We found 1255 price guide item(s) matching your search

An interesting carved oak beam end/corbel, circa 1500 Carved with the elongated face of a bearded king, with a highly stylized crown, flanked by a large fleur-de-lys above paired grapes, height 54.5cm, width 20cm, 21cm deep

PLASTER HEAD OF KING EDWARD VII, for an architectural corbel on Llandaff Cathedral, 46cm h

WYNDHAM CLARKE PLASTER HEAD OF KING GEORGE VI, 1938, for an architectural corbel on Llandaff Cathedral, 45cm h Provanance: The original model for the final stone sculpture.

WYNDHAM CLARKE PLASTER HEAD OF UNCROWNED EDWARD VIII, 1937, for an architectural corbel on Llandaff Cathedral, 33cm h Provanance: The original model for the final stone sculpture.

PLASTER HEAD OF KING GEORGE V, for an architectural corbel on Llandaff Cathedral, 43cm h Provanance: The original model for the final stone sculpture.

John Sell Cotman (1782 - 1842), a collection of nineteen predominantly 1818 edition large etchings, comprising 'South Door Way, Hales Church, Norfolk', Popham 39, 'Saxon Arches in the Tower of Castle Rising Church' Popham 131, Yarmouth Priory' Popham 133, 'The Tower of West Dereham Church' Popham 134, 'South Door Little Snoring Church', Popham 135, 'Chapel of Houghton In The Dale', Popham 136, 'The late Vicarage House Methwould', Popham 137, 'Interior of South Runcton Church', Popham 138, 'The South Doorway & The Corbel Table Round the Chancel of Wimbotsham Church', Popham 139, ''South Doorway Runcton Holme Church', Popham 146, 'South Porch of Arminghall Hall', Popham 150, 'Doorway of Wroxham Church', Popham 151, 'South Porch of West Walton Church', Popham 162, 'Tower of West Walton Church', Popham 163, 'St Michael's Church at Coslany, Norwich', Popham 171, 'Gateway of Wiggenhall St Mary', Popham 172, 'West End of the Parish Church of St Nicholas, Gt Yarmouth', Popham 178, 'Walsoken Church', Popham 181, 'Part of east Barsham House', Popham 189 and 'The Monk's Entrance Ely Cathedral Cambridgeshire', Popham 198, all within card mounts with later ink inscriptionsThe Cotman family collection.

A 16th/17th century Continental oak naïve figural corbel, approx 26cm high

A decorative stone effect corbel.

Antique carved corbel bracket, with scrolling foliate border over a support of three winged putti around a painted armorial shield, possibly French 17th/18th century, 4" wide, 3.5" deep, 9" high.

A large cast stone corbel of a King marked 1957 E Ros - Width 18cm x Depth 38cm

A reconstituted stone corbel depicting a mythical creature.

A medieval stone corbel, a stone fragment of a figure holding a lamb on a red velvet stand; and a carved stone fragment (3)Provenance:Collection of Mike Handford, 'Hillsleigh', Burford, Oxfordshire

A very fine Irish rosewood Davenport, by William & Gibton, stamped and numbered 4596, the slope top with a three quarter gallery pulling forward on a slide opening to reveal two mock and two interior drawers on a fine panelled pedestal with corbel headed pilasters, four graduating long drawers and paper slide, and similar on opposite sides, on turned legs with castors, approx. 90cms x 54cms (25 1/2" x 21"). (1)

A 16th/17th century Continental oak naïve figural corbel, approx 26cm high

A limestone carved corbel, height 26cm

JOHN EXCELL PLASTER HEAD OF QUEEN ELIZABETH II, for an architectural corbel on Llandaff Cathedral, 50cm hProvanance: The original model for the final stone sculpture.

