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A George III silver teapot, the shaped oval body engraved with a Greek key frieze, and having ebonised handle and knop, by Solomon Hougham, London 1803, 16cm high, and a similar milk jug, by Thomas Law, Sheffield 1804, 19oz overall. (2)In good condition overall, with minor knocks and scratches to the body. There is a small nick and associated small area of corrosion to the tip of the spout. The spacer from the finial is lacking. Interior looks fine, marks are clear. Tarnished.

An early 17th century Norwegian silver spoon, with orb finial and twist stem, maker's mark only R within a shield, 13.5cm long

An early Victorian silver teapot, the compressed circular body embossed with flowers and c-scrolls, the hinged cover with flowerhead finial, the handle with ivory insulators, on foliate scroll shaped feet, by Joseph Angell I & II, London 1849, 17.5cm high, 23.5ozIvory submission reference no. BDB1SC16

A 19th century Dutch silver mounted glass condiment set, of pagoda form, comprising side handled mustard with hinged cover, pepper caster, and salt, each with shaped and faceted cut glass body, on engraved hexagonal foot, mustard 19.5cm high. (3)There are some small chips and knocks to the pointed extremities of the glass. The mustard lid finial is slightly bent, and the lid doesn't quite sit flat.

A 19th century Dutch silver spoon, the tapering handle with apostle finial, 17.5cm long, and a 19th century Austro-Hungarian silver sifter spoon, with shaped and lobed quatreform bowl. (2)

A CARVED OAK NEWEL POST FINIAL FORMED AS A SEATED LION HOLDING A SHIELD MID 19TH CENTURY, IN THE 17TH CENTURY MANNER 41cm high, 15.5cm wide, 17.5cm deep Condition Report: 41cm high, 15.5cm wide, 17.5cm deep With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Shrinkage to the wood- vertical lines visible to body, base with some old repair and larger damage/crack to one corner Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer

A PAIR OF REGENCY GILT BRONZE TWIN LIGHT GRIFFIN CANDELABRA EARLY 19TH CENTURY, AFTER THE DESIGN BY SIR WILLIAM CHAMBERS Each with a berried finial, the griffin's head turned slightly 36cm high, bases 16.5cm wide The earliest version of a design for a griffin candelabra dates from the period 1765 - 71 and was drawn by Chambers' assistant John Yenn (d.1821) and is now in the collection of the Victoria and Albert Museum (E.5029.1910). Versions were executed in ormolu most probably by Diederich Nicolaus Anderson (d.1767) and these are possibly the pairs at Blenheim Palace, Oxfordshire, and Hinton Ampner, Hants. The design was refined and then published in Chambers' Treatise on the Decorative Parts of Civil Architecture, 1791. Chambers was almost certainly inspired by the seated figure of a sphinx seen on a sarcophagus while on his Roman tour of 1750-54. In the meantime Chambers lent a griffin candelabra to Matthew Boulton, perhaps regarding him as the natural successor to Anderson and which might have provided the inspiration for Boulton's own griffin vases. He also gave a pearwood model to Josiah Wedgwood, probably the prototype for the versions in jasper and basalt that started to appear around 1771, Wedgwood's own comments to his associate Thomas Bentley indicate that the design or model was given by Chambers. Condition Report: Good, structurally secure, with slight general wear and tear. Some wear and abrasions to the gilding. Both would benefit from a clean. Condition Report Disclaimer

Y A CHANNEL ISLANDS GEORGE III GILT METAL MOUNTED MAHOGANY HANGING CUPBOARD EARLY 19TH CENTURY With a swan neck pediment above a pair of fielded panelled doors, now enclosing a tray and hanging rail, on ogee bracket feet, the urn and ivory finial possibly added 239cm high, 133cm wide, 61cm deep Please note, Dreweatts have applied for an ivory exemption certificate for this item. Reference number: K9RXB9PF Condition Report: Marks, knocks, scratches, abrasions consistent with age and useSplits and cracks, old chips and losses, the gilt metal elements with some dirt and discolouration As catalogued the interior has been altered and adapted, there are brackets to hold shelves however the shelves have been removed (bar one) and a later hanging rail and hooks have been fitted The ivory finial and urn possibly added later, these are firmly and securely in place at time of reportThe hole with a polished appearancePlease see additional images for visual reference to condition Condition Report Disclaimer

