We found 47368 price guide item(s) matching your search

A Victorian, Masons Ironstone, seven piece part dinner service, typically printed with flowering Peony, one other Masons plate, a Victorian Swansea part tea service with gilt painted decoration and a 20th century Chelsea part dessert service decorated with panels of fruit on a gilt blue ground, (many pieces A/F).

A Chelsea brocaded Imari design scallop-edged plate circa 1752-8 painted in underglaze-blue, iron-red, green and gilding with a central foliate stem with two chrysanthemum flowers within a raised flower-shaped border decorated with alternate panels of prunus and other flowers punctuated by mons over diaper and brocade panels, the underside rim with three foliate sprays and the base with a double circle mark in underglaze-blue. blue-painted anchor mark 23.8cm., 9.375;in. diameter minor wear to gilding, minute nick to rim Similar examples were sold by Christies London, 24th February 2003, lots 10 and 11. This pattern is discussed and illustrated by E.Adams, Chelsea Porcelain, p.91 and fig.77. Provenance Hurlbutt Collection.

Two Chelsea porcelain plates circa 1755 the first painted with a large exotic bird standing on rockwork, two smaller exotic birds perched on branches around the edge with a chocolate brown rim; the second painted with scattered floral sprigs and a bouquet within a scroll and feather-moulded rim picked out in chocolate brown and turquoise; together with a Derby 'spectacle' plate, circa 1758-60, moulded with three overlapping leaves painted with flowers within a basketweave-moulded rim with raised yellow flowerheads. brown and red anchor marks to first two plates first 21.5cm., 8.5;in. diameter (3)

A Chelsea group allegorical of Autumn circa 1760 modelled as a seated couple gathering fruit and vegetables into baskets, the scroll-moulded base highlighted in gilt, gold anchor mark, 12cm., 4.75; in. high, some restoration and chips; and a pair of Chelsea fiures of girls, circa 1755, emblematic of Astronomy and Painting, red anchor mark to one, 14cm., 5.5; in., some restoration and chips (3)

Machine-made carpet, the design based on the Chelsea carpet, probably Belgian 1930s, 11ft.3in. x 8ft.1in. 3.43m. x 2.46m And a European rug, probably English, 20th century, 6ft.4in. x 4ft.1in. 1.93m. x 1.25m (2)

*Lots Road Power House, Chelsea. An album of fifty corner-mounted black and white press photos., c. late 1920s, showing engineering construction and repair scenes, some with figures, the majority with printed captions to versos., approx. 16 x 21 cm, contemp. limp cloth, together with a related album including b&w snapshots of Lots Road, Battersea Power House construction, etc., in total approx. 100. corner-mounted images, approx. 6 x 8 cm, some with ink captions beneath, contemp. card, some wear, both oblong large 8vo (2)

Football programmes. Including twelve Leeds United programmes, dated 1951-59, and other early 1950s programmes from Chelsea, Middlesborough, Newcastle, etc. (approx. 30)

Miscellaneous. Thirteen various Post War match day programmes, incl. Chelsea, QPR, Manchester Utd. and Arsenal, in VG condition (13)

Miscellaneous. A collection of approx. 220. match day programmes, 1960s onwards, incl. Liverpool, Manchester Utd., Chelsea, Arsenal and Swindon etc., generally in VG condition (a carton)

Chelsea, signed and titled, oil on board, 61 x 91.5cm (24 x 36in)

A U.S. Navy bakelite cased eight-day bulkhead timepiece by Chelsea Clock Co Boston mid 20th century the 5.5. inch cream on black Arabic numeral dial annotated for both 12. and 24. hours with fast/slow regulation slot centre seconds and inscribed U.S. Navy Ser. No. 331. 99E to centre in mottled black finished cylindrical glazed-front case with wall mounting flange to rear.

A New Chelsea cylindrical box and cover, finely decorated in coloured enamels and gilt with cockerels, on a powder blue ground, 2 1/2" diameter (6.5cm), painted mark in red, and a Carlton Ware small round bowl, decorated with a Chinese river landscape, on a powder blue ground

A Chelsea plate, painted in coloured enamels with a spray of European flowers and leaves, and scattered flowers, within a brown line rim, 9 1/4" diameter (23.5cm) red anchor mark, circa 1755

A Chelsea Derby round sucrier and cover, with pinecone knop, moulded in relief with flower garlands, picked out in turquoise and gilt, on a puce ground, with fluted bands, 5" high (12.8cm), conjoined mark in gilt, circa 1775 See Tilley, Teapots and Tea, figure 67, for a matching teapot, formerly in the Geoffrey Capell Collection

A Worcester creamboat, of Low Chelsea Ewer form, painted in coloured enamels with European flowers and leaves, beneath a gilt line rim, 4 1/2" high long (11.5cm), circa 1775

A Chelsea plate, painted in coloured enamels with a bold spray of flowers and leaves, and scattered flowers, within a brown line rim, 8 1/2" diameter (21.5cm), brown anchor mark, circa 1760 (worn), and a New Hall type teabowl and saucer, painted in famille rose style

COMMEMORATIVE MEDALS, Great Britain / England, The King’s Road, Chelsea, oval Pass or Ticket, 1737, copper, crowned GR monogram, stamped 1247 below, rev THE KING’S PRIVATE ROADS, date below divided by TR monogram, 36mm x 32mm (D&W 320, 6; MG 731). Pierced, about very fine. from the G H Gaviller Collection. Holders would have attached these tickets to the key that would be used to gain access to the King’s Road, then indeed a private road.

