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Click here to subscribe19th century pine and gesso architectural architraves and corbels; two projecting lintels (L174cm); three s-scroll corbel brackets decorated with acanthus leaf (H64cm); four rounded architrave pieces decorated with floral roundels (W41cm); two rectangular cornice pieces decorated with flower heads (W55cm); and a small egg and dart moulded piece (W41cm)
17th to 18th century oak refectory table, rectangular fold-over top over the frieze rail carved with a central cartouche with scrolling foliate and berries, sliding front rests with acanthus carved corbel mounts, turned fluted supports with foliate scroll carving, joined by moulded stretcher rails, foliage scroll and floral carved side frieze rails and plain back, the back rail with plain sliding restsDimensions: Height: 75cm Length/Width: 183cm Depth/Diameter: 60cmCondition Report:Measurements extended:183cm x 120cm
John Sell Cotman (1782 - 1842), a collection of nineteen predominantly 1818 edition large etchings, comprising 'South Door Way, Hales Church, Norfolk', Popham 39, 'Saxon Arches in the Tower of Castle Rising Church' Popham 131, Yarmouth Priory' Popham 133, 'The Tower of West Dereham Church' Popham 134, 'South Door Little Snoring Church', Popham 135, 'Chapel of Houghton In The Dale', Popham 136, 'The late Vicarage House Methwould', Popham 137, 'Interior of South Runcton Church', Popham 138, 'The South Doorway & The Corbel Table Round the Chancel of Wimbotsham Church', Popham 139, ''South Doorway Runcton Holme Church', Popham 146, 'South Porch of Arminghall Hall', Popham 150, 'Doorway of Wroxham Church', Popham 151, 'South Porch of West Walton Church', Popham 162, 'Tower of West Walton Church', Popham 163, 'St Michael's Church at Coslany, Norwich', Popham 171, 'Gateway of Wiggenhall St Mary', Popham 172, 'West End of the Parish Church of St Nicholas, Gt Yarmouth', Popham 178, 'Walsoken Church', Popham 181, 'Part of east Barsham House', Popham 189 and 'The Monk's Entrance Ely Cathedral Cambridgeshire', Popham 198, all within card mounts with later ink inscriptionsThe Cotman family collection.
A very fine Irish rosewood Davenport, by William & Gibton, stamped and numbered 4596, the slope top with a three quarter gallery pulling forward on a slide opening to reveal two mock and two interior drawers on a fine panelled pedestal with corbel headed pilasters, four graduating long drawers and paper slide, and similar on opposite sides, on turned legs with castors, approx. 90cms x 54cms (25 1/2" x 21"). (1)
A REGENCY ROSEWOOD BREAKFRONT CHIFFONIER early 19th century, the top section with a single three-quarter galleried shelf over a mirrored back plate, the bottom section with central cupboard doors, with brass lattice work panelling, which open to a shelved interior, flanked by open shelves, and moulded pillars with corbel capitals, on gadrooned bun feet, 141cm high x 183cm wide x 40cm deep
A Medieval red stone architectural corbel, 13th/14th c, carved with foliage, 22cm wide, another, similar, a 19th c oak capital of a musician, 33cm high, and a post-Medieval oak capital of a wyvern, 23cm wide, (4) The masonry corbels weathered with worn losses, though stable. Slight worn losses to the oak carvings.