A painted terracotta spherical finial, 12" dia approx

A cast stone spherical finial, 12" dia x 14 1/2" high (including lower section)

A cast iron weather vane, the finial in the form of an owl, with matching bracket Location: R ConIf there is no condition report shown, please request

A 19th century Meissen lidded chocolate cup, the lid with a flower finial, scroll formed handle, three vignettes painted with scenes of a courting couple within gilt highlighted surrounds, underglaze mark to the base, 9cm high x 8.5cm wideLocation: If there is no condition report shown, please request

A copper and brass fire bin with floral embossed decoration on three brass feet and brass finial with twin handles, along with a brass and copper kettle engraved with a family crest and kettle warmer Location:If there is no condition report shown, please request

A cast iron weather vane, the finial in the form of a sailing ship 100cm h x 47cm w Location: R ConIf there is no condition report shown, please request

An Edwardian silver caddy spoon,maker's mark B A, London 1902, in the Arts and Crafts style, with a stylised handle in the form of four circles, the bowl planished, and another unmarked white metal spoon, with a chevron-etched stem, a hardstone finial surrounded by celtic-style decoration, 28gms (2) Condition Report:Available upon request

An Old Sheffield plate ewer, of baluster form, with beaded rims, a fruitwood handle and a pineapple finial, with Goodwins box and receipt, 30cm Condition Report:Available upon request

A three piece silver tea service, by Walker & Hall, Sheffield 1920, of squat circular form, with a beaded rim, with ebonised handle and finial, 986gms Condition Report:Available upon request

AN ITALIAN WALNUT ENCLOSED PANELLED BACK ARMCHAIRPOSSIBLY LOMBARDY, LATE 16TH / EARLY 17TH CENTURYwith a scroll cresting with a central finial, above a plain back and panelled arms, on waist headed tapering legs, joined by sledge type feet

λ A FRENCH TORTOISESHELL AND GILT METAL BRACKET CLOCK AND BRACKETBY SAVARY, PARIS, LATE 18TH CENTURYthe brass eight day movement with an anchor escapement and striking on a bell, the gilt dial inset with black enamel Roman and Arabic numerals around a centre inscribed 'SAVARY A Paris', the waisted, tortoiseshell case with gilt metal foliate and figural mounts beneath a putti finial, with a pendulum, together with a Régence giltwood and ebonised bracket, the grotesque mask with floral swags (2)the clock 55cm high, the bracket 28cm high, 34.5cm wideProvenanceThe Charrington Family Collection, Winchfield House, Hampshire.

A PAIR OF FRENCH SAMSON PORCELAIN VASES AND COVERSIN CHINESE FAMILLE ROSE STYLE, LATE 19TH / 20TH CENTURYof baluster form, each enamelled with floral and landscape panels on a black, green and ruby ground, the domed cover with a flower bud finial, with a blue painted mark on the inner foot rim (2)42cm highProvenanceThe pair of Samson Famille Jars & Covers were bought at Christie’s, lot 83 for £2,446.25—Sale 5909, Christie’s Interiors, July 21st 2009.

A CONTINENTAL WHITE METAL MOUNTED WALKING STICKEARLY 20TH CENTURYthe silver coloured, reeded handle with a finial in the form of a lion's head with glass eyes, not hallmarked, on a mahogany shaft87.5cm long

A RARE, POSSIBLY UNIQUE, EARLY EXAMPLE OF A PEWTER SPIRE FLAGONBRISTOL, C.1710Batcheler workshop, Bristol, the ‘French Armes’ touch in the base suggest Honor Batcheler, neé French, widow of John Batcheler (fl.1676-1708) as the maker, highly unusual spout, a detachable rather than hinged lid, with integral spout cover and a decoration border around the finial, the bold 'C'-curve hollow handle with uncommon raised decorative to the thumbrest and spade terminal, the drum base inset slightly from the foot rim so the bulbous lower body and most of the concave foot are part of the interiorcapacity 47.5 fl oz., 22.5cm highProvenanceThe Carl Ricketts Collection of Pewter.Catalogue NoteThe ‘high band’ to drum suggests this ecclesiastical flagon was made from moulds originally intended to make mugs.LiteratureIllustrated and discussed, ‘Journal of the Pewter Society: ‘Early Example of a Bristol Marked Spire Flagon’, Autumn 2024.

