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A PAIR OF WALNUT CORBEL WALL BRACKETS FRENCH, 17TH CENTURY carved with a semi-naked maiden, possibly Hebe, with an eagle (2) 21.4cm high Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller.

A PAIR OF OAK FIGURAL TERMS LATE 16TH / EARLY 17TH CENTURY each with a capital above a basket of fruit and with a semi-naked man and woman, above a swag of laurel leaves, standing on a stiff leaf decorated corbel (2) 76cm high Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller.

A Victorian mahogany open bookcase, having adjustable shelves and scroll corbel detail, width 131.5cmCondition report: Top detaches from base into two sections. Moulding missing to one side, and part missing to the other bookcase. Requires re-polishing and some small areas of repair needed. Upper 138cm high, lower 89cm high, both 132cm wide.

A late George III 'Egyptian revival' giltwood and reverse glass painted landscape overmantel mirrorCirca 1800-1805, the triple-plate composition incorporating one large central bevelled plate, interspersed by four Pharaoh bust-capped reeded corbel tapering herms each terminating in a pair of feet, surmounted by a central polychrome painted maritime scene depicting Lord Nelson era 'Men-of-War', flanked by two rosettes each within a lozenge tablet interspersed with projecting paterae block angles, below a cannonball mounted cornice, 70cm high by 140cm wide.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A Continental, probably German, carved stone corbel head, probably 16th century, approximately 18cm high, 20cm wide, 27.5 protuberanceCondition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, chips and losses to the surface, bashes and bruisedWeathering to the surface, lichen and moss growth and overall with a green algae to the surfaceThere are deposits of concrete to the rear from a previous fixingPlease refer to additional images for visual reference to conditionThis weighs approximately 12kg overall, it appears to be carved red sandstone, the measurements have been added to the description Condition Report Disclaimer

SHELF - QUARTZ WALL CLOCK, ROSE TABLE LAMP, CHERUB CORBEL AND A STAINED GLASS ILLUMINATED CHURCH LAMP, ETC

A mid-19th century eight-day Oak cased twin Fusee wall clock with integral support bracket, movement striking the hours on a coiled gong, thirteen-inch painted dial with roman numerals and minute track, blued steel Fleur de Lys hands, dial inscribed � Jos Penlington, Liverpool�, lockable brass bezel with flat glass, rectangular shouldered four pillar movement plates, rack striking and recoil escapement, movement pinned to the dial via a false plate, rectangular case and bracket on carved corbel supports, profusely carved dial surround with representations of oak leaves and acorns upon a tooled background, two movement doors with sound frets and one pendulum adjustment door. With Pendulum. The Pennington�s were a prolific family of clockmakers working in Liverpool from 1818 until the turn of the 20th century. Dimensions: Height: 86cm  Length/Width: 62cm  Depth/Diameter: 20cm

A terracotta corbel.

After the antique, a plaster cast hanging wall plaque depicting an urn with rams heads, floral rosettes and garlands, 81cm x 20cm, together with four roundels depicting scenes from everyday life and five other architectural elements including a metope, 15cm x 15cm and a corbel, 26cm (10)Condition report: Chips, dents and surface level cracks to wall plaque and garlands with extensive losses, other pieces with small chips but in good condition.

18th Century sandstone figure corbel, carved as a man with headwear and mouth slightly open, 28cm high, 18cm wide

CARVED RAM AND SHEEP CORBEL

RESIN NEO CLASSICAL STYLE SWAGED URN, CHERUB ON BALL STATUE, AND AN ACANTHUS SCROLL CORBEL

STILL LIFE WITH JUG, FRUIT, AND CARVED CORBEL gouache, c.mid 20th century

19th/ early 20th century oak Corbel carved as a gentleman's head, H23cm x W20cm

* A limestone corbel, carved as a lions head with flowing mane and open mouth, probably late Medieval, w.19, d.32, h.21cm.

* An architectural limestone block / corbel, carved with a face having inset eyes and smiling mouth, Medieval style, w.22, d.23, h.19cm.

