We found 112589 price guide item(s) matching your search

An Art Deco clock garniture, the clock with a dog finial, 30 cm wide (3)

A weather vane, with a cockerel finial, a pair of heart shaped plant guides, and assorted other items (qty)

An oak tilt top table, 82 cm diameter, two occasional tables, a cheval mirror, three bedroom mirrors, two oval mirrors, an armchair, a doorstop and a finial (qty)

Two small Victorian sifter spoons , one with Apostle finial. Birmingham 1898

A pair of Edward VII silver and gilt fruit serving spoons, hallmarked Sheffield 1910 by Walker & Hall, with a shell bowl and finial, length 22.5 cm, 5.3 ozt / 165 grams. Condition Report: In original fitted presentation box.

AN 18TH CENTURY SOUTH INDIAN BRONZE ELEPHANT SHAPED PALANQUIN FINIAL, 20cm long.

Ca. AD 100 - 300. A charming cast silver-copper pin used to secure hair with a lengthy, slender shaft and a standing eagle finial with folded wings. The bird has nice feather details impressed into the surface. For similar see: The British Museum, Museum number 1883,0509.2. Size: 85mm x 15mm; Weight: 10g Provenance: Property of a European collector; formerly in the famous Alison Barker collection, a retired London barrister; acquired between the early1960s to 1990s.

Ca. 2500 - 1700 BC . A bronze pin with a gold ram finial at the top. The ram is rendered in a naturalistic manner, featuring long hair covering the body, long curved horns, and an elongated muzzle. Size: 90mm x 20mm; Weight: 22g Provenance: Prince collection, 1990s-2014, acquired in 2010 from a UK private collection formed in the 1970s to 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 17th century AD . A copper incense burner (Tombak) of ovoid form with hinged cover, the circular base standing on three feet, the body and foot engraved with foliate patterns and bands filled with vegetal motifs, the hinged cover decorated in openwork and terminating in a bud finial. Size: 370mm x 295mm; Weight: 1.17kg Provenance: Previous property of a UK Islamic art professional. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 1200 - 1300. A bronze censer with a cylindrical base supported by three feet. The censer features a domed hinged lid with perforated sides to allow smoke to escape. The lid is topped with a protruding finial, which also has perforations. During the 9th to 13th centuries, Khorasan flourished as a centre of culture, learning, and art. Situated along the Silk Road, Khorasan was a melting pot of diverse cultures that left their mark on its art and craftsmanship, particularly in the design of bronze censers. Size: 255mm x 210mm; Weight: 905g Provenance: Property of a London Islamic art specialist collector; previously in a collection formed since the 1980s.

Ca. AD 1100 - 1200. A bronze oil lamp featuring a discoid body, covered by a hinged lid with a zoomorphic, openwork design. The front of the lamp displays three channels, each with ivy leaf-shaped spout, while the rear boasts a handle with a loop and a decorative finial. Size: L:180mm / W:200mm ; 800g Provenance: Property of a London Islamic art specialist collector; previously in a collection formed since the 1980s.

Qing Dynasty, Ca. AD 1644 - 1911.A bronze censer with a reticulated wooden lid and jade finial. The censer is made in the form of a teacup. The body is decorated with a floral band and double lion-head handles. The wooden top is reticulated and finished with a jade finial in the form of a seated figure.Size: 150mm x 110mm; Weight: 940gThis item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 12th century AD. A richly decorated silvered bronze portable pen case of triangular shape comprised of two pieces: an actual case with lobed cap and integral inkwell and an external, fitting cover with openings to the upper face and an inverted teardrop finial to the bottom. Size: L:33mm / W:134mm ; 65g Provenance: Private UK collection, formed since the 1990s on the UK and International Art market.