A BRASS FRIENDLY SOCIETY POLE FINIAL FOR THE HOOD ARMSC.1900-10on a mahogany stand, and another of orb form with a Maltese Cross finial (2)24cm high (max)ProvenanceThe Howard Collection of Oak and Works of Art.

A FRENCH ORMOLU MANTEL CLOCKRETAILED BY F. BARBEDIENNE, PARIS, LATE 19TH CENTURYthe brass eight day drum movement striking on a bell, the backplate with a Japy Freres pastille and numbered '5239', the enamelled dial with blue Roman and black Arabic numerals and inscribed 'F.BARBEDIENNE A PARIS BOUL.D POISSONNIERE 50', the case with a flower bud finial and flanked by a pair of female busts above a pair of doves and a quiver of arrows, with its original pendulum40.5cm high, 30cm wide, 16.5cm deep

A PAIR OF VENETIAN GLASS URNS AND COVERSLATE 19TH / 20TH CENTURYeach of reeded ovoid form with a pair of scrolling handles and frill decoration, on a slightly domed foot, the cover with an apple or pear finial (2)47cm high, 38cm wideProvenanceThe Charrington Family Collection, Winchfield House, Hampshire.

A PEWTER BRIGHT-CUT DECORATED CAST COFFEE POTPROBABLY LONDON, MID-18TH CENTURYno maker's mark but made of cast pewter soldered together and not typically of Britannia Metal, although the bright-cut decoration might at first sight appear like a Sheffield Britannia metal examples, the domed lid with a bold finial, decorated to the cover, spout, body, and foot, associated fruitwood handle30cm highProvenanceThe Carl Ricketts Collection of Pewter.Formerly in the Carl Jacobs, John F. Ruckman and 'Bud' Swain Collections.LiteratureFor a closely related example in the David Lamb Collection see ‘Journal of the Pewter Society’, Autumn 1993, p,69. Illustrated on cover and fully described ‘Journal of the Pewter Society’, Autumn 2024.

A PAIR OF GILT BRASS TWIN LIGHT WALL APPLIQUESIN GEORGE III STYLE, EARLY 20TH CENTURYeach with a flaming urn finial above a tapering body flanked by a pair of foliate nozzles on scrolling arms, together with another pair with a flowering urn on a foliate body supporting a pair of nozzles of scrolling arms, fitted for electricity (4)42cm high, 27.5cm wide, 16cm deep (max)

A CONTINENTAL SILVER MOUNTED WALKING CANEHALLMARKED 800 STANDARD, EARLY 20TH CENTURYthe handle with a finial in the form of a parrot's head, on a lignum vitae shaft90.5cm high

RICHARD SIBLEY I; a George IV hallmarked silver squat teapot, with rose finial and panelled body, London 1828, impressed 'Makepeace London', approx 25.8ozt/804g.

JOSEPH ANGELL I & JOHN ANGELL I; a George IV hallmarked silver squat teapot and matching hot water pot, with floral finials and scrolling feet, London 1832/33, each with engraved family crest, combined approx 45ozt/1401g (2). Condition Report: Each piece with family crest/mottoTeapot with denting to the body, hinge is slightly loose and does not close properly.Coffee pot finial is slightly loose, cover does not close 100% true, finial is slightly loose and thread is slightly loose, minor dents to the body,

F GIOBIO; a 19th century inlaid mahogany stick barometer, with brass urn finial and silvered dial, height 97cm.

An American sterling silver decorative tablespoon, with ball finial and oval shaped bowl with cast leaf decoration, length 24cm, approx 2.45ozt, and a hallmarked silver harlequin five piece dressing table set (6).

A collection of ceramics including Wedgwood creamware teapot, Vazar Inglis teacup and saucer, Royal Worcester teacup and saucer, Doulton biscuit barrel, and a Crown Ducal bowl, etc.Condition Report: Wedgwood teapot, the dog finial has some fiering cracks, small crack to the handle, general ware throughout.

