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Blue and White - John Steventon shaped rectangular meat plate, printed with an elephant and pagoda, 35cm wide, printed mark;   a Copeland Spode canted rectangular plate, 5998;   Asiatic Pheasant dish;  Old Chelsea teapot;  FRingtons teapot;  etc

Two Chelsea Royal Pottery ewers with gilt decoration, May Flower punch bowl, cut glass decanters and drinking glasses and Parroquet blue and white ceramics

Two 19th century Samson porcelain plates, decorated in the Chelsea style with exotic birds, flowers and insects, each with spurious gold anchor mark verso, largest example D24cm, together with a 19th century dessert plate, possibly Worcester, hand painted with a hummingbird, within a gilt band and pink border, D22.5cm, and a further 19th century dessert plate with shaped and pierced rim, hand painted with a view of Loch Lomond and titled verso, D22cm, (4)

COLLECTION OF SCOTTISH AND ENGLISH FOOTBALL PENNANTS, CIRCA 1970s comprising Aberdeen League Cup 1976, Rangers Treble Winners 1976, Rangers Treble Toppers 1976, Scotland the Brave, Leeds, Coventry Champions Div. 2 1966/67, Liverpool, Chelsea Promotion 1977, Fulham, QPR, Everton, Wolves38.5cm high

CHELSEA F.C., COLLECTION OF ITEMS, comprising complete 1998 Futera album, Charlie Cooke welcome programme vs. Blackburn Rovers May 1966, his testimonial programme vs. Crystal Palace 1978, ECWC souvenir, The Bonnie Prince autobiography, and also a picture

THE QUEEN'S SILVER JUBILEE - THE GLASGOW F.A. SELECT VS. THE FOOTBALL LEAGUE, SILVER MEDAL, 17TH MAY 1977 engraved to one side with coat of arms inscribed The Glasgow Football Association, the other inscribed The Queen's Silver Jubilee Hampden 17th May 1977, on chain, in sterling silver 5.2cm diameter Qty: 59g gross Note: This medal was given to Les Michie, who was assistant secretary of the Scottish Football League during the period.'The Glasgow FA Select v The Football League match was played at Hampden on Tuesday 17 May 1977, with a 3pm kick-off and with a crowd of 28,380, including the Queen. The Glasgow side won the game by 2-1 with Kenny Dalglish scoring the winner.The Glasgow shirt has the colours of all the Glasgow sides, Celtic, Queens Park, Partick Thistle, Clyde and Rangers.The shorts being red with a yellow side panel and black and white socks.The Glasgow FA team was: Alan Rough (Partick Thistle), Danny McGrain (Celtic), Brian Whittaker (Partick Thistle), Jardine (Rangers), Roddy McDonald (Celtic), Forsyth (Rangers), McLean (Rangers) – sub McNaughton (Queen’s Park), Kenny Dalglish (Celtic), Joe Craig (Celtic), MacDonald (Rangers) and Johnstone (Rangers). The substitute was Somner (Partick Thistle).The Football League squad was as follows: Corrigan (Manchester City), Clements (Manchester City), Peach (Southampton), Stanley (Chelsea), Watson (Manchester City), Wilkins (Chelsea), Francis (Birmingham), Channon (Southampton), Royle (Manchester City), Barnes (Manchester City), Owen (Man City) and Tueart (Manchester City). There were so many Manchester City players due to that club being one of the few to have fulfilled all their fixtures.The sides were managed by the managers of the England and Scotland at the time – Don Revie for The Football League and Willie Ormond for Glasgow FA. This game was Ormond’s last duty as manager prior to Ally Macleod assuming control of the national team. Wonder how that went?Tueart scored the opening goal for the visitors, with Jardine equalising before King Kenny [Dalglish] got the winner for Glasgow.'

