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Taupe silk clutch bag with silver embroidery and aquamarine-coloured stones. Leather handle, golden clasp with central green stone, silk lined interior. With dust bag and certificate. label Valentino Garvani 15 x 19 x 2.5 cm Excellent condition

Four various evening bags to include a 1930's fixed frame and Bakelite double fastening bag cream embroidery on black background with a black fabric chain handle, a black 1920's bag embroidered with sequins and beads front flap fastening with a rigid top and beaded ends, another 1920's beaded bag (a/f) and another bag (4)

A late19th century Turkish embroidered waistcoat, gold thread with coloured wool inserts and braided edge, with a piece of oriental embroidery on silk showing peonies bordered with blue on a red background (2)

Various 19th century bonnets/caps - to include a lace cap, Ayrshire style embroidery, three cotton mob caps with lace trim, ruched sides and ribbon ties, two small net and embroidered caps, and eight mixed lace and cotton babies' bonnets, and a cotton baby petticoat and another with pin tucked hem, a pair of cream kid long evening gloves and various other leather gloves (1 box)

Chinese silk embroidered robe early 20th century, embroidered with flowers and butterflies in blue, loop and button fastening, the lining turquoise silk, full sleeves as is typicalCondition Reportplease see additional images of the robe. There appears to be nno restoration or damage, loose threads, stitching come loose ie the collar, the lining has stains as can be seen in the images, the embroidery appears good

Three mid 19th century framed oval silk embroidered pictures, the first with a garlanded girl seated before a neo-classical plinth in landscape, 17.5cm high, and two small oval pictures one with Cupid, billing doves and hearts in landscape, the second with a Bacchic figure playing a pipe before goats, in landscape, 7.5cm high Condition ReportOverall the embroidered pictures are in good condition, but the larger one has some small brown marks starting to appear on the material and the smaller ones both each have a small stain. The sizes quoted in the description are excluding the frame. The ebonised frame is broken in parts , the large embroidery - the frame has a chip at the base.

Black crepe 1920's dress with an embroidered and sequin detail panel to the front, the drop waist with a tie, the chiffon sleeves with split to the elbow, there is an extra detailed piece of embroidery, probably a collar as it looks to have been removed, a wool and coney cream coat, the lining panels of coney, shawl collar and cuffs in coney, a 1920's plum-coloured satin dress, V-neck, diamante detail to the shoulders and neckline, a lace three-quarter length jacket with two belts, 1920's/30's buttons to the front and detail to the belts, a pink satin possible nightgown trimmed with lace, with puff sleeves, a cotton blouse in apricot with floral insert, square neckline and ruched bodice, a black silk slip with drop waist with box pleats, V-neck, labelled 'KB Art Silk Fabric, English Made' and a 1920's cotton peasant-style dress with cross-stitch embroidery, red tassels to the bodice and sleeves (8) Condition ReportThe black dress with embroidered and sequin panel is as described in the catalogue description. The wool and coney coat has slight discolouration to the fur lapels and the the back of the coat skirt. Possibly from being folded and put away, the pink dress has a slight hole by the drop waist and a small mark, the peasant style dress has an ink stain to the front of the skirt, the black slip has the faintest white mark just under the waist to the front.

Various black evening dresses and jackets 1920's/1930's to include a black lace jacket, a black velvet short dress labelled 'Roecliff & Chapman, Grosvenor St.' with an elaborate beaded detail to one shoulder, three-quarter length sleeves, a dark blue chiffon dress with embroidered sleeves, a plaited belt fastened with a rosette, a black chiffon dress with lace insert faux flowers and diamante buckle, possibly a later edition (a/f) and six other black evening items (10)Condition ReportLace jacket approx size S/M appears in good condition with no obvious splits or holes. Velvet dress size 38 few white marks to back, small brown stain R/H side on skirt, various small marks and velvet 'crushed' in places otherwise god condition with no holes or splits. Blue dress approx size 14 embroidery to sleeves badly damaged.  Dress around neck very damaged. Black chiffon dress wit pink flowers approx size 10/12 damage under both arms, some beading to front off, staining to back and some holes in lace bottom trim. Lace layered dress approx size 10, damage to R/H shoulder strap, lace split down hook and eye fastenings, some lace to hem damaged. Black dress with lace trim approx size 12/14 lace to hem damaged, lace to L/H arm damaged, neck seam stitching coming away, spot marks on dress. Black and pink chiffon dress approx size 10/12 pink chiffon to top of dress stained and damaged, chiffon over dress colour damage with a few small holes. Lace dress approx size 12/14 damage to lace on both shoulders, lace has some damage throughout. Velvet sleeveless top size 34 in relatively good condition Short velvet jacket approx size 10 seems in good condition.

