We found 7141 price guide item(s) matching your search

Great Britain. Hanover, Victoria AV Sovereign.. 1837-1901. London (Tower Hill) mint. Dated 1891. 'Jubilee Head' type; long tail. Designs by Joseph Edgar Boehm and Benedetto Pistrucci. William Wellesley Pole, Master of mint. VICTORIA D : G : BRITT : REG : F : D :, crowned, veiled and draped bust to left; J.E.B. in small lettering on base of truncation / St. George on horseback to right, holding sword with right hand and wearing plumed helmet and billowing cloak, slaying the dragon which falls to right on broken lance to left on ground line; small WWP under lance, small B. P. beneath ground line to right; date in exergue. Marsh 129A; SCBC 3866C. 7.94gr, 22mm, 12h. Good Fine.Found South Gloucestershire, UK.

Great Britain. Hanover, Victoria AR Crown.. 1837-1901. London mint. Dated 1895 and RY LIX. Old Head Coinage. Designs by Sir Thomas Brock and Benedetto Pistrucci. VICTORIA • DEI • GRA • BRITT • REGINA • FID • DED • IND • IMP •, crowned, veiled and draped bust to left; T.B. in small lettering on truncation / St. George on horseback to right, holding sword with right hand and wearing plumed helmet and billowing cloak, slaying the dragon which falls to right; small B. P. beneath ground line to right, date in exergue. Edge inscription: DECUS ET TUTAMEN ★ ANNO REGNI LIX ★. Bull 2599; ESC 309; SCBC 3937. 28.18gr, 39mm, 12h. Good Fine.Acquired on the UK art market.Property of an Essex, UK, collector.

Istanbul, circa 1860 A.D. Showing the standing Taxiarches (commanders of the Heavenly Army) Michael (A[rchangel] M[ichael]) and Gabriel (A[rchangel] G[abriel]); Michael dressed in pseudo-Roman scale armour worn over a garment with hanging pteryges, partially covered by his military cloak, the raised right hand holding a sword and the left hand resting on a shield; Gabriel dressed in long mantion (a cloak fastened under the neck), long court dress with embroidery, holding the messenger’s flower in one hand and the Globe of the Divine Power over the world in the other; floral frame; fabric mark in Turkish and Greek (ω) near the right shoulder of Saint Michael. Cf. for an icon of Virgin Mary in similar style, produced in 19th century Istanbul, Geelmuyden Bulgurlu, V., Ulf, A., Lindgren, N., Bodin, H., Balicka-Witakowska, E., Five essays on icons, Stockholm & Istanbul, 2005, fig.3, p.26. 285 grams, 16.2 x 12 cm (6 3/8 x 4 3/4 in.). Property of a London, UK, gentleman collector.The icon is from a workshop of Constantinople circa 1860 A.D. During the Turkokratia (the Turkish domination) the Orthodox inhabitants of Constantinople continued to trust their protection to the powerful military commanders of the Heavenly Host, the Archangels. Following the Slavic style, the icons were often covered by embossed silver plates (riza), generally reproducing the same figures on the painted wood.

Canada, British Colonial. Bank of Upper Canada CU Penny.. 1850-1857. Heaton (Birmingham) mint. Dated 1857. John Pinches, engraver. Design by Benedetto Pistrucci. BANK OF UPPER CANADA ❀ 1857 ❀, St. George on horseback to right, holding sword with right hand and wearing plumed helmet and billowing cloak, slaying the dragon which falls to right; small R.K. & Co. beneath ground line to right / BANK ❀ TOKEN ❀ ONE • PENNY ❀, crown over crossed sword and anchor set on two cornucopiae; Union jack to upper right. Breton 719; Charlton PC-6; KM Tn3. 15.77gr, 33mm, 6h. Good Very Fine.From a private, UK, collection in the 1980s.Property of a London, UK, antiquarian.The initials 'R.K. & Co.' are for agent's mark of Rowe, Kentish, & Co., which is the agent that the Bank of Upper Canada used to place their orders.

Southern Italy, 4th century B.C. High-angled spout and loop handle to the shoulder, the body decorated with vertical ribs around the perimeter, central image of a helmetted warrior on horseback, cloak billowing in the wind and his right arm raised in the act of spearing the fallen foe beneath the horse, the horse standing on its back legs and trampling the amazon with its front hooves. See Metropolitan Museum of Art, New York, accession no.06.1021.271, for a guttos with head of Athena. 168 grams, 11.7 cm (4 5/8 in.). Mr F.D. collection, acquired on the European art market, 1975 to present.

