We found 1254 price guide item(s) matching your search

A MEDIEVAL STONE CORBEL OF A MAN WITH A MOUSTACHE, 12TH/15TH CENTURY. Carved as a man with a large moustache, 21cm high 18.5cm wide 16cm deep Note - This medieval stone head was salvaged from a now-demolished folly in the garden of a Victorian house in Fakenham, Norfolk, to make way for a new build. The folly, constructed by Sarah Tindale circa 1898, featured stonework and carvings believed to have been transported from Walsingham during her relocation. *CR In a weathered condition as to be expetced with age, some chips and losses to top and forehead, but a well carved face.

A MEDIEVAL STONE HEAD CORBEL, 12TH/15TH CENTURY. Carved with a round face with well carved features, set onto a corner piece back, 26cm wide 17.5cm high 16cm deep Note - This medieval stone head was salvaged from a now-demolished folly in the garden of a Victorian house in Fakenham, Norfolk, to make way for a new build. The folly, constructed by Sarah Tindale circa 1898, featured stonework and carvings believed to have been transported from Walsingham during her relocation. *CR Having a well carved face with good features, some chips to the base.

A MEDIEVAL STONE CORBEL, 12TH/15TH CENTURY. The head carved into the block of the corbel, 33cm high 21cm deep 12.5cm wide Note - This medieval stone head was salvaged from a now-demolished folly in the garden of a Victorian house in Fakenham, Norfolk, to make way for a new build. The folly, constructed by Sarah Tindale circa 1898, featured stonework and carvings believed to have been transported from Walsingham during her relocation. *CR In a weathered condition as to be expected with age, chips and losses, chip to nose.

A MEDIEVAL STONE CORBEL, 12TH/15TH CENTURY. Carved with a head to the front of a corbel beam, 25cm deep 8cm wide 10cm high Note - This medieval stone head was salvaged from a now-demolished folly in the garden of a Victorian house in Fakenham, Norfolk, to make way for a new build. The folly, constructed by Sarah Tindale circa 1898, featured stonework and carvings believed to have been transported from Walsingham during her relocation. *CR In a weathered condition, large chip to side of beam appriox 55mm long, other chips and losses.

Two cast reconstituted stone corbels with female masks Each corbel with a D-shaped top.The largest 20cm wide x 22cm deep x 20cm highQty: 2In weathered condition.

A Victorian architectural corbel The buff terracotta corbel with a white painted surface.17cm wide x 15cm deep x 45cm highQty: 1Minor marks and chips due to age and use. Paintwork partially removed.

An 18th century substantial Flemish oak corbel. With a platform top and leafy carved scroll decoration, height 35cm.

A PAIR OF ELIZABETH I OAK CORBELS CARVED WITH GROTESQUE SATYRS, CIRCA 1580-1600. Originally Jetty supports from a timber frame building, carved in very high relief with a stylised Satyr in a hunched seated position with a cornucopia of fruit and flowers above, the companion corbel with a similarly seated Green Man with further cornucopia, the ends with twin scrolled brackets and Tudor roses, all retaining an untouched craquelure surface, approximately 54cm high. *CR No remarks.

A MEDIEVAL 15TH CENTURY OOLITIC LIMESTONE GREEN MAN CORBEL HEAD, ENGLISH, CIRCA 140O–1450. A fine quality medieval Green Man Corbel carved from mellow Oolitic Hamstone with foliate hair and beard 14cm high 13cm wide 20cm deep 35cm high when on stand. *CR general marks and wear.

A COLLECTION OF COSTUME EARRINGSincluding a pair of textured half hoop clip earrings by Christian Dior, together with a pair of square clip earrings set with rhinestones by TAT, a pair of scrolled clip earrings; a pair of stylised two-tone half hoop clip earrings by Grossé, a pair of stylised clip earrings by Corbel, in a stylised two-tone spiral design, a pair of hoop clip earrings, half-set with baguette cut rhinestones, a pair of bombe style clip earrings with dimpled texture and a pair of black faux pearl clip earrings (8)

19th century Medieval revival carved oak Green Man corbel. Height 58cm.

Winterhalter and Hoffmeier - German oak cased early 20th century fusee wall clock, with a circular wooden surround and a spun brass glazed bezel to the dial, housed on an integral carved bracket with shaped corbel supports, painted dial with Roman numerals, minute track and steel spade hands, dial pinned directly to a four pillar chain driven fusee movement with a recoil anchor escapement. With pendulum and key. German fusee movements by Winterhalter and Hoffmeier are comparatively rare, especially housed in carved wall clocks of this description. Dimensions: Height: 65cm  Length/Width: 53cm  Depth/Diameter: 19cm

An early Medieval carved sandstone head, 3 1/2" high, and a cherub corbel, 4" high

Two boxes of 19th Century copper measures, Victorian mahogany corbel, coins including Victorian pennies, Kukri knives and brass bell

A concrete garden ornament and a concrete corbel

A solid mahogany corbel carved with triple cornice mouldings, w27cm x d15cm x h33cm.