A 1920's linen duster coat/dressing gown embroidered on the back in wool a briar rose, with a padded mandarin collar, two button fastening and embroidery to the one front panelCondition ReportThe coat is approx 136cm long from shoulder to hem The measurement from armpit to armpit across the front is approx 55cm

Collection of vintage buttons including faux-tortoiseshell, ebony, mother-of-pearl and others, a collection of baby and children's knitting patterns and a tin of vintage floral embroidery transfer sheets (2 boxes) 

Various Victorian nightgowns, blouses to include a full petticoat, a broderie anglaise nightgown, an Edwardian white blouse, embroidery detail to the yoke, another Edwardian blouse with small peplum cut and drawn thread with embroidery anglaise, another with pintuck and lace detail, another blouse with embroidery anglaise, another petticoat  a pair of Victorian pantaloons and a Red Cross nurse's pinny (stained) (9)Condition Reportoverall fair, one blouse has stain under arms, another slight tear in lace, one petticoat/night as small whole in the front of the skirt., the bloomers are stained and damaged , the 'red cross' pinny has stains.

Baby gowns - including a cream silk and lace gown (af), various, trimmed with lace, embroidery, broderie anglaise, petticoats and under dresses, three cotton and lace baby bonnets, two cotton bibs and a Honiton lace baby cap with later added pink satin rose and ribbons (af) (1 box) (14 gowns)

19th century embroidery on silk of a spray of flowers, gilt-wood framed and glazed, overall measurements 50cm x 60cm

A Victorian Royal Artillery officer's dress pouch, the face edged with gold lace of regimental pattern. To the centre, heavily gold embroidered Royal Arms and crimson velvet cushion scroll 'UBIQUE' between embroidered oak leaves and acorns; an applied gilt metal gun to the base of the wreath which rests on a padded tri-part crimson velvet cushion scroll inscribed 'QUO FAS ET GLORIA DUCUNT'. Reverse complete with leather lined wallet, with brass belt loops to the sides, complete with foul weather cover for the pouch, 17.5cm wide Shipping Disclaimer: Buyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. No compensation will be given to buyers who fail to organise shipping arrangements for goods and weapons due to the prohibitions, restrictions or import regulations of their country. Condition ReportWear commensurate with age and use. The leather dry and a little worn. The embroidery and gold a little dull and dirty.

An embroidery of peacock 20th century, depicting a peacock perched on a branch on a white ground between foliate borders,162 x 68cmCondition ReportLight marking to the fabric and the edges a little frayed. Otherwise no obvious condition issues.

AN INDIAN KRISHNA AND GOPIS PICHHWAI HANGING FRAGMENT Possibly Nathdwara, Rajasthan, North-Western India, second half 19th centuryOpaque pigments, ink, and gold on sand-coloured cotton, the tall vertical-format composition depicting two heavily adorned Rajasthani ladies wearing golden sarees with floral embroidery, holding their hands together in a typical devotional gesture, standing under a verdant 'lollipop' tree livened by a pair of peacocks, likely once part of a much larger Kirshna and Gopis pichhwai hanging panel, edged with floral scrollwork, backed, lined and mounted.81cm x 43cm 81cm x 43cm Qty: 1

A vintage 1980s silk moire and net dance dress by Alison Dowell Designs sold by Lucian Philips London, a 1980s black velvet and lace dance dress, a pale gold translucent over dress, a blue cotton kaftan with gold embroidery (all size 10-12) together with a 1980s Jacques Vert three piece outfit, a dressmaker made blue tie necked dress and six pairs of ladies trousers (all sizes 14-16)