2. FA Cup Final Football Programmes Chelsea V Leeds United from 1970. including the replay

Royal Doulton figure-Chelsea Pensioner HN689 (1924-1938), 14.6cm high-see colour illustration

Crown Devon Toby Jugs Chelsea Pensioner Medium and Small (2)

Large Character Jugs Chelsea Pensioner D6817 and Don Quixote D6455 (2)

Two Chelsea plates one painted with three panels of birds the other with flowers and leaves both with gold anchor marks. Wear and minor damage. c.1760 22.5cm. (2)

A pair of Chelsea plates each moulded with flowers and painted with four colourful sprays brown line rims red anchor marks c.1755 23.5cm. (2)

A yellow-ground Chelsea two-handled cup and saucer painted with large flower-sprays the cup with a gold anchor mark c.1755-60 together with a 19th century Copeland copy. Damaged. (4)

After J. Steven Dews, "The Tweed in the Channel", limited edition number 455/600 lithograph, signed and number in pencil by the artist with blind stamp for the Chelsea Green Editions, 20" x 30", stained frame

A Royal Doulton Bowl, a Spode Chelsea Bird dish, and a group of collector's plates

An 18th century engraving ‘A Perspective View of David Loudon's Bunn House at Chelsea, who has the Honour to serve the Royal Family', p. 21cm x 37.5cm

Julian Trevelyan (1910 - 1988), "The White Nile", signed and titled in pencil; inscribed "artist's proof", colour etching and aquatint, 35 x 47. 5cm.; 13. 75 x 18. 75in. * He was a tutor at Chelsea School of Art, 1950 - 60 and engraving tutor at the Royal College of Art, 1955 - 63. Made Honorary Senior Royal Academician in 1986. Tate Gallery holds his work.

Chelsea red anchor period deep plate painted with floral sprays with brown line rim, red painted anchor and '12' to base, (rim crack) 21. 5cm diameter

English porcelain helmet shape cream jug Keeling or Newhall circa 1795 painted with baskets of flora, on turned foot, also a Coalport low Chelsea ewer painted with a band of floral leaf chains, (damages to the Coalport ewer) (2) 12. 5cm max height

Stanley Grimm, 1891-1966 view from the chelsea embankment signed; signed, titled and dated 15.IX.36 on the reverse oil on board 49.5x59.5cm.; 19.5x23.5in. Exhibited London, New English Art Club

A Chelsea Derby cabinet plate decorated with green-painted and gilt floral spray and swags; a Chelsea Derby cup and saucer with wreath design heightened in gilt; and a Derby porcelain footed bowl with green design Dia. 22cm (plate) & 19cm (bowl)

Football - A collection of programmes for Notts County v. Aldershot, 1948; Brentford v. Chesterfield, 1949; Chelsea v. Birmingham City, 1949; Chelsea v. Burnley, 1949; Chelsea v. Fulham, 1950; Charlton Athletic v. Cardiff City, 1950; Charlton Athletic v. Everton, 1950; Fulham v. Blackpool, 1950; Arsenal v. Sheffield Wednesday, 1950; Arsenal v. Derby County, 1950; and Arsenal v. Fulham, 1950, (11).

Football - Five Chelsea programmes for matches v. Manchester City (1949); Aston Villa (1949); Newcastle United (1950); Bolton Wanderers (1953); and Arsenal (1957); with a programme for Arsenal v. Blackpool (1949), (6).

Football - A collection of approx. 180 modern Chelsea and Arsenal programmes; together with a Spears 'Blow Football' game, boxed.

Football - A collection of programmes for Bristol City v. Nice (1955) - played under floodlights; Bristol City v. Liverpool (1956); Bristol City v. Notts Forest (1956); Chesterfield v. Southport (1957); Everton v. Chelsea (1956); Reading v. Newport County (1949); Arsenal v. Chelsea (1950); Arsenal v. Tottenham Hotspur (1950); Arsenal v. Fulham (1950); Arsenal v. Charlton Athletic (1951); and Arsenal v. Stoke City (1952), (11).

Cecilia Carpmael (Exh.1898-1930) oil on board, "Chelsea Old Church", 16 x 17 ins.

A pair of continental Chelsea style Bocage figures of a dandy and his lady, each well modelled and standing on a pierced and scrolling base, 19 cms.

Pierre Noel Martin (1920-) Pop art kinetic sculptural piece, signed, monogrammed and dated on the reverse 1979, 54cm by 61.5cm (image approx. 41.5cm by 48.5cm) (Artist in various media, including kinetic sculpture, born and lived in London. Studied engineering at Hackney Technical Institute. Was for a time a Hampstead Artists' Council member, also showing with Free Painters and Sculptors and with Chelsea Artists.)