Collection of Austrian Art Nouveau iridescent glassware and similar, including handkerchief vase with pearlescent lustre, lidded pot with scrolling shell feet and finial, Kralik pearlescent jar with silver plated cover and handle, and other similar examples, tallest H14cm

Silver plated items, including coffee pot with bone finial, set of six cased teaspoons and sugar tongs, twin handled cup, tankards, bottle coasters and sauce boat, together with pewter tankard and other metal ware

Champleve enamel teapot, with pierced finial, green enamel interior and woven handle, H10cm

Fattorini of Bradford - oak cased early 20th century mantle clock with alarm, rectangular case with a broken pediment, turned finial and matching carved pilasters to the front, on a broad stepped plinth with a flat base, circular dial with an ivorine chapter within a decorative gilt bezel, Arabic numerals , spade hands and alarm setting disc to the centre, two train spring driven movement striking a coiled gong and bell. With key and pendulum. Dimensions: Height: 44cm  Length/Width: 31cm  Depth/Diameter: 19cm

Late 18th century Newhall commode shaped teapot, the body with enamelled floral sprigs and pink borders, the cover with red swan finial, including finial H17cm

A Late XIX Century Copper Spirit Kettle on Stand, with opaque glass handles and finial, 35cm high.

A Chinese Blue and White Porcelain Baluster Vase and Cover, decorated with mythical beasts and stylised flames, crosshatch borders, the cover with dog of fo finial, 60cm high.

THE GEORGE BEST FABERGÉ EGG BY SARAH FABERGÉ, 2006 2 of a limited edition of 68 for the World Market, with St. Petersburg Collection certificates which reads:'Sarah Fabergé, great grandaughter of Russian Imperial Jeweller Carl Faberge created the GEORGE BEST EGG in homage to Manchester United and Northern Ireland`s greatest ever player, and in support of the GEORGE BEST FOUNDATION.The finial is formed as a shamrock and created in sterling silver and 24-carat gold. The egg is spun in solid sterling, hand engine-turned and guilloché enamelled in red. The European Cup medal stands to the front, recording George Best`s part in Manchester United`s greatest European achievement. To the reverse, the football League Champions' badge. The sides of the Egg are graced with the official crest used by Manchester United in 1968; and, from the same year, the Northern Ireland official crest.The lower half of the egg is decorated with the famous Fabergé swags interspersed with ornamental silver and gold footballs, modelled after footballs of the 60`s. The foot is hand engine-turned in sterling silver and gold.Open the Egg and, in the tradition of the Fabergé family, view the surprise. On a field of gold and silver, George Best is presented, poised to press forward. A sterling and black-gold diamond studded football lies at his feet. Sarah Fabergé`s sponsor`s mark stands alongside the authentic British hallmark.The GEORGE BEST FOUNDATION provides charitable funds for research into liver disease and alcoholism. Limited Edition of 68 for the world market. This is number 2.'The egg is offered alongside its original presentation case, a further certificate, instructions for care, and two outer card boxes (both numbered 2), also, a video relating to a charity night in Belfast 2006, is available through our website. Alex Ferguson (owner of one of the eggs) is featured. the egg is 18cm high overall

WoodHandle and finial in boneGold mountUnmarked(signs of use)Height: 91 cm 

A teapotSilver 925/000Rococo decoration, wooden cover finial and handleEngraved monogram and resting on four feetCity of Chester assay warrantee mark for 1909 and goldsmith's mark John Round & Son Ltd(wear)12,5x24,5x10 cm426,6 g

A tea setComprising of teapot, milk jug and sugar bowlSilver 925/000Neoclassical decoration, wooden teapot finial and handleLondon city mark for 1882 and goldsmith's mark John Aldwinckle & James Slate (regd. 1880)(minor wear)Height: 14,5 cm1133,5 g (total)

MIDWINTER POTTERY, 1938 EMPIRE EXHIBITION SOUVENIR TEAPOT, modelled as the RMS Queen Mary, with cover, printed marks25cm wideCondition overall is good, it has an old chip to the finial on the cover, crazing throughout and some wear to the paintwork, all detailed in the additional images now available. No other obvious signs of any damage or repair

An Assortment of Hallmarked Silverware, to include an Edwardian Chester hallmarked decorative napkin ring, Viners teaspoon, baby spoon, etc, with a plated turreen of oval form, bead and reel rim with decorative finial. (7)

A Collection of Antique and Later Hatpins, to include clear paste set floral cluster, gilt coloured, faceted stone with wirework finial, etc, in a floral display stand.