A Regency ormolu mounted and brass inlaid rosewood, parcel gilt and fruitwood inlaid writing table attributed to GillowsCirca 1815The rectangular top inlaid with stylised scrolled angles within a tablet surround, above two short mahogany lined frieze drawers flanked by palmette inlaid angles, with lozenge, rosette and scrolled anthemion mounts to the frieze ends, on scrolled corbel headed vertical end supports, with channelled flowerhead spandrels to the base, on reeded blocks terminating in scrolled lotus leaf hipped ebonised lion paw feet with castors, with a ring turned and part-reeded cross stretcher, 107cm wide x 68cm deep x 74cm high, (42in wide x 26 1/2in deep x 29in high)Footnotes:A related design to the offered lot features as the upper one of two Gillows drawings, dated 13 April 1813, for rosewood sofa tables ultimately supplied to John Gladstone Esq. (1764-1851). The present writing table has similar scrolled corbels, vertical end supports, hipped lion paw feet and a cross stretcher to those elements on this particular design. Both of these aforementioned Gillows drawings appear illustrated in S. Stuart, Gillows of Lancaster and London, 1730-1840, Vol I., 2008, Woodbridge, pl. 270, p. 265.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A late Victorian Renaissance revival ebonised oak and parcel gilt snooker/billiards table by Waring and Gillow, together with two late Victorian scoreboards by J. Bennett & Co. along with an ebonised and parcel gilt cue standthe snooker table and scoreboards circa 1900The projecting top edge above an ovolo form stiff-leaf and bead moulding, over a slightly ovolo frieze carved with an egg-and-dart lower border, each short end of the frieze with a swivel hinged chalk cup, on a total of eight large piers, the four end cluster piers each comprised of two engaged fluted Composite columns headed by an acanthus clasped volute scrolled corbel, the four central piers each comprised of one conforming column headed by a conforming corbel, each column with foliate wrapped baluster shafts terminating in gadrooned scrolled pedestals and plinth bases, the piers linked by eight ogee arches, the spandrels to each arch carved with volute scrolls, scrolled acanthus leaves and berried foliage centred by one of eight individualised masks variously depicting the gods and goddesses: Jupiter, Juno, Mercury, Silenus (or Bacchus), Mars, Minerva, Faunus and Ceres, with a lozenge block and a cluster of scrolled corbels below, the lettering to one short end reads: 'WARING & GILLOW, MANCHESTER', the table stamped: 'WARING & GILLOW LD., MANCHESTER' and also 'U28', the underside of the slate bearing: 'J.B.517', the two scoreboards comprising one for snooker and one for billiards, each of rectangular outline with dot and chevron-incised chamfered square section pilaster surrounds, interspersed by rosette angles and punctuated with trefoils, surmounted by fleur-du-lys finials, the reverse of each scoreboard with the ink stamp: 'From J. Bennett & Co., Billiard Table Makers, 9 Edward Street, Vincent Square, London, S.W.', the stand with fourteen recesses and brackets for cues, flanked by two spiral twist turned columns surmounted by acorn finials, above one long and one short frieze drawer, together with a modern ebonised and parcel gilt domed overhead light, a full set of balls, a triangle and a brush box, each scoreboard: 79cm wide x 15cm deep x 101cm high; the cue stand: 125cm wide x 35cm deep x 173cm high; the table: 383cm wide x 203cm deep x 88.5cm high, (150 1/2in wide x 79 1/2in deep x 34 1/2in high) ;the modern overhead light approximately: 290cm wide x 69cm deep x 54cm high. (5)Footnotes:ProvenanceBy repute of the current owner and vendor, the offered lot was purchased in 1989 from George Apter by the vendor's father. The present snooker table and accessories have remained within the family since that time, although unfortunately no paperwork remains to support this fact.It is important to note that the present lot will only be available to view at the vendor's property and that an appointment for this will need to be arranged directly between any interested party and the vendor. Please contact Thomas Moore, Head of Furniture, for more details of how to go about this in the meantime. Please be aware that the eventual successful buyer, once their payment for the item has completed, will then be required themselves to arrange collection and onward transportation of this lot from its current location at the vendor's property.For further information on this lot please visit Bonhams.com
A carved and painted hardwood corbel or figurehead,late 19th to early 20th century, in the form a woman, 29cm wide20cm deep109cm highCondition ReportSome surface wear, rubbing and loss to surface. Some chips, knocks, and losses to flower petals, edges and raised areas. Some splits. Wear and weathering commensurate with age. Overall appears in fair order.
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