FRANK SINCLAIR OF CHELSEA F.C., SIGNED JERSEY, loose, with COAsize L

ANTONIO CONTE OF CHELSEA F.C., SIGNED JERSEY, loose, CONTE 1 verso, Nike tagsize L

ABDERDEEN F.C., COLLECTION OF ITEMS, programmes including vs. Chelsea 2nd August 1967, Dynamo Tirana 15th Sep 1982, Waterschei 6th April 1983, Bayern Muncih 16th March 1983, Hamburg 20th Dec 1983, two books and trading cards

JAMES ELDER CHRISTIE NEAC (SCOTTISH 1847 - 1914), THE WOODCUTTERS oil on canvas, signed, titled versoframedimage size 61cm x 35cm, overall size 82cm x 56cm Label verso: Louise Kosman, EdinburghNote: James Elder Christie was a portrait and genre painter. Christie received his artistic training at art school in Paisley and South Kensington. He became known for his portraits, paintings of children, moral allegories and illustrations to the poetry of Robert Burns. He won two gold medals at the Royal Academy in 1876 and 1877. In the 1870s Christie attended life classes in M. Barthe's studio in Limerston Street, in Chelsea, classes which Whistler also attended at this time. On 9 November 1882 he was elected an artist member of Glasgow Art Club, resigned on 15 February 1889. In 1893 he moved back to Glasgow, and was re-elected to the Club on 20 December 1894, and finally elected as an honorary member on 29 December 1913. Following a period in Paris, Christie joined the New English Art Club. Forty-five or his paintings are held in UK public collections.

A hallmarked silver Pride of Chelsea Lodge Masonic medal presented to Brother C. Leonard for services rendered 2nd September 1938, and a Masonic medal commemorating the coronation of George VI and Queen Elizabeth, presented to Brother C. Leonard Pride of Chelsea Lodge (2).

A Whittard's of Chelsea "Rosa" pattern dinner wares in polka dot design for 12, including dinner plates, bowls and side plates

A group of nine porcelain figures comprising five blanc de chine Berlin figures, each with an underglaze painted mark, two Dresden figures, one with a pierced lace dress, a Chelsea style figure, gold anchor mark, and a Meissen style figure, modelled as a girl with bunches of grapes,tallest 14.3cm high (9)Condition ReportChips, losses and wear throughout. Meissen style figure restored to the waistline.

CHELSEA F.C. Bound Presentation volume to: J.H. Mears (Chairman), to commemorate the 50th. Anniversary of Chelsea F.C. & the winning of the Football League Championship 1954-55, Championship winning season, home match programmes, 1954-55, from Burnley, 23rd August 1954 to Sheffield Wonderers, 23rd April 1955 including league matches, combination, combination cup, F.A. Cup and representative matches including Red Banner (Hungary), International Club Match, 15th December 1954, England v. Italy, Under 23 Intermediate International, 19th January, Manchester United, F.A. Youth Cup - semi-final (1st Leg), 16th April 1955 (48) Programmes. Bound in buckram, with gilt presentation leather label to upper cover, and a slipcase. Fine copy; PLUS: Chelsea Football Club 1954 - 1955 Champions. SIGNED Limited edn. # 011 of 1955. With the loosely inserted sheet, Signed by 8 players. Slipcase. FINE (2)

JACK LAWRENCE MILLER (1916-1987) - oil on canvas - 'Chelsea Houseboats - Battersea Bridge' - signed and dated 1967 - 80cm x 100cm

JACK LAWRENCE MILLER (1916-1987) - oil on canvas - 'Chelsea Rooftops' - 1965 - signed and dated top left - 50cm x 90cm

JACK LAWRENCE MILLER (1916-1987) - oil on canvas - 'Chelsea Rooftops' - signed and dated 1967 - 64cm x 90cm

JACK LAWRENCE MILLER (1916-1987) - oil on canvas - 'Chelsea Reach - Battersea Bridge from Cheyne Walk' - signed and dated 1971 - 68cm x 100cm

JACK LAWRENCE MILLER (1916-1987) - oil on canvas - 'Chelsea Houseboats' - 65cm x 100cm

JACK LAWRENCE MILLER (1916-1987) - oil on canvas - 'Chelsea Houseboats' - signed and dated 1963 - 44cm x 60cm

JACK LAWRENCE MILLER (1916-1987) - large watercolour of 'Chelsea Embankment - Albert Bridge' - signed and dated 1971 - 70cm x 100cm

JACK LAWRENCE MILLER (1916-1987) - watercolour portrait 'Mrs Harding, Chelsea', together with one other

J... F... Jones (late 19th century) 'Memories' - portrait of a Chelsea pensionersigned and dated 'J. F. JONES, 1889' l.r., oil on board34 x 26cmProvenance: The estate of Baron John Mauger Langin. Condition ReportFramed: 47 x 40cmA little craquelure in places. Light surface dirt. Appears to be in otherwise good order. Not examined under UV light, for a full report please contact the department.

