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RODIN AUGUSTE: (1840-1917) French sculptor. A.L.S., Rodin, to the recto of a plain correspondence card, n.p. (Paris?), n.d. (c.1890-95), to Henri Mazel, in French. Rodin thanks his correspondent for having sent him a copy of the review L´Ermitage, remarking that it ´ce qui m´a permis de lire Azur et Oz votre poesie, qui est une admirable broderie de sentiments delicieux et dont j´aurais pu faire profit pour ma sculpture´ (Translation: ´enabled me to read Azur and Oz, your poetry, which is an admirable embroidery of delicious feelings and which I could have used for my sculpture´). A few small, minor ink smudges to a few words and one letter of the signature. VGHenri Mazel (1864-1947) French journalist, playwright and poet who founded the important literary review L´Ermitage in 1890, continuing as its editor until 1895.

A green velvet table runner of 17th century design with scroll embroidery, 16" x 54", an eiderdown and a pair of tassels

Massingham: an artist proof woodcut print, "Snow Scene", in silvered frame, a set of three watercolours, horse with plough, another pair of limited edition prints, two other watercolours, a pair of oils, still lives of flowers, in octagonal frames, and an embroidery of flowers

Oriental - a pair of champleve vases, 21cm high, 20th century Chinese figures, mother of pearl inlay panel, 49cm high, silk embroidery; etc

A 20th Century Satsuma ware table lamp, a gilt framed rectangular mirror and artwork to include floral embroidery and landscape prints

A 19th century silk embroidery 'A Lady Shelling Peas', also a watercolour of a girl with a flower in her hair. 38cm x 30cm including frames.(2)

* Baskin (Leonard, 1922-2000). Pomegranate, circa 1960, mixed media (black ink, pencil and embroidery wool on needlepoint fabric), mounted to linen backing panel, signed lower right, 415 x 425 mm (16 3//8 x 16 3/4 ins), framed and glazedQTY: (1)NOTE:Provenance: Given by the artist to Patricia Milne-Henderson (1935-2018); thence by descent.The Pomegranate was a Baskin's symbol for the Gehenna Press, publishing works by numerous poets and writers.

American Folk Art -  woolwork embroidery panel, with American street, shops, mail carts and stars and stripes flag, 39 x 49cm;   a 20th century felt and needlework panel, with Margaret of Anjou, Henry VIII, Queen Elizabeth, Charles I, Queen Ann and George II, 40 x 118cm; others, Alice in Wonderland (3)

An original Japanese woodblock by Ping An Yuanqi, Kansei era (1789-1801) depicting mother and daughter in traditional atire, "寬政丙辰暮夏寫 平安源琦" which indicates it was painted in the summer of the "Kansei" era, specifically the year of the Fire Dragon (丙辰) and signed by "平安源琦"; a pair of Chinese gold coloured metal and silk embroidery sleeve panels, framed; another original monumental landscape (4)

Two Chinese carved soapstone vase shaped ornaments, early 20th c, on pierced base, 29cm h and circa and two fragments of Chinese embroidery, late 19th c, worked in gold thread and a variety of stitches, 10 x 14cm and smaller, in later frames and another framed piece of Chinese silk embroidery (5) Some damage

A Framed Silk Embroidery, Windsor Castle, "Royal Retreat", Subject 27x20cm

A Framed Embroidery Describing the Walk from Barden Bridge to Addingham, 133x35cms Overall

A LOUIS VUITTON BURGUNDY CARDIGAN BY KIM JONES Ribbed-knit with contrast metallic-striped trims, patch embroidery to chest and sleeve, and button-front closure From 2017 Spring/Summer collection Size S Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

A LOUIS VUITTON DARK GREY KNIT SWEATER Ribbed detailing at collar, sleeves and hem, 'LV' logo embroidery to lower left From 2014 Pre-Fall collection SIze Large Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

AN ERDEM HOUNDSTOOTH EMBROIDERED SKIRT Constructed with a high waist features multicolor floral embroidery along the hemline with beaded embellishment, with a concealed back zip closure and a rear vent SIze 44 Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

Collection of antique Japanese embroidery fragments in silk thread on silk fabric, etc.

