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Dark blue tam; green cloak; grey hair.Royal Doulton backstamp. Literary Characters series. Good condition. Artist: Max HenkIssued: 1973 - 1980Dimensions: 4"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Good.

Circle of Godfrey Kneller, (1646-1723) - Oil on canvas – Portrait of a gentleman, wearing armour and red cloak, 72.5cm x 59.5cm, in moulded ebonised frame with gilt faux slip

A 19th century Parian figure of Highland Mary, dressed in tartan cloak and with thistles by her feet, Art Union of Great Britain, 43cms high; together with A Royal Worcester Breton fishing girl with creel, on naturalistic base, desiged by Hadley

A Parian classical figure of Atlanta holding an apple, and her cloak draped over her arm, a tortoise at her feet. 41cm HighGood condition overall, surface dirt and stains - see additional images.

A group of Parian busts and figures of writers and philosophers, to include a standing figure of John Milton, busts of Charles Dickens (lacking socle base), Lord Byron, Percy Bysshe Shelley, William Shakespeare, Sir Walter Scott, Sir Isaac Newton, Robert Burns and Johann Wolfgang von Goethe, largest measuring 35cms (9)11Milton - surface stains and dirt, possible firing crack to column, staining to plinth base, hole to back of head approx 1mm, surface re touching to the knee and back of the cloak visible to the eye and under UVDickens - surface stains and dirt, firing crack to underside of base, Byron - surface stains and dirt, small hole 1mm back of head, black stain in hairShelley - large chip to base of plinth (sharp to touch) surface staining and dirtShakespeare - surface staining and dirt Scott - surface staining and dirt. Newton - socle base loose, hole to back of head, possible small surface retouching to hair. Surface stains and dirt.Burns - surface staining and dirt  Goethe  - Filthy dirty with surface staining, abrasion to the end of the shoulders

Barocke Maria ImmaculataHolz polychrom gefasst, teils vergoldet, Glasaugen, rotblonde Echthaarperücke, Bronzekrone mit Resten einer Vergoldung. Frühes 18. Jh. H 57 cm. 1,9 kg. Mit raumgreifender Geste ergriffen aufblickende Jungfrau Maria im sehr bewegt gestalteten blauen Mantel. Auf dem Wolkenberg mit Mond stehend, tritt sie gleichzeitig auf die Schlange. Jünger überfasst, einige wenige Anobienspuren. Aufrufzeit 13. | Juni 2024 | voraussichtlich 15:08 Uhr (CET) Baroque Maria ImmaculataWood polychrome painted, partly gilded, glass eyes, reddish-blonde human hair wig, bronze crown with remnants of gilding. Early 18th century. H 57 cm. 1.9 kg. With an expansive gesture, the Virgin Mary gazes up in a very animated blue cloak. Standing on the mountain of clouds with moon, she simultaneously steps on the snake. Disciples embraced, a few traces of anobia. Aufrufzeit 13. | June 2024 | probably 15:08 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

LÜDICKE, Marianne(1919 Frankfurt/M - 2012 Marquartstein) Sitzender KnabeBronze patiniert. Mit Monogramm bezeichnet. H 12 cm. Im Schneidersitz auf der Erde sitzendes Kind, das unter einem Umhang geborgen ist. Bildhauerin in Weisham, studierte an der Akademie München bei Maxon, Meisterschülerin von Knecht. Literatur : Vollmer. Aufrufzeit 13. | Juni 2024 | voraussichtlich 15:43 Uhr (CET) LÜDICKE, Marianne(1919 Frankfurt/M - 2012 Marquartstein) Sitting boyBronze patinated. Inscribed with monogram. H 12 cm. Child sitting cross-legged on the ground, covered by a cloak. Sculptor in Weisham, studied at the Munich Academy under Maxon, master student of Knecht. Literature : Vollmer. Aufrufzeit 13. | June 2024 | probably 15:43 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Victorian yellow metal cloak stick pin (1.5g), 18ct gold brooch set with a diamond (2.8g) a Victorian stick pin and a 15ct gold stick pin 