Entertainers. A small autograph album, c. 1940s, with pen & pencil autographs of Henry Hall, Alfredo, Tommy Handley, George Masters, Robertson Hare, Vic Oliver, etc., orig. boards, sl. shaken and worn, small oblong 8vo, together with a group of approx. eighty b&w photo. postcards and similar, mostly signed, including The Deep River Boys, Sarah Churchill, Evelyn Laye & Frank Lawton, Eve Boswell, etc., some wear, plus a small group of theatre programmes for Chiswick Empire and Chelsea Palace (approx. 100)

A PAIR OF CHELSEA STYLE PORCELAIN LEAF DISHES with polychrome foliate decoration and red anchor marks, 9 1/2" wide and a further leaf shape dish with honeysuckle decoration and red anchor mark, 9 1/2". (3).

Two French Quimper style book bottles, lacking stoppers, together with a Chelsea style porcelain plate

A pair of Samson Chelsea porcelain figures of lambs, late 19th Century, each modelled in recumbent pose, backed by bocage, raised on rococo scroll bases, gold anchor mark.

A Samson Chelsea porcelain figure modelled as a boy playing a clarinet with a dog at his feet and a further Continental porcelain figure of a farmer with a bull.

A 'Chelsea' box and cover modelled as a pair of love birds in entwined pose moulded to one side with flowers, red anchor mark. Illustrated.

A pair of Samson, Chelsea porcelain figures of budgerigars modelled on foliate naturalistic bases, and a pair of modern Italian painted pottery figures of cockatiel's, .

An 18th Century Chelsea Dish, moulded grape and vine leaf decoration, painted flowers to the centre with shaped rim, red anchor mark to the base, 9 1/2in

An English porcelain plate, possibly Chelsea late 18th century, polychrome painted in the Kakiemon style with tiger entwined around a bamboo shoot beside flowering shrubs, the shaped rim iron red and gilt foliate trail decorated, 22cm diameter.

A Chelsea porcelain salt, circa 1752, of ribbed ovoid form with polychrome floral decoration, red anchor mark to inside with '10' beneath, 6cm high; and a selection of early 19th century and later items including a Derby rose and festoon decorated teabowl, (10).

A Chelsea-Derby vase, of baluster design painted in polychrome enamel with floral sprays combined gold anchor and letter D mark c1770-84, 14 1/2cm

An Enamelled Chelsea Porcelain Plate, late 1750's, of silver form with brown edged raised rim, enclosing scattered polychrome flowers painted in pale pastel enamels, anchor mark in brown enamel, 22.7cm

Walter Greaves, FIREWORKS AT CREMORNE GARDENS, CHELSEA Signed, oil on card, 30 x 24.5cm

Violet Hilda Drummond (1911-) ink and wash,, Chelsea street scene, 8.75ins x 11ins and another by the same artist and title, signed, 11ins x 15ins.

A Chelsea style figure group and another figure

A Chelsea acanthus-moulded teabowl and saucer, red anchor period, 1752-55, spirally fluted, painted with a loose bouquet and scattered flowers beneath chocolate brown rims, red anchor marks, very minor wear, (2), Provenance, Sold Sotheby's London, 3rd April 1973, lot 18

CHELSEA [FLOWER] SHOW, programmes for 1955, 7, & 8; 1960-3, 5, 1967-1974, 6, 8 & 9; 1981, 5 & 6, in all, 22 progs. (22).

Football - A modern Chelsea F.C. football bearing fifteen signatures, including those for Viali, Zola and Di Matteo; a Chelsea F.C. shirt, sponsored by Autoglass; and a framed picture of Ruud Gullit, (3).

Football - Twenty Portsmouth F.C. programmes (v. Bolton Wanderers, 1948; v. Preston North End, 1948; v. Chelsea, 1948; v. Charlton, 1948; v. Blackpool, 1949; v. Manchester United, 1949; v. Arsenal, 1949; v. Tottenham Hotspur, 1949; v. Huddersfield, 1950; v. Grimsby, 1950; v. Reading, 1950; v. Manchester United, 1950; v. Birmingham City, 1950; v. Burnley, 1950; v. Southampton, 1950; v. Chelsea, 1950; v. Fulham, 1950; v. West Bromwich Albion, 1950; v. Ipswich Town, 1950; v. Norwich City, 1950), (20).

Football - Nine Chelsea F.C. programmes (v. Arsenal, 1947; v. Preston North End, 1949; v. Stoke City, 1949; v. Manchester United, 1949 (x2); v. Burnley, 1949; v. Aston Villa, 1949; v. Portsmouth, 1949; v. Derby County, 1950), (9).

Football - A collection of programmes from the late 1940s and/or early 1950s, for Everton (v. Manchester United, Apr. 1949; v.Charlton Athletic, 1949; v. Bolton Wanderers, 1949; v. Derby County, 1949; v. Manchester United, Nov. 1949; v. Sunderland, 1949; v. Middlesborough, 1949); Liverpool (v. Portsmouth, 1946; v. Manchester United, 1948; v. Chelsea, 1949); Accrington Stanley (2); and Tranmere Rovers (1), (total 13).