**A COMPOSITE FIELD ARMOUR IN THE 'GOTHIC' FASHION, GERMAN, CIRCA 1480-90 AND LATER comprising bevor formed of a main plate shaped to the chin and throat, a tall face-plate (restored) articulated to its upper edge and supported at its right by a spring-catch, the right of the plate pierced with nine small circular ventilation-holes in rosette formation and three more holes to the outside of it, and two gorget-plates (restored) of which the lowest and deepest has a square lower edge pierced at each corner with a hole to accommodate a retaining-bolt; lance-rest (restored) with an arm of inverted L-shaped section fitted on its front face with a fretted decorative plate and issuing from an integral rectangular base-plate fitted with two screws of which the upper one is welded in place and the lower is secured by a nut; tassets (restored) each of scutiform outline and fitted at its upper end with a pair of suspension-buckles; backplate formed of three downward-overlapping plates (the first patched at its upper corners, the second restored and the third associated), the first cut at its upper edge with a V-shaped neck-opening filled with a triangular gusset (restored), and at each side with an arm-opening, and the third flanged outwards at the waist to receive a culet of three lames descending to a multi-cusped lower edge; large left pauldron (restored) of Italian fashion, formed of four downward-overlapping lames; three-piece vambraces (restored and the right disarticulated), each formed of a gutter-shaped upper and lower cannon open linked by a shell-like couter open at the inside of the elbow; mitten gauntlets (the left and all but the cuff of the right restored), each formed of a long acutely-pointed cuff open at the inside of the wrist, five metacarpal-plates, a shaped knuckle-plate, four fluted finger-plates and a laterally-hinged thumb-defence of four scales; cuisses (the left and all but the upper six lames of the poleyn of the right restored) each formed of a gutter-shaped main plate fitted at its outer edge with a hinged side-plate and at its lower edge with a medially-cusped extension-plate terminating in a poleyn of seven lames overlapping outwards from the fourth which is shaped to the point of the knee and fitted at its outer end with a separate fan-like wing, and has medially-cusped upper and lower edges; ankle-length tubular greaves each open at the inside of the calf; and sabatons each formed of a rear section of one plate having a threaded hole at the heel for the attachment of a spur, and joined by a hinge at its inside to a front section of thirteen plates, the foremost of which takes the form of a long acutely-pointed toe-cap articulated to the preceding plate in such a way as to suggest that is detachable; the main edges of the armour formed in part with either inward or outward turns, the subsidiary edges of the backplate, pauldron, and gauntlets cusped at points, the surfaces of the backplate, pauldron vambraces and poleyns decorated with sprays of flutes in the 'Gothic' fashion and the bevor decorated with a roped transverse rib and incised lines (extensively pitted and patinated with some rust-perforations, cracks and patching) See note at front of catalogue for information concerning stands Provenance Stadtrath Richard Zschille, Grossenhain, Saxony, sold Christie's 25 January 1893, without present bevor, tassets and lance-rest Possibly Oliver H.P. Belmont, New York City and Newport,Rhode Island to 1911 Clarence H. Mackay, Harbor Hill, Long Island, New York (sold from his estate by Jaques Seligman & Co, New York, 9 November 1939) JWHA Inv. No. 2608 Exhibited Springfield Museum of Fine Arts, Springfield, Massachusetts, 17 February - 12 December1941 Worcester Art Museum, Worcester, Massachusetts, 1 April 1942 - 14 October 1947 Philbrook Art Center, Tulsa, Oklahoma, 4 October-28 November 1965 'Renaisance Hardware: The Art and Technology of Armor', National Ornamental Metal Museum, Memphis, Tennessee,4 September 1987 - 3 January 1988 'The Art of the Printmaker', J. W. Higgins Armory Museum, Worcester, Massachusetts, 2 June - 6 September 1998