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After William Morris, an embroidered frame surround, 45 x 38 cmRear of the frame worn with some losses, no chips or cracks to the glass, some light staining to the embroidery but in generally ok order

A PAIR OF OTTOMAN TURKISH PILLOW CASES, with gold embroidery.

Metal Ware - horse brasses;  shell cases;   anchors;  Ships and Ship Models magazines, 1955 on wards  ships window;   Taj Mahal India embroidery;  a gazelle horn;    blow torch;   oak cutlery tray;  an oak rectangular tray;  etc

ARR JOY CLUCAS (1931-2006) *ARRA Mid XX Century Embroidered Panel, of a pink, orange and yellow stylised flower, signed,66cm x 42cm.*Joy Clucas was the founder of the 1962 group and author of 'Your Machine for Embroidery', examples of her work can be found in the V & A museum.

ALAN CLARKE FOR POOLE POTTERY; a set of nine 'Alignment of the Planets' chargers, dated 2000, limited edition of 500, the set numbered 374/500, diameter of each 40.5cm, all boxed, with a modern tapestry embroidery of the planets, 16 x 95cm, framed and glazed (10).Condition Report: Condition is good, no signs of any chips, cracks, hairlines or wear.

An unusual needlework sampler dated 1909, worked by Germaine Dams, commemorating a school in Laeken, Belgium demonstrating alpha-numerical cross stitch, also various embroidery stitches and dress making techniques. 3.6m x 28cm

Nine early 20th century baby/ child gowns including hand stitched examples embellished with pin tucks, broderie anglais, embroidery and hand made lace together with a lace baby cap.

Assortment of vintage stockings, Twilfit waist corselette with suspenders, bloomers, child/ dolls gown, handkerchiefs and mixed linens some with embroidery

An unusual and spectacular antique Tree of Life crewel work wall hanging - 18th / 19th century, worked in in crewel wool embroidery on a buff-coloured linen ground, decorated with a tree of life festooned with flowers, leaves and birds in polychrome wools, the base of the trunk incorporating the images of various animals amidst the bark, with other animals in buff, pink and red including a dog, a deer and a cat, to the right of the trunk stand two human figures, one with an elaborate animal-skin cloak holding a tethered giraffe and to the left, a moored three-masted discovery / explorer's sailing ship and a circular motif, worked in brown wool with a five letter word, possibly 'Bag...' or 'Bas....', within a broad, conforming border with a repeating design with a tree, flowers and birds, each with an animal at the base of the tree resembling an anteater, approx. 254 x 175cm, the top edge folded and with brass hooks for hanging. * The vendor showed this embroidery to a textiles specialist at the National Trust many years ago, who speculated that it may have been an Afghan piece, dating from the 18th or early 19th century.

A GROUP OF FOUR CHINESE EMBROIDERED SILK PURSES, LATE 19TH/EARLY 20TH CENTURY. Comprising: an example in pale blue and indigo, suspending blue tassels, finely embroidered with a bat and butterflies, three embroidered with phoenix and birds amongst flowers in coloured and gold and silver thread, on cream ground with embroidered black borders Overall in good order. Some typical and relatively minor wear overall, majority of embroidery in good order, some very minor discolouration to cream silk.

TWO EARLY 20TH CENTURY INDONESIAN KAUER (SUMATRA, LAMPUNG) EMBROIDERED COTTON JACKETS. From striped burnt orange and indigo cotton, one woven with striped silver thread and embroidered with two vertical panels and applied with mirrored sequins, the other embroidered with gold thread with a cross within a lozenge and applied with sequins, the indigo back panel embroidered with geometric motifs in gilt thread, each stitched with white shells to the collar, the first with red and yellow floral printed cotton lining and the other with cream cotton lining, approx. 30cm long (2)Jackets of this type were made by Kauer women prior to marriage. Overall both jackets are extremely decorative and finely worked. The majority of the applied shells are present. The example with embroidered gilt thread to front - with two holes to the cotton fabric at the back of neckline, there are several areas where the gold thread embroidery is loose/lacking to the front and with losses to sequins, the stitching under the arm is slightly loose. The second with some wear to collar, some tearing to lining, minor staining, some threads pulled, including to the underarm area. Some typical and relatively minor wear overall.