A mid-20th Century silk dress with matching jacket in blue, dress approx. 100 cm, approx. 98 cm at waist, together with an evening dress and jacket by Mabel John of New Quebec Street, London and comprises a sleeveless wrap front Empire line dress in silk brocade with chinoiserie design in gold, bronze and silver metal threads together with a black silk velvet smoking jacket style with reveres and cuffs to match the fabric of the main dress with an integral under slip containing a modesty panel in pale blue with metal threadwork embroidery

A FRAMED 20TH CENTURY UZBEKISTAN EMBROIDERY, depicting foliate and roundel decorations against a deep blue ground, natural dyes, 68cm x 133.5cm overall

A collection of volumes on Tapestries and Embroidery to include: Nolhac (Pierre de) Tapisseries des Gobelins Exposees au Palais de Versailles en 1910, Paris: A. Bourdier, n.d., large folio folder in marbled paper and pasted title to front board, title in red and black, ties; [Anon] Treatise on the Origin, Progressive Improvement and Present State of the Silk Manufacturers, London: Longman, Rees, et al., 1831, 8vo; Wace (A. J. B.) Mediterranean and near Eastern Embroideries from the Collection of Mrs F. H. Cook, London: Halton & Company, 1935, folio, green cloth, two volumes in green cloth slipcase; Toiles Imprimees de la Perse & de l'Inde d'apres less documents recueillis par Oberkampf, Paris: Henri Ernst, n.d. (lacking two plates), large folio. original boards and fabric spine; amongst other volumes relating to needlework, embroidery and tapestry (qty)The Library of Raymond Benardout

A full-dress uniform for a Consul-General, comprising coatee with gold and silver embroidery to the collar, cuffs and pocket flaps, a bicorn hat with treble bullion silver loop, trousers and cloak, two swordsBy descent from Sir Alexander Byres Hutcheon K.B.E., C.M.G (1891-1956) Head of the Consular Department, Foreign Office, 1938-1943; Inspector-General, 1943-1947; Foreign Office Inspector, 1947-1950The whole outfit accords with the Dress worn at Court Regulations of 1929Some small holes to the inside red lining of the cloak but seems fairly minor. Yes the gloves etc are included

A collection of uniformly rebound books on Tapestries and Embroidery in brown half calf with orange cloth boards to include: Blazkova (J.) Wandteppiche, Prague: Artia, 1957, folio; Goebel (Heinrich) Tapestries of the Lowlands, New York: Brentanos, 1924, folio; Thomson (W. G.) A History of Tapestry, London: Hodder and Stoughton, 1906, 4to; Kendrick (A. F.) A Book of Old Embroidery, London: The Studio, 1921, 4to; Vallance (Aymer) William Morris, London: George Bell, 1909, 4to; Hunter (George Leland) Decorative Textiles, Philadelphia: J. B. Lippincott, 1918, folio; Thomson (W. G.) Tapestry Weaving in England, London: Batsford, 1914, folio (7)The Library of Raymond Benardout

A quantity of ceramics including two Losol ware tureens, Royal Stafford 'Camellia' pattern teacups etc. bust of horse, quantity of loose diecast mainly by Matchbox, LPs, two framed prints and embroidery etc. Two Boxes

An early 19th century silkwork embroidery of a shepherdess - seated beneath a tree, with two lambs at her feet, the trunk of the tree embroidered with the word ‘TANCRED’, 30.5 x 25.4cm, within a verre eglomise oval, in a period giltwood and gesso frame with foliate spandrels, 45.5 x 40cm.

A 19th century silkwork embroidery of a recumbent dog, probably a King Charles spaniel – 30 x 40.5cm, the gold silk ground a/f, in a giltwood frame, 37.5 x 48.2cm.

One pair of Squint Studio curtains together with a pair of tie-backs. Handmade curtains made of multiple vintage patchwork pieces in an all over random design. Fabrics from 1950's, 60's, 70's to contemporary designs, including velvets, cotton, weaves, jacquard, print and embroidery. Single pleat heading. Lined only with similar patchwork fabric. 350 cm W x 192 cm H. No noticeable marks or sunfade. Together with one pair of mustard multi-strand cord tie backs, 92 cm W.

