We found 636 price guide item(s) matching your search

Schwere Muskete mit kombiniertem Lunten- und Radschloss, deutsch, datiert 1628Schwerer, leicht konischer achtkantiger Lauf mit sechzehnfach gezogener Seele im Kaliber 18 mm. Eisernes Korn, über der Kammer schmale Visierschiene. Auf der Laufoberseite geschlagene Datierung "1628", sowie drei ungedeutete Marken. Radschloss mit Sicherungshebel und klappbarem Luntenhalter. Eiserner Harfenabzugsbügel. Vollschäftung aus Nussbaumholz (alte Reparaturstelle unterhalb der Schlossplatte) mit reichen Einlagen aus graviertem und geschwärztem Bein. Darstellung verschiedener Wildtiere zwischen Blattranken, auf der Unterseite eine Portraitkartusche. Kolbenkappe aus hellem Horn, an der Kolbenunterseite zweifach eingebrannter Arsenalstempel "B:M". Originaler Ladestock mit graviertem Beindopper und eiserner Gewindehülse. Länge 165 cm, Gewicht 12,2 kg.Zustand: IIA German heavy musket with combined match- and wheellock, dated 1628Heavy, slightly conical octagonal barrel rifled with sixteen grooves in 18 mm calibre. Iron front sight, slender sight rail at the breech. The top of the barrel struck with the date “1628” and three unidentified marks. Wheellock with safety lever and folding fuse holder. Iron fingered trigger guard. Walnut full stock (old repair under the lock plate) with rich inlays of engraved and blackened bone. Portrayal of various wild beasts between scrolling leaves, on the underside a portrait cartouche. Butt plate of light-coloured horn, at the underside of the butt-stock two branded armory stamps “B:M”. Original ramrod with engraved bone cap and threaded iron sleeve. Length 165 cm, weight 12.2 kg.Condition: II

Militärische Luntenschlossmuskete, Zella, um 1640Achtkantiger, in rund übergehender Lauf mit glatter Seele im Kaliber 18 mm. Eingesteckt originaler Zeughaus-Mündungsschoner. Eingeschobene eiserne Kimme. Über der Kammer geschlagene Marke "ZEL" mit Meistermarke "HD" mit Stern, daneben herzoglich-sächsische Arsenalmarke. Rechteckige Pfanne mit schwenkbarer Abdeckung und kleinem Feuerschirm. Einfaches Luntenschloss mit wiederholt geschlagener Meistermarke, der Luntenhalter mit langem, originalem Luntenstrick. Vollschäftung aus Buchenholz, der Kolben mit Arsenalmarkierung "H" und Tatzenkreuz. Einfache eiserne Garnitur. Originaler hölzerner Ladestock mit eisernem Dopper und Gewindehülse. Länge 140 cm.Zustand: II +A military matchlock musket, Zella, circa 1640Octagonal to round barrel in cal. 18 mm with smooth bore. Original armory muzzle cap. Dovetailed iron rear sight. The mark "ZEL" struck at the breech, along with the master's mark "HD", a star and the arsenal mark of the Duchy of Saxony. The rectangular pan with a hinged cover and a small firing shield. The matchlock marked with maker's marks, the matchlock clamp with the long, original fuse cord. The full stock made of beech, the butt with the arsenal mark "H" and a cross potent. Iron furniture. Original wooden ramrod with iron tip and threaded sleeve. Length 140 cm.Condition: II +