2nd century A.D. Squat lamp with pierced lug handle and short nozzle; shoulder with band of radiating feathers, discus with hunter wearing a cloak and stabbing a boar emerging from a thicket; concentric rings to underside. Cf. Iran: pièces du Musée de Téhéran, du Musée du Louvre et de collections particulières, exhibition catalogue, Paris, Musée Cernuschi, 1948, pp.36, no.57. 137 grams, 11.9 cm (4 3/4 in.). [No Reserve] Acquired from Parthenon Gallery, London WC1, UK, before 2000. Property of a Bedfordshire, UK, private collector. Accompanied by an illustrated collector's identification tag.

3rd-4th century A.D. Columnar in form with anthropomorphic detailing modelled in the round; figure with a loose Persian-style hood over his thick hair, wearing a military cloak, left arm bent at his side. Cf. Claus, M., The Roman Cult of Mithras, tr. Richard Gordon, Edinburgh, 2000, p.95. 97 grams, 97 mm (3 3/4 in.). [No Reserve] Found fieldwalking in North Norfolk, UK, circa 2008. Ian Wilkinson collection, Nottinghamshire, UK, formed since 1985.The dadophoroi were torch-bearers who accompanied Mithras in his ceremonial travels. They are named as 'Cautes' who holds a burning torch point-upwards, whereas 'Cautopates' holds one pointing down.

FOLLOWER OF MARTEN RYCKAERT A PAIR OF HUNTING SCENES, POSSIBILY DEPICTING ACTAEON Oil on copper Each 10.5 x 27cm (4 x 10½ in.) (2) Condition Report: Acteon with stag: Undulations to the copper. Surface dirt and visible scratches. Inspection under UV reveals a unevenly applied cloudy varnish, and areas of retouching, such as a long vertical scratch to the lower right edge, and retouching to the upper centre where, patches of restoration to the foliage such as to the left edge. Further scattered retouching throughout. Acteon kneeling: Undulations to the copper. Surface dirt, and a few superficial scratches. A paint loss to the lower left corner and upper right corner. Inspection under UV light reveals a cloudy varnish, and large areas of retouching to the to all corners. Scattered retouching to the lower centre, such as on a small restoration on Actaeon's leg, to the cloak, and just below the knee and foot. Furthermore, various patches of retouching are present in the sky, most notably a 3 cm wide restoration above the cloak, to upper centre edge. Condition Report Disclaimer

Star Wars: Collection Of Vintage Figures (Kenner/Palitoy) -10 Vintage Star Wars Kenner/Palitoy figures, to include; Sand People (Tusken Raider), Ben Obi-Wan Kenobi (Cape and lightsaber), R2DR Sensorscope , Darth Vader, Prune Face (with cloak and weapon), Lando Calrissian Skiff Guard, Speeder Bike Pilot, Ugnaught, General Madine,Ree Yees. (10).

Pair of Victorian Staffordshire pottery flatback figural groups "Going to Market" and "Returning Home", H.22cm the tallest; "Red Ridng Hood" figure, and 2 spill vases, H.25.5cm the tallest. (5) Manufacturing defects. Returning Home - restoration to horse's leg. Red Riding Hood - Paint loss to cloak, loss? to horse's mane by ear.

Dressing a Galaxy "The Costumes of Star Wars" by Trisha Biggar, complete in the original white ground and labelled box, with DVD, Chewbacca plaque, Section of Darth Vader Cloak and Certificate of Authenticity, rare exampleBacking card and bubble in excellent condition.Backing card is slightly bowed.Unpunched hanging loop.Overall excellent condition.