ROYAL HOUSEHOLD UNIFORMS OF THE HON. ALEXANDER GRANTHAM YORKE (B.1847-1911) LATE 19TH/EARLY 20TH CENTURY Comprising a blue full dress coat with red facings and gold embroidery, a blue undress coat with red facings and gold embroidery, a black Edwardian evening dress tailcoat with ER VII buttons, a pair of white breeches, three cocked hats with varying loops and buttons a braided sword knot and one uniform trunk Provenance:The Hon. Alexander Grantham Yorke, and thence by descent  The Hon. Alexander Yorke was a son of the 4th Earl of Hardwicke and was a Groom-in-Waiting to Queen Victoria (1884-1901) and Extra Groom in Waiting to King Edward VII (1901-1911). He was a courtier to Queen Victoria and, by popular account, the provoker of the most famous remark in British regal history. He was attending one of the Queen's dinner parties at Windsor Castle and at one point turned to his German neighbour and told him a slightly risqué story. The German, who evidently was pleased easily, burst into near hysterical laughter and began to clutch his sides in riotous appreciation. The Queen then asked to hear the story and, after Yorke had reluctantly repeated it, she delivered her historic riposte: "We are not amused."   Condition Report: All in worn condition, showing signs of age and long term storage. Lining of the brocade coat is distressed. Some old moth damage throughout all. All buttons present. Hats are worn but still possess shape and inner lining. Appliques intact. Trousers with heavy surface wear and further moth holes - buttons presentChest size approximately 36-38". Short body. Condition Report Disclaimer

ROYAL EQUERRY'S UNIFORMS OF THE HON. ALEXANDER GRANTHAM YORKE (B.1847-1911) THIRD QUARTER 19TH CENTURY Comprising a scarlet tunic with blue facings and gold embroidery, blue trousers with gold lace, a blue frock coat with mourning bands, a great coat, a cocked hat with gold embroidered loop, a crimson and gold dress sash, a dress waist belt and sling, a pair of brass spurs and two uniform trunks, one labelled for Manning & Co, London. Provenance:The Hon. Alexander Grantham Yorke, and thence by descent  Prior to becoming the groom in waiting to Queen Victoria, The Hon. Alexander Yorke was an equerry to H.R.H The Duke of Albany between 1874-1884   Condition Report: Condition is worn, signs of long term storage, evidence of moth throughout. For the scarlet tunic, colour remains good overall. Buttons and braiding all present. The exterior black braiding on the blue frock coat is fraying. all buttons present. Tailored holes for epaulettes to shoulders. Lining intact. Great coat with some evidence of moth mainly to lining. All buttons appear to be present. Hat somewhat worn with button and lining intact. Large moth-hole to rear of trousers.Chest size 34-36" approximately Bicorne circumference 50cm approximatelyCondition Report Disclaimer

An early 19th Century panel with gold metallic thread embroidery on a royal purple silk ground, with a metallic fringe surround and scrolling foliate design

Two piano shawls, one with overall embroidery of foliate design in scarlet, cream, orange and purple, on a cream ground, approx. 142 cm x 152 cm excluding trim and tassels, the other with cream silk embroidery on a grey silk ground, approx. 150 cm x 160 cm excluding border and fringe CONDITION REPORTS There is what appears to be a small repair to the shawl with the multi-coloured decoration approx. 3 mm x 3 mm. The cream shawl has a large dark mark to one edge and a similar one near one corner as well as an area of grubbiness/stain to the centre. Both have some loose threads and small brown foxing type marks. Otherwise general wear and tear conducive with age and use - see images for more details

A collection of vintage clothing to include a navy blue Chinese robe with white embroidery, two early 20th Century silk dresses with gold metallic embroidery and braid on silk chiffon and a 1970s Susan Crofts day dress

A quantity of vintage clothing to include top of an early 20th Century evening gown with heavily beaded bodice and silk chiffon sleeves, an early 20th Century silk day dress with lace detailing to sleeves and embroidered sections to sides and back, a bias cut purple silk evening gown with lace overlay, together with an evening jacket with fur trim to the sleeves, a double layered silk cream shawl with self-coloured embroidery and deep fringing to bottom and top tier, a Victorian half mourning bonnet in lilac with cream lace and dyed ostrich feather decoration, a 1930s silk camisole cami-knicker set, a lace bonnet, a canvas bonnet and a further shawl (1 box)