A resin doorstop as a corbel, 27cm high

Two early English carved limestone corbel heads, possibly window arch supports both with open mouth expression and carved 'chaperon' hats, 15.5cm long

A modern white console table, the rectangular top fitted two frieze drawers, on chanelled corbel supports (h.80cm x 150cm x 60cm)

A carved oak corbel,17th century, in the form of a winged cherub's head,28cm wide14cm deep34cm high,two carved pine panels, 18th century, each with a carved cherub's head over a foliate swag, 15 x 75cm,a carved eagle crest, anda panel with acorn carving,42 x 50cm (5)Condition report: all with splits, knocks and cosmetic wear, the cherubs face attached with a nail, knocks losses and abrasions to areas of high relief, pair of panels heavily rubbed and with losses to the detail, splits to the back boardseagle, perhaps formally gilded, rubbed and knockedacorn panel split in several places integral frame requiring attention

A collection of carved walnut and fruitwood figures and reliefs17th century to late 19th century Comprising of a pair of carved walnut figures, a figure of a Saint, three carved reliefs of putti, a carved walnut corbel of two putti, a bust of the Virgin Mary, a head of prophet, a damaged polychrome decorated figure of a Hurdy-Gurdy Player and a carved capital, the Saint: 12cm wide, 92cm deep, 33.5cm high (4 1/2in wide, 36in deep, 13in high) (12)For further information on this lot please visit Bonhams.com

A fine quality early Flemish Renaissance Court Cupboard or Armoire, with dental moulded corbel cornice, above profusely carved scrolling leaf design frieze, the two arched panel doors crested with masks and ho ho birds, embellished with floral swags, half carved fluted pilasters with Corinthian capitals flanking each side and centre, opening to reveal drop centre, the base with faux drapes decorated with lions masks, on large bulbous bun feet, approx. 87" (221cms) h x 63" (160cms) wide. (1)

A nicely weathered natural stone antique corbel, possibly medieval, carved as the bust of a young woman with well defined facial features, 18.5cm 

A post-Medieval limestone corbel, carvedwith the head of a bearded man, 24cm long

A 20th century parcel gilt silver commemorative bowl, mark of Garrard & Co., London 1990, of circular form with gadrooned rim, the 2 applied corbel style handles decorated with national floral symbols and each supporting a rampant lion of England, one crowned, raised on a circular gadroon edged pedestal foot, engraved to the side, 'A BIRTHDAY TRIBUTE TO HER MAJESTY QUEEN ELIZABETH THE QUEEN MOTHER 4th AUGUST 1990', stamped to the base 'No 64', 26cm in diameter, 16cm in height, 64.7ozt, accompanied by a certificate of authenticity from Garrard & Co, certifying the piece to be number 64 in a limited edition of 90 and presented in the original double door fitted caseProvenance: Julians Park, Hertfordshire.

An ornate gilt wood corbel with resin cherubs, 17 1/2" long

RICHARD ROSS ROBERTSON (1914-2007) MINSTREL CORBEL carved stone, 60.5cm high; together with a FIGURE OF A GODDESS, by the same hand, carved stone, 76cm high

*SINGLE LARGE CARVED WOODEN CORBEL, 88CM HIGH

A George II giltwood and gilt gesso mirrorCirca 1740, the later plate within a bead-and-reel moulded slip and an egg-and-dart moulded surround, flanked by scrolled corbel and oak-leaf pendants, below a foliate scrolled and floral swagged frieze surmounted by a swan neck pediment centred with a cartouche cresting, re-gilt, 150cm high x 84cm wide.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