A 20th century Chinese silk embroidery, portrait of man with a pipe, signed with with embroidered character marks to the lower right in a glazed ebonised frame. H.48 W.40cm

A collection of various coloured prints, embroidery etc.

A good quality 19th Century Chinese silk embroidery depicting vases and bowls within black border

A Victorian floral embroidery in mahogany frame

Five early 20th century mixed linen/embroidery anglaise and lace inserted parasols together with two silk parasols, longest 90cm (7). Condition - mostly poor, only undamaged parasol, lace edged with anglaise fabric and faux ivory handle.

Elegant Pair of Framed Chinese Silk Artworks Featuring Birds and Floral DesignsThis exquisite set features two framed silk pieces, each showcasing intricate bird and floral motifs. In the gold-colored frame, two small birds are depicted perched on a branch adorned with vibrant pink and red flowers and lush green leaves. The second artwork, presented in a natural wood-toned frame, highlights a green bird sitting amid large red, white, and pink blossoms, complemented by verdant foliage.Noteworthy elements include the detailed embroidery of the birds, which exhibit shades of blue, tan, and green. Each artwork is further embellished with black calligraphy and red rectangular seals, signifying cultural and artistic significance, of Chinese origin. These refined pieces blend natural beauty with traditional artistic techniques, making them a sophisticated addition to any collection.

Steiff Limited Edition Peter Rabbit Replica 1904/05 A 22 cm tall Steiff Peter Rabbit replica crafted as part of a limited edition run of 3,000, numbered 02527. Styled after the 1904/05 design, the figure features hand-stitched nose and mouth details, a navy blue felt jacket, and red felt slippers with leather soles and gold-coloured embroidery. Made from wool plush and wood shavings, it includes Steiff's hallmark "button in ear," original box, and certificate of authenticity. A collectable piece inspired by Beatrix Potter’s beloved character.

Vintage Singer Featherweight 222k Sewing Machine with Accessories and Carrying CaseThis lot features a vintage Singer Featherweight 222k sewing machine, renowned for its compact and lightweight design, making it a favourite among sewing enthusiasts. The machine is black with elegant gold-coloured detailing, prominently displaying the "SINGER" brand name on its body. Visible components include the needle, presser foot, spool pin, and various cords, suggesting the machine is electric.Accompanying the sewing machine are several well-preserved accessories. These include a green box with the "SINGER" label containing various metal sewing parts, an additional green box, and assorted yellow and orange boxes. A small transparent screwdriver or oil can is also featured, alongside a bottle labelled "Singer Lubricant for Electric Motors" and a small bottle of sewing machine oil. An orange piece of fabric lies to the left of the machine, indicating its readiness for use. Furthermore, there are assorted threads, a Singer Embroidery Hoop box, and an instruction manual for the electric sewing machine.The machine and its accessories are set up on a textured surface and accompanied by a black, hard-sided carrying case designed for portability. The case, featuring a handle on top and metal clasps, measures approximately 12 inches in length, 7 inches in width, and 11 inches in height, although the handle appears to be missing. This comprehensive set of items exemplifies the utilitarian charm and functionality typical of the Singer Featherweight series. This item is in working order.

