We found 116003 price guide item(s) matching your search

A stunning antique Regency-style silver-plated coffee urn, featuring an elegant bulbous body with a gracefully curved spout and ornately designed handles. The urn rests on a decorative raised stand supported by scrolled legs, with a central burner holder for keeping liquids warm. A finely crafted floral and leaf motif adorns the spigot, adding a refined touch to its intricate detailing. The urn includes a removable lid topped with a decorative finial. Measuring approximately 20" in height, with a body width of 11.5", this piece is a timeless representation of sophisticated craftsmanship, ideal for collectors and fine dining settings.Dimensions: See DescriptionCondition: Age related wear.

Elegant Christofle silver-plated covered tureen featuring a classic design with a gently rounded body, ornate dual handles, and a domed lid topped with a decorative finial. This refined serving piece is adorned with beaded accents along the rim and finial, showcasing Christofle's signature craftsmanship. The underside is stamped "CHRISTOFLE". Measuring 11.5"L x 7"H, this exquisite tureen is a timeless addition to any fine dining collection.Dimensions: See DescriptionCountry of Origin: FranceCondition: Age related wear.

This elegant pair of patinated bronze urns features intricate neoclassical relief medallions depicting profile portraits of classical figures. Each urn is adorned with ornate scroll work engravings and twin decorative handles with finial-like detailing. The dark patinated finish contrasts beautifully with the subtle bronze highlights, emphasizing the depth of the craftsmanship. Resting on rounded pedestal bases with felted bottoms, these urns exhibit a timeless aesthetic reminiscent of 19th-century Grand Tour souvenirs. Each measures 6.5"L x 10"H.Dimensions: See DescriptionCondition: Age related wear.

A THAI BRONZE HEAD OF BUDDHA ON WOOD STAND Cast bronze, with curled hair, flame finial and elongated ears, on ebonised wood stand H 49cm, H 73.5 with stand Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

A VICTORIAN SILVER TEAPOT Edward & John Barnard, London, 1853, squat circular with foliate engraving, a vacant cartouche to each side, the hinged cover with melon finial 26cm long handle to spout 624g Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

A DAITOKUJI JOJU CAST IRON TEA KETTLE WITH COVER Japanese, compressed globular form, figural loop handles to sides, copper cover with brass bulb finial, five character inscription to side 18cm high Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

A PERSIAN WHITE METAL BOWL AND COVER. probably 19th century, elaborately embossed with warrior figures, with shell decoration, trumpet shaped cover with turned finial, footed base with impressed marks, 20cm high, 777 grams.

WELSH FARMHOUSE COLLECTABLES, comprising pierced gallery oak tray engraved with 'Brenin y Brenhinbren Duw Cariad Yw' (the King of Kings is the God of Love), together with a treen carved sycamore chalice, dated 1913, treen pair of carved sugar tongs '1911', small lovespoon, butter scoop with butter press finial of floating swan and '1903', turned bowl, together with a sheet music booklet for 'On the Isle of Anglesey (Jenny Jones)' with words by Harry Castling and C W Murphy, 1906Provenance: private collection Ynys Môn (Anglesey)

A rose and yellow metal stick pin with masonic finial set with garnet and diamond.

After Sir John Millais (British, 1829 - 1896), 'Bubbles', colour print, in oak ecclesiastical style frame with brass finial, 69.5cm x 26cm overall

19th century Chinese export teapot with armorial initial panels to side, painted with flowers and gilt decoration with fruit finial to top

Silver bookmark with rabbit finial

A large weathered composition stone finial in the form of a basket laden with fruits and flowers, raised on a tapering column and squared plinth base, 133cm high approx (united)

A single large good quality 18th century weathered natural Cotswold stone finial / cap, of tapering cup and cover form, the top adorned with acorn finial, on stepped plinth base, 125cm high approx (with finial) the base measuring 51 x 51cm

A large weathered composition stone garden urn on fluted column base, the urn dressed with garlands below a flaming finial, engraved ‘Lucas’ to base, the column on stepped plinth bases, 163cm high, 37 x 37cm (at base)

A pair of weathered composition stone finial / caps in the form of fruit-laden cornucopia, each 33 cm high (2)

A pair of weathered composition stone finial / caps in the form of fruit-laden cornucopia, each 33 cm high (2)

A weathered terracotta finial in the form of an angel accompanied by a songbird, seated on a globe, 50cm high approx, together with Chinese stoneware planter of oval form, 13cm high x 52cm x 40cm (2)

A 19th century Japanese satsuma pottery lidded koro decorated with figures and geometric designs and seated dog finial, script in gold to base. 19.5 cm high.