A silk shawl of putty coloured fine silk with printed decoration of trees and autumn colours, overlaid with fine gold embroidery, approx 113 cm x 109 cm excluding fringing, fringing approx 25 cm deep

A piano shawl in cream silk with self-coloured embroidery of flowers and leaves, etc, approx. 160 cm x 155 cm excluding edge and fringe

Three part rolls of furnishing fabric: Sanderson William Morris Sunflower in velvet (advised by vendor that there are two lengths on the roll, one of 2.6 m and the other of 2 m x 137 cm wide), a roll of fabric in red/rust tones with gold thread embroidery (advised by vendor that roll contains 14 m x 137 cm wide), a roll of Harlequin fabric "Best of Friends", in various colours and with glitter against a pink background (advised by vendor that roll contains 5 m x 137 cm wide) plus length of Emily Bond "Setter", vendor measured at 3 m x 137 cm

A rosewood and Berlin woolwork upholstered stool, second quarter 19th century; the later embroidery depicting a sow and piglets in a landscape, with cordwork edges; the channeled 'X' frame supports with a central cartouche with relief carved floral patera to front and back; with knop-turned stretcher; 46cm high, 70cm wide, 50cm deep

Quantity of small framed silk embroidery and other pictures

Collection of Tetley Teafolk Houses, together with embroidery supplies

Falconry interest: William IV mahogany pole screen, with rising glazed banner, enclosing figure needlework embroidery depicting a peregrine, on circular base and scroll feet

Merit - Binatone - Spears - A group of vintage games and toys including Magic Robot, Table Tennis, TV Master MkIV, Backgammon,Embroidery Craft and Spirograph. They all show signs of age and use and are unchecked for completeness, they appear Fair overall. (This does not constitute a guarantee) [ba]

ONE BOX OF VICTORIAN CLOTHING AND TWO VINTAGE FUR COATS, to include a collection of Victorian handmade lace collars and doilies, two hand embroidered cotton underskirts (one underskirt has detailed embroidery and a secret coin pocket), a black silk taffeta skirt, a cream silk broderie anglaise collar, a cream silk handmade ladies' blouse with stays and hook fastening (silk on front of blouse has torn in a few places), with long frilled sleeves, a R.H Ramsden top hat, size 6 7/8, bow tie, grey felt spats with mother of pearl buttons and waistcoat, a hand painted black satin ladies' fan, together with a dark brown fur evening jacket, approx. size 10/12 (some small spots missing fur and slight wear to pockets/cuffs), a red fur jacket (possibly fox fur), approx. size 12 (lining repair), a small travelling vanity case 'Skyline -Lightweight Luggage', etc. (qty) (Condition Report: earlier pieces have slight marks/stains, visible hand stitching, no rips or tears)

Chinese Embroidery Panel Assortment (3) needlework on silk items including (2) having dragon upper and phoenix lower registers with one having a rooster, hen and peony motif central panel, the other depicting herons and bamboo, both behind glass in wood frames as well as an unframed panel depicting ducks, swallows, peonies and a tree mounted along edges to mat board, all three having ruyi scroll borders Property from: a Private Collector, Glen Ellyn, Illinois Height: 54 1/2 inches, Width: 11 7/8 inches (sight, larger)Frame Size: 57 inches by 14 1/2 inches Condition: overall light wear consistent with normal use, areas of light discoloration, frames having moderate wear, lost most of their acrylic inserts, the unframed item adhered to board at edges causing rippling and trimmed top and bottom, damaging ruyi scroll border Disclaimers: not examined out of the frames Category: Asian Arts > Asian Arts Estimated Sale Time: 1:20 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6

A Suzani embroidery/tapestry wall hanging. 210 x 190 cm.

A 19th century framed Embroidery, decorated with flora and fauna, ''M.C, 1867, Loxbear School'', W 72 cm x H 73 cm.

Early 20th century, Qing Dynasty, Chinese silk embroidery: two children's Festival Hats, one emblematic of 'The Year of the Tiger', the other, 'The Year of the Rat', together with two headdresses depicting mythical beasts, all with coloured embroidery, shaped panels, and appliqued in relief with bulging eyes, prominent noses, pointed teeth, whiskers and tails, strong colours, minor fraying and staining commensurate with age (4)

Assortment of small ornate frames and pictures to include oval gilt stand frame, brass easel stand frame holder together with small floral framed picture paintings, Notre Dame miniature painting and Frost and Fern embroidery by Gillian Wall etc

Victorian School, embroidery on silk of a woman with a child, 33.5x39cm, framed and glazed.