A CHINESE EARLY 20TH CENTURY FRAMED SILK EMBROIDERY. Depicting a pink peony flanked by bats, flowers and fruit, each corner with a shell, fish or vase, on a cream ground, 28.5cm x 21cm Overall in good order. Some very minor wear overall.

* DANNY FERGUSON RSW RGI (SCOTTISH 1925 - 1993), AUTUMN LOCH oil on board, signed, titled label versoframed and under glassimage size 31cm x 31cm, overall size 44cm x 44cm Note: Danny Ferguson was educated at Airdrie Academy from 1936-1942. He was an athletic youngster, playing football for (amongst others) Baillieston Juniors, Bedlay Juniors, Douglas Water Thistle and Blantyre Victoria (taking over the centre-half position from Jock Stein). Later in life, he was a keen snooker player, frequently championing the Glasgow Art Club, and enjoyed Curling. He began studying at GSA in 1941 but his studies were interrupted when he was called up. He joined the Royal Air Force in 1943 and served in the Far East. He re-joined GSA in 1947 and was awarded his diploma in Drawing and Painting in 1949. That same year he won a £30 prize at the Royal Scottish Academy annual competitions. From 1949-1950 he attended the Jordanhill Teacher Training College. He later combined a position as visiting lecturer at GSA with teaching in various Glasgow Schools. He returned to GSA as a full-time lecturer in 1968. In 1958 Ferguson married Margaret Dunn, also a graduate of the Glasgow School of Art, in Embroidery and Weaving. They had two children, Anne and David. Probably best known for his landscapes, still lifes and self-portraits. He exhibited regularly, had numerous one-man shows, and his work still hangs in many collections, including the Royal Collection. Danny Ferguson was elected a member of the RSW in 1969, having exhibited there from 1961. He had over 88 works exhibited at the Royal Glasgow Institute, from 1957. He was a member of the Royal Scottish Society of Painters in Watercolour. Ferguson also served as honorary secretary of the RGI for nine years and was also elected President of the Glasgow Art Club.

A Victorian General Officer's Braided Patrol Jacket. An extremely rare example, attributed to Lieutenant General Sir Robert Grant GCB (1837-1904) . Blue cloth, edged and trimmed with flat black mohair braid. Pointed cuffs and turn-down collar of blue velvet. 5 loops of braid each side, with two olivettes on each loop. Cuffs edged with mohair, traced with Russia braid forming an Austrian knot above and below. Shoulder-straps, edged with narrow braid, bearing Victorian Lieutenant-General’s crown and crossed sword and baton in gold embroidery. Braid ornaments traced with Russia to backseams. Good quilted lining. Ribbon of the Bath to left breast. GC. See Bosleys 1st July 2015 Auction Lot 791. Lieutenant General Sir Robert Grant GCB (1837-1904). He was educated at Harrow and the RMA Woolwich and commissioned into the Royal Engineers. He served in Jamaica and British Honduras and elsewhere, eventually becoming Inspector-General of Fortifications (1891-98). In 1897 he was promoted to Lieut.-General.

A Victorian General's Frock Coat. A good and extremely rare attributed to Lieutenant General Sir Robert Grant GCB (1837-1904) example of the braided pattern worn by generals holding Staff appointments. Blue cloth with roll collar. Collar, fronts and shoulder-straps edged with black mohair braid. Five loops of black heavy Russia braid each side, forming a figure-of-eight in the centre and trefoils at the ends, fastened with olivettes. Sleeves with heavy Russia Austrian knots. Plain back, with two olivettes at the waist. Ribbon of the Bath to left front. Insignia of a Lieutenant-General in gold embroidery on shoulder straps. Quilted silk lining. Olivettes slightly frayed and one absent, local stitching fault to braid above one cuff and one shoulder mohair pearl button absent, minor old moth  ... A false collar of scarlet cloth, edged with gold Russia braid (2 items)See Bosleys 1st July 2015 Auction Lot 794. Lieutenant General Sir Robert Grant GCB (1837-1904). He was educated at Harrow and the RMA Woolwich and commissioned into the Royal Engineers. He served in Jamaica and British Honduras and elsewhere, eventually becoming Inspector-General of Fortifications (1891-98). In 1897 he was promoted to Lieut.-General.

Seven framed Chinese silk embroidery pictures together with a wooden and glass tray shaped as a horseshoe.