A group of figures, to include: A Royal Doulton "A Good Catch", a Spode Chelsea figure no. 8, Welshcrest "Caroline, (A Lot). The Alastair & Sheila Brooks Collection: of Oaklands (& past owners of Ednam House Hotel), Kelso 

Collection of mixed collectables, to include: a pair of Chelsea spotty dogs, 4cm high, stoneware pottery miniature double gourd vase in Oriental style, 6.5cm high, selection of perfume bottles to include a brass example modelled as a fish, 8cm long, a pair of Chinese embroidered shoes, four bisque 'bobble-head' figures and other items

A pair of Samson of Paris Chelsea style covered vases - gold anchor marks to base, of lobed baluster form with pierced covers and pedestal foot, the covers with fruit finials, painted with exotic birds, insects and floral bouquets, 28cm high, both a/f.

Large 18th century French Beauvais silk tapestry panel, depicting a courting scene with a maiden in a white gown seated beneath a rose tree, the courting youth gesturing with a floral crown towards a marble statue of Cupid holding a bow and arrow, standing on a pedestal, with extending rose festoons cascading down, in the sky, putti fly towards the couple holding flower garlandsProvenance: purchased from Walton Street Chelsea in the 1990s for £11,000Dimensions: Height: 186cm  Length/Width: 222cm 

* JOCK MCFADYEN RA (SCOTTISH b. 1950), TREVOR colour etching on paper, signed, titled and numbered 15/15, from the 'Canal Suite'mounted, framed and under glassimage size 50cm x 40cm, overall size 82cm x 63cm Handwritten label versoLabel verso: William Jackson Gallery, LondonNote: Jock McFadyen was born in Paisley in 1950 and moved to England aged 15 in 1966. He gained his BA and MA from Chelsea School of Art which he attended from 1973 to 1977. His first solo show was held at the Acme Gallery in London in 1978. Since then he has had over 40 solo exhibitions including at the National Gallery (residency show), Camden Arts Centre, the Imperial War Museum, Manchester Art Gallery, Kelvingrove Art Gallery and Museum, Talbot Rice (Edinburgh Festival) and the Pier Art Centre (St Magnus Festival). His work has been included in many mixed exhibitions in the UK and abroad including John Moores, Hayward Annual and The British Art Show. In 1981 McFadyen was appointed Artist in Residence at the National Gallery, London and a decade later he was invited to design sets and costumes for Sir Kenneth MacMillan’s last ballet, The Judas Tree (1992) at the Royal Opera House, Covent Garden. McFadyen was elected to The Royal Academy of Arts in 2012 and in 2019 was coordinator of that year’s Summer Exhibition. Starting in 2020, 4 solo exhibitions were held to celebrate McFadyen’s 70th birthday: Jock McFadyen Goes to the Pictures (City Art Centre, Edinburgh); Jock McFadyen: Lost Boat Party (Dovecot Studios, Edinburgh); Jock McFadyen Goes to The Lowry: A Retrospective (The Lowry, Salford) and in 2022, Jock McFadyen: Tourist without a Guidebook, Royal Academy, London. McFadyen’s work is held in 40 public museum collections including Tate, the National Gallery, the V&A, the British Museum and the Scottish National Gallery of Modern Art as well as many corporate and private collections in the UK and abroad. McFadyen lives and works in London, Edinburgh and France.