STATUETTE DU SEPTIÈME KARMAPA, CHODRAG GYATSO, EN ALLIAGE DE CUIVRE DORÉTIBET, XVIE/DÉBUT XVIIE SIÈCLEA Tibetan inscription at the back of the base: རྟོག་གེའི་ཀླད་འགེམས་ཆོས་གྲགས་རྒྱ་མཚོའི་ཞབས། Translated: 'Through reasoning confounding [others], to Chodrag Gyastso, I bow!' Himalayan Art Resources item no. 1824 16.8 cm (6 5/8 in.) high  Footnotes:A GILT COPPER ALLOY FIGURE OF THE SEVENTH KARMAPA, CHODRAG GYATSO  TIBET, 16TH/EARLY 17TH CENTURY  Published Meinrad Maria Grewenig & Eberhard Rist (eds), Buddha: 2000 Years of Buddhist Art, 232 Masterpieces, Völklingen, 2016, p. 474, no. 210.  Exhibited  Buddha: 2000 Years of Buddhist Art, 232 Masterpieces, Völklingen, 24 June 2016 —19 February 2017.  Provenance Private European Collection Representing the Seventh Karmapa, Chodrag Gyatso (1454–1506), this figure holds the mudra indicative of one's bodhisattva commitment. The Karmapa wears the black hat emblematic of his office as the leader of the Karma Kagyu order. A great deal of attention has been given to Chodrag Gyatso's robes, which are embellished with incised floral and cloud patterns, and an impressively weighted outer cloak which hangs off the back of the lama's shoulders, illuminating a thick hem with circular medallions and vertical pleats.  By the 13th century, religious communities in Tibet sought to create patterns of succession whereby charismatic leaders would transfer their office and wealth to the next generation, thus maintaining firm economic, social, and political foundations for their institutions. The Karma Kagyu may have been the first to initiate a mode of institutional succession based on reincarnation. This ensured political continuity and eliminated the debilitating sibling rivalry that inevitably plagued biological succession. Ultimately, this facilitated a, 'transition from charisma of person to a charisma of office' (T.V. Wylie, 'Reincarnation: A Political Innovation in Tibetan Buddhism', Proceedings of the Coma de Koros Memorial Symposium, ed. Louis Ligeti, Budapest, 1978: 579-86, p. 584).   The figure's softly portrayed facial features parallel others from the Kagyu tradition of the same period including examples of the First and Sixth Shamarpa (Bonhams, Hong Kong, 5 October 2020, lots 15 and 18), the Fourth Shamarpa from the Claude de Marteau Collection (Bonhams, Paris, 12 June 2023, lot 35), and one of an identified Karmapa (Bonhams, Hong Kong, 30 November 2022, lot 1029).銅鎏金七世噶瑪巴確札嘉措像西藏 十六世紀/十七世紀早期著錄Meinrad Maria Grewenig 及 Eberhard Rist 編，《Buddha：2000 Years of Buddhist Art，232 Masterpieces》，弗爾克林根，2016年，頁474，編號210展覽「Buddha：2000 Years of Buddhist Art，232 Masterpieces」，弗爾克林根，2016年6月24日至2017年2月19日來源歐洲私人珍藏此尊莊嚴而寧靜的造像呈現七世噶瑪巴確札嘉措（1454–1506），其手印獨特，表徵菩薩之發願。噶瑪巴戴黑帽，象徵其為噶瑪噶舉內之領袖地位。確札嘉措之袍服在此得到極為細緻呈現，刻以精巧花樣以及雲紋。而自其背後可見一件頗為厚重之垂落於肩下，寬大衣領上刻團紋，並表現以垂直褶皺，十分富麗。至十三世紀，西藏的宗教社群尋求創建一種繼承模式，使得卓有聲望之領袖得以將其職位與財富交予下一代，從而穩固其體系之堅實的經濟、社會與政治基礎。噶瑪噶舉或許是第一個以轉世為基礎而建立傳承模式之派系。此舉確保了政治之連續性，並消除了血緣繼承所不可避免的手足相憎、相殘。最終，這促成了一種「將人之個體魅力轉化為一個傳承所固有之魅力」（見T.V. Wylie，〈Reincarnation：A Political Innovation in Tibetan Buddhism〉，《Proceedings of the Coma de Koros Memorial Symposium》，Louis Ligeti 編，布達佩斯，1978年，頁584）。造像所呈現的柔和的面部特徵，與同一時期噶舉傳承中的其他造像十分相似，例如一世及六世夏瑪巴像（邦瀚斯，香港，2020年10月5日，拍品15及18），來自克勞德 · 德 · 馬圖收藏之四世夏瑪巴像（邦瀚斯，巴黎，2023年6月12日，拍品35），以及另一尊身份未定之噶瑪巴像（邦瀚斯，香港，2022年11月30日，拍品1029）。Lot to be sold without reserve.This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com