This is an exquisite early Renaissance polychrome wood sculpture depicting Saint Martin of Tours on horseback, captured in the moment of his legendary act of charity. In a dynamic and expressive pose, Saint Martin turns gracefully to share his cloak, symbolizing compassion and selflessness, a defining moment in Christian iconography.This piece is attributed to the French Lorraine School, a renowned artistic tradition that flourished in northeastern France during the late Gothic and early Renaissance periods. Lorraine artists were known for their expressive religious sculptures, seamlessly blending Gothic traditions with Renaissance humanism. The region's sculptors mastered naturalistic detailing, particularly in facial expressions, drapery, and anatomical realism, all of which are evident in this piece.The French Lorraine School retained strong Gothic influences throughout the late 15th century, while gradually incorporating Renaissance realism and emotional expressiveness into the early 16th century. This sculpture likely dates to the late 15th or early 16th century (circa 1470-1520). Its stylistic elements reflect the artistic traditions of this period, particularly those seen in works by Lorraine sculptors influenced by early French Renaissance carving techniques and the expressive stone sculptures of Ligier Richier (circa 1500-1567).Carved from wood with traces of original polychrome, the sculpture would have once been richly colored, enhancing its lifelike presence. The detailed rendering of Saint Martin's garments and the horse's dynamic posture is characteristic of Lorraine craftsmanship, while the subject matter reflects the region's deep devotion to saints and narrative-driven religious art.Saint Martin of Tours (circa 316-397 AD) was a Roman soldier-turned-bishop, renowned for his charitable deeds and monastic reforms. His act of dividing his cloak to clothe a beggar-immortalized in Christian legend-became a powerful symbol of generosity, inspiring countless artistic interpretations. His legacy endures through Martinmas (November 11), a feast day celebrating his contributions to the Church and European religious life.Approximate Dimensions: 34"L x 13"W x 45"H.Artist: French (Lorraine) SchoolIssued: Circa 1500Dimensions: See DescriptionCountry of Origin: FranceProvenance: John and Johanna Bass Collection, New York, NY; Bass Museum of Art, Miami Beach, FL, 1963. Condition: Age related wear. Right hand is missing. The horse is made of two pieces that need to be reattached. Loss of polychromy.

An extraordinary example of late medieval and early Renaissance religious artistry, this 15th-century polychrome wood sculpture depicts the Madonna and Child in Majesty, a revered subject in Christian devotional art. The crowned Virgin is portrayed in a seated position, cradling the Christ Child, who is also adorned with a crown-symbolizing both divine kingship and maternal grace. Designed to be viewed from the front and slightly below, the sculpture retains remnants of its original polychrome decoration, including traces of a deep blue cloak on the Madonna and delicate flesh tones that highlight the figures' serene expressions. The back of the piece remains unpainted, a common feature in ecclesiastical sculptures intended for placement against a wall or within a niche.The stylistic and technical characteristics of this work suggest an origin in either a French or Northern Italian workshop during the 15th century. The elongated proportions, solemn facial expressions, and cascading drapery folds strongly resemble French Gothic sculpture, particularly from the Burgundian and Norman regions, where seated Madonna figures were frequently commissioned for churches and private chapels. The static, frontal pose of the Virgin aligns with French ecclesiastical traditions, particularly those seen in Gothic cathedrals such as Notre-Dame de Paris and Chartres. At the same time, the softer modeling of the faces and the naturalistic treatment of the drapery reflect the influence of the emerging Renaissance style, which flourished in Northern Italy, particularly in Lombardy and Veneto. This artistic transition can be observed in the works of early Italian masters such as Jacopo della Quercia and Lorenzo Ghiberti, who introduced a greater sense of realism and fluidity to religious compositions.A further indicator of the sculpture's prestigious origins is the presence of lapis lazuli-based pigment in the Madonna's cloak, a costly material widely used in both French and Italian Marian iconography to signify divinity and purity. The composition of the crowned Christ Child seated on the Virgin's lap follows the "Sedes Sapientiae" (Throne of Wisdom) tradition, a theme prevalent in both French Gothic and early Italian Renaissance religious sculpture. The unpainted back of the piece suggests that it was created for an altarpiece or a niche setting, emphasizing its devotional purpose within a church or monastic environment.Artist: French or Italian SchoolIssued: Circa 15th centuryDimensions: 16"L x 14"W x 47"HCountry of Origin: France/ItalyProvenance: John and Johanna Bass Collection, New York, NY; Bass Museum of Art, Miami Beach, FL, 1963. Condition: Age related wear. Loss of polychrome and sporadic loss of wood. Small cross missing from the orb.

Durotriges Cranbourne Chase base silver stater. Circa 1st century BC. 20mm, 3.39g. Wreath, cloak and crescents. R. Disjointed horse left, pellet below, many above. Ref: ABC 2169.

Corieltauvi South Ferriby stater. Gold, 20mm. 5.52g. Mint C, Circa 1st century BC. Wreath, cloak and crescents. R. Lunate horse left, anchor face above, star sun below. Ref: ABC 1743.