Charles Horner; An Antique Chester Hallmarked SiIver Topped Hatpin, 1911, of Art Nouveau Celtic thistle design, stone set finial, 28cm long; Together With Another Charles Horner Silver Topped Hatpin, of a similar design, stamped makers mark "CH" "STERLING", 20cm long. (2)

A Chester Hallmarked Silver Counter Bell, (damages), on circular spreading base (weighted); A Vintage Oil Burner, of baluster form with pierced finial (damages) (stamped indistinctly). (2)

A Chinese Three Piece Teaset, comprising teapot, cream jug and sugar bowl, each allover planished finish with gadrooned accents and monogrammed circular cartouche, the teapot with floral decorated finial, bases stamped 'NK' (indistinctly stamped character marks). (3)IVORY REGESTRATION NUMBER: Q4V3EM1D

Walker & Hall; A Victorian Hallmarked Silver Condiment Set, Sheffield 1886, comprising hinge lidded mustard pot, two salts, of gadrooned form with decorative initial to body, each raised on three lion mask capped paw feet, together with three hallmarked silver salt spoons, bearing decorative initial to finial.

Adie & Lovekin; A Chester Hallmarked Silver Topped Hatpin, with faceted stone finial, a Charles Horner Chester hallmarked silver topped hatpin, of stone set flowerhead design, two further stone set hatpins. (4)

Charles Horner; An Antique Chester Hallmarked SiIver Topped Hatpin, 1911, of sinuous Celtic thistle design, stone set finial, 28cm long; Together With Another Charles Horner Chester Hallmarked Silver Topped Hatpin, (date mark rubbed), of a similar design, 28cm long. (2)

A Victorian Hallmarked Silver Mounted Claret Jug, WSGS, (Sheffield 1886?), with foliage and scrollwork decoration in relief, the pierced finial of colver form, to scroll cap handle and cut frosted glass body, of gadrooned form, depicting Roman chariot and draping foliage, 26cm high.The hinge top lid works as should, the lid sits slightly open when shut. No signs of repair and the hallmark is not rubbed. The underside of base has allover abrasions. No obvious signs of chipping to glass however some minor bubbles.

H Jones of Oswestry - Early19th century oak and mahogany eight-day longcase clock, with a swans neck pediment and central brass ball and spire finial, break arch door beneath with detached reeded pilasters, trunk with recessed pilasters and a full-length wavy topped door with inlay, square plinth with a raised crossbanded panel on padded feet, early Wilson painted dial with Roman numerals, matching steel hands, five minute Arabic's, seconds dial and date aperture, floral spandrels with gesso borders and an oval to the arch depicting a country girl gathering kindling, dial pinned via a Wilson falseplate to a rack striking weight driven movement, sounding the hours on a bell. With weights, pendulum and key. Dimensions: Height: 220cm  Length/Width: 45cm  Depth/Diameter: 25cm

Early 20th century bentwood hat and coat stand, the central column surmounted by a finial and fitted with eight scrolling coat hooks, above a lower ring with further scrolling hooks, on four bentwood supportsDimensions: Height: 201cm 

Early 19th century Bilston enamel oval patchbox, the cover decorated with a basket of flowers and birds within an arch of leaves and the motto 'Nelson's Victory Peace and Plenty', within a raised enamel and gilt border, 5cm long, and an antique treen love spoon, with deep oval bowl and the handle carved with a pierced finial and shield, 23.5cm long (2) 

William IV silver coffee pot, baluster shape and panelled with melon and foliate finial, scroll handle on shell and scroll supports, 26cm high, hallmarked London 1837, makers' mark Rebecca Emes and Edward Barnard I, weight 29ozt, IVORY EXEMPTION CERTIFICATE NO. TFCQ4YHZCondition ReportFew dents in 'bowl' of coffee pot otherwise condition seems good.

