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A COLLECTION OF 19TH CENTURY TEXTILESincluding two Indian shawls, one in ecru embroidered with paisley boteh design throughout, 99cm wide x 190cm long, another on camel coloured wool with embroidery to the edges, 170cm square, a linen runner with red embroidery to the edges, 35cm wide x 222cm long, and another ikat style textile (moth damage throughout each item) (4)
A 1st Battalion King's Shropshire Light Infantry (KSLI) silk and bullion wire embroidery, circa 1919, embroidered with the regimental title above two flags listing battle honours from Egypt 1882 to Jerusalem, with red poppy and floral ribbon wreath below, framed and glazed, 67cm x 62cm overall (some water staining to lower left-hand corner)
A FELT COLLAGE AND EMBROIDERY PICTURE OF A COURTING COUPLE ENGLISH, LATE 18TH CENTURY 42cm high, 33cm wide Provenance: With John Fowler (1906-1977) at the Hunting Lodge, Odiham, Hampshire, until bequeathed to Imogen Taylor. Condition Report: muted colours from sunlight and exposure, some small signs of old insect damages including two visible pupa cases. paper elements, notably her face, with damages and losses Condition Report Disclaimer
Fine and rare 17th century Flemish ebonised cabinet on later stand, the cabinet with rising caddy top enclosing small compartment and two stump work panels flanking central mirror, panel moulded below and with flanking drop handles on bun feet, enclosed by a pair of hinged doors, with an extensively fitted interior of short drawers about central cupboard, enclosing an architectural compartment with mirrored angles and gilt columns and ebony and bone chequerboard base, the interior extensively mounted with fine stumpwork embroidery panels, with birds, fish and scrolling foliage, with frieze drawer below, 61cm wide x 31cm deep x 56cm high, raised on later stand with barley twist supports and bun feet, united by an X-shaped stretcherTop with slight splits to reserves, hinged top yawns very slightly. Area of damage to top left corner, outer case is otherwise generally ok, just with small splits, wear, possibly small repairs. Interior with some deterioration and loose elements to stump work but colours are rich and mostly very good, some areas of staining - possibly old glue. Central cupboard is good, the various mirrors have some loss to silvering. Stand is later in date, with minor deterioration
Three framed early to mid 19th century samplers, including an 1828 Adam and Eve sampler embroidered by Emma Parker, worked with a floral border with various spot motifs and verse, together with an alphabet sampler by Jane Spicer dated December 1834 and a larger coarser worked Victorian alphabet sampler, Adam and Eve sampler 31cm wide x 39cm high. Condition - the Adam and Eve sampler has some staining and areas of moth damage to the backing fabric, the embroidery is in tact. The 1834 sampler has a large hole to the side of the name and the Victorian sampler has slight foxing to the backing cloth.
A LARGE QUANTITY OF SEWING ITEMS, HABERDASHERY, AND MISCELLANEOUS, included a vintage Athena Ardis dress making mannequin torso, Daler - Rowney easel, Sew Steady portable table by Dream World clear Perspex with feel, A1 and A2 artist folders, two tool boxes with varies brushes and fabric paints, hundreds of fabric samples with varies designs, colours and textures, lace, fringe trim, beads, ribbon, etc. forty plus reels of cotton varies colours, wool balls in earthy colours, ribbon, embroidery rings, also a selection of graph paper and mathematical tools, a Parker ball point pen in box with refill, Sheaffer pen and pencil set in box, 46cm rotary trimmer, etc. (15 boxes + loose), (sd/af)
A finely executed Chinese painting on linen paper from the Qing Dynasty, depicting two young children with a pomegranate in an intimate moment of exchange. The left figure, dressed in traditional robes with hues of lavender and red, holds a peach, symbolizing immortality and good fortune in Chinese culture. The right figure, adorned in green robes with intricate embroidery, presents a pomegranate, representing prosperity and fertility. The delicate brushstrokes, harmonious composition, and muted palette highlight the refined artistry typical of the Qing period. This painting is set against a softly textured silk background, accentuating its historical significance. A ceremonial staff with ornate details stands prominently in the background, reinforcing the symbolism of status and power. The artwork is elegantly framed in a gold-tone frame and matted with a patterned silk border, further enhancing its visual appeal. Artwork dimensions with frame: 27"L x 47.25"H x 1.50"W. Issued: Late 19th centuryDimensions: See DescriptionCountry of Origin: ChinaCondition: Age related wear. Some buckling on center part.
A finely executed painting on silk from the Qing Dynasty, depicting three figures in an intimate moment of exchange. The left figure, dressed in traditional robes with hues of lavender and red, holds a peach, symbolizing immortality and good fortune in Chinese culture. The right figure, adorned in green robes with intricate embroidery, presents a pomegranate, representing prosperity and fertility. The delicate brushstrokes, harmonious composition, and muted palette highlight the refined artistry typical of the Qing period. This painting is set against a softly textured silk background, accentuating its historical significance. A ceremonial staff with ornate details stands prominently in the background, reinforcing the symbolism of status and power. The artwork is elegantly framed in a gold-tone frame and matted with a patterned silk border, further enhancing its visual appeal. Includes two red seals on lower right. Artwork dimensions with frame: 26.75"L x 45.75"H x 1"W. Issued: Qing Dynasty (1644-1912)Dimensions: See DescriptionCountry of Origin: ChinaCondition: Age related wear.