STATUETTE DU QUATRIÈME SAKYA TRIDZIN, SONAM TSEMO, EN ALLIAGE DE CUIVRE DORÉTIBET, XVIE SIÈCLE Himalayan Art Resources item no. 1825 13 cm (5 1/8 in.) highFootnotes:A GILT COPPER ALLOY FIGURE OF THE FOURTH SAKYA TRIDZIN, SONAM TSEMO  TIBET, 16TH CENTURY  Provenance Sotheby's, New York, before 1976 Sonam Tsemo (1142-82) held office as Sakya monastery's 'throne-holder' (Sakya Tridzin) for only three short years before passing it to his younger brother so that he could devote his life to unencumbered study. He never married or fathered children, preferring the life of a retreatant, yet Sonam Tsemo remained a lay practitioner, indicated by his long-sleeved cloak. Revered for his scholasticism as the Sakya's Second Founding Patriarch (Jetsun Gongma Nga), his foundational texts include a commentary on the Bodhicharyavatara by Shantideva, explanations on the final two chapters of the Hevajra root tantra, instructions for reading Sanskrit, and Door to the Dharma, a text giving an overview of all of the Buddha's teachings.  Portraits of Sonam Tsemo, like the present lot, often show him wearing finely ornamented robes, with curled locks and a gentle countenance. Two further bronzes, and a painting of the master with his younger brother, Dragpa Gyaltsen, depict him similarly (HAR 7835; Bonhams, New York, 21 March 2023, lot 521; and Museum of Fine Arts Boston, 67.831, respectively). In all three sculptural examples, his cloak features a cloud-collar, a Chinese motif with connotations of heavenly authority. The cloud-collar was adopted by the Sakya, who enjoyed administrative rule of Tibet under Mongol hegemony during the Yuan dynasty (1279-1368). The imperial support of Sonam Tsemo's noble line shows further articulation in the engraved saptaratna ('seven jewels'), the insignia of a chakravartin, or divine ruler. The intricately chased robe and the inscribed visvavajra on the sculpture's consecration plate underneath pay homage to the dynamic Yuan-Sakya alliance, which at its peak fostered an environment of cultural and artistic syncretism that would precipitate the creation of such jewel-like expressions of this figure's esteem.銅鎏金四世薩迦法王索南孜摩像西藏 十六世紀 來源 蘇富比，紐約，1976年前索南孜摩（1142-82）僅僅擔任薩迦寺之座主（薩迦法王）三年 ，便傳位予弟弟，此後得以無所掛慮、潛心修習。 其一生從未結婚、生子，傾心於避世的生活，但從其衣袍之長袖可以看出，索南孜摩始終為一名在家修行者，而非出家僧人。其以學術成就聞名於世，為薩迦五祖之第二祖師，其核心著作包括對寂天菩薩《入菩薩行論》之詮釋、對喜金剛根本續最後兩章之闡述、梵文閱讀指引，以及概述佛陀所有教義的《佛法入門》。 如本拍品一樣，索南孜摩肖像大多顯示其身穿精美長袍，頭髮鬈曲，面容溫和。另見兩尊銅像（分別見喜馬拉雅藝術資源網7835號以及邦瀚斯，紐約，2023年3月21日，拍品521）以及一幅其與弟弟扎巴堅贊之畫像（波士頓美術館，67.831），刻畫皆近似。本拍品與前述兩尊造像中，祖師皆穿着雲肩，此符號成為於中國文化中天人權威之象徵。在蒙古人所治之元朝時期（1279-1368），薩迦派享有對西藏的行政統治權，並將雲肩納入其著裝範疇。當時蒙古宮廷對索南孜摩所代表的薩迦傳承之支持，更體現在長袍的精心設計的雕刻圖案上，例如所刻「七寶」象徵神聖統治者「轉輪聖王」。雕刻精美的長袍，以及封底所刻十字金剛杵，皆向元代宮廷與薩迦派之結盟致敬，這段聯盟的鼎盛時期孕育了文化與藝術的交融，催生出如此造像般熠熠閃光的、對偉大人物的尊崇的表現方式。Lot to be sold without reserve.This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com

STATUETTE DU CINQUIÈME SAKYA TRIDZIN, JETSUN DRAGPA GYALTSEN, EN ALLIAGE DE CUIVRE DORÉTIBET, XVE/XVIE SIÈCLE A Tibetan inscription around the rim of the base: རྗེ་བཙུན་གྲགས་རྒྱལ་ལ་ན་མ། Translated: 'Homage to Jetsun Dragpa Gyaltsen!' Himalayan Art Resources item no. 1815 18.1 cm (7 1/8 in.) high  Footnotes:A GILT COPPER ALLOY FIGURE OF THE FIFTH SAKYA TRIDZIN, JETSUN DRAGPA GYALTSEN   TIBET, 15TH/16TH CENTURY  Provenance  Sotheby's, New York, before 1976 This gilt bronze represents Jetsun Dragpa Gyaltsen (1147-1216), the Fifth Tridzin, or Throne Holder, of the Sakya order of Tibetan Buddhism. Dragpa Gyaltsen is quintessentially recognized by his shorn cut, groomed facial hair, and a full-sleeved layman's cloak. Like his father and older brother, Dragpa Gyaltsen was not a monk, though he spent most of his life in meditation, study, and teaching. Consequently, he is shown wearing a layman's long-sleeved garment underneath the meditation cloak draped over his shoulders. Regarded as the third of the Five Founding Fathers of the Sakya tradition (Jetsun Gongma Nga), Dragpa Gyaltsen is revered as a peerless tantric master, believed to have conversed directly with tantric deities while developing many of the Sakya's core teachings (Dinwiddie (ed.), Portraits of the Masters, 2003, p. 207). As his impact in the field of tantric theory and practice would never be surpassed in the Sakya tradition, he is often represented with the same attributes and pose—crossing the vajra and ghanta before his chest—as the Primordial Buddha Vajradhara, who is considered the divine progenitor of most tantric cycles.  This splendid portrayal of Dragpa Gyaltsen comes from a set depicting the historical and legendary teachers of the Lamdre tradition. Also known as the Margapala Instruction Lineage and the 'Path within the Result', Lamdre is a system of tantric meditation, teachings, and rituals that became the Sakya order's foundational practice. Numerous portraits from this set are preserved in museum and private collections, including a figure of Virupa (Heller, Tibetan Art, 1999, p. 164, no. 89); Mahasiddha Avadhutipa (Zhang (ed.), Dependent Arising: Himalayan Art, 2017, pp. 124 & 260, no. 22); Drogmi Lotsawa Shakya Yeshe (fig. 1; Museum Rietberg, Zurich BA 226; Sachen Kunga Nyingpo (Arts of Asia, May - June 1998, advertisement); Sonam Tsemo (Huang, Studies on the History of gDan-sa-mthil Monastery of Tibet, 2016, p. 5); Sakya Pandita (Rubin Museum of Art, New York; HAR 65460); and Chogyal Phagpa (Christie's, New York, 15 September 2015, lot 91). Much like the following work, each of these bronzes is seated atop a circular base with wide, unfurling lotus petals and an inscription hammered in pointillé along the lower rim. Also noteworthy are the similar floral embellishments and piled folds of his clothes to that of the Sachen Kunga Nyingpo and Sonam Tsemo within this set.For the figures listed in this essay, please refer to our printed or digital catalogue.銅鎏金五世薩迦法王扎巴堅贊像西藏 十五/十六世紀來源蘇富比，紐約，1976年前此尊鎏金銅像呈現傑尊 · 扎巴堅贊（1147-1216），為第五世薩迦法王，又稱座主。扎巴堅贊因其極為經典的整齊短髮、延伸至面部之髮鬚，以及俗家弟子之長袖衣袍而得以清晰辨認。如同他的父親和哥哥一樣，扎巴堅贊並非出家僧人，儘管他曾將一生中大部分時光用於冥想、學習和教學。因此，其觀想所披之外衣下見一件長袖俗家服裝。作為薩迦五祖之第三祖，扎巴堅贊被尊崇為無與倫比的密宗大師，據信他能夠直接與密宗神明交談，並發展了許多薩迦派之核心教義（見Dinwiddie編, 《大師肖像》，2003年，頁207）。由於扎巴堅贊於密宗理論和實踐領域之影響力在薩迦派中無人能及，他時常被呈現於原初佛金剛總持之姿態與法器——手中交叉金剛杵及金剛鈴。金剛總持被視為大多數密宗教法之神聖始祖，故可見扎巴堅贊之崇高地位。這尊華美的扎巴堅贊像出自一套呈現「道果」法脈歷史上及傳說中之偉大上師之造像組。「道果」法脈為一套包含密宗之觀想、教義和儀式之體系，為薩迦派之根本性實踐基礎。造像組之多尊現保存於博物館以及私人收藏之中，包括毘魯巴像（見Heller，《Tibetan Art》，1999年，頁164，編號89），大成就者阿瓦度帝巴像（《緣起——喜馬拉雅藝術》，2017年，頁124及260，編號22，卓彌釋迦益西像（圖1，蘇黎世瑞特堡博物館藏，編號BA 226），薩欽貢嘎寧波像（《Arts of Asia》，1998年5-6月刊，推廣頁），索南孜摩像（黃，《Studies on the History of gDan-sa-mthil Monastery of Tibet》，2016年，頁5)，薩迦班智達像（紐約魯賓藝術博物館，喜馬拉雅藝術資源網65460號），以及八思巴像（佳士得，紐約，2015年9月15日，拍品91）。正如此尊造像，上述造像每一尊皆安坐於一圓形、帶有舒展花瓣之底座，且其底緣帶有細點構成之銘文。此外，值得關注的是上述薩欽貢嘎寧波像以及索南孜摩像衣物上所刻花紋以及衣褶垂落而形成的褶皺，此尊扎巴堅贊像亦然。關於文中所提及之參考圖，請參閱此場拍賣之電子或紙質圖錄。Lot to be sold without reserve.This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com