Silver plate teapot in the George III manner of rectangular squat form with flower finial, scrolling foliate embossed edge and fluted body and spout, with ebony handle and four ball feet, 16cm high, together with a silver plate oval tray with embossed shell and floral edge, 29cm long

Dame Lucie Rie DBE (Austrian/British, 1902-1995) A stoneware coffee service for four, circa 1955, impressed LR seal marks, glazed to the exterior in manganese and incised with fine sgraffito bands, comprising: four tapering conical cups, four saucers, a baluster coffee pot and cover with knop finial 19cm high, a baluster milk jug 12cm high and a sugar-bowl, the interiors and undersides of each piece glazed in white (coffee pot with hairline crack, the hairline crack is approx 3cm long, small chip to edge of one saucer) (11) Provenance: Acquired by the present owner's parents in the mid 1950s, while they were touring with Sadlers Wells Theatre Ballet, in the Corp de Ballet and subsequently as principal dancers. Thence by descent to the present owners.    Lucie Rie (1902-1995) was born in Vienna and developed an interest in the decorative arts from a young age, studying under the Head of Ceramics, Michael Powolny, at the Vienna Kunstgewerbeschule.  She later opened her own studio, to great acclaim, becoming a much sought-after ceramicist, exhibiting at the Paris International Exhibition in 1925 and winning a gold medal at the Brussels International Exhibition in 1935. Rie fled the approaching Nazi occupation, establishing herself as a Jewish émigré in London in 1938.  She initially created glass and ceramic buttons for the Orplid Glass Studio, although she is most well-known for her collaborations with Hans Coper (1920-1981), a German émigré, whom she hired as a studio assistant in 1946. The partnership was a fruitful one; Coper was a huge inspiration for Rie, championing her experimentation and love of modernism. She continued to experiment with glazes, enamel colours and forms throughout her long career. Provenance: Acquired by the present owner's parents in the mid 1950s, while they were touring worldwide, with Sadlers Wells Ballet Company, in the Corp de Ballet and subsequently as principal dancers. Thence by descent to the present owners. Provenance: Acquired by the present owner's parents in the mid 1950s, while they were touring worldwide, with Sadlers Wells Ballet Company, in the Corp de Ballet and subsequently as principal dancers. Thence by descent to the present owners.  Condition Report Coffee pot with hairline crack (the hairline crack is approx 3cm long), small chip to edge of one saucer.

Edward VII silver chocolate pot, Chester 1906, Vale Bros & Sermon, of plain inverted tapering form with ebony handle and finial, 16cm high, 10.82ozt

Meissen (outside decorated) green mosaic pattern part coffee-service, circa 1880, and a pair of Capodimonte-style quatrefoil sugar-bowls and one cover, the service with cancelled blue crossed swords marks, various pressnummer, painted with vignettes of gallants and companions after Watteau in landscape, within green mosaic pattern gilt scroll borders with bouquets of flowers, comprising: a baluster coffee-pot and cover, a hot-milk jug and cover, two cups, covers and stands and the pair of sugar-bowls moulded in the Capodimonte style with mythological figures in landscape, the cover with gilt berry finial, spurious blue crossed swords and star marks (damages and repairs)Condition ReportCoffee-pot and cover - cover cracked, restored, restuck and with large losses. Chipped to spout and chip to rim of coffee pot.  Hot milk jug and cover - cover extensively cracked and restuck, with loss to rim.  One cover to one cup with two small rim chips. The other cover with minor short hairline crack to rim. One cup cracked through and restuck, with associated chipping chipping to handle which has also been restuck.  Both saucers cracked and restuck, one with chip to rim and the other with slight footrim chipping.  Capodimonte style sugar-bowls and one cover - one cracked and restored, lacking cover and the other with rim chip and with associated hairline crack.  Very minor wear overall. 