A concrete corbel/finnial

A REGENCY ROSEWOOD BREAKFRONT CHIFFONIER early 19th century, the top section with a single three-quarter galleried shelf over a mirrored back plate, the bottom section with central cupboard doors, with brass lattice work panelling, which open to a shelved interior, flanked by open shelves, and moulded pillars with corbel capitals, on gadrooned bun feet, 141cm high x 183cm wide x 40cm deep

A LATE MEDIEVAL ENGLISH STONE PORTRAIT CORBEL PROBABLY 15TH CENTURY Of Marian form on shaped surround 24cm high, 19.5cm wide, 22cm deep Provenance:The Simon Neal Collection.  

Finely carved architectural figurative wall bracket / corbel, 58cm high & 40 cm wide

A 14th/15th century oak mount or corbel, carved as angel covering ears (thought to be from the end of a church pew), approx 26cm 

A glazed terracotta corbel or chimney jamb in the Della Robbia style,late 19th/early 20th century, Italian, in the form of a putto, decorated with foliate scrolls, 30cm wide24cm deep58cm high

A COLLECTION OF FOURTEEN ARCHITECTURAL PLASTER MOULDINGS including a corbel, the longest example, measuring 25cm long, together with a fragmentary relief of a rams head moulding, 16cm high, as well as various further mouldings (14)Provenance: The Christopher Hodsoll Collection.

Chippendale style mahogany display cabinet, 3 broken glass panels & damaged corbel, height 164 x 94 x 35cm

A 17th Century polychrome, carved wood Angel corbel, 30cm x 28cm

A 20th century bronzed effect resin corbel wall shelf / clock bracket modelled in the form of a cherub. Measures 32cm length.

A carved stone corbel, width 60cm, height 60cm

Assorted items including jade style covered koro, a pair of corbel bookends, a pair of egg stands etc (a lot)

A rare 15th century oak angel mount or corbel, French, circa 1480Carved wearing pleated robes, palms drawn together across the waist, height 31.5cm, width 15.5cm, depth 8cm 

An Elizabeth I carved oak corbel, circa 1600Designed as an angel mask, atop feathered wings, and headed by an addorsed leafy-carved split baluster capital, height 25.5cm, width 12cm, depth 13.8cm

Interior Design - two decorative reconstituted classic column fragments including a Corinthian column sconce / corbel and another scrolling shell capped corbel, resin, 20th century. The largest 67cm high.

A wall bracket/Corbel featuring a smiling face with trailing flowering stems, 8'' wide x 10'' high x 7'' deep.

A Medieval red stone architectural corbel, 13th/14th c, carved with foliage, 22cm wide, another, similar, a 19th c oak capital of a musician, 33cm high, and a post-Medieval oak capital of a wyvern, 23cm wide, (4) The masonry corbels weathered with worn losses, though stable. Slight worn losses to the oak carvings.

A medieval English  sandstone  royal head corbel, possibly Shropshire, West Midlands, possibly Shropshire,  14th c,  the mouth and band of the crown emphasised with drilled holes, 17cm h, 24 x 13.5cm General surface damage and dirty from long situated in a garden of a private house

A carved wooden corbel, with a figural support, 51cm high, together with a phrenology head, a wooden and polychrome painted plaster Egyptian Grand Tour Sarcophagus, 48cm long and a cast head of a boy (4)Egyptian figure is dirty and has various chips and marks. Appears to have some age.

A carved sandstone corbel in the form of a cat, possibly medieval, approx 33cms wide, mounted on a later metal pole.

