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Lot 555

Oil on canvas. It depicts in the centre, surrounded by small angels, a young virgin, with an affable gaze and youthful face, dressed in a long white tunic and a beautiful blue cloak with details embroidered in gold thread with lace and gems, both elements symbolizing purity and innocence. Her head, crowned by the twelve stars, is highlighted by the light of the halo. Two large vases filled with flowers, including small lilies, arranged under beautiful velvet curtains, flank the image. No signature.Restored in 1977 in the Diocesan Museum "Regina Coeli" in Santillana.Size: 168 x 125 cm

Lot 69

A carved jade figure, ochre-coloured with reddish-golden flecks, depicting the figure of the monk Bodhidharma standing firm, with his left leg bent, on the back of a small foo dog with a raised head and curled tail.He is dressed in a long robe knotted at the hips by a thin belt, and a cloak draped over his shoulders. His face has a relaxed countenance, with wide eyes, a broad nose, long ears and a thick beard. A thin, curled turban covers his head. The piece is set on a wooden base carved with fine branches and flowers. Size: 12.5 x 4.4 x 6.3 cmWeight of jade: 440 g

Lot 1199

Marvel Comics: a group of 57 mixed Bronze-age titles and issues (Marvel Comics, 1970 onwards).Titles included:The Invincible Iron Man, GI. Joe, The Punisher, Cloak and Dagger, Conan, Captain America, silver Surfer, Daredevil and others.Vast majority of copies all 1st print, cents copies. ~(57)Condition Report: Majority in Mid Grade condition.Price stickers to some covers.

Lot 1557

3 Scottish Celtic penannular cloak pins, including amethyst example (3) Lot sold as seen unless specific item(s) requested

Lot 212

OCTAVIUS OAKLEY (1800-1867) watercolour - Farm girl in a red cloak and straw hat with scythe and wheatsheaf, 48 x 30cmsProvenance: private collection LondonComment: good with slight fading and rippling, framed and glazed.

Lot 44

Novohispanic School. Mexico. 18th century."Allegory of Africa and South America"Pair of oil paintings on canvas. Relined.136,5 x 88,5 cm. each.Profusion and meticulous detail, excellence in drawing, joyful colors, and great elegance overflow in these two allegories of two of the four known continents between the 16th and 17th centuries.Africa is depicted by an anonymous Mexican palette, painting her as a Renaissance Sibyl: dominating the scene over a black slave offering her the finest jewels as if she were a queen, beside a lion symbolizing her "strength," and with a basket "abundant" with wheat and food (an allegory of Fortune), representing wealth.America, with ships in the background "discovering" new enclaves, is portrayed as a Princess with a cloak made of the rarest and richest tropical bird feathers from the Amazon paradise, with cacao at her feet, offered to Europe as pure "gold."Jewels and brooches adorn their headdresses and garments, breastplates, almost appearing embroidered to perfection, belts laden with precious stones, and fabrics never seen before. Notably, the characterization of the garments, with curiously Latin American geometric decorations, is observed in the female representation of Africa.This pair of two beautiful women, richly dressed and adorned, full of luxurious details, reflects the projection of two known continents and possibly formed part of a grand design for a majestic decoration, fit for kings and prominent people.

Lot 1020

‡ &nbspA STAFFORDSHIRE CREAMWARE FIGURE OF A TURK CIRCA 1760 Of Whieldon type, standing wearing a turban and in a flowing cloak over a buttoned coat tied with a sash, his right hand holding a dagger at his waist, splashed in grey, green, blue and yellow glazes on a circular mound base 14.5cm high Provenance: The Price Glover Collection of Fine English Pottery; Christie's London, 14 June 1988, lot 110. Cf. Leslie B. Grigsby in English Pottery, 1650-1800 The Henry H. Weldon Collection, pl. 300, no. 85 for a similar example; also Christie's, London, 10 October 1988, lot 116. Condition Report: Restored at the neckPlease see additional images available from the Dept. upon request.Condition Report Disclaimer

