2, The Rolling Stones, Fairport Convention (pink i Island Labels), Marianna Faithful, Keef Hartley Band, The Beach Boys x 5 (inc Pet Sounds mono press), Graham Nash, CS&N, Francoise Hardy, Spencer Davis Group, Miriam Makeba, Aretha Franklin, Osibisa, Cat Stevens and others. At least Vg overall

Sitwell, Sacheverell and Russell, James, "Old Garden Roses Part One", with 8 reproductions from paintings by Charles Raymond and a foreward by Graham Thomas, George Rainbird Ltd, no 148 of 160 signed by both author nd artist, in association with Collins, 14 St James Place, London, 1955 ( one with its original box sleeve), and Blunt, Wilfred and Russell, James, "Old Garden Roses Part Two", George Rainbird Ltd 1957 , also numbered 148 of 160, with original box sleeve, both half vellum, bound by Zaensdorf, marbled boards highlighted in gilt, and two other copies, Part I numbered 355 of 2160 copies, part II not numbered but  limited edition similar, dust wrappers, ( 4)Condition Report

A collection of 00 gauge unboxed railway locomotives and wagons comprising a Class 5 4-6-0 locomotive and tender no 44753 by Graham Farish in BR black, two unmarked D6100 diesel locomotives in BR green, a 2-6-2 prairie tank locomotive by Graham Farish no 8103, tank engines by Rivarossi and Joeuf, one further tank engine, 4 unboxed wagons and 2 boxed wagons by Trackmaster together with an album containing 19th and 20th century stamps

Eight 00 gauge Southern Rail coaches including four by Lima (30 5314, 30 5324 and 20 5334 x2) and four by Graham Farish, all boxed with original inner packaging (8)

GRAHAM CLARKE - a pair of etchings depicting scenes of Rye - 17cm x 20cm

GRAHAM CLARKE - a pair of etchings, one entitled 'Skates' 10cm x 12cm

GRAHAM CLARKE - a pair of etchings depicting scenes of Rye - 16cm x 20cm

A selection of Folio Society fiction books, including 'Travels With My Aunt' by Graham Greene

GRAHAM CLARKE - an etching entitled 'Harbour' Limited Edition number 1/100, signed in pencil by the artist to the mount - 58cm x 70cm

GRAHAM CLARKE - two coloured etchings 'Home Farm' and one other - 15cm x 17cm

Mouseman - unusual circa. 1930s adzed oak tub-shaped armchair, barrel-back with woven leather, the upright carved with mouse signature, figured panelled sides enclosing panelled seat, arched seat rail, stile supports with block feet on castors, by the workshop of Robert Thompson, Kilburn Notes: made by apprentice Graham Hayes (1914-1943). Hayes went on to become a founding member of the Small Scale Raiding Force (SSRF), a special commando unit under the Special Operations Executive (SOE), established by Winston Churchill in 1940. Tragically, he was captured in 1942 and held prisoner by the Gestapo until his execution in 1943. Recently, Hayes has been featured in Guy Ritchie's film 'The Ministry of Ungentlemanly Warfare' under the name "Graham 'Henry' Hayes," portraying his role in the SOE. The chair has come for sale from family descent. Dimensions: Height: 64cm  Length/Width: 58cm  Depth/Diameter: 73cm

22 'N' gauge coaches, creating seven rakes of co-ordinating coaches, varying manufacturers(700g)Lima (4), Unidentified perhaps kit (16), Trix (1), Graham Farish (1)One roof lists from shellAppear 'Ready-to-roll' Condition Report - Fair

Two N gauge Boxed Graham Farish GWR Steam Locomotives, Tested Runners(300g)Graham Farish 1104 Class 94xx 0-6-0PT in GWR green, incorrect case and panel endsGrafar Class 61xx 2-6-2 3112 in GWR Green, little dust Condition Report - Locomotives - GoodBoxes - Fair