An oak Art Deco mantel cloak and a further walnut example, tallest 22cm.

Michael Ayrton, British 1921-1975 - Street Corner, 1949-50; oil on panel, signed lower right 'Michael Ayrton', 36 x 45 cm (ARR) Provenance: The Redfern Gallery, London (label attached to the reverse of the frame); Col. A. S. Richardson, purchased from the above on the 20th June 1951 (according to the label attached to the reverse) and thence by descent Note: Ayrton exhibited with Redfern in the late 1940s and a painting of a similar subject 'Encounter No 1, 1947' originally with the gallery, depicting two figures in an alleyway, one wearing a cloak, is now in the Jerwood Collection. In the late 1940s Ayrton had visited Italy, where he was inspired by the artists of the quattrocento such as Masaccio and Piero della Francesca. The impact of their work can be seen in the highly tonal use of colour and careful drawing and modelling of the figures. 

1930s Lenci pottery figure of Madonna wearing a hand painted cloak, signed to base and baring a paper label 'Lenci 566 Turin Italy' 29.5cm highVery good condition with no chips or cracks

Follower of Christian Wilheim Ernst Dietrich - Portrait of a Bearded Man in a Red Cap; Portrait of a Bearded Man in a Fur Cloak,  a pair, oil on panel, 9.4 x 12.8cm (2) Both in apparently good condition, under glass, in ornate high relief gilt frames, unexamined out of frames

English School, early 19th c - Portrait Miniature of a Young Woman, possibly an actress, in brown dress and red cloak, ivory, 95 x 71mm   Provenance: anon sale, Christie's, Edinburgh, 12 July 1995, lot 237   Please note Mellors & Kirk have applied for an exemption licence for the ivory in this lot. Ref: 9VSQ6CF8 Slight scratches and loss of medium

12 boxed Myth & Magic figures - The Magic Cloak, How Much Longer Is She Going To Be?, Meditation, The Scarlet Shield, There's Nothing Like Winning!, The Dragon Hunter, Crystal Raider, Releasing the Magic Waters, The Celtic Defender, Summoning the Serpents, Guardian of the Settlement and Invoking the Spell

SPECTACULAR SPIDER-MAN #53, 55, 57, 58, 60, 62-87, 89-168, 170-174, 201-207, 209, 210 + ANNUAL 8 (126 in Lot) - (1983/1994 - MARVEL) - Includes the first appearance and origin of Cloak and Dagger, the second appearance of Spider-Man's black costume, first cameo and full appearances of the Answer, Spot & the Foreigner + the death of Jean DeWolff