A Victorian fossilised slate Fire Surround, the oblong top above a plain frieze with corbel supports on stepped pillar supports, approx. 163cms w x 120cms h x 38cms deep (64" x 47" x 11"). (1)

2nd-4th century A.D. or later. Carved corbel or column fragment with scrolled foliage to three faces and socket to upper face to accept a statue; three youthful figures - two females flanking a larger male - each wearing the hair dressed in a topknot, with radiating sunburst behind them and below a team of two horses galloping left with empty saddles and their reins flung back towards the central character, probably a charioteer. 13.3 kg, 37 cm wide (14 1/2 in.). London, UK, collection, 1990s.

Fragment of a capital or corbel in terracotta, a Thai Buddhist style head on plinth with sticker to underside 'Artisan Collection', 20cm high; Buddhist stone carving on stand, a metal figure of a male servant holding shell-form tray, 30cm high, two square pots with sticker to underside for 'PTMD collection'; a metal stand, 2 Indian wooden crudely carved toy animals, 19th century or later, tallest 22cm high; carved wooden box with metal latch, H.10cm x 20.5cm x 9cm, and an alabaster or white marble bowl with carved leaf decoration to exterior, 26cm diameter, 8cm high. (11)

A VICTORIAN BREAKFRONT MAHOGANY BOOKCASE with satinwood stringing and acanthus corbel detailing, terminating on plinth, two adjustable shelves either side, four fitted shelves, 95cm high x 163cm wide x 36cm deep

Late Victorian carved black-painted oak monk’s bench, the rectangular top with carved edge, supported by carved corbel-style legs in the form of stylised animal figures, the front panels decorated with floral carvings, hinged lid revealing a storage compartment, raised on square block supportsDimensions: Height: 73cm  Length/Width: 107cm  Depth/Diameter: 50cmCondition Report:The hinged lid is not securely fixed

A pair of carved hardwood hand sculptures having lobed bases, h19cm, sold together with a group of African tribal figures, a corbel bracket ect

An Indian Lacquer Cylindrical Box and Cover, similar measure, a further box and cover, together with a carved corbel, a workbox and another box with simulated tortoiseshell mounts

Late 17th century carved oak corbel, with scrolled terminals, 47cm high. Provenance: The Caspall Collection, previously offered Bonhams, The Caspall Collection, 1st October 2014, lot 131

A pair of late 19th/early 20th century carved beech ‘fruit and flower’ wall appliqués and a similar corbel, 70cm long. Condition - fair

Four vintage toy guns to include Ringamorse plastic cap gun with an unused ring of caps, Sekiden clay pellet gun, 1960s Lone Star metal luger cap gun and 1960s Corbel metal Ringamorse 'Federal' cap gun

Antique ecclesiastical carved oak head corbel - Approx H: 29cm

A Medieval carved limestone corbel as a gentleman's head in hat, 19.5 cm wide x 28.5 cm high

A carved sandstone corbel depicting a "Labourer in an archway" in the Medieval manner, approx 28 cm wide x 16 cm deep x 50 cm high

A collection of various 19th Century treen ware including a parquetry and Tunbridge ware inlaid walnut jewellery casket, a rosewood and satinwood strung jewellery casket bearing brass plaque to lid "Rebecca", an olive wood carved cross decorated book slide, a carved floral decorated folding stool, an oak desk stand with copper mounts (bottles missing), an oak slope top wall-mounted candle box with paper-lined interior, a small stained pine clerk's desk, a small rosewood rectangular box, a stained pine marquetry inlaid floral decorated box, a "Green Man" carved corbel, an oak table-top chest of six short over one long drawer and a black lacquered and japanned miniature table-top chest of three drawers (12)