Roman carnelian intaglio set in a silver bezel from a finger ring. The figure can be confidently identified as Bonus Eventus, the Roman personification of 'good outcome'. Bonus Eventus is the most popular motif found of intaglios from Roman Britain, with over 120 recovered to date (Marshman 2015, 108). This composition is a particularly simple and common one, with more complex images including a skin or cloak swept over the shoulders or a pair of wheat ears, cakes or loaf of bread, and sometimes a lagobolon (hunting stick) that may feature game slung from it. The style of the engraving is executed in what has been termed the 'incoherent grooves style' (Maaskant-Kleibrink 1975, 227-234), so called because of its somewhat slapdash execution. Here this is typified by using a single groove to form the shoulder and left arm with the ear of wheat simply protruding from it and no attempt to indicate the hand that should hold it. Comparable compositions with this feature are also found on a red jasper intaglio from Willoughby on the Wolds, Nottinghamshire (Henig 2007, No. 214), and a carnelian in a silver ring from Haxby, Yorkshire (YORYM-EAC9B4), and there are a number of comparable carnelians, some of which were also set in silver rings, from the Snettisham Jewellers Hoard unearthed just across the Wash in Norfolk (Johns 1997, eg. No. 113, 123 & 228, all identified as the work of 'Engraver B'). Another feature shared with the gems from Snettisham is the way in which the motif extends right to the gem's edges using all of the available space. The incoherent grooves style is datable to the later second and third centuries AD, with the Snettisham Hoard dated by the coins it contains to after AD 155. The silver box-bezel is almost certainly from a finger ring, and there are traces on its sides that could indicate where a hoop was formerly soldered to it, most evident when viewed from the underside. Such box-bezels typically come from Henig Type IV rings, which feature a relatively thin round-section hoop and a characteristic pair of metal globules fixed flanking each shoulder. Examples of this form are only known in precious metal rings from Britain, including two gold rings with nicolo gems from the Backworth Hoard (Hawkins 1851, 37), and a silver ring with a carnelian intaglio from the Antonine Wall fort at Camelon, Perthshire (Maxfield 1975, 52), both of which date to the mid second century AD, although it should be noted that these rings include gems engraved in earlier and better executed styles and Henig believes this is a later Roman form (2007, 12). For this example a date between the mid-second and third century is therefore most probable. Recorded on the PAS database as LIN-443672 https://finds.org.uk/database/artefacts/record/id/901280

Essex Wheels Gold Quarter Stater. Circa 1st century BC. Wreath, cloak and crescent, wheel at top of wreath. R. Horse right, wheel below, onion-like motif above. Ref: ABC 2231.

An early carved wood and polychrome decorated figural group of St George and the Dragon, probably German 15th or 16th century, the figure of St George with flowing cloak riding his horse over the dragon, length 34cm, height 28cm, provenance: local private collectionVarious age-related chips and splits, part of the bridle damaged, chipped horse's front hoof, polychrome decoration generally chipped and rubbed

Frank Herberts: Children of Dune (2003) Costume. -Original 'Farok' Film Costume; The Fremen Cloak includes costume department tag, worn by Ivo Novák in the 2003 Children of Dune Miniseries.(1).

J. Webster & Sons Ltd., Antique Oak hallway cloak cabinet and bench

Black-purple tricorn and cloak. Royal Doulton backstamp. Artist: Max HenkIssued: 1963 - 1983Dimensions: 3.5"HCountry of Origin: EnglandCondition: Age related wear.

Variation One. Black hat, red cloak, black hair and moustache. Royal Doulton backstamp. Artist: Max HenkIssued: 1956 - 1991Dimensions: 8''L x 6''W x 7.25''HCountry of Origin: EnglandCondition: Age related wear.

MILANOPULO MadonnenbildnisÖl/Leinwand. Links unten signiert. 19. Jh. 47 x 38,5 cm. Gerahmt : 62 x 52 cm (Goldstuckrahmen); 3 kg. Porträt der Maria in blauem Mantel vor neutralem Hintergrund. Altersspuren. Aufrufzeit 01. | März 2025 | voraussichtlich 13:20 Uhr (CET) MILANOPULO Portrait of the MadonnaOil/canvas. Signed lower left. 19th century 47 x 38.5 cm. Framed : 62 x 52 cm (gold stucco frame); 3 kg. Portrait of Mary in a blue cloak against a neutral background. Traces of age. Call time 01 | March 2025 | probably 13:20 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Figure is part of the Regency Series, gentleman styled in top hat with matching cloak, colored in green, red and cream. Royal Doulton backstamp. Artist: Henry FentonIssued: 1941 - 1949Dimensions: 4"L x 2.25"W x 8"HCountry of Origin: EnglandCondition: Age related wear.