A 9ct Gold Ladies Chain Link Wristwatch, two pairs of enamel jockey earrings, stamped '925', cloak brooch, etc

First piece of the Masquerade trilogy. This annual edition is created from clear crystal with satin crystal face and collar. His costume is adorned with colored crystal buttons on cloak, hat and shoes. Swarovski backstamp. 7400 099 000. This item has its original box: 6"L x 10"W x 5.5"H. Certificate of Authenticity included. This item has an oval base included: 5.5"L x 3.5"W x 1.5"H. Artist: Adi StockerIssued: 1999Dimensions: 4.5"L x 3.5"W x 8"HManufacturer: SwarovskiCondition: Age related wear.

A LACQUERED GILT BRONZE FIGURE OF BUDDHA, THAILAND, 18TH CENTURY standing with right hand raised in abhaya mudra, his left holding a fold of his cloak, his elongated earlobes with pendant earrings, wearing a flared crown surmounted by tiered pointed usnisa, mounted, 55cm high

A MARBLE STANDING FIGURE OF BUDDHA, BURMA (NOW MYANMAR), 19TH CENTURY his right hand raised in abhaya mudra, his left holding a fold of his cloak, traces of lacquer and gilding, mounted, 101.5cm highProvenance: Private collection, Kensington, London

A PAIR OF NORWEGIAN SILVER CLOAK BUTTONS, C.1800. Marked with a maker's mark and stamped K.T.S. to the backs. 3 cm. dia. 40 g.

Quantity of military badges to include silver GRV king and empire service rendered badge impressed 'B207726' to reverse, 1916 'On war service' badge by J.H.Gaunt impressed '57216', GRV service button hole badge, Scottish cloak badge of rampent lion bearing national motto "NEMO ME IMPUNE LACESSIT" together with United states of American Airforce enlisted service cap badge with screw back. etc

Vintage theatrical costumes, mostly late 20th century to include brocade and velour frock coats, armour/ chainmail effect tabards, a vintage police cloak with lions head cloak fastening and others (qty)

A vintage chinese woman's robe made from a rose gold silk and hand embroidered in shades of blue along with a 1930s reversible kimono robe that had an antique cloak pin used as a closure (the pin does pull out and leaves a pin hole, but no other damage). (2) faint marks on the embroidery on the front of the Chinese robe,. kimono robe shows age and wear and the lighter side has marks/ discolouration. 

An Art Deco painted spelter table lamp base in the form of a nude female with cloak draped behind, height 27cm.Condition Report: This is very heavy, lacking the light fitments and any shade. This is just the base.

43-150 A.D. Standing adorant, wearing a knee-length tunic, the right arm held across the body to support the left hand raised to the mouth; mounted on a custom-made display stand. Recorded with the Portable Antiquities Scheme no.NLM995. 102 grams total, 83 mm including stand (3 1/4 in.). Found whilst searching with a metal detector in East Lindsey, Lincolnshire, UK, on Wednesday 19th August 1998. From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. Accompanied by a copy of the British Museum's Portable Antiquities Scheme (PAS) report no.NLM995.This small statuette of a male figure in short hooded cloak (cucullus) has the left arm raised towards the chin, and the right arm lies on left arm just below the wrist. A similar statuette in PAS is identified as possibly depicting an adorant. [No Reserve]

1st millennium B.C. Comprising: Amlash bronze cloak pin, the top of the shank decorated with encircling bands of various widths and surmounted by a conical head, a piercing in the shaft allowed for the attachment of a crescentic slip-ring, the surface with areas of corrosion, the very tip broken away; similar with pierced lug finial and four radiating birds' heads; each with old collector's label '10633' and '10689'; each mounted on a custom-made display stand. Cf. Moorey, P.R.S., Catalogue of the Ancient Persian Bronzes in the Ashmolean Museum, Oxford, 1971, pl.43, no.248, for type. 113 grams total, 15.2-15.5 cm including stand (6 - 6 1/8 in.). Acquired on the UK art market 1970s-1980s. Private collection, London, UK. [2, No Reserve]

Circa 14th-15th century A.D. Obverse with wayfarer in profile wearing hooded cloak and carrying a staff and bundle, reverse with quatrefoil. 0.56 grams, 17 mm (5/8 in.). Found Billingsgate spoil from the Thames foreshore, London, UK, circa 1984. Property of an Essex collector. [No Reserve]

127-151 A.D. Kushan standard, Bactria, main mint (probably Balkh), late phase. Obv: ÞAONANOÞAO KA-NHÞKI KOÞANO, Kanishka I standing facing, head left, with long beard, flame emanating from right shoulder, wearing round cap with ladder-like brim, diadem tie with two ribbons to right, cloak around shoulders double-clasped at chest with corner folds pointing left and right, worn over belted tunic, trousers, and boots, sacrificing with right hand over altar at left, grounded spear in left hand, sword with curved hilt held by buckled belt; dotted border beneath feet. Rev: OHÞO, Oesho (Siva or Shiva) standing facing, nimbate head left, hair in topknot, wearing dhoti, bracelets, and armlets with amulet string across chest, pouring water from flask in extended lower right hand, holding vajra (thunderbolt) in raised upper right hand, transverse trident in raised upper left hand, holding a he-goat by the horns at hip in lower left hand; tamgha without crossbar to left, dotted border. Very fine/good very fine. ANS Kushan 382-384, Göbl, MK 78. 1.99 grams, 12 mm. . Property of a London, UK, gentleman.

