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Pair of Venetian 18th century design figural polychrome painted console or torchère tables, green marbled demi-lune top with moulded scalloped edge, over a carved frieze in the form of white swags, the figural pedestal bearing a cornucopia, and dressed in a white turban and ostrich feather skirt over a down-scrolling acanthus support, standing upon a naturalistic rock carved baseDimensions: Height: 75cm Length/Width: 54cm Depth/Diameter: 24cm
An 18th century and later walnut and marquetry side or console table – converted from the base of a chest-on-tand, the later inset oak top within an original moulded edge, over a frieze with marquetry tablets heading the six joined scroll supports united by shaped and a plain rear stretcher, on turned bun feet. (LWH 95 x 31.5 x 74 cm)
A CARVED GILTWOOD CONSOLE TABLE 18TH CENTURY AND LATER, IN THE MANNER OF WILLIAM KENT The rectangular Portor marble top above an acanthus-carved frieze on paired massive eagle supports with spread wings and rocky plinth bases, regilt 95cm high, 184cm wide, 74cm deep Provenance: The Hon. Claude J. Yorke, and thence by descent Illustrated: The Connoisseur, May 1965, p.3 This console table relates to a giltwood table with a rectangular black marble top inlaid with pietre dure created by William Kent (1685-1748) for the 'Lords Dressing Room and Closet' (now the Blue Velvet Room) at Chiswick House, London, in c. 1727-32, for Richard Boyle, 3rd Earl of Burlington; it is now at Chatsworth House, Derbyshire (illustrated ed. S. Soros, William Kent: Designing Georgian Britain, New Haven and London, 2014, p. 495, fig. 18.37). Another pair of similar tables with eagle supports, attributed to Kent, is in the collection of the National Trust at Hatchlands Park, Surrey (NT 1166453.1-2). The eagle supports derive from antiquity, from Ovid's Metamorphoses when the shepherd Ganymede was borne aloft by an eagle to serve as Jupiter's attendant at the banquet of the gods. The design may have been invented by Kent, who depicted a pair of warring eagles atop a low table for Alexander Pope's rendition of the Odyssey (1725-26), and again for the tailpiece at the end of the list of plates in vol. 2 of his Designs of Inigo Jones (1727) (Soros, p. 422, fig. 16.12; p. 423). The Edinburgh cabinet-maker, Francis Brodie, included an eagle table on his trade card, published in 1739 (F. Bamford, Dictionary of Edinburgh Furniture-Makers, Leeds, 1983, pl. 24a). Eagle consoles include a pair formerly at Glemham Hall, Suffolk, sold Christie's, New York, 13 April, 2016, lot 30 ($245,000 inc. premium) and a single eagle table sold by the late Sir John Gooch, 12th Bt., Benacre Hall, Suffolk, Sotheby's house sale, 9-11 May 2000, lot 163 (£10,800 inc. premium). Condition Report: Good, structurally secure with dents marks and scratches and shrinkage cracks due to age and use. The marble top in good condition with some edge chips. The frame entirely re-gilt, the carcase timbers showing traces of a yellow wash and with old labels from Maples Depository. The wholesale redecoration of the table renders it difficult to determine with confidence the age are materials used but it appears the rectangular frame supporting the marble is 18th century, the applied leaf decoration may well be later. The eagles are probably also later, they don't seem to have the spirit of the 18th century and are very close mirror images suggesting they suggesting they were produced in a very considered way (untypical of the 18th century). That said the table is a handsome and imposing piece with great presence and in `showroom condition'. Condition Report Disclaimer
A FRENCH EMPIRE ORMOLU-MOUNTED MAHOGANY CONSOLE TABLE BY CLAUDE OR JEAN JOSEPH CHAPUIS, CIRCA 1820 With a grey marble top and frieze drawer centred by a female figure in a chariot drawn by goats, on column supports and a plinth base, stamped twice CHAPUIS Together with an Empire mahogany ormolu-mounted mahogany pier mirror, the frieze centred by a swan and a pair of chimera, 230cm high, 89cm wide, 43cm deep The console was executed either by the Parisian ébéniste Claude Chapuis, who was active from 1797 until at least 1818, or by his celebrated Brussels counterpart Jean-Joseph Chapuis (1765-1864). Both employed a stamp without their initials which complicates attribution. Jean-Joseph was undoubtedly the more successful of the two and supplied a wide variety of pieces to the Château de Laeken from 1806 onwards (D. Ledoux-Lebard, Le Mobilier Français du XIXe Siècle 1795-1889, Paris, 1989, pp. 118-121). Condition Report: Good, structurally secure with dents marks and scratches and shrinkage cracks due to age and use. The marble top in good order and possibly original. The drawer with original internal divisions. Stamped under the marble top and to back left corner. The mirror frame in good order, slight deterioration to the polish, the mirror plate original and with slight foxing as to be expected.Condition Report Disclaimer