A pair of 19thC Sevres style 'Napoleon' blue Vases and Covers, twin-handled baluster form with cobalt blue ground and central panels depicting drunk nobility and flora verso enclosed with gilded floral swags, both marked to base with interlaced Ls enclosing V, H 45cm, one cover broken and restuck, the other with finial off.

A pair of Clarice Cliff ‘Seven Colour Secrets’ pattern Coffee Cups, in the Bonjour shape, one with small hairline, printed stamps to base, together with a Seven Colour Secrets pattern Teapot, also in the Bonjour shape but unmarked, H 19cm, finial has been off and restuck (3)

A Victorian Royal Worcester Aesthetic Movement tea box or caddy - brown printed factory mark, of rectangular form, the yellow ground with moulded, floral and foliate decoration, twin beast mask handles, the peaked cover with moulded Greek key panels and square finial, on conforming square tapered feet, 14.5cm high, some small glaze flakes.

A Staunton pattern boxwood and ebony chess set - mid-20th century, the kings 7.4cm high, the pawns 3.6cm high, in a pine box; also containing a letter from the owner regarding provenance.* Complete. The black king has a chip to the cross finial (appears to be a factory fault, as it is under the varnish). One white pawn has a small shrinkage split to the base. A little wear to ebonised finish to the black knights. No other faults. The box has some losses to the edges of the sliding lid.

A group of silver and silver plated items - including an Elizabeth II silver paperweight with pheasant finial by Laurence R Watson & Co, Birmingham 2001, 5.1cm high; a pair of late-Victorian shell salts by Samuel Edward Breakspear, Birmingham 1900; a silver OEP salt spoon, Birmingham 1914; a pair of Elizabeth II silver pepper mills, WEV, London 1994, 7cm high; a part-set of WMF silver plated mid-century flatware (8 pieces); a silver plated and cranberry glass salt plus another matching base (lacks glass); an urn form EPNS salt; and an EPNS preserve spoon.

A Royal Doulton Isaac Walton Ware covered dish - printed factory marks, circular, the cover moulded with stylised leaves and a foliate finial, the base with printed angler figures after Noke, 13.5cm diameter, hairline to base.

Contemporary sterling silver bookmark with a groom rabbit finial, 8cm tall.

Eureka "Fan & Owl" / "Fan & Bird" pattern Majolica trio to include teapot, sugar bowl and cream jug, 18cm tall, "Eureka produced majolica in Trenton, New Jersey, U.S.A. Constructed in 1883 by Leon Weil, the factory had only a short period of production before being destroyed by fire in 1887. Presents well although restoration to teapot, hairline crack to cream and finial restored on sugar.

Victorian silver plated egg coddler, raised on chicken feet, with bird finial, 25cm tall. Burner present though missing the bracket it sits in between the three legs.

A set of 18 brass acorn finial stair rods(one missing finial) 80 cm to/ another set of thirteen 70 cm bras stair rods and thirteen brackets

An Edwardian Adam revival wrought iron and steel mounted brass fire basket with arched top, complete with iron ash pan, missing one finial (h.77cm x l.77cm x w.46cm)

A large Chinese urn with Dog of Fo finial, H-50cm, together with other related wares, to include, a lacquer and enamel desk tidy, four lacquered jewellery boxes, and a decorative silk screen depicting a flowering tree.

Antiquities: a Roman style glass bottle, 19.5cm high; together with another glass finial, 9cm high. (2)

An early 19th century Old Sheffield Plate argyle, with ivory finial, 12cm high; together with a small quantity of silver plate.DEFRA Ivory Act submission ref: L51H5T6P.

Silver and Enamel Maple Leaf Broach, Bowling Club Marker, two silver bookmarks, brass example with faceted stone finial, Liège-Brescia-Liège Royal Motor Union badge (damages).

A Late Victorian Silver Mounted and Glass Scent Bottle and a George V Tea Caddy, the scent bottle with mount by Henry Matthews Birmingham 1899, embossed with figures in a garden setting within leaf scroll ornament, 4.75ins high and stopper for same, the octagonal caddy by George Nathan & Ridley Hayes, Chester 1911, embossed with figures in a country landscape, 3.5ins high, weight 3.9ozsScent bottle - silver mounts are generally rubbed with scattered build up of cleaning agent residue. Two pinhead dents to the plain silver section with a small crease dent in the lower plain section. Hallmarks are struck on the base edge of the scent bottle - maker mark is rubbed. The stopper maybe associated - small nics to the finial, and large flake chips to base. Tea caddy - thin gauge of silver. Appears to be in good condition. Tiny split appearing on one of the edges of the octagonal neck. Pinhead size dent to the plain shoulder. Generally some rubbing to the highlights. Hallmarks well struck on the side, partial marks on the base and cover.