Selbstladebüchse Harrington & Richardson Semiautomatic Rifle M 14, mit ZF LeupoldKal. .308 Win, Nr. 218765, blanker Lauf mit Feuerdämpfer, Länge 64 cm. Fünfschüssig. Dt. Beschuss 1977. Dioptervisier. Hülse gemarkt "U.S. Rifle / 7.62 MM M 14 / H. & R. Arms Co.". Originale Brünierung. Lackierter Nussholzschaft mit ausgeprägtem Pistolengriff, Gummischaftkappe Steyr. Modifiziertes Magazin. Lose dabei (die beiden Schrauben zur Seitenmontage fehlen) ein ZF Leupold M 8 - 6 x 42, Absehen ähnlich Abs. 8. Montagesockel gemarkt "Springfield Armory". Seltene Sportwaffe in nahezu neuer Erhaltung. Länge 113 cm. WBK: Achtung - ErlaubnispflichtigZustand: ISelbstladebüchse Harrington & Richardson Semiautomatic Rifle M 14, mit ZF LeupoldCal. .308 Win, SN. 218765, blanker Lauf mit Feuerdämpfer, Länge 64 cm. Fünfschüssig. Dt. Beschuss 1977. Dioptervisier. Hülse gemarkt "U.S. Rifle / 7.62 MM M 14 / H. & R. Arms Co.". Originale Brünierung. Lackierter Nussholzschaft mit ausgeprägtem Pistolengriff, Gummischaftkappe Steyr. Modifiziertes Magazin. Lose dabei (die beiden Schrauben zur Seitenmontage fehlen) ein ZF Leupold M 8 - 6 x 42, Absehen ähnlich Abs. 8. Montagesockel gemarkt "Springfield Armory". Seltene Sportwaffe in nahezu neuer Erhaltung. Länge 113 cm. WBK: Attention - For this gun we will need to obtain an export license for you, based on your import permit (if needed in your country) or through your firearms dealerCondition: I

A VICTORIAN LONDON ARMORY CO RIFLE. The 75.8cm barrel with percussion cap firing mechanism, the side plate stamped with a crown and V.R. dated 1863, LA.Co. With ladder sight, 117cm overall.

A BRITISH No 5 MK 1 BAYONET AND SCABBARD. A British No 5 Mk 1 bayonet with a 20cm pointed fullered blade stamped P in a circle 1946? possibly for Poole armory. In a scabbard and webbing frog. 34cm overall.

Jacques Villon, "L'écuyère"abstrahierende figürliche Komposition, Farblithographie auf leichtem Karton, unter der Darstellung in Blei rechts signiert "Jaques Villon" und links nummeriert "24/250", in der Darstellung nochmals signiert und datiert "Jaques Villon (19)50", gebräunt, leichte Knickspur, außerhalb der Darstellung wasserrandig, Darstellungsmaße ca. 38 x 55 cm, Blattmaße ca. 51,5 x 69 cm. Künstlerinfo: eigentlich Gaston Èmile Duchamp, franz. Maler und Graphiker (1875 Damville bis 1963 Puteaux bei Paris), Bruder der Künstler Raymond Duchamp-Villon, Suzanne Duchamp und Marcel Duchamp, Studium der Rechtswissenschaften und kurzzeitig als Notar tätig, ab 1894 Studium an der Ècole nationale supérieure des beaux-arts in Paris und 1894-1906 als Karikaturist für mehrere Pariser Zeitschriften tätig sowie Plakatentwerfer, 1899 bis 1909 druckte er bei Eugéne Delâtre ca. 60 Farbaquatintaradierungen, Umzug nach Puteaux, ab 1912 Mitglied der Künstlergruppe Section d' Or, 1913 Teilnahme an der Armory Show in New York, 1919 erste ungegenständliche Bilder, ab den 1940er Jahren Beschäftigung mit der Buchillustration, 1950 Verleihung des Carnegie-Preises in Pittsburgh, 1956 Großer Preis der Biennale in Venedig, Teilnahme an der documenta I und II sowie posthum an der documenta III, Quelle: Thieme-Becker, Vollmer, Bénécit und Wikipedia.

Two boxes of books and guides relating mostly to guns, rifles, assault weapons and small arms, to include 'German Submachine Guns and Assault Rifles World War Two', German Naval Guns 1939-45', 'Machine Guns of World War One', 'The Lee-Enfield', 'Modern Small Arms', 'Pistols and Revolvers', 'Fine Colts: The Doctor Joseph A. Murphy Collection', 'A Comprehensive Guide to Munitions', 'Gun Fighter', 'Illustrated Book of Guns', 'The Springfield 1903 Rifles', 'The Springfield Armory', 'Civil War Weapons', 'Collecting Classic Bolt Action Military Rifles', 'Colonel Colt', etc (2). CONDITION REPORT From the collection of Melvin 'Tankman' Cordwell.