Two N gauge BR Diesel Locomotives, Tested Runners(300g)Graham Farish 1007 Class 08 Shunter 08113/08493 in BR Blue, in caseLima 209 Class 31 D5518 Co-Co in BR Blue, unboxed Condition Report - Locomotives - GoodBox - Fair

Graham Farish OO Rolling stock to include 'Lydia' Pullman coach and six wagons/vans(1100g)also Hornby Dublo ES7 Colour light signal and two G3 switches in boxeswagons show hand painting Condition Report - Rolling stock - PoorOther - Fair

Greene (Graham) May We Borrow Your Husband, one of 500 copies signed by the author, original cloth-backed boards, original acetate dust-jacket, original tissue dust-jacket, a mint copy, 8vo, 1967.

Miller (Henry, writer, 1891-1980) 4 Typescripts and related correspondence, comprising Looking Down from the Empire State, 6 pp., carbon with minor corrections, staple staining on title, 1938; Into the Future, 20pp., carbon copy, presentation inscription from the author "To David Edgar from Henry 8/38 . . . written end of 1936 or early in '37", with a few autograph corrections, margins browned, [1936]; Draft typescript of his essay on E. Graham Howe entitled "The Wisdom of the Heart", 17pp., with numerous autograph corrections, [c.1941]; Autograph Letter signed to David Edgar, 1p., 1 February [1939 or earlier], presenting him with the typescript; and other related material, including another early typescript of an article and various postcards, v.s., v.d. (sml qty) 

Dust-jacket designs.- A Collection of c.240 dust-jacket proof file copies for Heinemann, colour-printed, most c.175 x 200mm, some folding open to c.310mm, all tipped in with tape on black card, some card broken at holes, some designed detached, one or two lacking, preserved in 3 ring-binder folders, a little soiled and faded, late 20th century (3) *** A unique compilation of jacket designs from the Heinemann art department, tracing the styles and design fads of the period. Includes designs for Nevile Chute, Graham Greene, Georgette Heyer, Emile Zola, J. B. Priestley, W. Somerset Maugham, D.H. Lawrence and many others. 

Greene (Graham) The Name of Action, 1930; It's A Battlefield, 1934; Another Mexico, New York, 1939, first editions, original cloth, spines faded, extremities rubbed, the odd surface marking; and 3 others including Oxford Poetry 1924, Greene's first appearance in print, 8vo (6)

Greene (Graham) Yes and No and for Whom the Bell Chimes, one of 750 copies signed by the author, original cloth lettered in gilt, 1983 § Pinter (Harold) No Man's Land, one of 150 copies signed by the author, original boards, 1975, fine copies, 8vo (2)

* GRAHAM H D MCKEAN, FIVE STAR ROOM SERVICE pastel on paper, signed, titled versomounted, framed and under glassimage size 40cm x 28cm, overall size 60cm x 47cm Note: In 1996, after 17 years as a graphic designer, Graham McKean decided to commit himself totally to producing his oil paintings. Graham McKean’s paintings have featured in numerous exhibitions and are increasingly appearing at the U.K.’s leading auction houses. His work has now become highly collectible and is held in prestigious private and public collections worldwide. Graham also supports a number of charities through events and auctions. A review by the late W. Gordon Smith (Art Critic, The Scotsman), described the work of Graham McKean as a cross between the painters John Byrne and Stanley Spencer, but with an “interesting bite”. Graham McKean needs little introduction to our buyer audience having been consistently one of our most popular and best selling artists since the inaugural Scottish Contemporary Art Auction in November 2008.

