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Click here to subscribeCHARLOTTE RHEAD FOR CROWN DUCAL; a bowl with shaped rim and painted in autumnal colours, diameter 25.5cm, a pale blue and cream ribbed vase, height 20cm, a lamp base (af), a further small ribbed vase, a Bursley ware small jug and a blue glazed jug in the Charlotte Rhead style with impressed and painted marks to base (6).
A LARGE QUANTITY OF MIXED CERAMICS to include two Spode 'Edwardian Childhood' patterned money boxes, two art deco iridescent finish Shelley squat vases (one with marks to the rim), an art deco Ducal Ware footed oval bowl, three Wedgwood Beatrix potter items to include a cup, a moneybox, and a plate, a miniature Royal Crown Derby 'Old Country Roses' teacup, saucer, and milk jug, three Hornsea 'Muramic' dishes, diameters 15.5cm (small chip to the rim), 12cm and 8.5cm, a Hornsea 'Impact' lidded trinket dish, a blue and white Coalport tea cup and saucer (wear to gilt rims), a group of assorted Carlton ware items, etc (qty) (Condition Report: itemised conditions above, some items could benefit from a clean)
KLEMM, Walther(1883 Karlsbad - 1957 Weimar) Studie mit BärenRadierung. Bleistiftsignatur unten rechts. Druckstock 31 x 29 cm. Gerahmt & hinter Glas : 39,5 x 37,5 cm; 1 kg. Druckgrafische Vervielfältigung eines Studienblattes von Eisbären, in verschiedenen Haltungen und Ausarbeitungsstadien, unten links auf der Druckplatte signiert mit "WKlemm/Hellabrunn .8.18". Maler, Grafiker und Hochschullehrer, studierte - nach Ermutigung durch Emil Orlik - an der Wiener Kunstgewerbeschule sowie Kunstgeschichte an der Wiener Universität. Klemm war Teil der Wiener Secession (1904), der Künstlerkolonie Dachau und der Berliner Secession (1910). Tierdarstellungen wie diese häufen sich in Klemms Werk nach dessen Berufung als Professor für Grafik an die Großherzoglich-Sächsische Hochschule für Bildende Kunst 1913. Literatur : https://www.deutsche-biographie.de/sfz42698.html. Aufrufzeit 01. | März 2025 | voraussichtlich 10:49 Uhr (CET) KLEMM, Walther(1883 Karlsbad - 1957 Weimar) Study with bearsEtching. Pencil signature lower right. Print block 31 x 29 cm. Framed & behind glass : 39.5 x 37.5 cm; 1 kg. Print reproduction of a study sheet of polar bears, in various postures and stages of elaboration, signed "WKlemm/Hellabrunn .8.18". Painter, graphic artist and university teacher, studied - after encouragement from Emil Orlik - at the Vienna School of Applied Arts and art history at Vienna University. Klemm was part of the Vienna Secession (1904), the Dachau artists' colony and the Berlin Secession (1910). Depictions of animals such as these became more frequent in Klemm's work after his appointment as professor of graphic art at the Grand Ducal Saxon Academy of Fine Arts in 1913. Literature : https://www.deutsche-biographie.de/sfz42698.html. Aufrufzeit 01. | March 2025 | probably 10:49 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
A GROUP OF CERAMICS, GLASS, PICTURES AND SUNDRY ITEMS, to include a nineteenth century jug with pewter lid, printed with shells and seaweed, height 22.5cm, a Royal Worcester Flat Mates 'Topsy' figure, a printed and tinted Minton cake plate, a Crown Ducal chintz vase, height 13cm, a duck egg blue Pearson's of Chesterfield vase, a Spode's Italian miniature sauce boat and stand, Lomonosov animal and bird figures, three Victorian Pearline glass bowls/salts, a cranberry glass vase (loss to part of rim), plated candlesticks and basket, various pictures and prints (sd), etc (qty) (Condition Report: most pieces appear ok, sd and as stated in description)
Mid-century Crown Ducal tube-lined Art Deco vase featuring a vibrant hand-painted floral design. This piece showcases a striking combination of warm peach, orange, and yellow tones accented with bold black outlines and geometric patterns. The base is marked "5933" along with the Crown Ducal logo, confirming its authenticity. This vase reflects the mastery of Crown Ducal's mid-century modern decorative techniques and its legacy in fine ceramic artistry. Dimensions: 7”H. A must-have for collectors of mid-century modern ceramics, this vase is a stunning example of Crown Ducal's iconic Art Deco style. Dimensions: 7"HCountry of Origin: EnglandCondition: Age related wear.