Fine quality reproduction Halberd, with pierced steel blade and facetted shaft, approximately 240cm long, collection label for the The John Woodman Collection, no. 1045. Provenance: John Woodman Armory. The trustees of the museum disperced certain items from the collection at Thomas Del Mar Ltd. in 2014

U.S. Springfield Armory Cavalry Sabre with steel scabbard. Size: 40 1/2 x 5 1/2 in.

Carter (Matthew). Honor rediviuus [sic] or an Analysis of Honor and Armory, 1st edition, London: printed by E[llen] Coates, 1655, signatures a4 B-F8 G4, A-E8 F4, F4-8 G-K8 L6, [8] 88, 84 87-9 [1], 87-171 pp., engraved frontispiece, engraved title-page by Richard Gaywood, 7 engraved costume plates, woodcut coats of arms in the text, small hole at foot of B8 just clipping text, small tear in E6 touching headline, contemporary panelled calf gilt, 8vo, together with: Schoonebeek (Adrien). Histoire de tous les ordres militaires ou de chevalerie, 2 volumes, 1st edition in French, Amsterdam: H. Desbordes, P. Sceperus and P. Brunel, 1699, signatures *-2*8 3*4(+1) A-S8; 2A-2X8 2Y2, engraved title-page to each volume, numerous full-page engravings throughout (counted in the pagination and register), volume 1 lacking letterpress title-page (signature 2A1), a few marks and stains, hole in volume 1 leaf Q1, ownership inscriptions of English herald and antiquary Peter Le Neve (1661-1729; 'Petri Le Neve Norroy') to engraved title-pages, bookplates of English naturalist and collector William Constable FRS FSA (1721-1791), contemporary mottled tan sheep, rubbed, joints splitting superficially but remaining firm, 8vo (15.5 x 9.3 cm), Charles I. Eikon basilike [graece], [London]: [Thomas Newcomb], 1648, engraved folding frontispiece (with misprint 'Mundn' for 'Mundi'), final blank (N4) discarded, title-page closely trimmed at foot shaving part of date, closed tear in G3, endpapers renewed and bearing 19th-century ownership inscriptions, gilt gauffered edges, contemporary calf, rebacked with original spine laid down, 12mo (14.4 x 7 cm), Gyllius (Petrus). De Constantinopoleos topographia libri IV, Leiden: ex officina Elzeviriana, 1632, engraved title-page, blanks discarded, light browning, leaf 2A2 bottom line and 2A7 catchword shaved, 18th-century bookplate of William Massey of St John's College, Cambridge, contemporary vellum, 24mo (10.2 x 5.4 cm)Qty: (5)NOTESProvenance: Malcolm Rogers CBE FSA (1948-), British art historian and director of the Museum of Fine Arts, Boston from 1994 to 2015. Colas 2687 (Schoonebeek); ESTC R173407 (Carter); Madan 7 (Charles I); Willems 367 (Gyllius); cf. Lipperheide 1898 (Schoonebeek, first edition, in Dutch, 1697). Rare variant of Carter's work, with the imprint simply reading 'printed by E. Coates', with 'Sould by Thomas Heath in Covent garden, and Henry Herringman at the Ancker' omitted; ESTC traces six copies only for the present version.