* GRAHAM H D MCKEAN, A MAN WHO LIKED HIS DRINK pencil on paper, signed, titled verso mounted, framed and under glassimage size 18cm x 10cm, overall size 43.5cm x 34cm

GRAHAM H D MCKEAN, BREAKDOWN ASSISTANCE oil on canvas, signed, titled versoframedimage size 30cm x 30cm, overall size 58cm x 58cm Note: In 1996, after 17 years as a graphic designer, Graham McKean decided to commit himself totally to producing his oil paintings. Graham McKean’s paintings have featured in numerous exhibitions and are increasingly appearing at the U.K.’s leading auction houses. His work has now become highly collectible and is held in prestigious private and public collections worldwide. Graham also supports a number of charities through events and auctions. A review by the late W. Gordon Smith (Art Critic, The Scotsman), described the work of Graham McKean as a cross between the painters John Byrne and Stanley Spencer, but with an “interesting bite”. Graham McKean needs little introduction to our buyer audience having been consistently one of our most popular and best selling artists since the inaugural Scottish Contemporary Art Auction in November 2008.

GRAHAM H D MCKEAN, MONASTIC BREW oil on canvas, signed, titled versoframedimage size 30cm x 30cm, overall size 48cm x 48cm Note: In 1996, after 17 years as a graphic designer, Graham McKean decided to commit himself totally to producing his oil paintings. Graham McKean’s paintings have featured in numerous exhibitions and are increasingly appearing at the U.K.’s leading auction houses. His work has now become highly collectible and is held in prestigious private and public collections worldwide. Graham also supports a number of charities through events and auctions. A review by the late W. Gordon Smith (Art Critic, The Scotsman), described the work of Graham McKean as a cross between the painters John Byrne and Stanley Spencer, but with an “interesting bite”. Graham McKean needs little introduction to our buyer audience having been consistently one of our most popular and best selling artists since the inaugural Scottish Contemporary Art Auction in November 2008.

* EMMA S DAVIS RSW PAI (SCOTTISH b. 1975), TABLETOP TEXTILES mixed media on board, signed, titled versoframed and under glassimage size 31cm x 31cm, overall size 55cm x 55cm Note: Emma Davis studied contemporary art and painting at the Glasgow School of Art and graduated in 1998 with a sell-out Degree Show. From the time of graduating she has been working full time as an artist. She has received many awards over the years including the House for an Art Lover Award, the Sir William Gillies Award, the Miller’s Creativity Award, the Glasgow Art Club Award and others. She was the youngest ever winner of The Alexander Graham Munro Travel Award, which took her on an extensive tour of Italy in 2000. At the age of 23 she was also one of the youngest artists to receive the RSW Diploma which she received from HM The Queen. A few years later she also became one of the youngest ever artists to receive the Paisley Art Institute Diploma.

* DAVID M GRAHAM, RHUM AND EIGG FROM ARISAIG watercolour on paper, signed, titled versomounted, framed and under glass image size 34cm x 48cm, overall size 67cm x 80cm Handwritten artist's label versoNote: David M Graham lives and works in Scotland. He holds a Masters Degree from Edinburgh College of Art and a teaching qualification from Moray House School of Education. In addition to paintings he has lectured at Honours Degree level for most of his career but he has also enjoyed teaching short courses in visual communication and water colour painting. Working in a variety of mediums, at times, the imagery in David’s painting borders on abstraction while retaining intriguing yet recognisable elements that relate to the subject matter. The landscape provides the inspiration for much of his work, some of which is expressed in bold statements of colour and texture. David Graham is represented in a number of prominent art galleries in Scotland and England. His work is included in many private collections at home and abroad.