* ENZO PLAZZOTTA (ITALIAN 1921 - 1981), SPIRIT OF FREEDOM bronze sculpture with rich brown patina, stamped with the Plazzotta seal and numbered 34 inscribed title to plaque, on marble base 33cm high Provenance: Enzo Plazzotta Catalogue Raisonne No 329 illustrated page 171.Note: Enzo Plazzotta was born in Mestre, near Venice, in 1921 and spent his student days in Milan studying sculptural drawing and modelling under Giocomo Manzu at the Academia di Brera, and architecture at the Politecnicao. He decided to specialise in sculpture, but his studies were interrupted by World War ll. Plazzotta became a member of the Italian Resistance Movement and fought in the Ossola region as a partisan. He was captured as a result of a secret political meeting held in Milan and spent nearly a year in solitary confinement. While being transferred to a German prisoner of war camp, however, he managed to escape and rejoin the partisans. Plazzotta was engaged in guerrilla activities and in conjunction with the British Special Forces was on the organising end of a clandestine escape route for Jews and escaped Allied prisoners of war en route from Italy to Switzerland. Through these contacts with British Intelligence he was involved in the repatriation of Ferruccio Parri, the leader of the Italian Resistance, from Switzerland to Italy. Parri later became Italy's first prime minister after the war ended. Plazzotta's wartime record won him the Silver Medal for Military Valour. After the war, Plazzotta resumed his studies in Milan, and in 1947 received his first commission, appropriately enough from the Italian Committee of Liberation. This was to be their tribute to their successful wartime collaboration with the British Special Forces. The bronze sculpture was entitled Spirit of Rebellion and depicted the boy David with the head of Goliath. Plazzotta himself was chosen to make the presentation to the Special Forces Club headquarters in London, and the bronze still has a place of honour there today. This first visit to London played a major part in shaping Plazzotta's career, for he quickly decided to make London his permanent place of residence. From his first studio in London he received several portrait commissions and, in 1949, held his first exhibition at the former Brook Street Gallery, to be followed by many others. "Spirit of Freedom" was also commissioned by The Special Forces Club (London) as confirmed in the Catalogue Raisonne. One of his first public commissions was a monument to commemorate the 700th anniversary of the Battle of Lewes, and after this time he began to explore the themes for which he has become well known, specialising in studies of dance, the horse and the female form – all of which exude vitality and movement. His style, based on the classical lines of the Renaissance, reflects perfectly his own admiration for such great masters as Michelangelo and Rodin. He lived in Chelsea and worked from the studio formerly owned by the late Sir Charles Wheeler. Major public sculptures by Enzo Plazzotta include: Camargue Horses, on the Waterside Terrace at The Barbican Centre, London; The Cruxifixion, in the College Gardens of Westminster Abbey; Homage to Leonardo. Belgrave Square, London; Jeté, on the corner of 46 -57 Millbank, Westminster, London; The Hand of Christ, Dinand Library at the College of the Holy Cross, Worcester, Massachusetts, USA; The Helmet, Lewes Priory; Two Brothers, Boys Town, Nebraska, USA; Young Dancer, Royal Opera House, Broad Street, London. The estate of Enzo Plazzotta is handled by Chris Beetles Gallery (London) and their website at the time of writing shows "Spirit of Freedom" priced at £2750.

The Waterloo medal awarded to Corporal William Emmott, Royal Horse Guards, appointed Quartermaster in the Regiment in 1828, and subsequently Captain and Adjutant of the Worcestershire Yeomanry Cavalry with whom he was actively engaged during the Bristol Riots of 1831 and against the Chartists in 1842, when he himself captured a leading Chartist Arthur O’Niel at a riot near Dudley Waterloo 1815 (Corpl. William Emmott, Royal Horse Guards.) fitted with contemporary replacement silver clip and bar suspension, latter part of rank erased, edge bruising and contact marks, fine and better £3,600-£4,400 --- William Emmott was born in the Parish of Trawdon, near Colne, Lancaster, and enlisted into the Royal Horse Guards on 12 March 1811, aged 20. He served with the Blues in the Peninsula at the battles of Vittoria and Toulouse, and as a Corporal at Waterloo. He was commissioned as Quartermaster in the Royal Horse Guards on 25 September 1828, and retired on half-pay on 31 December 1831. He was afterwards drill Sergeant to Lord Villiers’ Bicester Troop of the Oxford Yeomanry Cavalry before being appointed Captain and Adjutant of the Worcester Yeomanry Cavalry by Lord Plymouth, serving in that capacity until his death on 14 April 1865, During this period the WYC was very actively engaged with the frequent riots and protests of the times, including the Bristol, Worcester and Staffordshire riots of 1831 and the Chartist riots of 1842, much of which is described in a letter of petition from Emmett in February 1859 (copy sold with the lot). Captain Emmott was buried at Tardebigge, the funeral being attended by Lord Lyttelton, the Lord Lieutenant, the Bromsgrove and Redditch Companies of Rifle Volunteers, and 450 of the Worcester Yeomanry Cavalry with the Band, under command of Lord Dudley. Sold with research including a copy of his original Commission as Quartermaster and a typed copy of a 6-page letter written by Emmott describing the events following the battle of Vittoria [dated 27 October 1813], these both being held by the Household Cavalry Museum. Emmot’s two-clasp M.G.S. medal is held by the National Army Museum, Chelsea, London. A fine portrait of Captain Emmott mounted on his favourite charger by Sir Francis Grant can be found in the history of the Worcester Yeomanry Cavalry.