Variation One. Dark green deerstalker hat; brown cloak. Royal Doulton backstamp. Artist: Alan MooreIssued: 1973 - 1996Dimensions: 3.25"HCountry of Origin: EnglandCondition: Age related wear.

S.P.B. Paris, a late 19th/early 20th century bisque headed girl doll with composition body and limbs, sleeping eyes and real hair wig, dressed in contemporary bonnet and cloak etc, height 42cm.

A Victorian Parian figure of a semi-nude maiden with a cloak draped over her shoulder, height 31 cm. (restoration to fingers)

A 1950's Scottish silver penannular cloak pin, UK hallmark, Chester, 1955, maker S&Co, marked 'Scotland', diameter approx. 5.0cm, 23.6grams.

An early 20th century Danish silver cloak or hat pin in the form of an arrow by M.E.H Denmark 1911-1914, stamped .930S, 15cm long, 11gms.

Star Wars - Palitoy - Kenner - A loose squad of eight vintage Star Wars 3¾" action figures with accessories. Lot includes Zuckuss (4-LOM) with soft cloak, backpack, 4-Lom Rifle ( Made in Hong Kong, LFL, 1981); Biker Scout with Scout Blaster (Made in Hong Kong, LFL, 1983), TIE Fighter Pilot (Made in Hong Kong, LFL, 1982) and similar. Figures show signs of light play, and age with some yellowing on one of Snowtrooper figures, but overall appearing to be in Good - Very Good condition overall. All items are unchecked for completeness. The originality of the weapons / accessories is untested and unverified by us, buyers need to use the detailed photos to satisfy themselves as to originality and completeness prior to bidding. (This does not constitute a guarantee) (K)

Star Wars - Palitoy - Kenner - Eight vintage Star Wars 3¾" action figures with accessories (were appropriate). Lot includes Tessek (Squid Head) with grey Bespin Blaster and cloak ( Made in Hong Kong, LFL, 1983); Death Squad Commander with black Imperial Blaster (Hong Kong, GMFGI, 1977); Imperial Commander with blue Imperial Blaster (Made in Hong Kong, LFL, 1980) and similar. Figures show signs of light play, and age - Squid Head has holes in cloak and gown, but overall appearing to be in Good - Very Good condition overall. All items are unchecked for completeness. The originality of the weapons / accessories is untested and unverified by us, buyers need to use the detailed photos to satisfy themselves as to originality and completeness prior to bidding. (This does not constitute a guarantee) (K)

Star Wars - Palitoy - Kenner - Eight vintage Star Wars 3¾" action figures with accessories (were appropriate). Lot includes Imperial Commander with Blue imperial Blaster (Made in Hong Kong, LFL, 1980); Bib Fortuna with soft cloak, chest armour and staff (Hong Kong, LFL, 1983)Jawa with soft cloak and Jawa Blaster (No COO, GMFGI. 1977) and similar. Figures show signs of light play, and age, but overall appearing to be in Good - Excellent condition overall. All items are unchecked for completeness. The originality of the weapons / accessories is untested and unverified by us, buyers need to use the detailed photos to satisfy themselves as to originality and completeness prior to bidding. (This does not constitute a guarantee) (K)

Royal Doulton bone china 'An Orange Vendor' figurine, model number HN 72, designed circa 1917, modelled in green cloak, painted marks, 17cm high. Condition Report: One hairline crack to base. 

An exceptionally rare Royal Doulton figurine of Guy Fawkes, HN445, crafted by Charles J. Noke and Harry Tittensor. This striking colorway features a deep blue cloak with a rich gradient, adding depth to the enigmatic figure. The detailed sculpt captures Fawkes in his infamous attire, clutching a lantern with windows glowing in fiery hues, a nod to the historic Gunpowder Plot. His expressive face and textured hat enhance the lifelike quality of this sought-after piece. A true collector's item, this figurine represents Royal Doulton's mastery in ceramic artistry and historical portrayal. Royal Doulton backstamp. Noke incised on the side. H. Tittensor marked on the underside. Artist: Charles J. Noke, and Harry TittensorDimensions: 10.25"HCountry of Origin: EnglandCondition: Age related wear.