70-57 B.C. Obv: long-bearded bust left wearing tiara (T39ii) decorated on side with horn and stags with prominent antlers around crest; circular border of pellets. Rev: beardless archer wearing bashlyk and cloak seated right on throne, holding bow in right hand; below bow, monogram [~], ????????? read from outside in six-line Greek inscription = ???????? ??????? ??????? ????????? ????????? ??????????. Sellwood 39.5 variant. 4.05 grams, 20 mm. . Property of a London, UK, gentleman.

70-57 B.C. Obv: long-bearded bust left wearing tiara (T39ii) decorated on side with horn and stags with prominent antlers around crest; circular border of pellets. Rev: beardless archer wearing bashlyk and cloak seated right on throne, holding bow in right hand; below bow, monogram [~], ????????? read from outside in six-line Greek inscription = ???????? ??????? ??????? ????????? ????????? ??????????. Sellwood 39.5 variant. 4.01 grams, 21 mm. . Property of a London, UK, gentleman.

70-57 B.C. Obv: long-bearded bust left wearing tiara (T39ii) decorated on side with horn and stags with prominent antlers around crest; circular border of pellets. Rev: beardless archer wearing bashlyk and cloak seated right on throne, holding bow in right hand; below bow, monogram [~], ????????? read from outside in six-line Greek inscription = ???????? ??????? ??????? ????????? ????????? ??????????. Sellwood 39.5 variant. 4.00 grams, 20 mm. . Property of a London, UK, gentleman.

57-54 B.C. Obv: short-bearded bust left wearing double-banded diadem and segmented necklet with medallion; circular border of pellets. Rev: beardless archer wearing bashlyk and cloak seated right on throne, holding bow in right hand; below bow, Greek letter K; no border; seven-line Greek inscription: BA?I?E?? ME?A?oY AP?AKoY E?I?ANoY? ?IKAIoY ?EoY EY?AToPo? KAI ?I?E??HNo?. 3.97 grams, 19 mm. . Property of a London, UK, gentleman.

70-57 B.C. Obv: long-bearded bust left wearing tiara (T39ii) decorated on side with horn and stags with prominent antlers around crest; circular border of pellets. Rev: beardless archer wearing bashlyk and cloak seated right on throne, holding bow in right hand; below bow, monogram [~], ????????? read from outside in six-line Greek inscription = ???????? ??????? ??????? ????????? ????????? ??????????. Sellwood 39.5 variant. 4.04 grams, 21 mm. . Property of a London, UK, gentleman.

90-78 B.C. Obv: medium-bearded bust of Orodes left wearing Median bejewelled tiara with eight-point star in triple dotted border and pellet-ended torque Rev: beardless Archer (Arsakes I) wearing bashlyk and cloak seated right on throne, holding bow in right hand, six-line legend in square around above BA?I?E?? ME?A?OY, on right AP?AKOY, below AYTOKPATOPO? ?I?O?ATOPO?, on left E?I?ANOY? ?I?E??HNO?. 4.09 grams, 20 mm. . Property of a London, UK, gentleman.

50 B.C.-50 A.D. Obv: wreath, cloak and crescents. Rev: disjointed horse right with pellet group above. S.371, ABC 2175; V.1290, BMC 2790-2859. 2.57 grams, 18 mm. . From a 1980s UK collection. Property of a London antiquarian. [No Reserve]

Mid 1st century B.C.-mid 1st century A.D. Obv: wreath, cloak and crescents. Rev: disjointed horse left with rectangular head, pellets above, eye behind and pellet below. ABC 2166, BMC 2525-2731, S.367. 2.7 grams, 18 mm. . Property of a North London, UK, gentleman. [No Reserve]

37-41 A.D. Struck under Caligula. Obv: M AGRIPPA L F COS III, head left wearing rostral crown. Rev: S-C, Neptune standing facing, head left, naked except for cloak draped behind him and over both arms, holding small dolphin in right hand and vertical trident in left. RIC 58, Sear5 #1812, Cohen 3. 10.87 grams, 28 mm. . Property of an Essex, UK, collector. [No Reserve]

1st-2nd century A.D. Standing in contrapposto pose, wearing a cloak draped from the right shoulder and tucked around the left arm supporting a caduceus with snake-head finials; broad-brimmed petasos with wings on the crown; the right arm held vertically at the side supporting the marsupium coin-purse; mounted on a custom-made display stand. Cf. Boucher, S. & Tassinari, S., Musée de la Civilisation Gallo-Romaine a Lyon: Bronzes Antiques I. Inscriptions, Statuaire, Vaisselle, Lyon, 1976, item 49, for type; see also Boucher, S., Recherches sur les Bronzes Figurés de Gaule Pré-Romaine et Romaine, Rome, 1976. 111 grams total, 88 mm including stand (3 1/2 in.). From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.Mercury was the god of trade and industry, whose principle shrine in the city of Rome was at the Circus Maximus. The draped mantle is typical for statuary of Mercury from the 1st-2nd century A.D. (Boucher, pl.40, 43) as is the caduceus (Boucher, pl.46 (211)). [No Reserve]