An Edwardian stool decorated with flower embroidery.

A PAIR OF CARVED WALNUT WING ARMCHAIRS CIRCA 1700 AND LATER Upholstered with fringed ochre velvet and sections of bargello embroidery 129cm high, 71cm wide, 66cm deep

A GEORGE I WALNUT STOOL CIRCA 1730 With a green velvet and embroidered drop-in seat 46cm high, 47cm wide, 46cm deep Please note, this seat is embroidered and not embossed, as mentioned in the printed catalogue. Condition Report: Overall there are some scratches, marks, chips, cracks and abrasions consistent with age and use.The drop in seat is centred with an 18th century linen embroidered panel within a green velvet border. The, probably silk, embroidery thread is extensively worn and the dark thread probably corroded, with some holes and other marks/discolouration, now revealing the underlying ink pattern markings.The frame of the drop in seat has not entirely been inspected as it is upholstered, some or all wood stretchers are variously replaced, there is some evidence of old worm.A foot side section is missing to one foot. Some later staining. The turned stretchers appear to have been re-fixed/repaired into the legs, though it is not clear due to some later staining.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition. Condition Report Disclaimer

WW2 Military Photograph: Framed photograph of officers and men of 2/4th Bn The Hampshire Regt. dated December 1942 size 44 x 34, Hampshire Carabiniers print 34 x 44 and a large Queens crown Royal Hampshire embroidery . 3 items

* The Life Guards Trumpet Banner, circa 1860, silk and embroidery heavily worn, complete with fringe, framed and glazed. Re-offered due to non-paying bidder. Please note that this lot has been imported from outside the United Kingdom and is subject to 5% import duty on the hammer price. Items being exported outside of the UK are exempt from this charge upon proof of export. Any international bidder having items sent to a UK address will be subject to this fee.

Officers Bicorn Hat, with Post 1902 Button to Royal Horse Guards, this on an ornate backing of gold embroidery, complete with its unnamed carrying tin, the silk lining distressed. Re-offered due to non-paying bidder. Please note that this lot has been imported from outside the United Kingdom and is subject to 5% import duty on the hammer price. Items being exported outside of the UK are exempt from this charge upon proof of export. Any international bidder having items sent to a UK address will be subject to this fee.

Three pairs of wool sateen curtains in Holland & Sherry 'Canasta', of recent manufacture, with hand-embroidered velvet mohair appliqué to the leading and bottom edges, with three painted wooden pelmets,overall pelmet width 190cmpelmet projection 30cm deepeach length 310cm long,together with two matching cushions (qty.)Condition ReportThe curtains are of very recent manufacture and stored in plastic, as such they are in very good condition overall. There are one or two small marks which may be cleanable. Embroidery is in good order. No fading. Pelmets are 31cm deep.

A Victorian folk art embroidery, mid to late 19th century, depicting a spaniel lying on a red cushion, worked in polychrome silk threads and cream 'fur' on a felt ground,42 x 53cm overall, in a glazed bird's-eye maple frame

A pair of hand-embroidered cotton curtains by Chelsea Textiles, 20th century, in Pastel Vine 'Sea, Mist & Sand' design, worked in pale silks with crewelwork-style trailing vine embroidery to a cream ground, lined in Chelsea Textiles small green check fabric, interlined and weighted,each drop 210cm long95cm wide at the pleated edge (2)Condition ReportCommissioned from Chelsea Textiles by the vendor. Bottom width per length approximately 207cm. Total width of top pleated edge for the pair approximately 190cm. Fabric patterns F143/B (made to order) and the equivalent of FC1004 (exact pattern is discontinued but this is the replacement). Overall the curtains are in excellent condition and barely used. No obvious marks, holes, stitching losses, etc.

Thierry Henry redcurrant No.14 Arsenal match worn short-sleeved shirt, 2006, Nike, L, with v-neck collar embroidered cloth badge inscribed Arsenal, HIGHBURY 1913-2006, the reverse lettered HENRY and the number signed by Henry, the reverse with further embroidery inscribed HIGHBURY 1913-2006, the sleeves with Barclays Premiership flashes with associated white shorts, (2). The following lots 700 to 743 relate to the career of French World Cup winner and Arsenal legend Thierry Henry. 