19th century sampler, 'Alice Birtwell, Work, Finished, September 9 1847', 'Solomons Temple', impressive building embroidery with words above, flanked by angel trumpeters 'When Solomons temple was raised, Its grander no mortal can tell, The Lord by his people was praised, He descended among them to dwell, This building was set on moria, Enriched with much silver and gold, For to represent the mesiah, Who should die for the sheep of is fold', with stylised borders with vine design, 55.5 x 61cm, framed and glazed

V Geeson, three: Tawney Owl, embroidery, signed and titled lower right, 26 x 21cm, Nuthatch, embroidery, signed lower right and dated 1986, titled lower left, 25.5 x 20cm and Little Owl, embroidery, signed and titled lower left and dated 1990, 27 x 20cm, John Dolton, study of a bird of prey, watercolour, signed lower right and dated '89, 17.5 x 12cm, 20th century English school, study of a flight of swallows, impasto oil on board, 48 x 32.5cm and three other paintings of birds, all framed and glazed (8)

Framed Egyptian embroidery on cloth, signed measures approximately 21 inches by 17 inches

Late 19th / early 20th century miniature sewing machine, black japanned with gilt flowers, in wooden travel box 29 x 24 x 15cm, together with a Marvel machine for hand embroidery, boxed (2)

Goldwork embroidery of a bird and butterfly in a tree branch, described in handwriting on the back as worked by nuns during the Boer War in the siege of Mafeking, framed under glass, 50 x 49cm

Cross stitch embroidery of a boy playing with his dog, framed under glass, 42 x 48cm

An early 20th Century framed embroidery

A Chinese cloisonne enamel circular box and cover, 9.5cm high; together with a soapstone carving, 21cm wide; and an embroidery inset tray, 24cm wide. (3)

Chinese Floral Embroidery with Inscription, late 19th/early 20th century h cm 83X28 late 19th/early 20th century

Embroidery on silk Oriental character embroidery in the center left cm 55,5X55,5 19th century

Needlework & Embroidery.- Banks (Mrs. G. Linnaeus) Crochet Designs, Light Work for Leisure Hours No.9, folding frontispiece with 3 images, plate, original printed wrappers, Birmingham, [c.1880] § Lambert (Miss) Church Needlework, title in red & black, original cloth, rebacked, 1844 § Potter (Esther) English Knitting and Crochet Books of the Nineteenth Century, extract, interleaved with annotations in ink and index to rear pastedown, final two leaves loose, cloth, Bibliographical Society, 1953 § Lotz (Arthur) Bibliographie der Modelbücher: Beschreibendes Verzeichnis der Stick- und Spitzenmusterbücher des 16. und 17.Jahrhunderts, second edition, Stuttgart & London, 1963 § Groves (Sylvia) The History of Needlework Tools and Accessories, Newton Abbot, 1973, some illustrations, the last two original cloth or boards with dust-jackets, the last with faded spine, most a little rubbed; and a bundle of others including a 2000 Phillips sale catalogue including the embroidery & sewing accessories collection of Mrs. M.J.P.Collins, mostly pamphlets, v.s. (c.15)

20th century Chinese silk embroidery depicting pheasants and chrysanthemums, 58x37.5cm

A large quantity of table linens to include examples of crotchet lace, bobbin lace, broderie anglaise, cross stitch, free hand embroidery, etc, most in good condition

'Souvenir of Egypt 1945' embroidery with Royal Electrical and Mechanical Engineers crest, approx 43x38cm

LARGE QUANTITY OF VINTAGE AND ANTIQUE LINEN, EMBROIDERY, LACE AND CROCHETincluding Indian white work table clothes, napkins, lace doilies, in cream vintage suitcase

LARGE SELECTION OF ANTIQUE AND VINTAGE TABLE CLOTHS AND BED LINENincluding Irish linen tablecloths, lace and linen bedspread/table cloth with linen backing, Ayrshire white work napkins and table clothes, Chinese embroidery, etc.

LOT OF COLLECTABLESincluding a set of Harper scales with weights, a pair of binoculars, four hardwood stands of various sizes, an embroidery backed gilt dressing table set, a harmonica, a carved wooden figure ornament, two compacts, a soda siphon, etc.

Masonic regalia set in original case includes ceremonial sashes, aprons, and medals with gold embroidery. Includes documents and insignia associated with Freemasonry and Royal Arch Chapters.