A PAIR OF TUCKERS DARK BLUE SUEDE SLIPPERSwith embroidery fox marks emblem, size 8.5

AN UZBEK SUZANI EMBROIDERY PANEL EARLY 20TH CENTURY approximately 158 x 200cm (This lot is offered without reserve)Please note: the measurements of this lot have been updated to read 'approximately 158 x 200cm' and not as previously catalogued.

AN OTTOMAN SILK AND METALIC THREAD EMBROIDERY TURKISH, EARLY 20TH CENTURY approximately 107 x 117cm(This lot is offered without reserve) Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Generally good condition- creasing and fold marks, some minor staining around the creasing- small areas of loose threads (notably one corner) and some slight detachment to edging Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer

AN UZBEK SUZANI EMBROIDERY PANEL EARLY 20TH CENTURY approximately 118 x 158cm (This lot is offered without reserve)Please note: the measurements of this lot have been updated to read 'approximately 118 x 158cm' and not as previously catalogued.

Literature, various. ELIOT (T S) Four Quartets, 1st edition, in book form, London: Faber & Faber, 1944, 8vo, slight ripple to contents in places, cloth in dust jacket; GREENE (G) Our Man in Havanna, 1st edition, 1958, dust jacket, slightly stained rear panel; The Comedians, 1966, 1st edition, dust jacket; CARROLL (Lewis) Through the Looking Glass, 1928, colour plates, calf, chipped spine; BARBER (Mary) Some Drawings of Ancient Embroidery Thirty Specimens, Sotheran 1880, folio, colour plates, contents loose, original cloth; DULAC (E) Picture-Book for the French Red Cross, no date, 4to, tipped in colour plates, some toning, cloth; DICKENS (C) & W. COLLINS. No Thoroughfare, Christmas Number of All the Year Round, 1867, 8vo, paper wrapper; The Ladies' Cabinet, Nov. 1834, 12mo, 4 coloured costume plates, paper wrapper;

Herz and Wegener, mid-19th century Four studies of peasant and regional costume,pixelated squares in body colour over etched lines,on paper backed by canvas, various sizes, one blind stamped‘Wollen-Garn/und/Canvas Fabrik’, printed by Herz and Wegener, Berlin & retailed byWilks,186 Regent St. London,presumably templates for embroidery or petit point

A.R, DESIGNS FOR CHURCH EMBROIDERY, with 266 thread samples to the back of the front board, pictorial green cloth, London, Chapman and Hall, 1894; ALFORD (LADY), NEEDLEWORK AS ART, London, Sampson Low, 1886, (2).

Jacopo Foggini (1966): Four gold and amber 'Gina' chairs for Edra, polycarbonate and woodH 82 - L 40 - D 50 cm Play of light and see-through for this chair that has seat and back realized in a precious handmade embroidery in extruded polycarbonate. The monocoque lays on four legs made of wood and painted semi-glossy black.

Jacopo Foggini (1966): Four gold and amber coloured 'Gina' chairs for Edra, polycarbonate and woodH 82 - L 40 - D 50 cm Play of light and see-through for this chair that has seat and back realized in a precious handmade embroidery in extruded polycarbonate. The monocoque lays on four legs made of wood and painted semi-glossy black.

This pair of Ottoman Quran holders, dating from the 18th to 19th century, are masterfully crafted from rich red velvet adorned with intricate gold-colored metal thread embroidery. The elegant floral and arabesque patterns reflect the luxurious textile traditions of the Ottoman Empire. Each holder is designed in an envelope style, providing both beauty and protection for the sacred text within.  Largest: 42.5cm x 27.5cm  

A good lot of vintage buttons, embroidery items etc

Harley Davidson leather waistcoat with Thames valley chapter embroidery and a gsouma leather jacket with Harley Davidson embroidery

A framed Chinese embroidery of a calligrapher as ease with two ducks and Chinese script, overall size 74.5cm x 39cm, with another framed Chinese woven depiction of a woman, the reverse also visible and behind glass, overall size 76cm x 41cm. (2)