An elegant Chinese hand-embroidered silk panel, meticulously crafted to depict scenes of courtly life and cultural refinement. This elongated artwork features intricate embroidery, showcasing the skill and precision of traditional Chinese artisans. The leftmost vignette portrays a noble procession beneath majestic pine trees, while the central sections focus on women engaged in music and conversation, seated within lush gardens and ornate pavilions. Each element, from the finely stitched figures in flowing robes to the detailed architectural and natural settings, reflects the artistry and storytelling tradition inherent in Chinese textile art. The embroidery demonstrates an exquisite combination of color, texture, and craftsmanship, bringing depth and vibrancy to the scene. The natural silk backing, with its subtle patina, enhances the historical charm and authenticity of the piece. The panel is set in a gilt wood frame under glass, preserving the embroidery while offering a timeless display suitable for collectors of Asian decorative arts. Artwork dimensions with frame: 54.25"L x 13.75"H x 1"W. Issued: 19th-Early 20th centuryDimensions: See DescriptionCountry of Origin: China Condition: Age related wear.
These exquisite silk embroidery panels feature intricate floral designs meticulously crafted on a luminous orange silk fabric. This lot features a pair of framed silk embroidery panels, each showcasing exquisite floral designs meticulously crafted on luxurious silk fabric. Panel 1: The first embroidery features a vibrant floral arrangement with colorful blossoms, including peonies, intricately stitched in raised embroidery on a luminous orange silk and deep ocher backdrops. Panel 2: The second embroidery highlights elegant blue floral motifs embroidered on a golden silk background with a subtle damask pattern. Both are framed with a border of intricate metallic brocade and a ribbed wood frame, that exude a refined sophistication. Panel 1 dimensions with frame: 16.25"L x 23.25"H x 1"W. Panel 2 dimensions with frame: 22.25"L x 20.25"H x 1"W. Dimensions: See DescriptionCountry of Origin: ChinaCondition: Age related wear.
Valerie Potter (born 1954) - Three works, comprising - Tapestry in colours, with embroidered initials 12.5ins x 16ins, monochrome embroidery of ethnic design, dated July 1990 12ins x 10.5ins, and a pen and ink drawing initialled and dated 24.12.83 5.75ins x 4ins, all in ebonised frames and glazed
An antique bell pull. Possibly re-purposed from a bed hanging, having crewel work embroidery on a linen and cotton twill ground, the embroidery featuring a large vine adorned with leaves, fruit, acorns and squirrels with a rabbit on the grass below, backed onto a woven fabric. The brass handle of a scrolling design with moulded details, 150cm x 8.5cm
Three framed textiles to include: an early 20th century Asian silk textile, the celadon silk ground embroidered with chrysanthemums, storks and bats, metal thread highlights; Regency silkwork of a female figure feeding hens, within a verre eglomise oval and beaded giltwood frame; an oval framed silk embroidery of hare bells and roses (3)
1st & 2nd Battalion Royal Sussex Regimental Embroidery, fine Edwardian embroidered tapeestry, showing regimental insignia with battalion scrolls underneath set upon crossed regimental colours and union flags. Embroidered floral arrangements around the edge and ‘XXXV’, ‘CVII’. Housed in a glazed wooden frame which measures 73 ½ x 48 ½ cms.
A Victorian carved, gilt and ebonised fire screen, the embroidered panel within a scrolling cartouche-shaped frame, over scrolled supports, carved and pierced stretchers and scrolled paw feet,59cm wide47cm deep102cm highCondition ReportStretcher broken, embroidery a little faded. General scuffs and minor losses to decoration.
George William Fish (1876 - c.1930) Portrait of a lady by a stream, watercolour, 41 cm x 30 cm, together with a further oil painting depicting figures in a harbour, a continental oil painting on tin depicting a gentleman smoking a pipe, a further watercolour, an embroidery and a German hand coloured engraving, all unframed.