A 19th century cast iron architectural finial with open scrolling foliate detail, 98 cm high

A late Victorian silver tea caddy with hinged lid and acorn finial and ring handles, London, 1900, maker mark rubbed, together with a silver caddy spoon, 6 oz approx (2)

A Blanc de Chine porcelain pot pourri 19th century, modelled as the head of a dog of fo, the pierced cover with a finial modelled as a fish, 9cm wide 12cm highProvenance: The Estate of the Late Jackie Mann Condition ReportRestoration to the feet and cover.

A pair of Delft vases and covers, 19th century Dutch, of baluster form with blue and white chinoiserie decoration 44cm highCondition ReportOne finial is detached but present.

A sterling silver and enamel loop spoon, c.1900, probably Norwegian, the twisted loop handle with enamel finial and bowl decorated with floral motifs,17cm longCondition ReportSome powdery residue to the bowl which appears to be cleanable. Light tarnish and wear. Some light cracking to the bowl.

A pair of Satsuma vases early 20th century, of bulbous form with flared neck and figural decorated reserves,17cm high together with a similar trinket box 8cm wideand a bottle vase 32cm high(4)Condition Reportrepaired rim to one vasechips to finial of box

A late Victorian silver sugar caster of baluster form with urn finial and spiral twist design, initialled, 19.5 cm H, hallmarked for William Hutton & Sons Ltd, Birmingham, 1899, 167g

An early 20th century Chinese silver cylindrical box with domed lid, gilt interior, melon finial, with profuse seaweed etching and embossed decoration, maker's mark to base, 10 cm H, light wear to rim

An Edwardian silver mounted glass claret jug, the lid with moulded finial and gadroon rim, angular handle and spiral reeded body, 27 cm H, hallmarked for William Hutton & Sons Ltd, London 1902, both silver and glass without visible damage or repair, light tarnishing

An early 19th century Swedish neo-classical gilt brass two-branch candelabra with feather gadrooned border and baluster stem, the central stem with pineapple finial.  Sweden c1810.

ARR Ian Godfrey (1942-1992) a lidded stoneware vessel with beast, the cylindrical cup form and foot with intricate carved pattern, the lid mounted with long curved hornThe horn on the finial broken through in two places and well bonded although there are a couple of tiny shards lacking along the break.

ARR John Maltby (1936-2020) a rectangular footed box and cover, the lid with finial, decorated stylised flowers, signed to base, 22cm x 10cmTwo very small glaze chips to the underside edge of the base. Small firing crack to the top one one leg whre it joins the body. Overall very good.

A hat and coat stand with turned finial, 186 cm. The Alastair & Sheila Brooks Collection: of Oaklands (& past owners of Ednam House Hotel), Kelso 

Eight pieces of Chinese famille rose and Imari decorated export porcelain - 19th century, comprising an Imari teapot (chip to spout, glaze chips to finial), 12.75cm high; an Imari decorated beaker, 7.25cm high (small rim chip and hairline); two small sugar or slop bowls, the larger 11cm diameter (one with hairline); and four tea bowls, three with figural decoration, the largest 8.7cm diameter (one with hairline, the others good). (8)

An early 20th century novelty spelter Elephant head inkwell - originally silver plated (plating now heavily worn), the finial in the form of a monkey playing a flute, on a circular socle, 13cm high, lacks glass liner.

An Edwardian silver teapot - Birmingham 1902, half-gadrooned oval form, composition handle and finial, 24cm long, gross weight 327.5g.

Eight pieces of copper and brass ware, comprising - 1. A large copper kettle with acorn finial, 32 cm high 2. A large Victorian rectangular pierced brass trivet, 33.5cm long (old repairs to one end of the top), stamped '226' to underside 3. A 20th century circular pierced brass trivet, with horse design, 15.2 cm diameter 4. 5 x horse brasses

A decorative 19th century buff terracotta roof tile finial - with a classical mask within an anthemion surround above cones and scrolls, 24.5cm high, 20cm long.