A Regency ormolu mounted and brass inlaid rosewood, parcel gilt and fruitwood inlaid writing table attributed to GillowsCirca 1815The rectangular top inlaid with stylised scrolled angles within a tablet surround, above two short mahogany lined frieze drawers flanked by palmette inlaid angles, with lozenge, rosette and scrolled anthemion mounts to the frieze ends, on scrolled corbel headed vertical end supports, with channelled flowerhead spandrels to the base, on reeded blocks terminating in scrolled lotus leaf hipped ebonised lion paw feet with castors, with a ring turned and part-reeded cross stretcher, 107cm wide x 68cm deep x 74cm high, (42in wide x 26 1/2in deep x 29in high)Footnotes:A related design to the offered lot features as the upper one of two Gillows drawings, dated 13 April 1813, for rosewood sofa tables ultimately supplied to John Gladstone Esq. (1764-1851). The present writing table has similar scrolled corbels, vertical end supports, hipped lion paw feet and a cross stretcher to those elements on this particular design. Both of these aforementioned Gillows drawings appear illustrated in S. Stuart, Gillows of Lancaster and London, 1730-1840, Vol I., 2008, Woodbridge, pl. 270, p. 265.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A late Victorian Renaissance revival ebonised oak and parcel gilt snooker/billiards table by Waring and Gillow, together with two late Victorian scoreboards by J. Bennett & Co. along with an ebonised and parcel gilt cue standthe snooker table and scoreboards circa 1900The projecting top edge above an ovolo form stiff-leaf and bead moulding, over a slightly ovolo frieze carved with an egg-and-dart lower border, each short end of the frieze with a swivel hinged chalk cup, on a total of eight large piers, the four end cluster piers each comprised of two engaged fluted Composite columns headed by an acanthus clasped volute scrolled corbel, the four central piers each comprised of one conforming column headed by a conforming corbel, each column with foliate wrapped baluster shafts terminating in gadrooned scrolled pedestals and plinth bases, the piers linked by eight ogee arches, the spandrels to each arch carved with volute scrolls, scrolled acanthus leaves and berried foliage centred by one of eight individualised masks variously depicting the gods and goddesses: Jupiter, Juno, Mercury, Silenus (or Bacchus), Mars, Minerva, Faunus and Ceres, with a lozenge block and a cluster of scrolled corbels below, the lettering to one short end reads: 'WARING & GILLOW, MANCHESTER', the table stamped: 'WARING & GILLOW LD., MANCHESTER' and also 'U28', the underside of the slate bearing: 'J.B.517', the two scoreboards comprising one for snooker and one for billiards, each of rectangular outline with dot and chevron-incised chamfered square section pilaster surrounds, interspersed by rosette angles and punctuated with trefoils, surmounted by fleur-du-lys finials, the reverse of each scoreboard with the ink stamp: 'From J. Bennett & Co., Billiard Table Makers, 9 Edward Street, Vincent Square, London, S.W.', the stand with fourteen recesses and brackets for cues, flanked by two spiral twist turned columns surmounted by acorn finials, above one long and one short frieze drawer, together with a modern ebonised and parcel gilt domed overhead light, a full set of balls, a triangle and a brush box, each scoreboard: 79cm wide x 15cm deep x 101cm high; the cue stand: 125cm wide x 35cm deep x 173cm high; the table: 383cm wide x 203cm deep x 88.5cm high, (150 1/2in wide x 79 1/2in deep x 34 1/2in high) ;the modern overhead light approximately: 290cm wide x 69cm deep x 54cm high. (5)Footnotes:ProvenanceBy repute of the current owner and vendor, the offered lot was purchased in 1989 from George Apter by the vendor's father. The present snooker table and accessories have remained within the family since that time, although unfortunately no paperwork remains to support this fact.It is important to note that the present lot will only be available to view at the vendor's property and that an appointment for this will need to be arranged directly between any interested party and the vendor. Please contact Thomas Moore, Head of Furniture, for more details of how to go about this in the meantime. Please be aware that the eventual successful buyer, once their payment for the item has completed, will then be required themselves to arrange collection and onward transportation of this lot from its current location at the vendor's property.For further information on this lot please visit Bonhams.com

Victorian marquetry davenport, having a small fitted stationary box to the gallery, with a leather insert to the writing slope, four useable drawers to one side and faux opposing drawer fronts, carved corbel with attractive floral inlay, approx 59w x 59d x 90h cms. (af)

Two mirrors including a rustic wooden framed example and a matching corbel. Not available for in-house P&P

Post-medieval stone corbel, carved with a figure with flowing hair, 17.5cm wide, 18cm high, 17cm deep

A carved and painted hardwood corbel or figurehead,late 19th to early 20th century, in the form a woman, 29cm wide20cm deep109cm highCondition ReportSome surface wear, rubbing and loss to surface. Some chips, knocks, and losses to flower petals, edges and raised areas. Some splits. Wear and weathering commensurate with age. Overall appears in fair order.