THE ADLINGTON HALL OAK SIDEBOARD A VICTORIAN OAK 'JACOBEAN' SIDEBOARD CIRCA 1860 The shaped gallery centred by an armorial device and motto 'DA.GLORIAM.DEO', flanked by shaped shelves with strapwork and fleur-de-lys backs and supported by seated lions, the pot-board with a boldly carved cabochon and foliate border, the pedestals with panelled doors centred by satyr masks and with semi-robed bearded herms to the angles, on plinth bases. 176cm high, 306cm wide, 108cm deepProvenance: Probably acquired by Charles Richard Banastre Legh (1821-88) for Adlington Hall, Cheshire, possibly as part of a refurbishment of the mansion, and thence by descent. Literature: Adlington Guide Book: 'The large Jacobean sideboard was made from oak grown in Adlington Park.'Oak Jacobean sideboard with superstructure centred by an armorial device 'da gloriam deo' and flanked by outset platforms supported on rampant lions holding shields. Features include boldly carved cabochon borders above pedestal cupboards with outset corbel figures and a conforming wine cooler' The present lot was probably acquired for Adlington Hall by Charles Richard Banastre Legh (1821-88), Justice of the Peace and Deputy Lieutenant of Cheshire. He inherited Adlington in 1829 as a descendant of a cadet branch of the Legh family, and through the female line; the direct male line having ended in 1781 with the death of Charles Legh of Adlington (1697-1781). In 1846, Mr. Legh married Mary Jane Arabella Wright, a daughter of the Rev. Henry Wright of Mottram Hall, Cheshire, hence the central armorial including the Wright Family. According to his obituary in 1888, immediately before his marriage in 1846, a member of the family, Colonel Charles Crosse Legh, had sold by auction the valuable library of books, many family portraits and 'other objects forming the chief contents' from Adlington (The Advertiser, 2 March 1888, p. 5). This may explain why there is a proliferation of mid-late 19th-century antiquarian furniture at Adlington. Charles Richard Banastre Legh does not appear to have maintained a London house, preferring to remain at Adlington as a traditional Cheshire squire where he was highly esteemed as a landlord by his tenants. The design for the sideboard was possibly inspired by the Kenilworth sideboard exhibited by Cooke & Sons of Warwick at the 1851 Great Exhibition. The sideboard, now at Warwick Castle, was made from a fallen Kenilworth oak tree. The extravagant carvings depict scenes from the novel, Kenilworth, by Sir Walter Scott, first published in 1821. The upper section is decorated with the coronet, arms and emblems of the Earls of Warwick (R.W. Symonds, Victorian Furniture, reprinted London, 1987, pl. 26). This historicist style remained fashionable; another comparable sideboard was exhibited by Levien of London at the 1862 International Exhibition, London (illustrated in The Art Journal illustrated catalogue of the International Exhibition, 1862, p. 36); this sideboard while still adhering to the horizontal lines of the Kenilworth sideboard incorporated a rich addition of Renaissance motifs, which helped to make the older framework more stylish (K. Ames, 'The Battle of the Sideboards', Winterthur Portfolio, vol. 9 (1974), pp. 8, fig. 8; p. 10, fig. 11). Earlier, in 1838, Richard Bridgens included a sideboard and wine cellaret 'in the Elizabethan style' from Aston Hall, Warwickshire, illustrated in Furniture with Candelabra and Interior Decoration, plates 28, 30.  Condition Report: The plank top opening at joints, split to right hand end panel. Split to the moulding on the left hand side. Left hand pedestal opening of the joint on the base below the right hand corner. Splits to panel on left hand carboard door. Overall, the condition is good and commensurate with its age and use. Condition Report Disclaimer

Carved wooden gilt corbel. Not available for in-house P&P

A 19th century oak wall bracket, boldly carved in the manner of a Medieval corbel with the head of a curly haired figure, demi-lune plateau, 28cm high, 30.5cm wide

A 19th century continental solid walnut tripod table base heavily carved with scrolling corbel supports terminating in acanthus leaf and lions paw feet (missing it's top as seen). H.53 W.52cm

A Flemish oak cupboard, late 17th century, carved with trailing vines and a central heart with an angel head corbel above, the four raised panel doors enclosing shelves, with keys, some restorations, H 177cm, W 149cm, D 70cmCondition Report: Please see additional images.Overall in honest but quite restored condition. The cornice can be removed and looks to be later, probably 18th century. The left side has two noticeable repairs, see image. The rear stile has been replaced on this side. The rear stile on the right side has a large spliced repair, see image. The baseboard is later and there are four associated shelves. The lower front rail is later. There are three keys, the smallest is unconnected. The larger key opens the upper right door, the other key the lower right door. The lock to the lower right door is coming loose, but still works.

A MEDIEVAL CARVED STONE CORBEL. depicting a Satyr, approx. 30cm high, 25cm wide x 24cm deep. *CR Very weathered and with some losses.

A MEDIEVAL CARVED STONE CORBEL. depicting a grotesque, approx. 30cm high, 25cm wide x 24cm deep. *CR Very weathered and with some losses.