FRAMED EMBROIDERY, AND OTHER ITEMS depicting a street scene, along with other items including ceramics, glasses, a badge and further itemsembroidery 24cm high x 31.5cm wide overall

GROUP OF FABRIC, comprising of cotton, embroidery, faux leather and other materials

Three long dresses, 60's/70's to include one Italian embroidery white cotton dress with lace, another multi coloured with floral sleeves and velvet ribbons, possibly Deborah Clare. A DEBORAH CLARE long velour style fabric multi colour dress, with velvet ribbons, (some wear to belt holes and some stains). See all photos for condition. Provenance: Lots 1-90 to include the part clearance of 86 Eaton Square for The Baroness Rawlings. Auctioneers Notes: Please observe - this is an auction, not a retail shop, and all clothes have been worn and used unless otherwise stated , and so are usually not in Shop new condition. Any obvious damage or marks are photographed. Items are sold as seen, with a buyer beware, and purchasers must satisfy themselves prior to bidding.

Three pairs of shoes to include STELLA McCARTNEY animal print with ankle strap, MOSCHINO gold glitter heeled slip ons, and PAUL SMITH black satin with silver bird embroidery sling back heels. size 40 (in used but generally good condition - see all photos).

Miss O by Oscar de la Renta silk skirt with velvet and gold embroidery to waist band, size 12. A pink and black strapless dress with pink ruched bodice and bow detail. Condition: marks to lining. GOLDSTARK SOIREE COUTURE Munchen Paris 1980's black full length evening dress with ruffles, frills, and belt, and a cotton ribbon trellis work (swiss) fabric long 1960's debutante dress, bespoke made.

KANGA silk patterned dress with elasticated waist, CAROLINE CHARLES mid length black velvet skirt, another no label skirt long silk with velvet top. ANTONIA PUGH-THOMAS silk embroidery short top with two silk skirts to match long and short. Black suede shawl/wrap, JOHN ANDERSON London, long black raised pattern cotton coat with double breasted square buttons, green slub weave three quarter length coat with ornate buttons.

A Burgundy velvet dress with silk collar and belt, labelled JANICE WAINWRIGHT condition: slight wear to velvet at waist, and marks to belt. JANET WOOD black silk skirt and tie top with ruffle collar and sleeves, gold metallic embroidery sequin pattern to fabric. Black velvet off shoulder top Enrica Martinelli silk buttons.

OSCAR DE LA RENTA pink silk strapless dress with gold embroidery pattern. 10. Some marks see photos. Nicholas long white dress, a long black jumpsuit.

Shoes, two pairs. Pedro Miralles embroidery flats size 39, Pons Quintana size 38. Some wear and marks.

20th centuryCreme silk with floral embroidery and two denim front pockets lined with mouton lamb fur (size 40).No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

19th/20th centuryThe band collar above a v-neck with gold and silver floral embroidery, with long sleeves and side hem slits (size 2); Together with a Lapis Blue cotton Sherwani (no size).No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

Dated 1698 A.D. Depicting Mary holding a lily flower with her right hand and supporting infant Jesus with her left arm; Jesus crowned by a crossed diadem and holding a gospel in his hand; background in gold thread, framed in a circular silver frame with dedicatory inscription to the reverse from a certain Alexander to the Jerusalem’s Archbishop Dositheus, reciting: + Τω ΜΑΚΑΡΙΟΤΑΤω ΚΑΙ CΟΦωΤΑΤω ΠΑΤΡΙΑΡΧΗ ΙΕΡΟCΟΛΥΜωΝ ΔΟCΙΘΕω ΤΙΜΗC ΕΝΕΚΕΝ – μηνι cεπτεμβριω 1698 – Αλεξανδρος – To His Beatitude and Enlighted Patriarch of Jerusalem Dositheus, as a sign of respect – September 1698 – Alexander; internal padding with floral decoration. Cf. Hellenic Ministry of Culture, Embroiderers, Embroideresses & Embroideries in Constantinople, (17th-19th c.), Athens, 2008, nos.BXM 21078, 20717, 20718, 21069, 21072, 21055, for similar embroideries. 82 grams, 10 cm (4 in.). Property of a London, UK, gentleman collector.The art of gold embroidery developed in Constantinople, with its own guild, and continued also after the end of the empire. Important artists like the legendary Despoineta, Mariora, Eusebia and Kokona, were famous in the 'painterly' rendering of religious subjects, not with the brush, but with the needle: red satin, and silver and gold wire created dresses, shadows, volumes with a sense of depth and sculptural quality. The artists conceived their works like a true prayer: a hope, based on human creativity.