A SMALL COLLECTION OF 20TH LATE CENTURY PICTURES AND SKETCHES ETC, to comprising a Denise Lafond winter scene at sunset oil on canvas, approximate size 25cm x 30cm, a Louise Rawlings watercolour of a dove and holly signed verso, Sarah Richardson watercolour of a lone tree on a hill, a Sergio Marine pastel study of a mother and child, two coloured pencil landscapes signed A.Bruce '89, a small indistinctly signed etching depicting a white continental house, together with an unsigned embroidery picture (8)
Five semi formal jackets. A French 1950s handmade one-off quilted jacket in forest green denim-look fabric, featuring 3D floral applique and foliate embroidery around the neck, forearms and hips, with black tassels beads and leaf shaped sequin detailing, collarless, having a curved V-neck opening with ribbon trim around the hems including the wrists and hip pockets, two poppers to fasten, lined with red silk-feel polyester, with a surprise cat applique inside the right hip. Very good condition. A 1980s Indigo Moon coach jacket in black chenille, featuring all over gold and sunset coloured applique design. Size 3XL. A 1990s pillarbox red Italian leather jacket with matching gloves, collarless, crew neck, having a gold metal zip, mock hip-pockets, size L. Signs of wear include the natural creasing to the leather, discolouration spots on the gloves. A 1960s Breckmoor Made in the UK rain coat, in taupe, finished with Scotgard rain protection, having notched lapels, button fasten and decorative strap, size 12. A 1980s unisex David Barry coach jacket in sage green poly-cotton, having cream piping detail at the button hem and pockets, with five David Barry branded buttons to fasten, size 14.
A collection of vintage womenswear, comprising 1970-80s party dresses, including homemade examples, along with with two petticoats, one featuring a pretty rose motif, inner sleeve puffs and a black and gold pleated cumberbund. A Prettymades gathered waist dress with fabric roses at each shoulder, in purple velvet, size 12. A handmade sweetheart neckline fit-flare dress in electric blue with sequin elastic straps, size 10-12. A bright pink drop-waist fitted dress with lace overlay bodice and long sleeves, size XS-S, shoulder pad filling has broken down due to age. A white kaftan-style long dress with bronze cording and embroidery around the neck and sleeves, size XS-S.
Two 1960s-1970s The Foreign Look embroidered jackets. A Black cotton jacket with intricate vut-out design, and white floral and foliate ambroidery throughout, having a mandarin collar and scalloped hems. A cream mandarin-collar jacket featuring 3D embroidered butterfly applique detail, and all over floral embroidery in autmnal warm browns, peach, pink and blue. Both size 12, very good condition.
Five late 20th century party dresses. A 1990s Betsey Johnson of new York two piece set of co-ordinates, in indigo cotton-feel viscose with multicoloured floral pattern, size 12. A 1990s Betsey Johnson drop waist dress in black cotton-feel viscose with multicoloured floral pattern, size 12. A 1980s St Michael off the shoulder tiered 'gypsy' dress in blue & multicoloured floral pattern, size 'To fit bust 34' and height 64''. A 1980s Richard Shops cowl neck dress in mavy blue andex jersey with floral pattern, A-line cut with bell sleeves, size 14. A 1970-80s Marion Donaldson shift dress in chambray with ditsy red and green floral embroidery, size 14, slight discolouration to the front chest area. Two 1950s floral georgette party dresses. A 1950s Kinross Model dress in pastel blue floral georgette, size 12, lining inside showing some signs of wear. A 1950s off white georgette dress with pink red and jade roses, size 12, signs of wear to the lining and underskirt.
Two handmade baby bonnets or coifs, in off white French or Alencon lace, featuring floral embroidery onto netting, with headbands of black velvet encasing wire. Both appear well aged, with discolouring, fading, slight tears and crumpling. One appears to have been updated at some point with strings of imitation pearls adorning the crown, in the style of the ornate 17th century baby coifs.
Five 1980s-1990s formal-wear pieces, comprising two jackets, a coat and a two-piece suit. A 1990s Wallis short coat in black and white houndstooth, featuring a black faux fur collar, size 12, signs of age include some fraying to the fabric. A 1980s forest green double breasted blazer/suit jacket, having wide peak lapels, gold plastic buttons with a decorative rope design, false hip pockets and a built in pocket square of black and gray floral jacquard. Size 14. An early 1990s Jaeger suit, comprising a crew neck collarless button-up jacket with long sleeves, and a pair of high-waisted slim-fit slacks, both in black and tan dogtooth, size 12, very good condition. A 1980s Helen Sykes Fashions Leeds collarless button-up jacket, in cream linen-look burlap type fabric, having four gold and silver hardware and gold embroidery. 34' bust, with some loss of fabric to the applique at the hip pockets, thread pulls at the sleeves.
CHANEL VINTAGE Handtasche "MINI CAMELLIA TOP HANDLE". Koll. 1997 -1999. Kleines Modell aus Leder in Weiß mit Kamelienblüten-Stickerei. Doppelhenkel aus Kunststoff in Schwarz. Leichte Verfärbungen, Abrieb und Flecken vorhanden. 19x8x16cm.| CHANEL VINTAGE handbag "MINI CAMELLIA TOP HANDLE". Coll. 1997 -1999. Small leather model in white with camellia flower embroidery. Double plastic handle in black. Slight discoloration, wear and stains. 19x8x16cm.
Mainly 20th Century Decorative Lace comprising a large silk handkerchief with lace insertion and trim, a white cotton example with lace trim and embroidery, two others,pair of engageantes with lace insertions, pair of Venetian style lace engageantes and similar collar, another pair in white cotton trimmed with lace, white net apron with applique trim, collars, lappet, stole, modesty panels,assorted bobbin, hand and machine lace trims, remnants, etc,(two boxes)

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22240 item(s)/page