Lot 6105

An early 20th Century A.W. GAMAGE LTD THEATRICAL COSTUMIERS, HOLBORN: red rich cotton child's fancy dress costume with black softly ruched applied almond shaped segments edged in red, sequins, comprising tunic, breeches, cloak, cap, red leather slippers and fan (fan A/F)

Lot 1256

Variation One. Dark green deerstalker hat; brown cloak.Arthur Conan Doyle (1859 - 1930), an unsuccessful doctor, published the first of his widely popular detective stories in 1887. The amateur sleuth Sherlock Holmes shared rooms on Baker Street, as well as many adventures, with his friend and foil, Dr. Watson. Artist: Alan MooreIssued: 1973 - 1996Dimensions: 3.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Good.

Lot 1161

Variation One. Black hat, red cloak, black hair and moustache. One of the much-loved three musketeers in the 1844 novel by Alexandre Dumas, Porthos roamed Europe with his merry band in search of adventure. " One of the Three Musketeers" was included in the early backstamp to indicate that Porthos was one the famous Musketeers.Series: Characters From Literature/The Three Musketeers. Royal Doulton backstamp. Artist: Max HenkIssued: 1956 - 1991Dimensions: 7.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

Lot 1244

Variation One. Black hat; red cloak; black hair and moustache. One of the much-loved three musketeers in the 1844 novel by Alexandre Dumas, Porthos roamed Europe with his merry band in search of adventure. " One of the Three Musketeers" was included in the early backstamp to indicate that Porthos was one the famous Musketeers.Series: The Three Musketeers; Characters from Literature. Royal Doulton backstamp. Artist: Max HenkIssued: 1956 - 1991Dimensions: 4"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

Lot 1173

Dark blue tam, green cloak.In a poem written by Robert Burns in 1791, Tam O' Shanter is a drunken farmer who happens upon witches who pursue him and his horse. He escapes, but his horse doesn't quite make it - one witch pulls its tail off. The Scottish woolen cap is reputedly named after this poem's hero. Royal Doulton backstamp. Artist: Max HenkIssued: 1973 - 1980Dimensions: 7"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Good

Lot 157

The 2nd West York Yeomanry Cavalry Interest: - a 19th Century Undress Sabretache Badge, of three part construction in gilt brass and white metal, with Prince of Wales' plumes over Yorkshire Rose within a circlet 2ND WEST YORK YEOMANRY CAVALRY, with ribbon below PRINCE OF WALES' OWN, the reverse with five fixing posts, 11cm by 6,5cm; a brass belt clasp applied with a white metal Yorkshire Rose; an officer's gilt brass cloak fastening chain; and two gilt brass buttons (5)Footnote: - The 2nd West York Yeomanry Cavalry was regarded as one of the most efficient corps. It was disbanded in 1894 due to a lack of officers willing to serve. There were two troops at Halifax, one at Bradford and one at Huddersfield. Raised in 1843, they were originally called the Morley and Agbrigg Yeomanry. After disbandment, many of the former West Yorks joined the Yorkshire Dragoons - but there is no filiation between the two units.

Lot 412

John Montague: The Great Cloak, 1978, Dolmen Press,HB SIGNED, Limited Edition, no 69 of 75, in slipcase; All Legendary Obstacles (drawings by Barrie Cooke), 1966, Dolmen Press, HB, Limited to 350 copies SIGNED (2)

Lot 153

A Derby porcelain figure of William Shakespeare, c.1770-5, after Peter Scheemakers, with a scroll inscribed in gilt with verses from The Tempest, leaning on books on a pillar, wearing a turquoise cloak, with gilt highlights, on a scrolled base, 30cm highProvenance: The collection of John Savident (1938-2024) Condition ReportMissing fingers, chips to the scroll and pedestal.

Lot 307

▲ Eugenio Pattarino (Italian, 1885-1971), an Art Deco porcelain Venetian masked lady, modelled wearing a hat, a cloak and a mask, inscribed to the reverse and labelled 'Casa Del Regalo Bortoli Venezia', 21.5cm wide 31.5cm highCondition ReportCrazing and rubbing. Minor chips to the fringing and cloak and hat.