Group of textiles, including an Indian painting of a procession on cloth, a Japanese scroll embroidery, and am embroidered 'Souvenir of France' silk

Lot of Victorian / Edwardian white cotton clothing trimmed with lace, white-work, embroidery, Broderie Anglaise, including nightgowns, drawers including split leg, petticoats. Plus some lace items including collars, boudoir cap, lace lengths, dress front etc.

Collection of 19th century Quaker baby's clothes including embroidered gowns and bonnets. Embroidery consists of finely worked smocking, pintucks and French knots. Plus a few knitted items.

Group of Victorian / Edwardian babies white cotton clothing including open-back vests, christening gowns and dresses with lace, embroidery, white-work, Broderie Anglaise trims. Plus a later hand-smocked dress, lilac dress and a dolly nightie. Also some similar household pinafore aprons and waste-tied aprons. These items are not soiled.  Overall they are good to very good.  Some of the babies nighties have discolouration at the neck.The net and lace dress is dull a wash may refresh . The lilac dress is stained . 

Percy Sheldrick (1890-1979) fine quality Medieval-style embroidery of the Virgin and Child, framed and glazed

Mid 20th century Pakistani or Palestinian Jumlo wedding dress.Cotton plain weave with fine silk embroidery and metal beads to cuff, Mother of Pearl buttons and Pakistani coin embellishments, hand stitched. Plus a woven cloth stated to be Naga Hill. Myanmar.

Sundry collectables, including a shillelagh, six old milk bottles in stand with collection of cardboard bottle tops, camera and developing equipment, vintage glasses and sunglasses, and a naval embroidery

Embroidery silk with figures in landscape on a black backdround.挂毯两件，中国，十九世纪末/二十世纪初

A 20th century wood encased double side embroidery screen under glass with stand. The swival stand carved with two dragon's head and attached to an openwork carved floral base, raised on a plinth.Measures approx. 41cm tall x 25cm long.

PFAFF EXPRESSION 2036 SEWING & EMBROIDERY MACHINE WITH PEDAL

A VICTORIAN CARVED PANEL WITH NEEDLEPOINT EMBROIDERY DEPICTING AN AFRICAN GENTLEMAN SEATED WITH TWO DOGS82cm x 80cm

An early 20th century Chinese jacquard silk panel, cut from a longer length and featuring chicks, a rooster, water lilies, butterflies and lotus flowers. and an 18th century embroidery that was worked as part of a story in a series of embroideries by Chinese fishermen. Finely worked on silk to include a member of the imperial court in a dragon robe with couched golden threads and a huntsman with bow and arrow pointing towards a peacock (2) panel 44 cm with the ends folded under by 14 cm  framed picture total size 25 cm by 21cm 

A group of vintage table cloths etc, one c1960s in a hot pink and burgandy printed linen, one in a natural linen c1920s/30z with purple embroidery and and another similar with embroidered border in teal, apricot and pink plus another with a cross stitch chinoiserie design and others including round Christmas table cloths (qty, 1 bag) 

An interesting group of items to include jewellery, haberdashery and other items. The lot comprises of a French millinery bird, patterns for quilt making, antique and vintage postcards and cigarette cards, 19th century bone dip pens, a Stratton  compact, an 18kt god plate agate cameo ring, 19ht century, early plastic bead necklace and bangle, a broken amber cheroot holder with hallmarked gold band, 1920s -40s appliques, various buttons, zips etc, wooden boxes, embroidery threads, a 1930s vase and other items (qty, 1 plastic box)

A mid 1910s dress in a grey-mauve grosgrain with bullion embroidered net modesty panel and padded bullion embroidery trim and a C1900 two piece dress made from a jacquard boiled wool with lace and silk ribbon trim (2) 10s dress is structurally sound with some colour variation, staining to decorative buttons and a hole in net at neck seam Boiled wool set has some staining and general wear, there is a hole on the back of the bodice and a smaller one lower down plus some nibble in the silk cummerbund. There are some holes in the back of the skirt

6 vintage blouses to include 1930s/40s Hungarian blouse with brightly coloured embroidery, a 1950s Hungarian blouse with purple embroidery, a 1950s yellow blouse, a 1950s striped blouse, 1 1960s silk blouse with flamenco dancer print, a 1940s blouse in navy and white (6) 30s/40s a/f, all other pieces good to excellent commensurate with age and wear