Istanbul, circa 1860 A.D. Showing the standing Taxiarches (commanders of the Heavenly Army) Michael (A[rchangel] M[ichael]) and Gabriel (A[rchangel] G[abriel]); Michael dressed in pseudo-Roman scale armour worn over a garment with hanging pteryges, partially covered by his military cloak, the raised right hand holding a sword and the left hand resting on a shield; Gabriel dressed in long mantion (a cloak fastened under the neck), long court dress with embroidery, holding the messenger’s flower in one hand and the Globe of the Divine Power over the world in the other; floral frame; fabric mark in Turkish and Greek (ω) near the right shoulder of Saint Michael. Cf. for an icon of Virgin Mary in similar style, produced in 19th century Istanbul, Geelmuyden Bulgurlu, V., Ulf, A., Lindgren, N., Bodin, H., Balicka-Witakowska, E., Five essays on icons, Stockholm & Istanbul, 2005, fig.3, p.26. 285 grams, 16.2 x 12 cm (6 3/8 x 4 3/4 in.). Property of a London, UK, gentleman collector.The icon is from a workshop of Constantinople circa 1860 A.D. During the Turkokratia (the Turkish domination) the Orthodox inhabitants of Constantinople continued to trust their protection to the powerful military commanders of the Heavenly Host, the Archangels. Following the Slavic style, the icons were often covered by embossed silver plates (riza), generally reproducing the same figures on the painted wood.

A MIDDLE EASTERN PATCHWORK VELVET PANEL EARLY 20TH CENTURY 175cm high,140cm wide Interspersed with embroidered cotton sections, within a similar diamond border. Together with a Rabat door curtain with purple silk floss foliate embroidery on a cream voile ground embroidered in chain stich with flowers 300 cm x 180cm and a similarly embroidered floor cushion in red floss silk, 85cm x 73cm Three panels of Rabat embroidery worked on cream narrow loom ground in red floss silk with all over geometric pattern including a stylised bird in green, one with borders to each end 254cm x 137cm; one with original label annotated 'Indus', 156cm x 256cm; one fitted small curtain rings, 263cm x 137cm. And two lengths of narrow loom cotton fabric, both 54cm wide x 255cm long, possibly Berber.  A Continental embroidered cotton cloth with raised grey embroidery, , 110cm square Condition Report: An 8inch length of ground ripped to one corner. Not backed and possibly never used. The curtain has some grubby marks to ground, it has been folded over to the top, generally in good condition. The floor cushion has losses to the embroidery  Some water damage on 254cm x 137cm panel. Sun damage to embroidery with curtain rings, the other appears unused but seams are untidy to ends Appear unused  Cut and repaired to corners  Condition Report Disclaimer

A (FES) STITCH EMBROIDERY UPHOLSTERED OTTOMAN DESIGNED BY HUGH HENRY Of rectangular form with complimentary red and white bullion fringe 50cm high, 200cm wide, 93cm deep Condition Report: Good, structurally secure with minor general wear and tear. Some light marks and staining to the embroidery that would probably respond to gentle cleaning. Please see additional images for visual reference to condition Condition Report Disclaimer