* GORDON HOPE WYLLIE RSW (SCOTTISH 1930 - 2005), HILLSIDE FARM mixed media on paper, signed and dated '84, titled versomounted, framed and under glassimage size 19cm x 19cm, overall size 42cm x 42cmNote: Gordon Wyllie was born in Greenock and in 1949 was accepted to study at the Glasgow School of Art. Under the tutelage of such luminaries as Edward Odling and Mary and Willie Armour, Gordon distinguished himself, graduating in 1953 after an eminent final year. He was awarded the post-diploma, or Masters course, won the Scottish Academy Award and also the Newbery Medal, the school's most prestigious prize. This was all the more remarkable considering that Gordon had, in his diploma year, returned home to care for his father, whose seriously deteriorating health ended in death two months before the degree show, and Gordon himself had suffered a bout of pneumonia. With a scholarship award, he studied that summer at Hospitalfield, Arbroath, as a post-graduate under Ian Fleming. Fleming inspired Gordon and encouraged him in abstraction, with which he occupied himself for the next few years. Meanwhile, he trained at Jordanhill College of Education in Glasgow to become a teacher, in the vanguard of the resurgence of art teaching in Scottish schools by the new art masters, undoubtedly because they painted actively while teaching full-time. Passionate about art education, he was instrumental in influencing many students to pursue a career in the creative industry. A former pupil aptly described his classroom as a "guided exploration rather than a formal lesson". His love of the Scottish countryside is mirrored in his work and undoubtedly stemmed from the bank of images he built when, as a youngster, he travelled with his parents around the country. Argyll and the Western Isles were his favourite destinations, where he was fascinated by the crofts and farms sprouting from the land. Small houses typified his landscapes and still-lifes included abstracted landscapes; flowers, particularly poppies, fruit and fish feature in his later output. In 1996, he was awarded the Alexander Graham Munro prize at the RSW exhibition in Edinburgh. His work featured regularly in one-man and combined shows and at his last one-man show in London in 2003, demand for his paintings remained high, as it has done ever since.

* GRAHAM BRADSHAW, BELTED GALLOWAY CATTLE mixed media on paper, signedmounted, framed and under glassimage size 37cm x 57cm, overall size 71cm x 89cm

* EMMA S DAVIS RSW PAI (SCOTTISH b. 1975), TWO BIRDS, TWO BEES mixed media on board, signed, titled versoframed and under glassimage size 31cm x 31cm, overall size 54cm x 54cm Note: Emma Davis studied contemporary art and painting at the Glasgow School of Art and graduated in 1998 with a sell-out Degree Show. From the time of graduating she has been working full time as an artist. She has received many awards over the years including the House for an Art Lover Award, the Sir William Gillies Award, the Miller’s Creativity Award, the Glasgow Art Club Award and others. She was the youngest ever winner of The Alexander Graham Munro Travel Award, which took her on an extensive tour of Italy in 2000. At the age of 23 she was also one of the youngest artists to receive the RSW Diploma which she received from HM The Queen. A few years later she also became one of the youngest ever artists to receive the Paisley Art Institute Diploma.

* EMMA S DAVIS RSW PAI (SCOTTISH b. 1975), FIELD OF LOVE oil on board, signed, titled label versomounted, framed and under glassimage size 23cm x 23cm , overall size 49cm x 49cm Note: Emma Davis studied contemporary art and painting at the Glasgow School of Art and graduated in 1998 with a sell-out Degree Show. From the time of graduating she has been working full time as an artist. She has received many awards over the years including the House for an Art Lover Award, the Sir William Gillies Award, the Miller’s Creativity Award, the Glasgow Art Club Award and others. She was the youngest ever winner of The Alexander Graham Munro Travel Award, which took her on an extensive tour of Italy in 2000. At the age of 23 she was also one of the youngest artists to receive the RSW Diploma which she received from HM The Queen. A few years later she also became one of the youngest ever artists to receive the Paisley Art Institute Diploma.

GRAHAM H D MCKEAN, I WILL GET BACK ON MY FEET AGAIN oil on canvas, signed, titled versoframedimage size 30cm x 30cm, overall size 58cm x 58cm Note: In 1996, after 17 years as a graphic designer, Graham McKean decided to commit himself totally to producing his oil paintings. Graham McKean’s paintings have featured in numerous exhibitions and are increasingly appearing at the U.K.’s leading auction houses. His work has now become highly collectible and is held in prestigious private and public collections worldwide. Graham also supports a number of charities through events and auctions. A review by the late W. Gordon Smith (Art Critic, The Scotsman), described the work of Graham McKean as a cross between the painters John Byrne and Stanley Spencer, but with an “interesting bite”. Graham McKean needs little introduction to our buyer audience having been consistently one of our most popular and best selling artists since the inaugural Scottish Contemporary Art Auction in November 2008.