A CHARLES II OAK GEOMETRIC CHESTC.1680 with a dentil and corbel embellished frieze, above a deep top drawer with arcaded mouldings, with three mitre-edge moulded drawers, all centred by paired split bobbin mouldings, on block and turned feet123cm high, 114cm wide, 62.cm deep

A CARVED STONE RAM HEAD 20TH CENTURY Styled on an ecclesiastical corbel fragment 30cm high, 29cm wide Condition Report: Some weathering, notable to base, small abrasions. With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request.  Condition Report Disclaimer

A Dutch walnut bombe cabinet chest, mid/late 18th Century, the scrolling cornice with foliate central corbel above two panelled doors enclosing shelves and drawers, below are three long drawers, on claw and ball feet, height 228cm, width at top:169cm, width at base: 178cm, D 65cm

A CARVED STONE CORBEL HEAD 14TH/15TH CENTURY Dark hardstone male face- projecting scrolling hairline above moustachioed face 32cm high, 21cm wide, 23cm deep

Y A REGENCY ROSEWOOD AND BRASS MARQUETRY SIDE CABINET IN THE MANNER OF BANTING, FRANCE & CO., CIRCA 1830 The Verde Antico marble top above a cut-brass inlaid frieze and a pair of cabinet doors now with glazed pleated fabric panels, on an egg-and-dart moulded plinth flanked by acanthus carved and moulded corbel pilasters, 90cm high, 160cm wide, 45cm deep Provenance: Purchased from these rooms, The Collection of Sir William Whitfield CBE, 10th March 2020, lot 262 This cabinet here relates stylistically to the lower sections of two pairs of bookcases by Banting, France & Co, recorded at Ickworth House, Suffolk.

A Scottish Regency rosewood sofa table attributed to William TrotterCirca 1820The rounded rectangular top above two short mahogany lined frieze drawers, over a gadrooned moulded edge, on panelled square section end supports with beaded edging to the block, the two opposing panelled cross stiles surmounted by corbel shaped cappings, terminating in four scrolled scallop shell headed and scrolled acanthus carved hairy lion paw feet and recessed castors, with a ring turned baluster cross stretcher, 98cm wide x 71cm deep x 73cm high, (38 1/2in wide x 27 1/2in deep x 28 1/2in high)Footnotes:The offered lot appears to be identical to a sofa table of the same date which is attributed to the famous Scottish cabinet maker, William Trotter. This comparable example is illustrated in situ inside Penicuik House in F. Bamford, A Dictionary of Edinburgh Furniture Makers, 1660-1840, 1983, the Furniture History Society, pl.'s 75A and 75B.A further closely related Scottish writing or library table version of the present model sold Bonhams, Edinburgh, 27 April 2017, The Scottish Sale, lot 346.William Trotter of Ballindean JP DL was a Scottish cabinet maker who served as Lord Provost of Edinburgh from 1825 to 1827. A highly respected figure within the realm of Regency furniture; he has been called Scotland's greatest cabinet maker.This lot is subject to the following lot symbols: TP YTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the UK, see clause 13.For further information on this lot please visit Bonhams.com

2nd century A.D. Carved fragment with a female tragedy theatre mask modelled in the half-round, features strongly delineated, eyes detailed with small cylindrical pupils; the hair sculpted on the upper part with rich locks fastened by a taenia, divided into regular rows falling stiffly on the forehead and down along the sides, bound by laces, open mouth in an expression of sorrow. For a similar example s. Mendel, G., Catalogue des sculptures grecques, romaines et byzantines, Constantinople, 1914, nos. 328 (1207). 30 kg, 51 cm (20 in.). (For this specific lot, 5% import VAT is applicable on the hammer price.) [A video of this lot is available to view on Timeline Auctions Website]Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12362-226705.The mask is known to have been used in tragic theatre since the time of Aeschylus (first half of 5th century B.C.) and considered to be one of the iconic conventions of classical Greek theatre. Masks were also made for male members of the chorus, who play a part in the action and provide a commentary on the events in which they were caught up. The theme of decorative tragic masks as architectural elements passed from the Greek to the Roman culture and is largely visible in all the corners of the Roman Empire. However, these colossal heads are typical of the great architecture of temples and theatres of Roman Asia Minor, and the style and workmanship of this wonderful fragment of frame can be traced back to Hadrian’s era. The face suggests an architectural use, perhaps as a corbel or a lintel.

