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Click here to subscribeTondo Italien nach Andrea Della Robbia, das Original hängt am Hospital der Unschuldigen Kinder in Florenz, ungedeutete Herstellermarke, 1. Hälfte 20. Jh., Modellnr. 389, Majolika mit Craqueléglasur und blauer Bemalung, halbplastische Darstellung eines heiligen Wickelkindes, Wandaufhängung, geringe Altersspuren, D 55 cm.
Near pair of Della Robbia vases, of bottle form with collared necks, painted with foliate patterns in a predominantly green and yellow palette, inscribed and impressed marks, 22.5cm and 23cm heightCondition report: One has some rubbing to the rim and some spots of paint loss. The other has a chip and hairline on the rim, and a chip to the footrim.
A PAIR OF PAINTED SOFTWOOD FIGURAL PLAQUES IN ITALIAN RENAISSANCE STYLELATE 19TH / EARLY 20TH CENTURYLoosely in the manner of work by the Della Robbia, with musician putti standing within a wreath surround94cm high, 67cm wideCondition Report: Both plaques with marks, knocks, scratches and abrasions commensurate with age and use. Old splits and chips. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A Della Robbia 11.5" vase, blue background with leaves, signed by painter Hannah Jones, other marks on base include AEB and 200. ****Condition report**** Crack from top down approximately 4-5cm longCrackling to glaze inside,Large amount of poor repairing to top rim with poorly matched filling of damage, also colours do not match.Traces of glue.Damaged area 10cm long x 2cm down,Small good repair to base Height 29cmPostage to Mainland UK is £25+VAT=£30
Müller, Richard: Wickelkind am Findelhaus von Florenz Wickelkind am Ospedale degli Innocenti (Findelhaus) von Florenz. Pastellkreide auf festem, dunkelgrünem Velin. 27,3 x 21,7 cm. Unten bezeichnet, datiert und signiert "'Wickelkind am Florentiner Findelhaus' von Andrea della Robbia 1928 - Rich. Müller". Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
AN ITALIAN TERRACOTTA RELIEF PANEL OF 'LO SPASIMO' (THE SWOON OF THE VIRGIN), PROBABLY AFTER GIOVANNI GONNELLI (1603-1664) 17TH CENTURY the Virgin in anguish supported by the 'Mary's' and to her right a kneeling St John, all on a narrow ledge 24.5 x 25cm This composition was originally attributed to Giovanni Della Robbia (1469-1529) then by some to Agnolo Di Polo (1470-1528), but many now think it is the work of Giovanni Gonnelli (called il Cieco da Gambassi, 'The blindman from Gambassi'). A number of versions exist, in particular as the centrepiece of the Chapel of Lo Spasimo, part of the Holy Mount at the monastery of San Vivaldo in Tuscany, in large format painted terracotta. A version of similar size to the present lot, with traces of paint, is held by the Princeton University Art Museum (No.y1937-269), as well as another cold painted version in the Museum of Fine Arts, Budapest (No.84.23), one offered at Semenzato, Venice, 5 October 2006, lot 155, as well as a version at the 'Legne Chapel' at the Cappuccina in San Gimignano.
DELLA ROBBIA; a green glazed floral decorated vase with incised decoration and incised mark to base with indistinct painted artist's monogram, height 17cm (af).Additional InformationThere is a crack terminating from the rim into the body, there are also eight small chips to the rim, a scratch to the surface of the body and general wear and tear.Please refer to additional photographs for details of the mark and damage.
CARLO MANZONI (1855-1910) FOR MINERVA ART WARE MANUFACTURERS GOURD VASE, DATED 1897painted with a frieze of stylised flowers and foliate motifs, painted inscription to base HAND DRAWN & PAINTED, painted artist's monogram CM/ NO. 40/ 1897(25cm high)Footnote: Note: Carlo Manzoni had a short-lived career at Della Robbia pottery under Harold Rathbone and Conrad Dressler from 1893-1895 when he left the company in to form Minerva Art Ware Manufacturers, renting space in the Granville Pottery, Stoke-on-Trent. In 1898 he left the company in the hands of his workers and returned to Della Robbia where he continued to work until 1906.
John Fogo and Tom Hall for Della Robbia, an art pottery fruit or jam jar, ovoid form, sgraffito decorated with a banner reading Raspberry, the three panelled ground bordered with foliate spears and scrolls, the central section decorated with a trefoil lobed headed cartouche with floral sprig and husk garland, flanked by leafy tendrils, incised marks JF W and painted TH, 16.5cm high
A Cantagalli Della Robbia style Foundling roundel, cast in low relief with Christ, glazed in shades of blue, pale aubergine and white, ten other Della Robbia style roundels, a tin-glazed plate, and a 1951 Canterbury Chaucer Festival wall plaque impressed marks, (13) Provenance: The Judith Howard Collection
'The Annunciation' a Cantagalli Della Robbia style pottery wall plaque, semi-circular form, modelled in low relief, glazed in shades of blue, green and white, a Della Robbia style roundel of an angel, a smaller Annunciation plaque, a wall mounted water-drop panel, four other Della Robbia style panels, a marble plaque and three terracotta head plaques, impressed Cantagall marks, damages, 42.5cm wide, 24cm. high (12) Provenance: The Judith Howard Collection
1st Day of Creation a good Della Robbia Pottery plaque designed by Edward Coley Burne Jones, made by Harold Rathbone, C Annie Walker and Lizzie Wilkins, modelled in low relief and glazed in shades of green, yellow, pink and blue, in wooden frame, incised to the front Della Robbia, 1st Day of Creation, after E Burne Jones and HR monogram, impressed Della Robbia mark to the reverse, applied paper exhibition label 54 x 22cm. Exhibited Home Arts and Industries Association, exhibition number 381, priced at 50/-.