A box of china to include Royal Worcester blue and white cabinet cup & saucer, Shelley bowl and jug, Crown Ducal leaf plate, Prinknash Pottery commemorative goblets, pair of pink large cup and saucers with gilt edging and painted romantic landscape scene, plus a little glass including cranberry bowl, decanter, etc.
Juan Baptista Franconio. Late 16th century, based on the casting of Michelangelo Buonarroti's model."Christ"Gilded bronze sculpture with silver perizonium.22.5 x 21 cm.Cross Size: 52,5 x 29 cm.Magnificent gilded bronze Christ. This is one of the pieces obtained by casting bronze from the model by Michelangelo, which Juan Baptista Franconio, an Italian silversmith, brought to Seville in 1597 from Rome, where he settled.The significance of the Christ by Michelangelo was such that it was one of the inspirational works of art that led Juan Martínez Montañés to create his Christ of the Chalices. Francisco Pacheco recounts this in his posthumously published "Art of Painting" in Seville in 1649.He mentions that Martínez Montañés made this sculpture following the posture of another Christ, describing it as follows: "Michaelangelo, the illustrious light of painting and sculpture, made a crucifix with four nails for a model, which we can now enjoy. Juan Baptista Franconio, a brave silversmith, brought it to this city, cast in bronze, in 1597, and after enriching all painters and sculptors with it, he gave the original to Pablo de Céspedes, a canon of the Holy Church of Córdoba, who held it with great esteem around his neck." It is now known that the original is, for the moment, unaccounted for.Pacheco also specifies in his writing that he applied on January 17th (1600) a matte polychrome to the first of these four-nail crucifixes he cast.One of the painters whose work was enriched by being able to capture such a sculptural marvel on canvas, was Diego Velázquez, due to family ties, as he was Pacheco's son-in-law. In Anselmo López Morais' article “Crucifijo de Miguel Ángel (Un ejemplar en colección particular de Orense)” (Crucifix by Michelangelo (A specimen in a private collection in Ourense))' the 'two portraits he made in 1620 in Seville of Mother Jerónima de la Fuente (one in the Prado Museum in Madrid and another, where [the crucifix] can be seen clearly, in the Fernández Araoz Collection, also in Madrid)' are mentioned.Precisely this article is very useful in order to contrast similarities between this sculpture and the one mentioned by Michelangelo cast by Franconio. Among other things, it states: "The news from Pacheco was collected by Manuel Gómez-Moreno who, intrigued for a long time by a series of metal images obtained by casting, attributes them, with many doubts, to the Granada sculptor Alonso Cano, but later identifies them as those obtained from the Crucifix by Michelangelo mentioned in the 'Art of Painting'."López Morais continues quoting Gómez-Moreno to define the detailed characteristics of the 22 cm Crucifix: "it imposes by its very sobriety of resources, an imposing start that enlarges such a small work, [and] the body hangs limp, with absolute mass symmetry, as in real life; the head, which is small, falls on the chest and leans slightly to the right; the hands contract, clenched; the left leg crosses over the right, as revealed by Saint Brigid, flattening the calf upon contact, and the foot is deformed by the pressure of the nail; the almost embryonic nature of his virile organs matches a narrowness of hips that gives predominance to the chest over the other members; the belly sinks, and the complexion, emaciated, accentuates bony reliefs rather than muscles, except in the arms where tension makes even the arteries visible, but it is all modelled with unsurpassed delicacy and art."In Spain, there are several known silver or bronze specimens considered to be original castings from Franconio. Originals are found in the Museum of Caminos in Astorga, Palacio