Lot 303

A Pirkenhammer porcelain figure 20th century, of an exotic dancer, wearing a gilt crown and patterned cloak, printed Pirken-Hammer mark, 38cm highand a porcelain figure, of a girl holding her hat in the wind, a hat box beside her, unmarked, 24cm high (2)Condition ReportRubbing to the gilt crown and the other with rubbing to the hat.

Lot 588

Hand painted figure of a beautiful 18th century lady in a pink gown, purple cloak, and white ruffled linen cap with a blue ribbon bow. Royal Doulton backstamp. Artist: Leslie HarradineIssued: c. 1947-1950Dimensions: 4.75"L x 4"W x 7.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

Lot 255

AFTER FRANCOIS GIRARDON (1628-1715), AN EQUESTRIAN BRONZE OF LOUIS XIV ON HORSEBACK FRENCH, 19TH CENTURY On a variegated green marble plinth of arched rectangular form bronze 41.5cm high, overall height 56cm high, 41cm wide, 20.5cm deep Provenance: Purchased Christie's London (5191), 1994, Lot 19 (£7,058) Private Collection, London This bronze is a reduction of the monumental equestrian statue of Louis XVI which was cast by Balthasar Keller in 1692 and installed in the Place Louis-le-Grand (Place Vendome) in Paris in 1699. The bronze was destroyed in 1792 during the post-revolution years. Designed by the sculptor Francois Girardon, the statue was conceived as the centrepiece to the square created by the architect Jules Hardouin-Mansart. Girardon depicted Louis XIV as a Roman emperor in the manner of antique classical statues. Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. The whole- slightly dirty- some build up of dirt to recessed areas- such as back of cloak. Paler patination form handling/age/dusting notably to- face, tops of horse's head and neck, mixed speckled patination, Front right leg with holes and repairs to fracture Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer

Lot 314

Kenner Star Wars Vintage Sandpeople 12 Back-B AFA graded C75 B80 F85 (graded in 2006). Note that the figure is graded C85 (in 2006). However there is noticeable plastic degradation to the cloak. Which is likely this occurred after the grading process.The card also has a faint ink line across the middle.  

Lot 2

Attributed to Sir William Segar (fl.1588-1633) Portrait of Gilbert Talbot, 7th Earl of Shrewsbury, three-quarter-length, in a grey and white striped doublet with white ruff, and a black cape and black hatinscribed 'ANNO:1596:/AETAT:SUAE/:43:', oil on panel112 x 77cmProvenance: Sotheby's London, 'British Paintings,1500-1850', 9 April 1997, lot 6.Condition ReportOverall: 132 x 98cmThe painting is executed in oil on a panel support. The panel appears to be formed from four boards of varying width in a vertical orientation. The vertical panel joins have been reinforced from the reverse with wooden battens and the reverse of the panel has been smoothed down during this process. There is evidence of movement in the panel joins although they currently appear stable.The paint layers are stable overall but have suffered from loss and damage in the past which has been restored. There are localised areas of paint which have a raised craquelure pattern and the cracks have darkened with age - one notable area of this is visible in the sitter's face. The brush marks of the priming are visible in thinner paint passages including the face and cream doublet, possibly exacerbated through abrasion. The black areas of paint appear well preserved for a painting of this date, but in localised areas the surface texture shows there has been large losses in the sitter's cloak which have been filled and retouched. Other large areas of overpaint include the end of the sitter's left hand sleeve. There appear to be two campaigns of overpaint, one below the varnish layer and one below. On the sitter's face, overpaint can be seen to partially cover some of the dark age cracks. Some of the overpaint is slightly crude but the overall appearance of the painting is good from a normal viewing distance. The varnish layer is clear, semi-matte and even. There are a few scuffs to the varnish and abrasion caused by framing around the edges.