Fox-Davies (Arthur Charles). The Art of Heraldry, an Encyclopaedia of Armory, reprint edition, London: Bloomsbury Books, 1986, numerous colour & black & white illustrations, original cloth in dust jacket, folio, together with; Slater (Greg & Jonathan Brough), Comprehensively Clarice Cliff, 1st edition, London: Thames & Hudson, 2005, numerous colour illustrations, original cloth in dust jacket, as new in original plastic wrap, larg3 4to, and other art & antique reference, mostly original cloth in dust jackets, 8vo/folioQty: (4 shelves)

RUSSIAN ARMOURY - KREMLINOpis Moskovskoy Oruzheynoy Palatay [Inventory of the Kremlin Armory], 10 vol., FIRST EDITION, upwards of 500 photographic plates by G.V.Trunov, M.M.Panov and others, some illustrations in the text, lacks title to volume 4, uniform blue half morocco, gilt lettered (and numbered 1-X) on spine, a few joints rubbed, original printed wrappers bound in, 4to (335 x 250mm.), Moscow, 1884-1893Footnotes:Attractively bound set, from the library of Stephen V. Grancsay, of the monumental inventory catalogue of the Kremlin Armoury, in which 9726 items are described, illustrated by striking photographic plates. The Kremlin Amory includes not only an extraordinary collection of arms and armour, flags and 'trophies', both Russian and from overseas, but the Tsar's regalia of the 'Crown', carriages, and gifts providing an overview of the the magnificence of the House of Romanov, the political and diplomatic history of Russia.Provenance: Stephen V. Grancsay (1897-1980), Ex Libris bookplate. Grancsay was curator of arms and armour at the Metropolitan Museum from 1929 until his retirement in 1963.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Friedrich August Weinzheimer (1882-1947), dt. Maler, der auf der bedeutenden Armory Show 1913 vertreten, und Mitbegründer des Kölner Künstlerbundes war, Figuren an einem Seeufer, Pastellkreide auf Papier, u. re. handsign. u. dat. 1912, 33 x 43 cm, hinter Glas u. Pp. ger. 50 x 59 cm Friedrich August Weinzheimer (1882-1947), German painter, who was represented at the important Armory Show in 1913 and was a co-founder of the Cologne Artists' Association, figures on a lake shore, pastel chalk on paper, etc. re. handsign. u. dat. 1912, 33 x 43 cm, behind glass u. PP ger. 50 x 59 cm

Collection of 1:72 scale Aircraft Extra Parts, Karaya Models 12xvarious engines and 2xCockpit sets, 5xOwl Radar sets and four engine sets by various makes, 3xAero Line Wright Engines, 16xScale Aircraft Conversions various Landing Gears, CMK models 5xvarious Engines and 2xInteriors, Quickboost 16xEjection Seats, 3x various Engines, FW190a Gun Barrels and Fw Undercarriage Covers, Armory Models 10xvarious Wheels, Bilek 7xPhantom Seats and Decal, 2xMiG extra parts and Decals, 14xvarious Ejector Seats, thirty further parts by various makes and more, generally excellent condition, (135 items).