4th-6th century A.D. Discoid appliqué with beaded rim and a repoussé imperial bust to the centre, the bearded male looking right and wearing a laurel wreath and a military cloak. Cf. Sannazzaro, M., Giostra, C., Petala Aurea, Gold-Sheet-work of Byzantine and Lombard Origin from the Rovati Collection, Truccazzano, 2014, no.10, for a circular gold sheet with imperial image. 3.46 grams, 64 mm (2 1/2 in.). Acquired in the early 1990s. From the collection of a London antiquarian. Accompanied by an academic report by Dr Raffaele D'Amato.The subject is represented as an imperator or field general, recalling the image of a victorious emperor, iconography widely in use in the late Roman Empire. [No Reserve]

2nd century A.D. Hollow-formed with short hair and a beret, wearing a paenula military cloak extending to the hips; mounted on a custom-made display stand. See Reinach, S., Répertoire de la statuaire Grecque et Romaine, Paris, 1897, pp.469-470. 110 grams total, 90 mm including stand (3 1/2 in.). From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.Telesphorus, dressed in the Gallo-Roman manner with the long hooded military cloak (folded on his back), was the subject of many votive statuettes in Roman Gaul. Son of Aesculapius, god of medicine, he certainly had a connection with the world of healing and medical care, and was associated with his sister Hygeia. He belonged to the Celtic pantheon and was spread to the East by the Galatians of Asia Minor. His cult then spread to the West, particularly in the Hadrianic period, as attested by his images found on the Wall at Birdoswald. [No Reserve]

Circa 6th-8th century A.D. Central incuse image of a nimbate figure wearing an armour and cloak, holding a staff, text to the border 'IWANNE [...] (=iohannes= John). 1.23 grams, 13 mm (1/2 in.). From a late Japanese specialist collector, 1970-2000s.

A silver engine turned rectangular cigarette case, with initials and other items. The cigarette case with a reserve with initials 'W.A.G.' and internally engraved 'W. A. Gittins', hallmarks for Birmingham 1930; a silver engine-turned 'buckle' bangle, mark of Charles Horner, Chester 1945, 17g; a pair of filded oblong baton-twist cufflinks and a tie tack all marked 'Silver'; and a horseshoe and St Christopher 'good luck' cloak clasp, marked 'Silver'; the lot weighs approx. 137g gross

A Large Irish Silver Cloak Pin, signed Johnson Ltd., Dublin, 74.6mm longest measurement, 35.3g

POW! (1968) 51-86 (final issue) No 53 wfg Flying Saucer (lacking press-out card). Reprinting U.S. Amazing Spider-Man # 21-29 and Fantastic Four # 27-34 plus Experiment X and The Two Faces of Janus with The Cloak, Dare-A-Day Davy and The Dolls and the Tiddlers. A few [vg-], balance [vg/fn] (36)

An unusual pottery figure titled 'Motherhood', impressed date 1919 and painted date 1921, modelled as a standing female wearing a long blue/black cloak holding a baby, two small children hiding within the front folds of the cloak, impressed and painted marks to base, height 19cm.

believed to be from Iiocos in the Philippines which was a Spanish colony, the polychrome carved figure wearing a crown and blue cloak and floral dress, set on a perspex base, 39cm high including base Provenance - Private UK Collection, baring old label to reverse "Saint Helen Provenance Iiocos", Note - for similar example examples see Bonhams 22nd June 2015 lot 2361.

Hand crafted wooden doll is a nod to Arthur Conan Doyle's Sherlock Holmes character. Created with hat, pipe and cloak as the original would have worn. Steinbach impressed mark. Issued: 20th centuryDimensions: 5"L x 5"W x 12"HManufacturer: SteinbachCountry of Origin: GermanyCondition: Age related wear.

Russian Orthodox oil on board painting of a saint. The bearded figure raises one hand from underneath his cloak. He is portrayed against a gold background with a radiant halo.Unframed; height: 5 1/4 in x width: 4 1/2 in x depth: 1 in.Condition:The colors are slightly faded. There is craquelure throughout and chipping around the face in particular. There are signs of inpainting throughout when examined under UV light. There are several boreholes along the verso.

This Royal figurine, DB115, depicts the heralder in a yellow and green cloak and was a Special Edition of only 300 made for the International Doulton Collectors Weekend. Royal Doulton backstamp. Issued: 1985Dimensions: 2.5"L x 2"W x 3.75"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

Marvel Comics: 3 Peter Parker: The Spectacular Spider-Man key issues (1982).This lot features:Peter Parker: the Spectacular Spider-Man (1st series) Nos. 1, 1st print pence copy. Tarantula appearance.Peter Parker: the Spectacular Spider-Man (1st series) Nos. 64, 1st print, cents copy. Featuring the 1st appearance of Cloak and Dagger.Peter Parker: the Spectacular Spider-Man (1st series) Nos. 116, 1st print, cents copy. Featuring the 1st appearance of The Foreigner.Issue complete without cut coupons or missing pages.Issue comes bagged and boarded in brand new polyethylene bags and comic boards.~(3)Condition Report: Vary from Mid to High Grade.