A striking Michael Sutty porcelain figurine depicting a Royal Horse Artillery Officer from 1828. This limited edition piece is number 130 of 250, authenticated by the Royal Artillery Institution. The officer is depicted in a detailed historical uniform, complete with a fur-lined cloak and gold-embellished epaulets. The figure rests on a white circular base with gold accents, inscribed with "Royal Horse Artillery 1828." Certificate of Authenticity included. Michael Sutty backstamp. Artist: Michael SuttyDimensions: 7.25"HCountry of Origin: EnglandCondition: Age related wear.

Ca. AD 50 - 200.A bronze ring formed from a flattened rod, tapering at the back and widening at the bezel. The bezel is set with a protruding oval carnelian intaglio engraved with the figure of the god Mercury, facing left, standing on a baseline. He holds a money bag in his right hand, while a cloak drapes around his left arm, which holds a caduceus staff. Mercury is shown with a petasos hat and winged sandals.For similar see: The Princeton University Art Museum, Object Number: y1952-133.Size: D:15.49mm / US: 4 3/4 / UK: J; Weight: 8gProvenance: Private UK collection; formerly with R. A.; since the 1990s.

ROYALTY: A rare pair of Staffordshire Pottery Royal Portrait Figures of Queen Victorian and Prince Albert Enthroned, mid 19th century, seated on square gilt lined bases, Victoria with both hands resting in her lap, her right foot resting on a cushion, wearing a crown, ermine edged cloak and long dress. Albert with his right hand resting on his leg, his left resting on his hip, wearing an ermine edged cloak, tunic and trousers, a sash across his chest and waist, 15cm high (2) Refer: Harding Book 1, Page 170, Figs 485/486

A Satinwood framed Arts & Crafts side Chair having boxwood stringing and standing on turned front legs, the circular seat upholstered in cream ground fabric depicting a bird perched on a flowering branch, the backrest with interesting fretworked detail having a rectangular depiction of a young lady with flowing brunette hair wearing a burgundy hat and bodice beneath a green cloak, 16 1/2'' wide x 20'' deep x 29 1/4'' high, the seat 13 1/2'' wide.

MEISSEN "Maler, aus der Serie kleine verkleidete Amoretten" 1764-1770 Keine Schwertemarke, die Amorette in Gestalt eines halbnackten, geflügelte Junge, das nur mit einem violett gefärbten Mäntelchen sowie einem violett staffierten Spitzenhäubchen bekleidet ist, gehört zu einer ganzen Gruppe von possierlichen Putten, welche mit erotischen Anspielungen das Hofleben des galanten Zeitalters karikieren, die Figur steht auf einem Plateausockel mit plastischen staffierten Blätter, wie dies um 1750 bis 1755 in der Meissner Manufaktur üblich war, erst später wurden die Sockel mit plastischen Rocaillen besetzt, H: 9 cm. Pincel besch. | MEISSEN ‘Painter, from the series of small disguised cupids’ 1764-1770Not a sword mark, the cupid in the form of a half-naked, winged boy, dressed only in a purple-coloured cloak and a purple-painted lace bonnet, belongs to a whole group of droll putti, which caricature the court life of the gallant age with erotic allusions, the figure stands on a platform base with sculpted staffage leaves, as was common in the Meissen manufactory around 1750 to 1755, only later were the bases decorated with sculpted rocailles, h: 9 cm. Pincel dam.

(ARR) A 19th century British School oil on laid canvas on board portrait painting of young girl in bonnet. The painting depicting a young girl with beige bonnet and red cloak. Unsigned. Mounted & framed in gilt gesso frame.From the property of a lady at number 3 the Royal Cresent Bath. Measures approx. 34cm x 31cm including frame.

This series brings to life some of the characters from Tolkien’s Lord of the Rings, the imaginary world of Middle Earth. The artist has skillfully sculpted Legolas in his iconic attire, including his Elven cloak, longbow, and quiver of arrows. Royal Doulton backstamp. Artist: David LyttletonDimensions: 6.25"HCountry of Origin: EnglandCondition: Age related wear.