Two Plaster Cast Wall Mouldings of Religious Icons, together with A Painted Plaster CorbelNumerous elements broken and lacking from the brackets and the corbel. One wall bracket with substantial damage to the shield. 19th century.

An antique, wood-sculptured corbel with an angel figurine. Oak, 17th century. (L:30 x W:28 x H:27 cm)

VICTORIAN OAK & MAHOGANY CHEST - having two short over three long drawers with turned wooden knobs, inverted breakfront top, carved corbel detail, on substantial turned bun feet, 131cms H, 126cms W, 58cms D

VICTORIAN OAK & WALNUT SEVEN DRAWER CHEST - having two upper shaped secret drawers over two short and three long drawers with turned wooden knobs, carved corbel detail and substantial turned bun feet, 131cms H, 121cms W, 56cms D

A carved wooden corbel, with a figural support, 51cm high, together with a phrenology head, a wooden and polychrome painted plaster Egyptian Grand Tour Sarcophagus, 48cm long and a cast head of a boy (4)Egyptian figure is dirty and has various chips and marks. Appears to have some age.

Architectural Salvage - a large ecclesiastical plaster figure, Saint Helena; a polychrome decorated plaster statuary corbel, 209cm high overall

A 17th carved oak figural corbel, a pair of carved oak corbels and a carved oak frieze 14x19cm

An early 20th century Burmese carved wood corbel, modelled as deity 64cm high

Architectural Salvage - a large terracotta corbel, lion mask and anthemion terminal, 69cm high

Romanesque stone grotesque, head with a skeletal hand, on an ogee moulded freize section, 28x30cm; Medieval style stone boss, with a mask head, height 30cm, width 28cm; an old stone maskhead corbel; and a stone head. (3)Qty: 3

A 16th/17th century Continental oak naïve figural corbel, approx 26cm high

A 14th/15th century oak mount or corbel, carved as angel covering ears (thought to be from the end of a church pew), approx 26cm 

An oak chimneypiece, 31 x 167cm Lacks jambs and small replacement above one corbel

A small carved stone corbel/architectural bracket with birds among fruiting vine and mask detail, 26 cm high x 25 cm wide

Large and imposing wall mounted clock in an oak case with a single train fusee movement, case mounted on an integral recessed corbel bracket with a break arch deep moulded pediment and corresponding moulding to the front of the case, with glazed side doors and inner dial bezel lock, 14� two-part silvered dial with Arabic numerals, minute track and inner quarter-hour track, pierced steel hands within a cast brass bezel and flat bevelled glass, dial inscribed �William Crow, Stratford, A.D.1899� with a well finished 19th century eight-day fusee movement with plain pillars, fusee chain and fusee stop work. With pendulum.William Crow is recorded as working in the late 19th century as a clock retailer, watchmaker, optician and Jeweller from various London premises including 140 The Grove and 29 West Ham Lane, Stratford, London. Given the size of the case and construction it is possible the clock was commissioned and constructed for use in a large institutional or public building. Dimensions: Height: 100cm  Length/Width: 77cm  Depth/Diameter: 36cm

A stone corbel of a man, gasping with hands on his head26 x 27 x 17cm

A carved and painted oak corbel,late 19th/early 20th century, in the form of a soldier, 34cm wide23cm deep44cm highCondition ReportSplits, chips, knocks and losses throughout. Rubbing and wear to paint. Overall appears in fair cosmetic and structural condition, with wear and damage commensurate with age. In a pleasantly distressed state.

A GEORGE III FLAME MAHOGANY SERPENTINE CHEST OF DRAWERS with cross-banded top above a brushing slide and four long graduated drawers fitted brass handles flanked by outset leaf carved corbel corners; standing on shaped bracket feet93cm wide 52.5cm deep 82cm highThe chest has been cleaned off and repolished, looking at the carcass probably dates from the early 19th century. The handles and steel locks are original, no splits or warping to them top or sides. Extra images have been uploaded.