AN ITALIAN CARVED GILTWOOD CONSOLE TABLE PROBABLY ROME, 18TH CENTURY AND LATER The serpentine fronted giallo antico marble top supported by a carved figural group depicting Time Conquered by Cupid, the bearded seated figure of Chronos modelled clutching an hour glass and with attendant figure of Cupid and a rabbit by his feet 92cm high, 154cm wide, 77cm deep Provenance: The Hon. Claude J. Yorke, and thence by descentLiterature: The Connoisseur, May 1965, p.3Illustrated: The Connoisseur, May 1965, p.3This sculptural console table epitomises furniture being made at the end of the 17th and beginning of the 18th centuries for the most extravagant Italian Baroque interiors. Early designs for such sculptural and figural tables were published in Giardini's Disegni diversi (A. Gonzalez-Palacios, 'Giardini and Passarini; facts and hypotheses', The Burlington Magazine, June 2014, p. 371, figs. 22-25). One of the earliest prototypes was the Patrizi table and looking-glass frame in the Palazzo Patrizi near S. Luigi dei Francesi, Rome (ibid., p. 372, fig. 26). Enrico Colle illustrates a number of such console tables with these very sculptural figural supports (E Colle, Il Mobile Barocco in Italia, Arredi e Decorazioni d' Interni dal 1600 al 1738, Milan, 2000, pp. 114-119, no. 25). Other examples include early 18th century Roman giltwood tables in Palazzo Colonna, Rome; two of them in the Sala dei Paesaggi, which feature pairs of reclining slaves, by the hand of Isidoro Beati, while the remaining six (four in the Sala Grande and two in the Sala della Colonna Bellica), also with figures of Moors, are documented as the work of the sculptor Giovanni Battista Antonini and his atelier in the early 18th century. Another console table supported by a carved giltwood figure of Chronos is in The Cleveland Museum of Art, Ohio (). An early 18th century sculpted base for a Baroque ebony cabinet by Giacomo Herman with supports of two leaning nude youths sculpted in tutto tondo entwined with oak leaves and acorns (Sotheby's, London, 4 December 2007, lot 60). Condition Report: Generally good, structurally secure with wear and tear consistent with age and use. There is wear and tear consistent with age and use, scratches, dents and scuffing and some minor constructional shrinkage cracks. Re-gessoed and re-gilt. The redecoration means that it's almost impossible to determine what woods are used but wear and chips on or around the plinth reveal deal (possibly Baltic). Further, it's not straightforward to state with confidence the ages of different parts, but the frame supporting the marble top (covered in a yellow ochre wash) appears to be 20th century (pre 1950s), and it's likely the S-scroll supports at the back are a similar age. The reverse of the plinth is concave as though designed to fit around architecture. That said it seems plausible that the figures, rockwork and trees are 18th century with the later elements added. There are no apparent major losses or damage. The marble top is is good order with a repaired crack through its centre (visible metal rod fixed to the underside) and a small repair to front right corner. Overall a handsome and intriguing table or stand. Condition Report Disclaimer
A CARVED MAHOGANY CONSOLE TABLE LATE 19TH CENTURY, IN GOTHIC TASTE The polished stone top above a frieze decorated with quatrefoils and fluting, on square section legs decorated with further Gothic tracery 78cm high, 152cm wide, 59cm deepThe carved fretwork decoration on the present table demonstrates the influence of 'Gothick' designs featured in the influential design books by leading London cabinet-makers, such as Thomas Chippendale and Ince and Mayhew, in the mid to late 18th century. For a design of side table by Thomas Chippendale that illustrates some of the 'Gothick' attributes shown on this table, see Thomas Chippendale's, The Gentleman and Cabinet Maker's Director, The Third Edition (1762), printed John Tiranti ltd, London, 1939, pl.LVII. For a centre table of the period incorporating related fretwork carving, see Christie's, New York, The British Interior, 25th January 2001, Lot 290 ($16,500). The collection from Trethill House, Cornwall Saleroom Notice: Please note that the cataloguing has been updated and now reads as follows: A CARVED MAHOGANY CONSOLE TABLE LATE 19TH CENTURY, IN GOTHIC TASTE Condition Report: Good condition, structurally secure with wear and tear consistent with age and use. The catalogue illustration is accurate. There are dents marks and scratches throughout. The stone top is a later replacement, the screw pockets in the backs of the frieze rails suggest it originally had a wood top. The fret carving throughout is shallow and the decoration on the frieze is carved in thin sections of timber, laid onto the frieze rails , a technique mot associated with the 18th century. Condition Report Disclaimer