A GROUP OF OTTOMAN CLOAKS 19TH CENTURY One worked with couched gold thread filigree design with red and blue fabric highlights and metal braid, lined with 19th century European cotton with a sprig design, approx 108cm long Together with, Five 19th century Ottoman boy's/men's short jackets in velvet, hand worked filigree design in gold thread, all 40cm approx. long A 19th century Turkish cotton velvet lady's court dress with hand stitched raised metal thread decoration, inset smocked panels to front, lace trimmed and yoke closing, 141cm long An early 20th century Turkish man's robe, with metal thread embroidered detail and button closing to front, 133cm long A mid-20th century purple cotton velvet lady's dress with gilt metal embroidery, side slits and zip closing, 136cm long, and a silk velvet skirt of similar design with front and back opening to hem, 104cm long An early 20th century Turkish brocade coat worked with metal thread; cotton lined 130 cm long      Condition Report: Some splits around the neck embroidery but most of the threads present. Some abrasion to the braid and edge trimming. Ground has faint patches of possible fading, lining has a few small holes to upper body and a replacement patch 10cm wide to bottom edge. All with loss to the pile to various degrees, some have threads detached, two have losses around collar with one having a rip to fabric below collar, 3cm overall. The long sleeve purple jacket has splits to the ground on the sleeves, stained and grubby to lining. Some losses to surface of the metal thread to yoke, velvet pile worn over all of dress. Faded to the front, two marks to pile on front. Worn but no issues apparent Fading to brocade ground, a 10cm stained to one side of front, wear to back of collar, interior with old stains Condition Report Disclaimer

A COLLECTION OF UZBEK PANELS 20TH CENTURY An Ikat silk ground panel, the five narrow loom sections embroidered with silk floral roundels and red quadrant rondels, with purple cotton edging, 225cm high, 178cm long An Ikat reversable quilted panel woven with chevrons, in gold and pink, the red cotton backing printed with lions and scimitar, 113cm high, 220cm Long. A Susani embroidered four rows of stylised flowerheads and roundels, on aubergine ground, with hanging loops to cotton border, 160cm high, 137cm long. A Uzbek yellow silk panel the narrow loom ground embroidered in purple, red and black floss silk, with tie dyed roundels to border, 250cm high,194cm Long And another similar with silk ground embroidered roundels, suspension loops to top edge, 253cm,186cm A Uzbek Ikat panel with tie dyed yellow backing, integral corner loops, 223cm high,144cm long A tie-dyed panel with all over white roundels, machined ends, 233cm high, 195cm long An embroidered section of a Susani, the cotton ground with silk floss roundels, later fringing, 85cm high, 185cm long Condition Report: Appears unused and in good order A few marks to Ikat side, but otherwise appears in good order Appears in good order Both appear in good orderStaining to bottom edge, a line of dark blue dots to the Ikat side, a seam ripped to Ikat side. Appears in good order Losses to embroidery and grubbyCondition Report Disclaimer

A TURKISH COTTON VELVET CUSHION WITH RAISED METAL THREAD WORK EMBROIDERY CIRCA 1800 86cm length, 40cm high Together with a Venetian silk velvet cushion in the Baroque taste, with raised couch work embroidery including metal threads and border, fringed to each end, 54cm x 38cm; A French Aubusson tapestry cushion, with heavy cotton fringing, 45cm x 45cm; A 1920's cotton velvet cushion set a tapestry band with fringed border, 47cm x 55cm; A cotton velvet cushion applied earlier silk brocade and metal panel, with metal thread banding and silk fringing, 60cm x 50cm.  Condition Report: The Turkish cushion rebacked in 20th century, old stitching lines have small rips and repairs to each end, the raised metal work has small losses overallThe Venetian cushion has losses, wear and splits to ground and embroidery, backing is very rubbedAubusson has splits and losses to tapestry.1920's cushion is good for age but backing silk has a stain and small rip to groundThe silk brocade cushion has heavy wear to brocade area. Condition Report Disclaimer