Chinese Lady's Robe Qing Dynasty Late 19th Century in a rich cobalt blue damask with pink cuffs and ivory and pink borders. The ivory borders are beautifully embroidered with cranes and butterflies both symbolising longevity, the Chinese for butterfly (die) is a homonym for ‘octogenarian”. The borders are scattered with plum blossom symbolising resilience and hope.  These symbols are also found on the cuffs along with a Skirt (qun), Qing Dynasty, late 19th Century in a cobalt blue silk skirt with exquisitely embroidered panels and borders. The panels feature the auspicious peacock symbolising beauty wealth and power surrounded by plum blossom (resilience) and nightingales (happiness and virtue).The borders are packed with symbols good fortune and strength (koi carp), longevity and prosperity (gourds) interspersed with foliage. Condition issues have been photographed so please study these images carefully. The robe has a repairs at the underarms, the buttons look to be replacements, the pink mauve silk on the sleeves has some marks, there is general age related grubbiness the skirt has some storage marks along the pleats and general grubbiness from age and storage but no stains and the silk is strong, the embroidery and couching is strong You are personally  invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December  , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person

A group of 1970s and 1980s women's fashion to include a Maggie carol tapestry jacket, an Art Deco inspired velour jacket, a Maggie white cardigan, a lightly quilted HMC jacket, a snakeskin print, gold and black batwing jacket, a 1970s Wallis carpet jacket a Susan Backhouse suit with Indian style tambour embroidery, Jean Muir culottes and other items (14) all pieces show some wear commensurate with age and use

A zip front cardigan or jacket by British designer Anne Fewlass made from black wool with a broken chevron stripe in apricot, air force blue and moss green chenille. The design is lightly shaped to the waist with gigot sleeves which are slashed down the centre side to reveal inserts of black chenille knit with a vertical band of stripes in apricot, air force blue and moss green to match the broken chevron. The tight, lower part of the gigot sleeve is knitted in a checkerboard effect to match the cardigan sides. Fewlass has used a variety of machine knitted stitches in this complex design.The V&A holds a jacket in a very similar style with a different colourway and pattern, they write "Annie Fewlass studied fashion and textiles at Birmingham/ Leicester College od Art. She often uses machine knitting as a base for various hand techniques such as crochet, beading, embroidery and felting'.  Size S. in very good condition commensurate with age and wear. 

vintage men’s haori length kimono type jackets and similar plus three academic robes to include a striped cotton Jacket, men's, a lightweight silk jacket with townscape print and chrysanthemum mon, plus a similar style printed with dragons, plus one in rayon with short sleeves, a patch pocket and an embroidered symbol on the back, two shorter length academic robes by Gray & Son and a longer length robe by Ede & Ravencroft also a pyjama jacket, probably 1930s, in purple rayon with tambour embroidery (qty, 1 bag)

A 19th century alphabet sampler with embroidery in silk, cotton and metal threads on a linen ground. The alphabet, in upper case is repeated in rows with the Z in reverse. There are seemingly random letters, numbers and roman numerals and it is possible that there is a meaning to what is embroidered. About half way down is a row of tiny birds and flowers and hearts too feature in the design. In an oak frame on a linen mount. 19 x 27 cm aprox, embroidered area only (1) Good condition commensurate with age  You are personally  invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December  , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person

An 18th/ 19th century verse sampler with silk embroidery on a linen ground. the verse is a quote from Joseph Addison, 1672-1719 "There is but one way of fortifying the soul against all gloomy presages and terrors of mind, and that is by securing to ourselves the friendship and protection of the being who disposes of events, and governs futurity" .  "Benedicta Brown- Aged 10 years" is embroidered below the verse with potted flowers, birds and animals in between. Above the verse sits a crown with a cherub to either side.  30.5 x 34.5 cm (embroidered area only) The linen shows areas of damage and the sampler has been mounted on muslin

Steiff vintage teddy bear Monaco Aide et Prescence princess Grace of Monaco Charity teddy bear special edition, boxed as sold  U Pitchoun special issue 35cm  beige mohair , short run of 2000.a beautiful blonde curly haired Traditional steiff teddy bear with pendant and embroidery as showm, boxed sold. (1)