GRAHAM H D MCKEAN, CHASER oil on canvas, signed, titled verso framed image size 25cm x 25cm, overall size 43cm x 43cm Note: In 1996, after 17 years as a graphic designer, Graham McKean decided to commit himself totally to producing his oil paintings. Graham McKean’s paintings have featured in numerous exhibitions and are increasingly appearing at the U.K.’s leading auction houses. His work has now become highly collectible and is held in prestigious private and public collections worldwide. Graham also supports a number of charities through events and auctions. A review by the late W. Gordon Smith (Art Critic, The Scotsman), described the work of Graham McKean as a cross between the painters John Byrne and Stanley Spencer, but with an “interesting bite”. Graham McKean needs little introduction to our buyer audience having been consistently one of our most popular and best selling artists since the inaugural Scottish Contemporary Art Auction in November 2008.

* GRAHAM FLACK, UNTITLED charcoal on paper, signed and dated 2005 mounted, framed and under glass image size 110cm x 76cm, overall size 126cm x 90cm

Pair: Lance-Sergeant T. Bond, 1st Regiment, South African Infantry, who was killed in action on 17 October 1918 British War and Bilingual Victory Medals (L/Sjt. T. Bond. 1st. S.A.I.); Memorial Plaque (Thomas Bond) glue residue to the reverse of all, good very fine and better (3) £100-£140 --- Thomas Bond, alias Thomas Alfred Graham, was born in London around 1887 and attested for the 1st South African Infantry at Potchefstroom on 12 December 1915. Sent to Bordon Camp in England, he declared his true name on 10 August 1916 and embarked from Southampton to Rouen three days later. Sent to the Western Front during the Battle of the Somme, his service record notes that he suffered a gunshot wound to the head and back on 12 April 1917; evacuated back across the Channel per H.S. Brighton for medical attention, he recovered and returned to his unit in August 1917. On 24 December 1917 he was wounded again, this time being admitted to No. 55 C.C.S. with a gunshot wound to the left hand. Sent briefly to hospital in Rouen, he was raised Lance Sergeant 15 September 1918, but was killed just over a month later. Initially buried at Chateau Seydoux British Cemetery, Le Cateau, he is today buried in Ors British Cemetery in northern France. Sold with copied service record.

Scumbled pine trunk with brass plaque R.G. Graham Esq., Beanlands Park, Carlisle

Collection of N & OO gauge model railway to include boxed Graham Farish N gauge 372-150 BF / 06 LNER 3107 black locomotive, 5 x boxed Peco N gauge Quality Line Wagon kits, 7 x Lima N gauge items of rolling stock, boxed Ratio N gauge 223 GWR Wooden Signal Box, 4 x carded Dapol N gauge items of rolling stock, and a group of bagged N & OO gauge kits

Including: The Collected Poems of Samuel Beckett, 2012._ The Letters of Samuel Beckett, 4 volumes, 2009-2016._ The Letters of Bertrand Russell, 2001._ Graham Greene - A Life in Letters, 2007._ Philip Larkin - Letters to Monica, 2010._ Letters of Lytton Strachley, 2005._ Letters of John Betjeman, 2 volumes, 1994-1995._ Letters of Mary Wordsworth, 1958._ Journals of Dorothy Wordsworth, 2 volumes, 1941._ A Little Learning - Waugh, 1964._ Bloomsbury a House of Lions, 1979._ Condition: books largely fine, dust jackets with occasional shelf marks, older books with slight toning (16)