de Oriente in Madrid, the Gómez-Moreno Museum in Granada, the Caja de Ahorros de Segovia, the Cathedral of Seville, and the Ducal Palace of Gandía, among others. Some others are unsure whether they were cast from the original or even at that time.The Metropolitan Museum of Art in New York has a Christ and the two thieves in its collection with the registration number 37.28a–d, and currently attributes authorship for this figure of Christ as based on a model by Michelangelo Buonarroti. The question arises as to whether it was a casting made in Rome, a hypothesis supported by the context of the set, or whether, like ours, it is one of the examples made from Franconio, which is based, according to the MET, on "the quality of modeling and casting, both crisp and fluid, [which] brings it closer to numerous surviving silver copies in Spain". Reference bibliography:- López Morais, Anselmo. (1988). Crucifijo de Miguel Ángel (Un ejemplar en colección particular de Orense). "Porta da aira: revista de historia del arte orensano", Nº 1, 97-107.- Metropolitan Museum of Art. (s.f.). "Christ and the Two Thieves Crucified". https://www.metmuseum.org/art/collection/search/197995
[NAPOLEON] CHAMBURE (A. de) Napoleon et Ses Contemporains. Suite de Gravures..., 4to, portrait frontis & 1 plate preceding title-page & 45 plates, all on india paper, laid, (some foxing), contemp. red half morocco, Paris, Bossange Pere, 1824; PRESENTATION COPY "Exemplaire Choisie pour Mr. Le Cte...Augte. De Chambury"; ducal bookplate & inkstamp "Bibliotheque de Crenes".
A fine quality 19th century gold and bloodstone mourning locket for H.R.H. The Duke of Cambridge, Prince Adolphus Frederick (the seventh son of King George III and Queen Charlotte, 24th February 1774-July 8th 1850), the oval bloodstone plaque surrounded by a gold serpent ouroboros pendant mount, the reverse with finely engraved ducal coronet and initials A.F. "Duke of Cambridge, July 8th 1850", the gold key turns to unlock the working mechanism which reveals the interior containing a glazed compartment with lock of hair and further inscription "Given to me by my dear Duchess of Gloucester, March 27th 1851", height 26mm.In excellent original condition, no damage or repairs, key and lock work well. Weighs 8.1 gramsEntry in an Edwardian inventory states - Bloodstone padlock and key with hair of HRH Duke of Cambridge given to Lady Caroline Murray by HRH The Duchess of Gloucester 1851
AN EXTENSIVE CROWN DUCAL `ORANGE TREE' PATTERN COMPOSITE SERVICECirca 1930 Printed marksComprising:4 Vegetable Tureens and covers, 26.5cm wide-one knop lacking. One knop glued2 sauce Tureens, covers, stands and a ladle-one knop glued4 Serving Dishes in sizes, 27.5cm to 45cm wide-smallest dish with small restoration to the rim2 Butter dishes and covers-smaller cover with extensive staining. Larger dish with small rim chip4 Egg cups and stand- overall in good conditionA Condiment set-overall in good condition6 Napkin rings-overall in good conditionA Castor- some staining to the glaze3 Milk jugs-overall in good conditionToast rack-overall in good conditionSauceboat-small rim chipFruit bowl-some crazing and staining to the interiorCoffee pot and cover-overall in good conditionTeapot, cover and stand-glued slice chip to the rim of the stand2 Beakers- each with a rim chip13 Dinner plates, 25cm diameter- 11 with cracks or rim chips10 Soup plates, 22.5cm diameter- 4 with rim chips. 1 cracked and stained12 Plates, 23cm diam.- 2 with rim chips, 3 with cracks. Some staining9 Plates, 20.5cm diam.- 1 with a crack.2 with chips to the rim. Some crazing11 Side plates, 18cm. diam- 8 with rim chips or cracks. Some crazing3 Square plates, 21.5cm diam- 2 with rim chips3 Small plates, 16cm diam- overall in good condition12 Small bowls, 14.5cm diam.- 1 with a rim chip and crack. Another with a rim chips. 4 with extensive wear3 Bowls- all with rim chips and/or cracksPreserve pot and matching cover- cover broken in 2 and glued with a chip at the end. Some staining6 cups in sizes- 2 with rim chips. Some light staining14 Saucers in two sizes- 4 with rim chips2 Small dishes, 10cm diam.- 1 crazed and stainedSmall bowl, 7cm diam.-Crazed and stainedSome typical wear and crazing overall