A 19th century sampler by Mary Skinner, undated. Embroidered on linen with the name sitting on either side of a crown with the initials W R above. There sits an eagle at the top, below the embroidered border and the design features other birds, plants in pots, a fruit tree, cats and deer (?). paper mounted in a dark wood frame. 33.5 cm  square apox, embroidery only (1) There are a few very small holes, and one that is a little more obvious at the bottom 

An oak cantilever Haberdashery box dating from the early 20th Century, used as a countertop display in a shop to sell Clark''s ''Anchor'' stranded cotton. The box has four cantilevered sections and a hinged glazed lid. The front is inscribed in gilt ''Clark''s Anchor Stranded Cotton for Embroidery''  along with an oak cotton reel box for the sale and promotion of Dewhurst''s ''Sylko'' machine twist cotton. The two drawer oak box is heavily decorated in advertising for the company in gilt lettering plus an early 20th century silk christening cape with cutwork border and 5 cotton christening gowns (two boxes and one bag) You are personally  invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December  , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person

THREE BOXES OF VINTAGE MISCELLANEOUS ITEMS AND TWO OIL ON CANVAS LANDSCAPE PAINTINGS to include a group of vintage sewing patterns from the 1960s, a small group of early twentieth-century vintage embroidery samples, a 1950s BEA Flight Guide with route maps, a group of vintage hardback books to include a 1737 copy of The Elucubrations of Isaac Bickerstaff Vol. 3, a Nelson's Atlas from early 20th century, two poetry compilations from 1899 and 1902, a large quantity of royal celebratory commemorative items, a group of artificial wreaths, a collection of easy listening tapes, the larger landscape depicts a country lane with a fallen tree to the foreground with a patchwork of fields beyond, indistinctly signed bottom right, approximate size 61cm x 112cm, the smaller landscape depicts a river flowing between trees, also indistinctly signed but by the same hand, approximate size 18cm x 45cm, together with a Claude Monet poster print of The Church of San Giorgio, approximate size 55cm x 80cm (3 boxes and loose) (s.d)

20th Century School, needlework embroidery, A still life arrangement depicting a vase of Chinese Lantern plants, framed and under glass, measuring 32cm x 60cm, & 38cm x 64cm overall

After M Calvert (British contemporary) limited edition coloured print 'Daffodils' signed and numbered 1/60 in pencil to margin, within a card mount and light oak frame, under glass 33cm x 24cm & 48cm x 38cm overall, sold together with a Chinese silk embroidery riverscene with text, framed and glazed 48cm x 38cm overall and after Gerald Coulson (British b1926) colour print 'Winter Sunlight' gilt framed 63cm x 82cm overall

A set of four Royal Worcester limited edition figures, The Graceful Arts, Music, no.905, on stand, 27cm high, together with Painting no.905, The Fairest Rose and Embroidery, no.905 (4)Condition looks to be complete and undamaged.

Antique needlework embroidery of Adam and Eve in the garden of Eden, with stitched Hebrew script, framed under glass, 59 x 41cm

Needlework embroidery of a shepherdess, within a surround of beadwork, framed under glass, 37 x 54cm (a/f)

Box containing a collection of vintage embroidery and lace, etc

Silver caviar jar made in the form of a rustic basket with a lid, imitating relief weaving of bast. The jar is decorated with a trompe l`oeil, executed in the form of a woven napkin tied with a woven rope. The napkin is decorated with a relief geometric pattern imitating Russian-style embroidery on fabric. The edges of the napkin are decorated with fringe. Silver, stamping, embossing, chasing, engraving. Russian Empire, Moscow. 1892. Hallmarks: master`s mark in the form of the letters GL in a square shield, assay mark in the form of a fraction, in the numerator of which are the letters A.S, and in the denominator the year of assaying - 1892; silver sample - 84 in a square shield; an indicator of the Moscow Assay Chamber in the form of an image of St. George the Victorious on a horse (oriented to the left) in a figured shield. Assay master - Smirnov Alexander Alekseevich. Dimensions: height - 14.5 cm, weight 403 gr. Width: cm, Height: 14.5cm, Depth: cm, Weight: 0.403kg, Condition: Signs of wear commensurate with age, Material: Silver 84, ID: ID-ANTQ-11179

Ellen Mkari, a Kaross embroidery of wildlife set within a landscape.