Subbuteo - Collection of accessories to include Norwich City & Chelsea teams (both with a damaged player), boxed World Cup, European Cup and FA Cup, boxed set JJ, boxed Scoreboard and boxed Continental Display set in play worn condition etc

William De Morgan, an Arts and Crafts ruby lustre Hoopoe tile, Chelsea, circa 1880, painted with a bird facing left, on a foliate tufted ground, Wedgwood blank, apparently unmarked, 15cm square

William De Morgan, an Arts and Crafts ruby lustre Dodo tile, Chelsea, circa 1880, painted with a bird facing right, red beak, on a foliate tufted ground, Wedgwood blank, apparently unmarked, 15cm square

William De Morgan, an Arts and Crafts ruby lustre Ornate Bird or Peacock tile, Chelsea, circa 1880, painted with a bird facing left, on a foliate and tulip tufted ground, Wedgwood blank, apparently unmarked, 15cm square

William De Morgan, an Arts and Crafts ruby lustre Ornate Bird or Peacock tile, Chelsea, circa 1880, painted with a bird facing right, on a foliate and tulip tufted ground, Wedgwood blank, apparently unmarked, 15cm square

William De Morgan, a pair of foliate ruby lustre tiles, Chelsea, circa 1880, with two flowers to each, probably on Wedgwood or Minton blanks, 15cm square (2)

William De Morgan, an Arts and Crafts ruby lustre Ornate Bird or Peacock tile, Chelsea, circa 1880, painted with a bird facing left, on a foliate and tulip tufted ground, Wedgwood blank, apparently unmarked, 15cm square

William De Morgan, an Arts and Crafts ruby lustre Hoopoe tile, Chelsea, circa 1880, painted with a bird facing right, on a foliate tufted ground, Wedgwood blank, apparently unmarked, 15cm square

William De Morgan, an Arts and Crafts ruby lustre Dodo tile, Chelsea, circa 1880, painted with a bird facing left, taupe beak, on a foliate and tulip tufted ground, Wedgwood blank, apparently unmarked, 15cm square

William De Morgan, an Arts and Crafts ruby lustre Peacock tile, Chelsea, circa 1880, painted with a bird facing right, on a foliate tufted ground, Wedgwood blank, apparently unmarked, 15cm square

William De Morgan, an Arts and Crafts ruby lustre Partridge tile, Chelsea, circa 1880, painted with a bird facing right, with head turned, on a foliate tufted ground, Wedgwood blank, apparently unmarked, 15cm square

William De Morgan, a pair of foliate ruby lustre tiles, Chelsea, circa 1880, with two flowers to each, probably on Wedgwood or Minton blanks, 15cm square (2)

Barocker Taschenuhrenständer 18. Jh. Holz, geschnitzt, vergoldet u. versilbert. In Fom eines Tabenakels auf zwei Volutenfüßen, vorgekehlter Kranz und durchbrochene Bekrönung, Draperie unter der Uhröffnung. H. 30 cm. Dazu: Silberne Taschenuhr . Chelsea. Improved Patent, English Level. Emailzifferblatt mit kleiner Sekunde (feine Spr. u. Randchips). Uhrwerk nicht geprüft. (61117)

A Longton Hall porcelain strawberry moulded plate, circa 1755-56, the border moulded with leaves and fruiting strawberry vines, the interior painted with sprays of flowers including pink roses, unmarked, 23cm diameter; sold together with an 18th century Chelsea leaf-shaped dish, of twin-handled form, similarly painted, unmarked, 25cm wide (2)Condition:Strawberry plate - Some wear to paint on strawberries, some surface scratches and rubbing to centre decoration. Shallow rim chip to the purple lined border at 3 o'clock. Chelsea dish - good condition with no cracks or chips, unmarked

An Aubusson pattern carpet, WiltonLate 19th/early 20th century370cm x 225cmProvenance:Acquired from Chelsea Antiques Rug Gallery, thence by descent to the vendor.Condition:Small stain off centre. Other lesser stains and marks in places. Wear to edge in places. Wear to pile in places. Colour fair to good, consistent overall.