A Burmese white metal betel box, decorated with deities and animals, height 23cm, diameter 19cm, approx 56.21ozt/1748g. Condition Report: Finial is leaning/bent. Body and cover is slightly misshapen, minor denting to the body.

IMPERIAL; a modern decorative clock garniture, the clock with urn finial above the dial set with Roman numerals, with transfer printed columns and panel, height 42cm (3).

A late 19th century French brass mantel clock, with urn finial and cast decoration above the dial set with Arabic numerals, height 27cm, and a Victorian ebonised slate effect mantel clock (2).

X A good quality silver plate on copper five piece tea service comprising teapot, hot water pot, each with ivory insulators, twin handled sugar bowl, milk jug and twin handled tray, length 70cm (5). CITIES;MHTHMFFR Condition Report: Light surface ware and scratches, especially to the tray, heavy ware to the centre of the tray, base metal/copper is showing, the finial on the coffe pot is loose, the feet overall are slightly misshapen and wobbly.

ROBERT GRANT, LONDON; a modern gilt brass and patinated clock garniture, the clock with baskets of flowers finial above the dial set with Roman numerals, height 33cm (3).

SAMUEL WHITFORD I; a George II hallmarked silver pear shaped coffee pot, with pineapple finial and engraved family crest, London 1757 (probably), height 25cm, approx 26.2ozt/817g.Condition Report: Slight rubbing to the marks, engraved family motto, the coffee pot is leaning to one side (see additional images).

A box of silver and silver plate, the silver comprising a boxed Mexican letter opener with carpet beater style finial, bears import marks, an Elizabeth II circular napkin ring and a silver topped glass sugar caster, gross weight of silver 92.8 grams, 2.98ozt, the plate to include soup ladle stamped 800, mother of pearl handled serving utensils, etc, boxed napkin rings, etc (1 box)

An Ottoman Empire silver barrel shaped cup (Sahlep) and cover, the entire profusely decorated with panels of Egyptian Gods, Animals, Script, the flat cover with later finial, the body stamped with Tughra and Sah marks, gilt interior, the mug and cover approx 413.5 grams

A late 19thC French Ormolu mantel clock, by Le Roy & Flis, Palais Royale Paris, and 296 Regent Street London, circular enamel dial bearing Roman and Arabic numerals, eight day movement with bell strike, the case with an urn finial, and two putti supporters, inset with porcelain plaques, raised on four floral feet, with pendulum and key, 32cm wide.

A pair of late 19thC Louis XVI marble and ormolu cassolettes, the lid with a grape finial, inverting to a candle holder, the base with satyr masks and swags, raised on a circular base, 24.5cm high.

A Georgian mahogany longcase clock, the break arch, moon face dial painted with a warship on choppy seas, the square dial with masks spandrels, silvered chapter ring bearing Roman and Arabic numerals, subsidiary seconds dial, eight day two train movement with bell strike, the hood with a broken arch pediment centred on an eagle and ball brass finial, raised on brass capped fluted columns, the trunk of partially canted form, with cross banding and line inlay, raised on bracket feet, with weights and pendulum, 221cm high.

A collection of nine contemporary brass wall sconces. Each sconce having rounded mount with gadrooned detail, and reverse finial to lower.

A 20th Century vintage terrestrial mahogany veneer globe drinks cabinet with hinged lid to reveal decanter cocktail cabinet, atop turned supports and castors with finial top. Globe decorated with transfer printed map, wooden piece around the equator depicting illustrations of zodiac signs, and compass points decorating the lower tier. Measures approx: 94x54cm

H.A.C. Wurttemberg - Early 20th century Hamburg American Clock Company classical mahogany mantel clock. Featuring a brass mounted white enamel clock face and Roman numeral chapter ring. Housed within a carved and partly turned wooden clock frame with decorative finial atop. Measuring approx. 33cm x 24.5cm x 15cm.