Marvel Comics: Marvel Tales and Mixed titles. 40 issues (1969s onwards).Marvel Tales featured many classic reprints of early Amazing Spider-Man issues and 1st appearances of key spider-Man villains.This lot features:Marvel Tales (1st series) Nos. 20, 26, 141-143, 158, 160, 174, 177, 178m 181, 184, 191, 192, 193, 195.Cloak and Dager (1st series) Nos. 1-11. Iceman (limited series) Nos. 2-4Comet Man (1st series) Nos. 1-6.1st prints. Cents and pence copies included. Price stickers to some covers.Issues complete without cut coupons, missing value stamps or missing pages.~(40)Condition Report: Price stickers to some covers.Majority of lot varying from Low to Mid-Grade condition.

Marvel Comics: Peter Parker the Spectacular Spider-Man No. 64 (1981).Featuring the 1st appearance of Cloak and Dagger. Key Marvel 1st appearance issue.This lot features:Peter Parker the Spectacular Spider-Man (1st series) No. 64, 1st print, cents copy. Creators: Story by Bill Mantlo. Interior art by Ed Hannigan. Inks by Al Milgrom. Cover art by Ed Hannigan and Al Milgrom.Complete without cut coupons or missing pages.Issues come bagged and boarded in polyethylene bag and comic board.~(1)Condition Report: FN (Fine) condition (6.0)

Marvel Comics: A group of 49 Peter Parker the Spectacular Spider-Man comics featuring notable issues and multiple first appearances (1980 onwards).A selection of notable issues from the second main ongoing spider-Man series.This lot features:Peter Parker The Spectacular Spider-Man (1st series) No. 51-63, 65-100, all issues 1st prints, cents copies. No. 60 featuring the origin of Spider-Man retoldNo. 69 featuring the 2nd appearance of Cloak & Dagger.No. 72 featuring the 1st appearance of Ollie Osnick as Doctor Octopus.No. 82 featuring the 1st battle of The Punisher versus the Kingpin.No. 90 featuring the 2nd appearance of Spider-Manss black costume.No. 92 featuring the 1st full appearance of the Answer.No. 94 featuring the 1st cameo appearance of Jonathan Ohnn, who later becomes Spot, as seen in Spider-Man: Across the Multi-verse.No. 98 featuring the 1st Full appearance of Spot, a villain who has the power to Teleport.No. 99 featuring the 2nd appearance and 1st cover of Spot.Creators: Stories by Gerry Conway and Roger Stern. Interior artwork by Sal Buscema, Herb Trimp and Edd Hannigan. Inks by Mike Esposito and Jim Mooney. Cover art by Al Milgrom and Frank Giacoia. Other creators contribute. Issues complete without cut coupons or missing pages.~(49)Condition Report: Average condition varies between FN/VF (Fine/Very Fine) condition (7.0) to VF (Very Fine) condition (8.0).Some very slight pen/ pencil marks to back of some covers.

Ancient British, Durotriges, mainstream series c. 58 BC - AD 43, 'Cranbourne Chase' silver Staters, wreath, cloak and crescents [the devolved head of Apollo], rev. disjointed horse, 12 pellets above and one below, 4.47 & 5.08g (ABC 2157; VA 1235-1). Good very fine or better. (2)

A BOX CONTAINING A COLLECTION OF BOXED AND UNBOXED STAR WARS AND LORD OF THE RINGS FIGURES AND GAMES, to include a boxed 2002 Toy Biz Lord Of The Rings The Two Towers two piece figurine set, figures include Pippin with Sword-Slashing action and Elven Cloak and Ugluk with Sword slashing and whipping action, item number 81177, a boxed 1998 Kenner Star Wars Electronic Darth Vader figure numbered 27729, a boxed 1998 Hasbro Star Wars Episode I Darth Maul figure, a boxed 1998 Hasbro Star Wars Episode I Jar Jar Binks figure, a 1995 Kenner Star Wars The Power of the Force Luke Skywalker figure inside blister pack, a 1999 Hasbro Star Wars Episode I Amidala figure numbered 84111, inside blister pack, a 1999 Hasbro Star Wars Episode I Rune Haako figure numbered 84091, inside blister pack and a 1999 Hasbro Star Wars Episode I Qui-Gon Jinn figure, numbered 84072, inside blister pack, all figures appear in good condition housed inside their plastic and cardboard packaging or blister packs, all outer packing/ blister packs do show signs of crushing and wear to sharp edges and corners, also included is a sealed 1997 Hasbro Interactive Star Wars Twenty Years 1977-1997 Collectors CD-Rom edition Monopoly game numbered 49102102, appears to have never been opened housed inside Monopoly boxed and sealed round the outside, small hole to the plastic seal on the top of the box but otherwise in good condition, some previous price stickers and sticker security tag still present, also included are two action figures from The Phantom Menace and a 1999 Mattel doll

Edwin T. Smith "Harriet - Baroness de (a Zouche, died 1870)" head and shoulder portrait of young girl with lace bonnet and coral necklace, Signed, approx. 18cms x 12cms (7" x 5"), gilt frame; together with a miniature of a Young Man in black hat and cloak, in ebonised frame. (2)

John Butler Yeats, RHA (1839-1922) "Patrick O'Leary," O.O.C., half length portrait of a young Gentleman wearing long black cloak and cravat, [studio], approx. 44cms x 35cms (17 1/4" x 14"), signed lower right, m/ss label on reverse 'Patrick O'Leary, Dublin, by J.B. Yeats 1872 painted in London' gilt frame. (1) Provenance: Nelson Bell Collection - The Bell Gallery, Belfast