A Caughley 'Gooseberry / Fruit and Wreath' low Chelsea ewer, circa 1780, transfer-printed in underglaze blue with the Gooseberry to exterior and 'Fruit and Wreath' to the interior, with associated border pattern, unmarked, 6.5cm highProvenance: Featured in the 1999 Caughley Bicentenary Exhibition, no. 26.Condition:In good condition with no damages or repairs. Some very minor small spots of staining around the rim.

A small group of 18th century English porcelain, comprising Worcester: 'Tea Party' sucrier and cover, 12cm high, reeded tea bowl with blue underglaze cell diaper border, W mark, 7.2cm diameter; 'Hollow Rock' fluted saucer, W mark, 13.2cm diameter; a Chelsea Red Anchor florally decorated saucer, 12.5cm diameter; a scarce Chaffers Liverpool 'Two-storey shelter' saucer, circa 1758-63, unmarked, 12cm diameter; a Worcester sparrow beak milk jug, painted with flowers, unmarked, 8.5cm high; a Derby fluted ogee coffee cup, painted with flowers, with gilt dentil rim, 6.2cm high; a Derby seated bocage putto, 18cm high; sold together a Derby porcelain taperstick, moulded with leaves, 9.5cm high; and a small group of blue and white pearlware, comprising a 'Long Bridge' coffee cup, a 'Violin' tea bowl and coffee cup and a 'Curling Palm' sucrier and cover, 9cm high (group) (faults and restorations) Condition:Pearlware coffee cups 1 - chipped and cracked, another with foot rim chipTea party sucrier - cover chipped, reglued break to rim and associated hairlineWorcester fluted tea bowl - nibbles to rimDerby coffee cup - hairline to rimPearlware sucrier - repaired chips to cover, nibble to finial, restored rim chip to base and hairline crackChaffers tea bowl with crude repaired rim chipChelsea saucer cracked Candlestick with chip to mouthDerby candlestick with various breakages 

Staffordshire Chelsea Works Burslem waisted vase, H: 23 cm. Not available for in-house P&P

A Royal Albert Chelsea Bird coffee pot, some chips seen near the lid. This lot cannot be posted

Chelsea v. Liverpool match programme, 18th October 1913.

Chelsea v. Liverpool match programme, 30th December 1922, ex bound volume.

Chelsea v. Liverpool / Chelsea v. Queen's Park Rangers a combined match programme 2nd-4th January, signs of fold, some staining.

An album of autographs including football and cricket, including single player and teams, Stan Pearson, Frank Swift, Stanley Matthews, Tom Finney, Billy Wright, Stan Mortensen, New Zealand, Chelsea, Brian Close, Charlton Athletic, Brighton and Hove Albion etc 

Chelsea v. Liverpool and Chelsea v. Tottenham Hotspur combined match programme, 7-9th September 1912, ex bound volume.

Viv Anderson Arsenal v. Manchester United match programme, cover autographed by Viv Anderson, with ticket stub, Wembley 90 programme, Coco-Cola Cup final programme, Chelsea v. Middlesbrough, 29th March 1998, autographed by Viv Anderson and a collection of late 1980s Manchester United home match programmes, the covers autographed by Viv Anderson (a lot)Provenance: The Viv Anderson CollectionThe following lots 161 to 170 relate to the career of Viv Anderson MBE

Chelsea Football Club tour Itinerary to Holland, Sweden, Poland and Germany, May 1936, some staining.

Chelsea v. Liverpool home match programme, 18th April 1924, signs of folds, text on team pages, holed.

A bound volume of Chelsea programmes from 1966-67, including Nottingham Forest and Leeds United. 

Chelsea v. Liverpool match programme, 24th September 1921, signs of folds, pencil text scores.

Two Chelsea home tickets, 1946-47 comprising Charlton Athletic, 28th September 1947 and Derby County, F.A.Cup 4th Round, 25th January 1947, (2).