Lot 620

ALT ROCK/ WAVE/ PROG - LP/ 12" COLLECTION. A quality collection of 38 LPs/ 12". Artists/ titles include Pigface - Welcome To Mexico (DVN3, Records VG+/ sleeve VG+), King Crimson - In The Court Of The Crimson King (ILPS 9111 pink-rim label), Kevin Ayres-John Cale-Brian Eno - June 1974, Rage Against The Machine - Bullet In The Head, The Crazy World Of Arthur Brown - Strange Lands, The Prunes - Lite Fantastik, Gavin Friday And The Man Seezer - Each Man Kills The Thing He Loves. Beers Steers & Queers - The Album. Virgin Prunes, Therapy, Wall Of Voodoo, Wiseblood, Visage, The Human League, MESH, Devo, Psychedelic Furs, Gaye Bykers On Acid, Cloak And Dagger. Condition is generally VG to Ex.

Lot 66

Roman copper alloy cloak fastener with beautiful red/yellow glass concentric circular sections. Very unusual and striking. W7g. Dia23.5mm

Lot 82

Very unusual Celtic decorated copper alloy cloak toggle. W12.78g. Dia21mm.

Lot 453

Figure of a young girl seated on a bench. Burgundy cloak and black bonnet with lavender ribbon colorway.Royal Doulton backstamp. Artist: Leslie HarradineIssued: Circa 1953-1976Dimensions: 3" L x 3.75" W x 4.75" HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

Lot 433

Very rare prototype colorway figure of a jester deep in thought. Dark navy blue leggings and tunic with gilt accents. Wrapped in a green and red cloak with golden-colored bells. Resting on a cream-color pillar in a marble appearance. Marked Royal Doulton Pre Production. Dimensions: 4.75"L x 4"W x 9.75"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

Lot 81

A mixed group of antique jewellery, four items of hair set mourning jewellery including a pin, brooch with black enamelling and two pendants; two cloak pins with chain link and faceted red beads; a brooch set with clear paste stones (one stone missing);, a mourning brooch with glass missing; a stick pin with three old-cut diamonds; a curved brooch, pin missing; all items unmarked & untested, total gross weight 36.1grams, (10).

Lot 1252

Late 19th / early 20th Century hat or cloak pins each having stylised cloisonne enamelled peacock feather terminals, terminal approx 2.5 cm

Lot 164

Durotriges stater, circa 1st century BCE. Cranborne Chase type. Wreath, cloak and crescents. R. Dis-jointed horse left, twelve pellets above. Ref: ABC 2169, S.366.

Lot 165

Durotriges stater, circa 1st century BCE. Cranborne Chase type. Wreath, cloak and crescents. R. Dis-jointed horse left, twelve pellets above. Ref: Durotriges stater, circa 1st century BCE. Cranborne Chase type. Wreath, cloak and crescents. R. Dis-jointed horse left, twelve pellets above. 19mm, 5.16g. Ref: ABC 2157, S.365.

Lot 163

Durotriges stater, circa 1st century BCE. Cranborne Chase type. Wreath, cloak and crescents. R. Dis-jointed horse left, twelve pellets above. Ref: ABC 2169, S.366.

Lot 140

Corieltavi tribe South Ferriby gold stater, c. 45BC - 10BC. Obv. Wreath, cloak and crescents ; brick-like leaves in wreath. Rev Lunate horse left; anchor motif with hidden face above, star below. 20mm, 5.20g. ABC 1734; Spink 390. Off-centre strike, small edge loss behind horse.

Lot 161

Durotriges stater, circa 1st century BC. Cranborne Chase type. Wreath, cloak and crescents. R. Dis-jointed horse left, twelve pellets above. 18mm, 4.64g. Ref: ABC 2157, S.365.

Lot 134

Iceni: Norfolk Wolf gold stater. Circa 50 BC. Wreath, cloak and crescents. R. Wolf left, jaws open with visible teeth, bristles along its back, large pellet and pellet triad below. 5.65g. 19mm. Ref: ABC 1399, VA 610-3; S.31.