Melody a rare Della Robbia tile plaque by Ellen Mary Rope, rectangular, cast in low relief with children playing musical instruments around a central tree whilst others rest and listen, in shades of blue, green and brown, signed Rope bottom left corner, repaired, 48.5 x 29cm. Literature The Studio volume 13, 1898 page 190 for an example of this plaque illustrated. this example listed as designed by Miss Rope and painted by E.M. Wood. Peter Hyland The Della Robbia Pottery, Birkenhead 1894-1906, Antique Collector's Club, page 207 figure 222 for a related, smaller tile plaque by Rope decorated with children dancing around a tree. Exhibited Melody (panel) was exhibited by the Della Robbia Pottery in 1905, catalogue number 1939 priced at £3.3s.
A Della Robbia Pottery vase by Hannah Jones and Charles Collis, slender bottle form, incised with stylised flower and foliage panels, in shades of turquoise, green, orange and yellow on a purple ground, incised Della Robbia mark, and Lloyd, painted artist monograms, 39cm. high Literature Peter Hyland The Della Robbia Pottery, ACC Books, page 183 figure 196 for a comparable vase.
A fine Della Robbia Pottery Art Nouveau vase by Cassandia Annie Walker, dated 1904, slender, baluster form, incised and painted with tall flower stems alternating with green moon motif, and a border of hearts, in shades of green, blue, purple and turquoise, incised ship factory mark, dated 1904 and CAW monogram, minor professional restoration, 34cm. high Provenance British Ceramic Design from 1860, Bonhams, London 23rd September 2008, lot 28. Private collection. Literature Peter Hyland The Della Robbia Pottery 1894-1906, ACC, page 222 figure 242, for a small plaque by Cassandia Annie Walker, circa 1904, with comparable green spheres.
A Della Robbia Pottery vase by John Fogo and PJ, ovoid twin-handled form, incised with a frieze of Tudor Rose on woven ground, in green, yellow and red on a turquoise ground incised Della Robbia marks, B'Head, and artists monograms, 29.5cm. high Literature Peter Hyland The Della Robbia Pottery, ACC Books, page 151 figure 159 and 160 for comparable vases.
'Adoration of the Magi' a Cantagalli Della Robbia style pottery panel, rounded, rectangular form, modelled in relief with the Madonna and angels adoring the Christ child, glazed in shades of blue, green and yellow in the manner of Della Robbia, painted cockerel mark, 72 x 43cm. Provenance: The Judith Howard Collection
Initialled and dated '06, mixed media sculpture.28cm x 60cm (11in x 23.5in)Footnote: * In 2002, the Cathedral Chapter at Liverpool Cathedral commissioned the Rossendale artist, Don McKinlay to create a Christ-child to be set alongside the Madonna in the Lady Chapel. The commission was given in memory of Dean Derrick Walters who died in 2000. This is the maquette for that sculpture which now sits in the Lady Chapel at Liverpool Cathedral in front of the kneeling Madonna. The kneeling figure of the Madonna in the Lady Chapel has been attributed to the school of Giovanni della Robbia. Artists' Resale Right (droit de suite) may apply to this lot.
A Della Robbia pottery dish, raised on a circular foot, 18.5cm high, a Della Robbia ewer with moulded lizard form handle, 23cm high, and a small Della Robbia two handled vase, 14.5cm high. First large bowl has a crack across the centre and has been re-glued, footed dish has large cracks through top, ewer is repaired and restored, both have staining. Removed from a Cambridge property, owned by a University of Cambridge Fellow
A Della Robbia art pottery vase designed by Ruth Bare circa 1900 the central reserve decorated with incised stylised vertically extending foliage, surrounding central Art Nouveau style flower motif painted with green glazes, flanked within black and white geometric and curved borders, 29cm high
An Arts & Crafts Della Robbia (1897-1906) pottery vase, circa 1900, of baluster form with flared rim, incised and painted decoration in the Art Nouveau style, depicting with pink roses and leaves 'growing' from the foot rim, three spiral motifs to the neck, against a yellow and green ground graduating into a pale blue rim, incised sailing ship mark surrounded by initials C D R, and numbered 664, initials below 'LJ' for Alice Louise Jones, 14 by 17cm high.
Lizzie (Liza) Wilkins for Della Robbia - Arts & Crafts ovoid bottle vase and cover, sgraffito decorated with robins perching on branches, on an orange and aqua blue ground, marked 'D R 96, 'LW' to base, 24cm high Condition: Crazing to the glaze on the whole piece, chips to glaze on top of rim and to top of lid, small hair line cracks to top of the vase rim, the lid having small repaired section, crack and glue visible to cork. **General condition consistent with age
TWO RELIEF PLAQUES 19TH CENTURY the first a Cantagalli example in the della Robbia style, in blue and white glazed terracotta depicting the Virgin and Child with John the Baptist, painted blue cockerel mark; the other a RENAISSANCE REVIVAL PLASTER PLAQUE, modelled as the bust of a boy in an architectural niche, the face overpainted in white, inscribed ROBERTUS, 31cm high (37cm high) Qty: (2) Footnote: Provenance: The Earls of Crawford and Balcarres, Balcarres House, Fife, Scotland