Caracalla, Antoniniani (3), 215, radiate, draped and cuirassed bust right, rev. Sol, radiate, cloak over left shoulder, standing front, raising right hand and holding globe in left hand, 4.96g/12h (RIC 264c; RSC 287); similar, Caracalla radiate and draped, rev. similar, 5.01g/6h (RIC 264b; RSC 287b); 213-7, rev. Venus standing left holding Victory and spear, leaning on shield set on helmet, 5.05g/11h (RIC 311c; RSC 608) [3]. Very fine or better £150-£200 --- Provenance: First bt London Ancient Coins; last bt Nigel Mills

Caracalla, Denarii (2), Laodicea ad Mare, 198, laureate, draped and cuirassed bust right, rev. Securitas seated left, holding globe and resting left arm on chair, 2.91g/11h (RIC 332; RSC 568); Rome, 199-200, similar, rev. Sol, cloak over left shoulder, standing front, holding globe in extended right hand and spear in left, 3.31g/6h (RIC 39a; RSC 542) [2]. Very fine or better £80-£100 --- Provenance: First bt Nigel Mills

Gordian III, Denarii (3), 240, laureate, draped and cuirassed bust right, rev. Gordian III in military attire, cloak flying behind, on horse prancing left, raising hand and holding spear, 2.88g/6h (RIC 81; RSC 234); 241-3, similar, rev. Apollo seated left, holding branch in extended right hand and resting left elbow on lyre, 2.71g/11h (RIC 114; RSC 238); 241, similar, rev. Salus standing left, feeding snake held in arms, 3.03g/12h (RIC 129a; RSC 325) [3]. Very fine or better £90-£120 --- Provenance: Second bt Alan Cherry; last bt London Ancient Coins

Caracalla (198-217), Denarius, 215, laureate head right, antoninvs pivs avg germ, rev. Apollo, naked except for cloak flying behind, standing left, holding branch in extended right hand and with left hand resting hand on lyre set on altar, p m tr p xviii cos iiii p p around, 2.89g/6h (RIC 254; RSC 282). Very fine or better £60-£80 --- Provenance: S. Bourne Collection; Baldwin FPL, Spring 2022 (116)

Trajan (98-117), Denarius, 114-7, laureate and draped bust right, imp caes ner traiano optimo avg ger dac around, rev. Mars advancing right, cloak round shoulders, holding transverse spear in right hand and trophy in left over shoulder, p m tr p cos vi p p s p q r around, 3.18g/6h (RIC 337; RSC 270). Struck on a slightly elongated flan, otherwise better than very fine £60-£80 --- Provenance: S. Bourne Collection

Macrinus (217-218), Denarius, 217, laureate, draped and cuirassed bust right, imp cm opel sev macrinvs avg around, rev. Jupiter, cloak over left shoulder, holding thunderbolt and sceptre, pontif max tr p cos p p around, 3.11g/11h (RIC 17; RSC 55). Smoothed in fields, otherwise better than very fine and an attractive dark tone £100-£150 --- Provenance: Bt Silbury Coins

Severus Alexander, Denarii (2), 230, laureate bust right, draped over left shoulder, rev. Sol , cloak over shoulders, standing left, raising right hand and holding whip, 3.09g/12h (RIC 101b; RSC 388); 231-5, laureate, draped and cuirassed bust right, rev. Mars walking right, holding spear in right hand and shield in left, 2.68g/11h (RIC 246d; RSC 161a) [2]. First better than very fine, second good very fine £90-£120

Septimius Severus, Denarii (4), 200, laureate head right, rev. Victory flying left, holding wreath in both hands over shield set on low base, 2.88g/12h (RIC 150; RSC 454); 209, similar, rev. Jupiter, cloak over left shoulder, standing left, holding thunderbolt and sceptre, two children standing either side at feet, 3.63g/7h (RIC 226; RSC 525); 209, similar, rev. Salus seated left, feeding out of patera in right hand snake coiled in lap, 3.36g/12h (RIC 230; RSC 531); 202-10, similar, rev. Roma, helmeted and draped, seated left on shield, holding palladium and spear, 3.59g/12h (RIC 288; RSC 606b) [4]. Good fine or better £150-£200

Caracalla, Denarius, Rome, 199-200, laureate, draped and cuirassed bust right, rev. Sol standing front, cloak over left shoulder, holding globe and spear, 2.17g/12h (RIC 40; RSC 547); together with eight further Denarii of Mark Antony, Hadrian (2), Septimus Severus, Julia Soaemias, Julia Mamaea, Elagabalus and Severus Alexander, two Antoniniani of Valerian, and four bronze coinages (14) [15]. Varied state £80-£100

Pair of Danish Silver Ear Clips by NE From, with Bud Motifs and Later Chain to Form a Cloak Clasp