Lot 160

Durotriges 'white gold' stater, circa 1st century BC. Cranborne Chase type. Wreath, cloak and crescents. R. Dis-jointed horse left, twelve pellets above. 19mm, 5.64g. Ref: ABC 2169, S.365.

Lot 162

Durotriges stater, circa 1st century BCE. Cranborne Chase type. Wreath, cloak and crescents. R. Dis-jointed horse left, twelve pellets above. 19mm, 5.16g. Ref: ABC 2157, S.365.

Lot 166

Durotriges Staters (3). Circa 1st century BCE. Cranborne Chase types. Wreath, cloak and crescents. R. Dis-jointed horse left, twelve pellets above. Ref: ABC 2169, S.366.

Lot 169

Catuvellauni: Westerham North gold stater. Circa 50 BC. 6.31g, 20mm. Wreath motif, cloak and crude profile. R. Disarticulated horse left, numerous pellets above, single pellet sun below. Ref: ABC 2430, VA 200; S.21.

Lot 139

Corieltavi tribe South Ferriby gold stater c. 45BC - 10BC. Obv. Wreath, cloak and crescents; brick-like leaves in wreath. Rev. Lunate horse left; anchor motif with hidden face above, star below. 19mm, 5.47g. ABC 1734; Spink 390.

Lot 199

Marcus Aurelius sestertius, 161-180 AD. IMP CAES M AVREL ANTONINVS AVG P M Bare-headed bust right, fold of cloak on far shoulder. R. PROV DEOR - TR P XV COS III S - C Providentia standing left holding globe and cornucopia. 30mm, 13.56g. Ref: RIC 814

Lot 1650

Star Wars - Original Last 17 Lando Calrissian (General Pilot) with blaster and cloak in vg condition

Lot 559

* Greenaway (Kate, 1846-1901). Little Red Riding Hood, watercolour on paper, depicting a young girl wearing a short red cloak, a basket over her right arm, initialled lower left, 22 x 16 cm mount aperture, framed and glazed (38 x 34 cm)QTY: (1)NOTE:Provenance: Christopher Foyle, Beeleigh Abbey.

Lot 558

* Greenaway (Kate, 1846-1901). Little Red Riding Hood and the Wolf, watercolour on paper, depicting a young girl wearing a long red cloak, standing next to a large wolf, initialled lower right, thin surface scratch across young girl's dress, 21.5 x 19 cm mount aperture, framed and glazed (38 x 34 cm)QTY: (1)NOTE:Provenance: Christopher Foyle, Beeleigh Abbey.

Lot 377

English School (early 19th century) A portrait of a lady, half-length, dressed in a black cloak and yellow bonnet oil on canvas, unframed 29 x 24in (74 x 61cm)