GREENE, Graham. The Quiet American, FIRST EDITION, 8vo, finely bound in green half morocco with marbled boards, internally very good with marginal spots in places, loosely-inserted catalogue entry from Harrington Bros, London: Heinemann, 1955. Together with FIRST EDITIONS of Loser Takes All (Heinemann, 1955); A Burnt-Out Case (Heinemann, 1961); The Honorary Consul (Bodley Head, 1973); The Human Factor (Bodley Head, 1978); Doctor Fischer of Geneva (Bodley Head, 1980); Monsignor Quixote (Bodley Head, 1982); The Captain and the Enemy (Reinhardt/Viking, 1988), and a second printing of The Quiet American (Heinemann, 1955), a Collected Edition of Stamboul Train (1974), and a Vanguard Library edition of The Power and the Glory, condition varied, sold as one collection with all faults (11)

OMMANNEY, Edward Lacon, Colonel (1834-1914). Autograph letter, signed ("E. L. Ommaney"), to "Graham" [an unknown recipient], with the blindstamp of the "Colonial Office", 10th April 1902, three-pages, 180 x 115mm, 13 February [1897]. On Zionism.OMMANNEY, Edward Lacon (1834-1914), Colonel.  Autograph letter, signed ("E. L. Ommaney"), to "Graham" [an unknown recipient], with the blindstamp of the Colonial Office, 10th April 1902, three-pages, 180 x 115mm, 13 February [1897]. On the Colonial Office's position on Zionism. "Short of a general European war, the devolution of the Control of Palestine as a Chartered Company or its dissociation in any way from Turkey is an impossibility no less obvious than that which attaches to the idea of Zionism. The Jew is the very last person to desire to return to Palestine where the shekels are no longer to be gathered - Johannesburg is much more his idea of a Holy Land." Provenance: Sotheby's, London, 31 March 1998, lot 484.

DALYELL, John Graham. A Brief Analysis of the Chartularies. Edinburgh: William Aitken, 1828. 4to (229 x 131mm.) Half-title, frontispiece of the chartulary of Cambuskenneth, heightened with gold, tissue-guard. (Toning, pencil annotation to p.25.) Original boards, paper label to spine (extremities rubbed, minor scuffing). Note: scarce.

Graham Sutherland (1903-1980)Balancing Form, 1972signed and inscribed in pencil (in the margin)lithograph58 x 41cm.

Graham Clarke (b.1941)Luggers Low Tide63/75, signed, titled, and numbered in pencil (in the margin)linocut51 x 65cm.

Autographed ARTHUR GRAHAM 12 x 8 photo : Col, depicting a superb image showing Argentina's Diego Maradona being surrounded by a posse of Scottish players including Alan Hansen, Kenny Dalglish and ARTHUR GRAHAM during a friendly International at Hampden Park in 1979, Maradona would score his first goal for his country in a 3-1 victory, signed (by Graham only) in black marker. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Abridgement of Penal Statutes, By William Addington, SIGNED by the author on the title page (for copyright reasons), Limited Edition.  London: Cooper and Graham, 1795

Brooklin Models, a boxed group of 1930/40s Cars to include, (1) BRK69 1946 Mercury Sportsman Woody Convertible (Maroon) (2) BRK38 1939 Graham Commination Coupe (Red) - Excellent to Near Mint in Good Plus box. (2)

Brooklin Models and Lansdowne a boxed group to include, (1) BML09 1933 Graham Blue Streak Sedan (Loose/broken wheel to rear) (2) LDM87 1939 Lagonda V12 Saloon (Broken spare wheel arch) - Apart from broken parts cars appear Good to Excellent in Good to Excellent boxes.

Brooklin Models, BRK38 1938 Graham Combination Coupe - (Sharknose) - Near Mint in Near Mint box. 

Viking Mount. Circa 9th-10th century AD. Copper-alloy, 6.38 grams. 29.08 mm. A Viking mount depicting two opposed horse-like creatures, positioned head to tails with rear legs bent back over the body and heads facing the rump. Between the front legs is an open-work oval connecting panel. Each beast is decorated with pellet in annulet motifs, one at the head to represent the eye and another on the shoulder and rump. A rare piece. Ref: for similar design, see. Graham-Campbell & Kidd, The Vikings. p. 162. From a private UK collection.