A finely crafted Bing & Grondahl porcelain teapot from the Empire collection, showcasing a timeless blue and white motif. This exquisite piece features delicate hand-painted garlands and ribbons, accentuated by a textured fish-scale pattern along the upper portion. The gracefully curved spout and handle complement its refined silhouette, while the lid is crowned with a charming snail-shaped finial. Marked on the base with the Bing & Grondahl backstamp and model number 656. A sophisticated addition to any fine porcelain collection.Issued: 20th centuryDimensions: 6.5"HCondition: Age related wear.

Elegant Bing & Grondahl covered vegetable dish in the Empire Blue and White pattern, featuring intricate hand-painted floral motifs and textured design. The dish showcases sculpted handles and finial, adding a refined touch to its classic Danish porcelain craftsmanship. Marked on the base with the Bing & Grondahl Denmark backstamp. Measures 11.5"L x 8.5"W x 7"H.Issued: c. 1969Dimensions: See DescriptionCountry of Origin: Denmark Condition: Age related wear.

Elegant Meissen Blue Onion pattern teapot featuring delicate cobalt blue floral and foliate motifs on a white china body. This classic design, inspired by East Asian porcelain, showcases intricate hand-painted details and an ornate finial lid. The teapot bears the iconic Meissen crossed swords mark on the underside. Measuring 10.5"L x 7.25"W x 7"H.Issued: 20th century Dimensions: See DescriptionCountry of Origin: GermanyCondition: Age related wear.

George V silver three piece tea service, Birmingham 1923, Mappin & Webb Ltd, comprising teapot, milk jug and sugar bowl, of squat baluster form with reeded girdle, on circular spreading feet, the teapot with brown bakelite handle and finial, 16cm high, approximate total weight 30.50ozt 

Late 19th/early 20th century silver plated biscuit barrel, the hinged lid with finial, the fluted body with engraved decoration, 18cm high and a silver plated and wooden breadboard, 27cm diameter (2) 

George V silver sugar shaker, Sheffield 1933, Viner's Ltd, of plain baluster form on a stepped circular foot, the pierced dome top with finial, 18.5cm high, approximate weight 4.33oztCondition ReportLight surface marks, accretions. Small dent to lower part of body. General wear and tear.

George III silver teapot, London 1811, Crispin Fuller, of oval bombe form with part reeded body and diamond pattern engraved border, the hinged lid with fluted finial, on four ball feet, 29cm long, approximate weight 18.43ozt, Ivory Reference: PDWYGCBL

Victorian silver butterdish with cover and stand, London 1845, Charles Thomas Fox & George Fox, of octagonal tapering form with partial foliate scrolling decoration, twin handles, the domed cover with finial, glass liner to interior, 18cm wide, approximate total silver weight 16.33oztCondition ReportLight surface scratches, and marks. Accretions and polish residue. Splits/separating to corners on rim. Chips to rim of glass liner. Couple of the panels are slightly bowed outwards. General wear and tear.

Collection of jewellery including 9ct yellow bar brooch set with a heart, 9ct white gold bar brooch set with a seed pearl, Victorian silver oval locket on white metal chain, yellow metal stickpin with fox head finial, yellow metal hinged bracelet with pierced design and four-piece mother of pearl set stud set, approximate weight of two bar brooches 2.1 grams

Late 19th/early 20th century French bronze mantel clock, urn finial with lion's head handles, the gilt metal dial with white enamel insets with blue painted roman numerals, on bracket feet, 45cm high 

Victorian silver water jug, London 1889, Henry Holland, of baluster form, the hinged domed fluted lid with finial, part fluted body, wicker covered loop handle, on circular spreading foot, 20cm high, 9.82ozt approx. 

Edward VII silver tea caddy, Chester 1906, George Nathan & Ridley Hayes, of oval form, the hinged lid with spiral twist finial, the partly fluted body with twin lion mask drop ring handles, on four lion's paw feet, 14cm high, approximate weight 6.96ozt Condition Report Good condition. Some light surface marks, tarnishing, accretions and polish residue. General wear and tear.

Chinese export blue and white shaped rectangular tureen and cover, with scroll finial and deer-shaped terminals, printed with boats, pavilions and huts on islands, within scale-pattern and diaper borders (hairline crack to cover, tureen with glaze crack to base), circa 1800, 30.5cm wide Condition ReportLight surface scratches, Hairline to lid, hairline to glaze on base, can't be seen on opposite side. General wear and tear.