An Italian late 16th/early 17th century carved walnut credenzaprobably of Tuscan originThe rectangular top with a fluted edge moulding, above three panelled entrelac carved frieze drawers interspersed with four strap-fluted scrolled corbel angles, over three ovolo and bead-and-reel moulded panelled doors, the two end doors applied with large carved lion mask handles, enclosing one shelf, interspersed by four stop-fluted Tuscan pilasters, each panelled end carved with a large central flowerhead roundel, on a stop-fluted plinth base terminating in lion paw feet, the top rests loose, the underside of the top is applied with a 19th century paper label with an ink inscription which reads: 'Sgr. Giuseppe Bellini, Firenze', 209cm wide x 64cm deep x 109cm high, (82in wide x 25in deep x 42 1/2in high)Footnotes:ProvenanceDuring the late 19th century the present lot was evidently acquired by Irene von Hildebrand, wife of the major German sculptor Adolf von Hildebrand (1847-1921), while the couple lived in the then secularized monastery of San Francesco in Florence. Irene Schauffelen (her maiden name) had married Adolf in 1877. This credenza was apparently purchased by Irene from Giuseppe Bellini who was a major antiques dealer based in Florence. In fact the Bellini family, who today have been involved in the fine and decorative arts for well over 250 years, had by that time already established themselves as arguably one of the most important dynasties within the realm of Italian antiques. During the 1890s, or perhaps just prior to then, this walnut cabinet was most likely re-located to Munich in tandem with the von Hildebrands, since the Wittelsbacher Brunnen (an impressive Neoclassical fountain sculpture) in Lenbachplatz, which was designed by Adolf von Hildebrand, actually underwent construction in that city over the period 1893-1895. The offered lot is then listed as 'ein italienisches grosses buffet mit lowenkopfen' in an inventory, dated 18 January 1921, undertaken at the Munich estate of the von Hildebrands following Adolf's death.It re-appears in the will of Irene Georgii, recorded as 'I grosses alt italienisches buffet mit lowenkopfen, Renaissance, sehr wert voll', forming part of a 1936 inventory produced in Kleinhohenrain.Thereafter, this Italian late Renaissance low cabinet passed by descent within the same family. Irene Georgii bequeathed it to her daughter, Maria, whose surname after marriage changed to Wetzel. Subsequently Maria's son, Johannes Wetzel, inherited this piece following her death in 1990.Remarkably the previous owner, Dr Johannes Wetzel, is the grandson of Irene Georgii and thus by extension the great grandson of Adolf von Hildebrand.ComparablesA late Renaissance walnut credenza, which is dated 1550-1600, forms part of the Victoria and Albert Collection, No. 1375:1-1904, http://collections.vam.ac.uk. As with the present example this closely related piece was probably made in Tuscany. They share numerous characteristics in common which include; conforming stop-fluted Tuscan pilasters; a virtually identical drawer and door configuration; similar bead-and-reel moulded panelling and fluted scrolled corbel angles; related low relief entrelac or guilloche frieze decoration; while their plinth bases and lion paw feet are also very alike.Nonetheless, there is an interesting and potentially important variation between these two models, as is to be expected. Unlike the rather plain turned roundel door handles evident on the Victoria and Albert model, the present low cabinet incorporates two highly characterful and beautifully carved large lion masks. These appear to be a rare feature on credenzas of this type and possibly allude to some crest device or coat of arms element, perhaps in reference to the original family who commissioned it for their home.For a further, albeit slightly plainer, comparable see G. Chiesa, Il Cinquecento, 1972, Milan, fig. 25, p. 30. Adolf von HildebrandHildebrand, who worked predominantly in the Neoclassical style, first learned sculpture at the Fine Arts Academy of Nuremberg before being taught by Kaspar von Zumbusch at the Munich Academy, and then finally studying under Rudolf Siemering in Berlin. By 1873 Adolf had moved to Florence where he resided, as previously mentioned, at a former Franciscan monastery which had been founded during the 16th century. In the same year, the sculptor assisted his friend Hans von Marees (1837-1887) by designing the architectural framework for von Marees' painted murals housed in the library of the German Marine Zoological Institute, located in Naples.Although officially resident in Italy during the period 1873-1897, it is clear that from 1890 von Hildebrand lived mostly in Munich, since the vast majority of works he was commissioned to make from that time onwards were in Germany. Despite the fact that during his life the sculptor produced a total of five impressive and immense fountains, he is arguably principally renowned for the Wittelsbacher Brunnen and the Bismarck monument, Bremen, the latter of which was completed before 1910. In his Das Problem der Form in der Bildenden Kunst ('The Problem of Form in Painting and Sculpture'), which was published in 1893, von Hildebrand espoused the aesthetic autonomy of sculpture from painting. And this ideal or doctrine essentially formed the basis for most 20th century sculptural movements and consequently it is now justly considered of major importance. In 1904 Hildebrand received his ennoblement from the King of Bavaria, www.britannica.com & en.wikipedia.orgThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A Charles II joined oak chestCirca 1680, typically in two-parts, the boarded top with ovolo-moulded edge, above dentilated mouldings and four long mitre-moulded drawers, all drawer fronts with applied split-mouldings, and the top drawer with the addition of a central corbel moulding with matching carcase end-mouldings, and with the painted initials: 'M G', the third and deepest drawer with a central arch-moulded reserve, on extended stile supports, the rear of both parts unusually triple-panelled, 112.5cm wide x 59.5cm deep x 102.5cm high, (44in wide x 23in deep x 40in high)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Quantity of silver plate, brass, mahogany corbel, etc

An early limestone architectural fragment perhaps part of lintel, 40cm long and a medieval limestone corbel of scroll form, 15cm, and a stone plinth with carved hart's tongue fern, 16cm high (3)

An old hand carved stone corbel of a bearded gentleman, approximately 18cm wide x 31cm highCondition report: At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report

A carved stone corbel, 'The Green Man': 21cm. high.