Lot 63

Edward Burra (British, 1905-1976)Dr Fu Manchu signed 'Burra' (lower right)pencil and watercolour61 x 48.9 cm. (24 x 19 1/4 in.)Executed in 1931Footnotes:ProvenanceWith The Lefevre Gallery, London, where acquired by the family of the present ownerThence by descentPrivate Collection, U.K.LiteratureAndrew Causey, Edward Burra: Complete Catalogue, Phaidon, Oxford, 1985, cat.no.80 (ill.b&w)A fictional character from a series of novels by English author Sax Rohmer, Dr. Fu Manchu is characterized by his goal to conquer the Western world using his hordes of henchmen and collection of mysterious tools. First appearing in The Insidious Dr Fu-Manchu in 1912, he was featured in cinema, television, radio, comic strips and books for over 90 years, becoming an archetype of the evil, criminal genius. A number of novels were produced until 1917 when the character took a fourteen-year absence before re-emerging with a vengeance in The Daughter of Fu-Manchu in 1931, the same year the present work was painted.As a voracious enthusiast of popular culture, Burra would have been very familiar with the character of Fu Manchu and it is likely the figure portrayed here depicts (or rather, in Burra's inimitable manner, partly suggests) one of his female conspirators. The original story details how Fu Manchu sent a woman to check if his target had been successfully murdered and she is described as 'A girl wrapped in a hooded opera-cloak stood at my elbow, and, as she glanced up at me, I thought that I never had seen a face so seductively lovely nor of so unusual a type. With the skin of a perfect blonde, she had eyes and lashes as black as a Creole's, which, together with her full red lips, told me that this beautiful stranger, whose touch had so startled me, was not a child of our northern shores.' The author further recounts her 'slim hand with jewelled fingers', 'big questioning eyes' and the 'bloom of her red lips, due to art not to nature'. Burra, perhaps more so than any other artist, is a master of the strange and the sinister and here is our accomplice, complete with the aforementioned wide eyes and ruby red painted mouth set against lurid green skin in the artist's typically grotesque fashion. Surrounding her is the evidence of her labour – a bloodied knife and even severed body parts such as eyes and ears can be located nestling amongst cheering imagery such as fruit, bright blooms and even pastoral animals. This combination of the malignant with the benign is signature Burra and leads to an overall strangeness in keeping with Surrealist affinities. Painted in the early 1930s during the artist's most critically successful period, a Surrealist influence is clear to see in Dr Fu Manchu through the skewed perspective, heightened palette and unnerving portraits (both recto and verso) and it is easy to understand how, with Burra's love of theatre and the macabre, the subject appealed.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 83

Lynn Chadwick R.A. (British, 1914-2003)Pair of Sitting Figures VIII signed, numbered and dated 'CHADWICK 75/695B 2/8' and further signed with initial (on the back of each figure's cloak)bronze with a black patina30.5 cm. (12 in.) high (female figure); 28.7 cm. (11 1/4 in.) high (male figure)Conceived in 1975, and cast in 1975 by Lypiatt Foundry(2)Footnotes:ProvenanceAcquired by the mother of the present owner in the 1980s, thence by descentPrivate Collection, U.S.AExhibitedCopenhagen, Court Gallery, Lynn Chadwick, December 1975-January 1976 (another cast, catalogue untraced)LiteratureDennis Farr & Éva Chadwick, Lynn Chadwick, Sculptor, With a Complete Illustrated Catalogue 1947-1996, Lypiatt Studio, Stroud, 1997, pp.296-7, cat.no.695B (ill.b&w, another cast)Dennis Farr & Éva Chadwick, Lynn Chadwick, Sculptor, With a Complete Illustrated Catalogue 1947-2005, Lund Humphries, Aldershot, 2006, pp.304-5, cat.no.695B (ill.b&w, another cast)Dennis Farr & Éva Chadwick, Lynn Chadwick Sculptor, With a Complete Illustrated Catalogue 1947-2003, Lund Humphries, Farnham, 2014, p.310, cat.no.695B (ill.b&w, another cast)We are grateful to the Artist's Estate for their assistance in cataloguing this lot.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 155

dating: Second half of the 19th Century provenance: France, A bronze sculpture depicting Napoleon during the Egyptian Campaign, mounted on a dromedary, with his cloak, saber, and bicorne hat. A beautiful sculptural group, the animal's tail was likely restored. Set on a later wooden base. height total 42 cm.

Lot 354

TWO FINE LARGE NORTH AFRICAN MOROCCAN OR ALGERIAN ENAMELLED SILVER CLOAK ORNAMENTS, 18.5cm long (2).

Lot 211

A FINE 19TH CENTURY LEBANESE METAL THREADED SILK CLOAK.

Lot 313

Clement Oswald Skilbeck (1865-1954)Justice, 1914a cast silver cloak claspsigned C O Skilbeck, 1914 in the case11.5cm. diam. Catalogue notesClement Skilbeck exhibited at the fifth, sixth, seventh and eighth Arts and Crafts Exhibition Society exhibitions , between 1896 and 1906. He was considered one of the last Pre-Raphaelite artists and was friends with William Morris and Edward Coley Burne-Jones.