FOUR PIECES OF BRITISH POTTERY (4)Late 18th/19th century Comprising; a small creamware cylindrical mug inscribed `A Trifle from Lowestoft', 8.5cm high; a tall white glazed pearlware figure of Apollo with lyre, probably Wood family, 35.5cm high; a brown stoneware pistol flask, stamped `Smith Lambeth', 21cm length and a treacle glazed pottery boot form spirit flask, indistinct impressed oval mark, 17.5cm highCreamware mug- handle has been glued. Long crack from rim which runs through the inscription, approx. 8cm length. Another rim crack approx. 5cm length. Chip to inner rim, approx. 1cm by 0.5cm. Haircrack running around the top of the rim, approx. 1cm length. Some wear to the enamels.Pearlware Apolllo- restored through neck. Some losses to the lyre. Restoration to the edges of his cloak. Some restoration around the base.Pistol flask-  shallow chip to the spur on the hammer, approx. 1cm by 0.5cm Boot flask- two chips around the rim. Some scuffing to the glaze

HELEN STEINTHAL (1911-1991), a group of pictures comprising two drawings the first depicts nude female figures frolicking in the sea, unsigned pencil on paper, approximate size 21cm x 27cm, the second depicts nude female figures surrounded by foliage, unsigned pencil on paper, approximate size 27cm x 41cm, (the first drawing has some foxing), and a picture showing three abstract figures, depicting a female nude in repose on the land, a nude female figure in the sea and a winged nude figure in the sky, initialled bottom right, mixed media on paper, approximate size 39cm x 27cm, together with a nude figure on a horse verso, mixed media on paper, approximate size 39cm x 29cm, (dirty marks to the drawing verso, frame marked in places), together with four female figure studies, comprising a seated nude leaning on her arms, signed top right black ink on paper, approximate size 26cm x 35cm, a seated nude resting on one arm, blue ink in paper, a standing nude depicted from behind, blue ink on paper and a seated nude wearing a cloak, blue ink on paper, all signed to the upper edge, (the seated nudes have some foxing), together with a painting attributed to Helen Steinthal 'Mythical Figures', two mythical figures are surrounded by multiple human figures and foliage, mixed media on paper, attribution verso, approximate size 49cm x 40cm, frame size 67cm x 58, (small chips and marks to the frame) (8) (Condition Report: most obvious damage is mentioned in the description)

Dressed in blue draped cloak with halo over her head with head bowed. Wien Austria backstamp. Issued: 20th centuryDimensions: 7"L x 5.5"W x 23.5"HCountry of Origin: AustriaCondition: Age related wear.

Two small 19th century German porcelain figures in the style of Meissen - one of a young boy dressed as a Turk, impressed 'M' mark, 8.5cm high; the other dressed in a red cloak with portrait medallion clasp, impressed 'B' and underglaze blue line marks, 8.5cm high; together with a similar early 20th century figure of a young seated man with bagpipes, on a triform base, 7.7cm high.* In good condition, with no faults and no restoration.

A Victorian watercolour portrait of a young woman in cloak, with provenance to reverse, 18 x 16.5cm

Circle of Sir Thomas Lawrence BRA FRSA (British, 1769-1830) Portrait of Mrs Anne Lucy Hallen nee Bigg, circa 1820, half-length, seated, in red dress with fur trimmed red cloak, oil on canvas, gilt framedcanvas 75cm by 62cmCondition: In fair condition, commensurate with age, some wear and surface loss to frameProvenance: By family descent, portrait is offered on behalf of the great grandson of Mrs Anne Hallen and husband Mr Thomas Hallen of Kidderminster. Sitter was daughter of Mr Edward Francis Bigg (1737-1823) of Chancery Lane, London. Undersheriff of the city in 1810.

Mattel Hot Wheels vehicles x 100 including 67 Camero, 70 Ford Escort RS1600, 64 Corvette Sting Ray, Skate Grom, Veloci-Racer, 8 Crate, Cloak & Dagger, Triumph TR6 and others, some duplication and variation models in variation packaging, all within Excellent to Near Mint sealed packaging. (100) SEE PICTURES FOR WHATS INCLUDED.

A Scott Adie tweed cloak together with three graduated hat boxes containing fur shrug, embroidered table cloths, and hats Condition Report:We would recommend you view these items personally for condition as no report available.

C Whittby, Victorian school, a lady traveller wearing a red cloak, watercolour, signed lower right.   35 x 24cms.