A George IV Silver Circular Teapot by Charles Fox, London 1824, of squat bulbous form with turned wood finial and scroll handle, 4.25ins high, gross weight 13.4ozsGood gauge of silver. Scattered minor dents all over. Finial loose - hinge a little loose, but lid does sit flat with body - top of handle sitting proud of silver fitting. Tip of spout  is turned up slightly. Hallmarks well struck and clear on the base.

A French Silver Ewer, stamped T Fres possibly for Tetard Freres, and 950 Standard, of octagonal panelled form chased and cast with strapwork, leaf scrolls, anthemion and ears of wheat, engraved with monogram, the shaped handle with woman's head finial on circular reeded base 10ins high, weight 39ozs

A Chrome Plated Unicorn Car Mascot and Mixed Plated Animals, the car mascot 5.5ins high, a Links plated box of shaped outline with leaping salmon pattern finial 2.575ins x 2ins, a small group of three silver filled owls by Country Artists, 1.75ins high and a selection of other models

A George V Silver Circular Three-Piece Tea Service by Brook & Son, Sheffield 1917, of circular form with shaped rims, shaped moulded panels to body, scroll handles and on circular footrims, comprising: - teapot with presentation inscription, turned wood finial and scroll handle 7ins high, two-handled sugar basin and milk jug, gross weight 41ozs

Two Early 20th Century Iraqi Silver Circular Dishes and Covers and a Plate, one dish and cover, 1933-34, with floral and leaf cast finial to cover and engraved with band of stylised flowers, 8ins diameter overall x 5ins high, one other similar smaller, 1936-37, 5ins diameter x 3.25ins high, and a similar circular plate, 1932-33, 9.5ins diameter, combined weight 40.6ozs

A Pair of Plated Five Light Candelabra, the leaf and scroll cast and knopped stem with turned finial, four reeded scroll branches and on square moulded bases 21.5ins high

A George II Silver Brandy Warmer maker's mark partially struck and indistinct, possibly London 1750, with plain tapered sides and turned wood handle, the body 3.875ins diameter x 2.5ins high, gross weight 5.3ozs\scattered surface scratch marks all over. Handle very dry, with what appear to be burn stains, and with minor cracks - small piece of wooden collar missing and residue around finial. Marks partially struck to base.

A Pair of Victorian Plate Adjustable Student Lamps by Bright, Late Argand, 37 Bruton St, the central column with loop finial and on baluster stem and circular footrim 21ins high now converted to electric table lamps and associated green glass shades for sameThe silver plate has worn in places notably to the bases. There is notable wear/tarnishing to both lamps

A George V Silver Basket and a George VI Silver Teapot, the basket by the Goldsmiths & Silversmiths Co. Ltd., London 1918, the shaped handle and rim with gadroon mounts, pierced sides and on four panel feet, the centre engraved with presentation inscription, dated 22nd Jan 1955, 7.125ins x 6.75ins x 6.5ins high, weight 10.6ozs, the teapot by Viners Ltd., Sheffield 1947, of octagonal panelled form with ebonised finial and angular handle on four scroll feet, 5.5ins high, gross weight 17.2ozs

A Late Victorian Silver Circular Teapot by William Devenport, Birmingham 1900, with shaped rim, the whole embossed with leaf scrolls with ebonised finial and scroll handle 6.25ins high, gross weight 18.5ozs

A George V Silver Rectangular Three-Piece Tea Service by Asprey & Co Ltd, London 1926, with moulded rims, twin reeded band to bulbous bodies on flat bun feet, comprising: - teapot with ebonised finial and handle 5.5ins high, two-handled sugar basin and milk jug, gross weight 29.3ozs

A Late Victorian Silver Oval Tea Caddy and Mixed Silver, the tea caddy possibly by Charles Boyton, London 1899, with part spiral reeded body, turned finial and ring handles 4.5ins wide x 4ins high, a silver gilt 'surprise' egg by Stuart Devlin, London 1978, a small circular two-handled tazza and a sugar caster, combined weighable silver 10ozs

A Pair of Copper and Glass Lanterns, each surmounted by turned finial, fitted four angles glass panels, 15ins squared x 33ins high