A large carved pine corbel 

Carved wooden corbel, H: 30cm. Not available for in-house P&P

A Continental walnut boss or corbel, carved as a grimacing man, 11cm long, 18th/19th century

A REGENCY STYLE GREY PAINTED ACANTHUS DECORATED CORBEL40cm wide; 21cm high; 85cm high

A 19th century German marble corbel, as an infant boy, 19cm high, 12cm wide, c. 1880

A 19th century carved corbel adapted with a shelf to form a decorative bracket carved with cherubs. 40cm x 33cm x 17cm projection

A pair of large gilded plaster corbel sconces, both with figural design of Mermaids, 53cm highPlease see additional images

An antique carved oak corbel, possibly Danish, of a lion head with paws, 27 x 13cm.

A 19th century German marble corbel, as an infant boy, 19cm high, 12cm wide, c. 1880

A group of 3 x 19th century carved lion corbel bracket supports, and a selection of similar carved supports, each fruit and floral related in nature (6)

A rustic Eastern Storage Cupboard having a small central door and profusely carved throughout and having bird-like corbel details and iron strap work, 45 1/4" wide x 21 1/2" deep x 32 5/8" high.

A mixed lot to include a group of five giltwood Corbel wall shelves, wall mirrors to include a small convex butler's mirror, and a pair of contemporary giltwood wall mirrors, and a giltwood wall hanging shelf unit with single drawer above two open shelves Location:If there is no condition report shown, please request

A matching set of large carved oak angel corbels circa 1450-1480, each holding a polychrome painted heraldic shield, the angels with hair in wavy rolls and with feathered wings, each surmounted by a crenelated parapet, one shield indigo with a gilt cross motif and the other red shield with a central horizontal gilt line and three gilt carved buckles, 53cm high and 50cm high The Cell, Wyesham, Monmouthshire. During the Medieval period Wyesham was the site of a chapel, the Church of St Thomas the Martyr; the site is first mentioned in 1186 in a papal bull of Urban III and was known as the King's Chapel by 1500. Its later history is somewhat chequered; it remained in use as a place of worship until becoming the vicarage of Dixton Church in 1740, subsequently by 1815 the local Poorhouse. It has been a private house since the end of the nineteenth century. This pair of corbels exhibit characteristics which are typical of 15th Century workmanship including the arrangement of hair in rolls and the carved feathering detail seen here on the wings. Also characteristic are the crenelated parapets, which can be seen on three 15th Century angel corbels in the V&A Museum Collections (collection number W.21-1911; W.22-1911 and W.23-1911).The red shield appears to bear the arms of Sotterley (Soterly) of Suffolk. The Dictionary of British Arms (Vol. III, p.379) notes the arms as: ‘Gules a fess between three buckles argent’ (ref. Ca Ms. L1 603, 4 and Suff. HN 26 - Suffolk Heraldic Notes by William Hervey [Society of Antiquaries Ms. 676]) where the buckles in Sotherley [sic] Church are described as ‘flory’. The church of St. Margaret of Antioch, Sotterley, Suffolk was built in the 14th century and corbel heads there depict the three buckles as the arms of the Sotterley family. Various other ecclesiastic artefacts and carvings have been documented at Sotterley church bearing the family arms.Although the family that originated with Edmund de Soterle in the early part of the 14th century was based mainly in Suffolk and Norfolk, they also owned further estates in Cheshire. The present corbels would most likely have originated from the Sotterley church or an associated building or tomb.The indigo shield bears a medieval merchant mark. Merchant marks are regularly found in everyday medieval life as carvings above door frames or in letters and deeds validated by these distinctive devices in lieu of signature. Merchants’ marks may also be found inside churches - either engraved in stone or rendered upon stained-glass - to indicate donation toward restoration or otherwise an endowment. Upon the passing of a merchant, their mark would occasionally appear on their gravestone. It is likely that this mark may either refer to the merchant mark of a member of the Sotterley family, another possibility may be that the mark was used as an emblem of a non-armigerous benefactor's generosity. An interesting parallel may be found in Lavenham Church, Suffolk, which owes its building chiefly to the rich clothiers who took advantage of the wool trade. His merchant's mark is on the plinth of the tower and at that time he had no coat of arms. A tantalisingly close design of a merchant's mark can be bound in that of John Gosse (Ipswich 15th century, see: Harleian Society vol. 108 (1959) ed. by Leslie Dow, Mark #84We are indebted to Thomas Lloyd and Robert Colley for their kind assistance in this research.

A Grand Tour reconstituted stone corbel modelled as a bust of Dante Alighieri, late 19th century, 25cm W x 11cm D x 25cm H

An 19th century carved 'Lion's head' corbel, 21cm high. Condition - poor

An old weathered composition stone angel corbel, 43cm wide; together with two clam shells; and another conch, 36cm wide.