A PAIR OF CARVED GILTWOOD CONSOLE TABLES 19TH CENTURY, IN THE MANNER OF WILLIAM KENT Each with a rectangular breche violette marble top supported on carved eagle supports 86cm high, 68cm wide, 47cm deep overall Provenance: The Hon. Claude. J. Yorke, and thence by descent Illustrated: The Connoisseur, May 1965, p.3Literature: The Connoisseur, May 1965, p.4Saleroom Notice: Please note that the dating has been updated, and now reads as follows: 19TH CENTURY Condition Report: Good, structurally secure with wear and tear consistent with age and use. There are dents marks and scratches and shrinkage cracks due to age and use. The catalogue illustration is accurate. Note these tables are undoubtedly from the late 19th century with much of the decoration on the friezes in composition and the pendant carving to the sides supported by inset wires. The marble tops are old an associated, with some edge chips, one with repaired breaks. The gilding is quite `brassy', there are some small chips and surface dirt. Plinths scuffed. A handsome pair of tables of `Kentian' style but not of the period.Condition Report Disclaimer
A gilt metal and onyx console table and similar gilt framed mirror.Condition report:In good condition.WE TAKE GREAT CARE in the accuracy of our condition reports and may record damage and restoration if obvious. The information is provided in good faith along with detailed photographs where requested and is for guidance only. However, this does not imply that there may not be further condition issues associated with the lot and we DO NOT provide any guarantee to the buyer.WE STRONGLY ADVISE BIDDERS TO EXAMINE PERSONALLY ANY LOT THEY ARE INTERESTED IN BEFORE THE AUCTION.
19th century mahogany console table, the top with rounded corners raised on square tapering legs, 114cm long x 33cm deep x 78cm high Condition ReportSurface scratches, scuffs and knocks. Stains in places. Repair to top section of base, nail hole to front edge. No worm, structurally solid. General wear and tear.
Early to mid 20th century walnut demi-lune console table by Shora Furniture, the top with shaped moulded edge and raised on three carved cabriole legs with pad feet, 112cm long x 36cm deep x 74cm high Condition ReportSome surface scratches and scuffs. The top has some water marks and stains.General wear and tear.
A fine Regency rosewood ebonised and parcel gilt console table with mirror, circa 1815; the rectangular cassetta frame with moulded rocaille and scrolling foliate at the corners of the recessed fascia; above a white Carrara marble top; on blind friezes supported above scrolling foliate carved supports and a conforming mirror back to a platform base; 261cm high, 161cm wide, 45cm deep
A Sega Mega Drive II console, in Sonic 3 sleeve, together with a collection of gaming cartridges and Grandstand Firefox F-7 game. Cartridges include Sonic Spinball, World of Illusion, The Terminator, Rolling Thunder and World Cup USA 94 (without case). Contains one controller, adaptor, unit and power lead. Crack to the back of Firefox F-7 unit. Sonic 3 game not included.
A Rococo style gilt wood console table and matching mirror, with white marble top and figural decoration. The console table with X-Frame stretcher, topped with cherubs, with spiral supports. Height: 240cm, Width: 124cm, Depth: 55cm. Damage to foot of figure on left side of base. Damage to wing of one cherub on stretcher. Marble and glass good condition.
Art Glass Assortment (7) items including a 2006 Joe Rice decanter, an Orient & Flume #87/500 perfume bottle, an Orient & Flume iridescent gold feather vase, an illegibly signed ruffle bowl, an ocean wave style vase, a gold flake and cranberry red vase and a free form console bowl Property from: a Private Collector, Muncie, Indiana Height: 14 1/4 inches, Width: 7 3/4 inches (tallest vase) Condition: no damage or chips noted Category: Decorative Arts > Fine Glass Estimated Sale Time: 1:08 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1
Jonathan Charles: A Reproduction Hardwood and Ebonised Butterfly Console Table and Mirror, the bevelled glass plate within a serpentine shaped and reeded frame, the table decorated with butterflies, with four oak-lined drawers, on square chamfered legs with compressed bun feet and joined by a flattened stretcher, the mirror 98cm by 141cm, the table 150cm by 35cm by 85cmVery good overall condition, some minor wear, drawers of the table running freely
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24440 item(s)/page