An Indian Mughal Brass Ewer and a Copper and Brass Ewer, the brass ewer with pear-shaped body, raised and incised decoration, the domed cover with turned finial and with serpent pattern handle on four stump feet, 12.25ins (31.1cm) high, the Kashmiri copper and brass ewer, cast with floral paisley and geometric ornament with reeded finial and serpent pattern handle 11ins (27.9cm) high

A late 19th century French mantel clock, the 12cms white dial enamel dial with Arabic numerals, signed A Paris, fitted with an 8-day movement striking on a bell, in a walnut case of waisted form with urn finial and scroll feet, approx 35cms high.

A pair of Chinese blue & white baluster vases and covers decorated with figures, four character blue mark to the underside, 32cms high (2).Condition ReportOne faux dog finial has been restored

An 18th century blue & white teapot, possibly Caughley, 16cms high; together with a Meissen teapot decorated with flowers; two continental porcelain groups, 14cms high; and a faience pottery mantle clock (5).Condition ReportThe Meissen teapot has rubbing to the gilt decoration, no chips or cracks and measures 16cms high and 25cms from tip of spout to handle.  The clock has numerous losses to the glaze overall and does not appear to be in working order; there is a small chip to the top of both figures and losses to the foliate decoration.  The blue & white teapot has had restorations to the spout, has a small loss to the flower finial and small chips to the underside rim to base

A silver ring tree with Scottish thistle finial; together with a silver mounted tortoiseshell double photo frame; a silver handled button hook; a silver and marcasite brooch and other items.

A George III table clock, the 20cms diameter white dial with Roman numerals, signed Edward Bird, Bristol, fitted with an 8-day movement striking on a bell, in a mahogany case, with stepped pediment and pineapple finial, brass fish scale sound boards, brass carrying handles, inlaid brass decoration and bun feet, approx 50cms high. Condition ReportComplete with pendulum and two keys.

A late 19th century Japanese Satsuma koro with temple lion finial and phoenix handles (a/f) 38cms high.

A Chinese pale jade vase and cover of flattened baluster form with flower finial on hardwood stand, in original box. 18.5cm high. Purportedly presented to the Hong Kong director of HSBC bank in the 1970's.Condition ReportThere is a tiny chip to the base, possibly a natural fault, otherwise it is in very good condition

Vintage Japanese Moriage Dragonware porcelain sake bottle, marked Made in Occupied Japan on the underside. This hexagonal bottle features an intricate hand-applied moriage dragon design in raised relief with gold accents over a vibrant green background. The detailed craftsmanship includes a sculpted bird-shaped finial on the lid and a flared spout.Issued: 20th centuryDimensions: 5.75"HCountry of Origin: JapanCondition: Age related wear.

Vintage Lucite table lamp featuring a faceted circular base and a vertically oriented oval Lucite body. The lamp is constructed with a central Lucite rod running through the center, connecting the base to a faceted Lucite orb situated below the socket. The hardware is chrome-finished, including a harp with a faceted Lucite finial. The transparent Lucite components are shaped to reflect and refract light. The lamp is wired with a clear cord exiting through the base.Issued: 20th centuryDimensions: 22.5"HCondition: Age related wear. Tested. Functionality not guaranteed.

A pair of Japanese Imari porcelain jars and domed covers, 18th century, with later gilt metal mounts, each ovoid body painted and gilt with chrysanthemum and peony below ho-o bird panels to shoulders, each domed cover with gilt Buddhistic lion finial, fitted with European gilt metal rococo scroll moulded rims and bases, total height 43cm (finials restored).

A Tibetan bronze stupa, 12th/13th century, of bell shaped form, the lotus knop finial above a ridged spire and gallery, on a turned tapered pedestal and double lotus base, height 12cm. Provenance: Peter Fussel, London, late 1960s, and Bonhams Hong Kong, 2nd October 2018, Lot 146. Provenance: the Alain Presencer Collection. Note: a stupa or chorten is the most ancient form of Buddhist art, symbolizing the monumental funerary mounds of ancient India used to store the cremated remains of spiritually attained lamas and Buddha relics. In Tibetan Buddhism, a stupa represents the mind of Buddha (enlightened being) and of Buddhist practitioners. This is a Kadam style stupa, named after the Religious Order of Tibetan Buddhism that flourished between the 11th and 14th centuries. Stupas are used for votive offerings, memorials and reliquaries, and often contain consecratory items like paper players, incense, stones or relics.