A carved stone corbel: depicting a gentleman's head with wavy hair, 23cm high.

A collection of four 19th century Portland / Bath stone architectural corbel stones of varying condition from Northwoods House Measures, 20 cm H x 57 cm Diameter

CONTINENTAL CARVED OAK CUPBOARD - of good colour having two top drawers with seahorse and mask detail over two cupboard doors with geometric beading and cherub mask to the central panels over two lower doors similarly carved, the flanks with corbel details carved with lion and cherubic masks over fruit and vines, the whole on turned bun feet, 142.5cms overall H, 161cms W, 65cms D

A plaster corbel. 38 cm high.

A LATE 19TH CENTURY OAK FOLIO CABINETWith pair of enclosing panel doors, 107cm wide; 71cm deep; 138cm highCondition report: Overall, in good condition. Some minor scuffs and scratches overall commensurate with age and use. The top with slight variation in colour with fading, and various scuffs, scratches and marks.Various small chips in areas, notably one to the right handside corbel and one towards the base of the front right door. An applied moulding block to the top frieze of the right hand side return, at the back edge,  is currently loose,  and requires re-attaching (currently in frieze drawer). A thin section of moulding is also split and require repair.Interior drawers with some remains of the labels to the front edges, and brass pull-out handles. 

Dark oak corbel. Heavily carved in oak with a lions head.42cm across top, Height 47cmsome old worm holes , 3 dowel holes to top

Painted pine corbel with scroll support. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

An oak lion head corbel having a later added tin candle sconce; together with a fragment of 17th century carving in a moulded strip, 67cm long

An English carved stone figural corbel, possibly 14th century, with central crowned male bust, possibly that of King Edward III, 31cm highProvenance:Property of a gentleman, acquired in the 1970sAfter which acquired at auction by a private collector

Pair of painted wooden corbel wall brackets, 26 x 23cm (2)

17th Century carved oak cherubs head with foliage 19cm x 18cm and a carved lion mask corbel 26cm x 13cm

William VI Mahogany sofa table with 2 apron drawers, corbel design over a twin bulbous shaped pod, on 4 splayed legs, 146cm w x 85 cm diameter

CAST METAL CHERUB CORBEL POCKET

A MEDIEVAL STYLE OAK CARVED CORBEL

Late 13th century AD. A carved limestone corbel capital with moulded upper edge, female head with centre-parted flowing hair ending in a curled band, vertical vine section with leaf and lateral slot; from the Priory of Moutiers Saint Jean, Burgundy, France.23.2 kg, 42cm (16 1/2"). Ex central London gallery; previously with Salles des Ventes Pillet, 1 July 2007, lot 168. [No Reserve] Fine condition.

Early 14th century AD. A corbel carved with a stylised female head, a section of moulded column to the rear; from the chapel at Wykeham, Weston, Lincolnshire, UK.34.7 kg, 47cm (18 1/2"). Ex central London gallery; previously with Tomasso Brothers, London, UK, in 2008.Wykeham is a deserted medieval village (DMV) in the parish of Weston, South Holland district of Lincolnshire. The chapel of Saint Nicholas was built in 1311 from limestone. It became a free chapel at the Dissolution of the Monasteries. The roof collapsed in 1782 and the chapel is now a roofless shell. [No Reserve] Fine condition.

A table lamp base, photograph album, grapevine design corbel etc

A collection of carvings, to include a 17th Century walnut arch and leaf section, an oak finial carved as oak leaves, a mahogany corbel and a pediment carved with putto, (4)

Four 18th Century Indian carved corbel brackets, the four pieces carved with scrolls and fish, 67cm high to 87cm high, (4)

A Sino-Tibetan or South-East Asian carved wooden corbel,20th century, in the form of a deity's face, 36cm highCondition report: Traces of polychrome paint, splits, knocks, losses and general wear.

A carved oak corbel, of an angel, 28cm, possibly 16th Century 

A Victorian gilded wooden corbel. 66 cm high.

A box of miscellaneous items, to include a carved wooden corbel, miniature globe etc

A sculpted white marble wall fountain, late 19th/ early 20th century, the open mouth of a cherub's head as the spout, above two tiers of basins moulded as graduated scallop shells, on a voluted corbel, the backplate carved in low relief with river flora, 161cm high, 64cm wide, 40cm protuberanceBidders from the UK and outside of the European Union should be aware that additional import charges may apply

A 19th century Victorian architecture stone corbel column top having relief decoration depicting flowers, scrolls and bird. Measures approx.: 31cm H x 49cm W x 43cm D.