Lot 838

A 19th century half length portrait of an old man in Tyrolean hat and cloak, 23 x 18cm in heavy gilt frame

Lot 411

A Chelsea figure of Mercury, circa 1756-58Modelled amongst puce clouds, wearing a winged black helmet, his cloak draped over his right shoulder tied by a green cord painted in light yellow and puce, 19.5cm high, red anchor markFootnotes:ProvenanceBonhams, 2 November 2011, lot 53A Gold Anchor group of Mercury and Venus is illustrated by F Severne Mackenna, Chelsea Porcelain: The Gold Anchor Wares, pl.50, fig.97.For further information on this lot please visit Bonhams.com

Lot 857

with pressed felt head, painted narrow brown side glancing eyes, two-tone pink painted pursed lips, felt ears, swivel head, jointed elongated cloth body with felt hands with three fingers together, original white, black and green costume with cloak and black oil-cloth shoes —22in. (56cm.) high (moth damage, mainly to cloak and trousers and ageing)

Lot 888

comprising a dress with lace inserts and trim —10in. (26cm.) high, a hooded cloak and hat (some perishing to silk)

Lot 922

the poured wax shoulder-head with head turned to the right, wrinkled face with wide toothy grin, brown hair wig, well sculpted hands and barefoot, papier-mâché body, original clothes including red felt cloak, basket of wares around neck and further basket and wares at her feet, under glass dome on wooden base —15in. (38cm.) height of dome

Lot 310

Follower of Sassoferratto,Woman with a tambourine,oil on relined canvas,55x46cm.Condition report:Quite recent (and rather poor) relining. There was a 9cm tear just below the flower. Over ironed revealling warp and weft. Paint very thin in her hair. Cloak may have been overpainted.

Lot 68

1904 Grand Prize Medal of the Louisiana Purchase Exposition by Weinberg, triangular, bronze, 70mm., the obverse depicting Columbia with her arms spread wide holding the US flag with youthful maiden at her side, representing the Louisiana Territory is divesting herself of the cloak of France, the reverse depicting an Eagle with outspread wings on panel and inscribed GOLD MEDAL LOUISIANA PURCHASE EXPOSITION, the 1904 Olympic Games in St. Louis were held in conjunction with a World's Fair

Lot 1

Attributed to Edward Norgate (British, 1581-1650) Portrait miniature of John Harrison Senior (1552-1628)watercolour on vellumwearing black cloak, white pleated ruff, white cuffs, gold and ruby ring, his right hand raised to his chest, against blue background5.7 x 4cm. John Harrison was High Master of St. Paul's School and served the young Prince Henry before entering the ministry. A noted antiquary, the jewelled ring in the present miniature alluding to this interest, his collection was acquired after his death by Sir Simonds D'Ewes. The present lot is based on a large scale composition in the City Art Gallery, York.Provenance; Bonham's sale Lot 26, November 24, 2010 & Sotheby's, 10 July 1990, lot 8 ***CONDITION REPORT***A few tiny dirt flecks but essentially very good condition, part-gilt turned wood frame with Bonham's barcode label verso. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Lot 7

Y English School circa 1720 Portrait miniature of a gentlemanoil on ivorywearing a blue cloak, lace cravat and long flowing wig5.3 x 4.1cm. CITES Submission reference VNHAAGRT CITES is a multilateral treaty to protect endangered plants and animals. CITES is a multilateral treaty to protect endangered plants and animals. ***CONDITION REPORT***Possibly some retouching to the blue at the edge otherwise a few small dirt spots. gilt locket frame dented at the back. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Lot 755

A collection of fourteen original Star Wars figurines including Han Solo in trench coat, Hoth Rebel Commander, Hoth Snow Tropper, Luke Skywalker Bespin, two Yoda's (one in cloak), Han Solo Bespin, Hano Solo Hoth, two AT-AT Driver's, AT-AT Commander, Denger (all dated 1980), Bounty Hunter and Bespin Twin Pod Cloud Pilot (both dated 1981)

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