SIX BOXES OF DINNER AND TEA WARE, to include, Barratts of Staffs tea set in the box, Kensington Ironstone, Steelite, Spode pattern no. S3401B, Burleigh Ironstone, Queensway China, Alfred Meakin Glo-White, Homeleigh Ware 'Mayfair' Reg. No. 779736, James Kent Ltd decorative vase 1120, Crown Ducal Ware retro pink bowl with birds, black inside, Wade Tankers with pictures of dogs, approximately twenty five new mugs varies designs marked on the bottom 'JUST MUGS', two Portmeirion mugs with flower design, also included some odd plates and planters etc. (6 boxes), (sd/af)
Six 19th century magic lantern slides, to include five from the Punch Travelling series to include Punch in India, Punch in Iceland, Punch presented to the Pasha, Punch at Vesuvius, Punch in Turkey all stamped 'CARPENTER & WESTLEY 24 REGENT ST LONDON'; together with The Ducal Palace Venice, stamped COX 22 SKINNER ST LONDON (6)
A small collection of ceramics to include a Crown Ducal Ware vase. A Noritake shallow dish, a pale blue ground plate with a white relief border of birds and vines and an oval creamware meat platter with a pink border, a crown and a curly W, c. late 19th/early 20th century. Size: platter 40cm diameter; vase 15cm high; dish 25cm diameter; plate 21cm diameter. Condition: some general wear to all pieces.
Italian chivalry manuscript. Vero Onore del Cavaliere, probably Italy, c. 1720, 137 leaves, written in a good clear hand, brief title and manuscript lettering on spine, black ink library stamp of a ducal coronet to front pastedown, contemporary vellum, a little rubbed and soiled, 4to (27.5 x 19 cm)NOTE:There is no evidence as to the authorship of this work, nor whether it is a copy or translation of a known work.
Small collection of Crown Ducal Charlotte Rhead pottery, including a large charger, printed factory mark, cigned and numbered 6106, 36cm, another smaller charger, a Bursley Ware Charlotte Rhead charger, Charlotte Rhead twin handles vase, signed, Crown Ducal rectangular dish, signed, Bursley Ware flower posy, reproduction vase. Condition report:Large charger. No damage or restoration but crazing evident throughout. Medium charger. No damage or restoration but crazing evident throughout. Small charger. No damage or restoration but minimal crazing evident throughout. Flower posy. No damage or restoration but crazing evident throughout. Two handled vase. No damage or restoration but minimal crazing evident throughout, minor areas of paint flaking. Dish. Cracked and restored, no crazing visible.Additional images have been uploaded to the lot page on our website.
Ducal Models 8pce Gurkha Regiment marching Band with individually boxed mounted figures comprising M7 Field Marshall, M8 Groom the Royal Household, M12 Gold Stick in Waiting (Colonel) Royal Horse Guards, and 77M Irish Guards Officer 1923, VG in 4 VG original boxes, (5 items, total 12 figures),
A Crown Ducal ware porcelain coffee service, comprising:3 coffee cans and saucers,2 small milk jugs in yellow and blue, anda yellow sugar bowl,printed marks underneath,saucers 10.5cm diameter (9)Condition ReportBlue jug with rim chip. Yellow jug with rim graze. Two cups with small enamel chip to handles.
A GROUP OF MIXED CERAMICS to include a Charlotte Rhead for Ducal Ware charger with a tube-lined pattern of a Chinese temple scene, diameter 29.5cm (crazing visible) six Wade advertising jugs comprising Carling Black Label, Bass and Co Pale Ale, Bells Scotch Whisky (crazed), Worthington, Highland Queen whisky, and John Player Special, and a Royal Stanley Ware 'Jacobean' patterned vase, height 32cm (repair to the rim) (8) (Condition Report: itemised conditions above)