Mary Larsen She Finally Wanted to be Herself, 2021 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Education   Raised in New York City, Mary Larsen attended an art magnet high school then studied printmaking and filmmaking at Hampshire College. Her education continued through her extensive travels throughout Europe, India, Nepal and China, filling sketchbooks and immersing herself in the art and culture of the places she stayed. She completed her Bachelor of Fine Arts at Florida International University, graduating Magna Cum Laude.   Exhibitions   She has exhibited in New York City, San Francisco, San Juan, Miami, Kyoto and currently resides in Miami.   Her work is in corporate and individual collections in New York, Miami, and San Juan including the Jaffe Center for Book Arts and the special collections at the University of Miami. BFA Florida International University   Selected Individual Exhibitions>>> 2018 Farside Gallery, Place disrupted, Miami, FL 2017 Bridge Red Studios, Miami, FL 2016 Gallery G-7, Indeterminate reality, Kyoto, Japan 2014 6th Street Container, Recalled a whisper, Miami, FL 2013 Upstairs Underground, dreamscapes, Miami, FL 2010 Gallery ID, Wynwood, FL 2007 Galería del Sol, Miami Beach, FL 2005 Fache Arts Gallery, Wynwood, FL 2000 Meza Fine Art, Coral Gables, FL   Selected Group Exhibitionsand Juried Shows>>> 2019 Laundromat Art Space, To the letter, Miami, FL Green Library at Florida International University, Papel, Miami, FL Bridge Red Studios, Miami, FL 2017 The Betsy Hotel, The Art of Bookmaking, Miami Beach, FL The Gallery at Penn College, Books Undone, the art of altered books, Williamsport, PA 2016 Flowerbox Gallery, Miami, FL Laundromat Art Space, Spin cycle, Miami, FL 2015 Scope Art Fair, Miami Independent Thinkers, Miami Beach, FL Girl's Club, 9TOPICS, Ft. Lauderdale, FL Meetinghouse, Page & Form, Miami, FL 2014 Juan Ruiz Gallery, Short Story, Wynwood, Miami, FL 2013 Scope Art Fair, Miami Independent Thinkers, Miami Beach, FL 2012 Frost Art Museum, All & Sundry, Miami, FL Verge Art Fair, Miami Beach, FL Brooklyn Waterfront Artist Coalition, Wide Open 3, Brooklyn, NY 2011 Miami's Independent Thinkers Art Fair, Miami, FL Art Now, Mexico City 2010 Artformz, Spill, Miami, FL Verge Art Fair, Small Wonderz (Art) Salon, Miami Beach, FL Artformz, Come hither, Miami, FL Centro Cultural Xicaranda, Artist Invites Artist, Valencia, Spain Armory Art Center, New Art, juried show, West Palm Beach, FL Dot FiftyOne Gallery, Eco Art Exhibit, Miami, FL 2009 Gallery ID, Miami, FL 2005, 2006 Fache Arts, Miami, FL 2003 - 2005 Virginia Miller Gallery, Coral Gables, FL 1994 - 1995 Palomas Gallery, San Juan, PR 1992 - 1995 Galería Luiggi Marrozzini, San Juan, PR 1989 Museo de Ponce, Ponce, PR   Collections>>> Bernice Steinbaum Gallery, Miami, FL University of Miami, Special collections, Miami, FL The Jaffee Center for Book Arts, Boca Raton, FL Johnson & Johnson Corp., San Juan, PR Blue Cross, San Juan, PR OMNI Magazine, New York, NY Dupont Corp., Manatí, PR   Artist Residencies, awards and additional opportunities>>> 2019 The Ellies Award, Oolite Arts; winner of a grant to study bookarts. 2018 Books Undone, juried exhibition, Gallery at Penn College, Winner, third place 2015 Associate artist residence, Bakehouse Art Complex, Miami, FL 2013 Burn Notice, TV series; paintings are featured prominently on the set of the main actress to represent the character's art work. 2012 Artist residency, Hungarian Multicultural Center, Budapest, Hungary   About the postcard artworks   Using pages from books, I focus on certain words to make found poetry. I incorporated image transfer, acrylic and ink to create images that are inspired by the words."  

Mary Larsen Endure It, 2021 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Education   Raised in New York City, Mary Larsen attended an art magnet high school then studied printmaking and filmmaking at Hampshire College. Her education continued through her extensive travels throughout Europe, India, Nepal and China, filling sketchbooks and immersing herself in the art and culture of the places she stayed. She completed her Bachelor of Fine Arts at Florida International University, graduating Magna Cum Laude.   Exhibitions   She has exhibited in New York City, San Francisco, San Juan, Miami, Kyoto and currently resides in Miami.   Her work is in corporate and individual collections in New York, Miami, and San Juan including the Jaffe Center for Book Arts and the special collections at the University of Miami. BFA Florida International University   Selected Individual Exhibitions>>> 2018 Farside Gallery, Place disrupted, Miami, FL 2017 Bridge Red Studios, Miami, FL 2016 Gallery G-7, Indeterminate reality, Kyoto, Japan 2014 6th Street Container, Recalled a whisper, Miami, FL 2013 Upstairs Underground, dreamscapes, Miami, FL 2010 Gallery ID, Wynwood, FL 2007 Galería del Sol, Miami Beach, FL 2005 Fache Arts Gallery, Wynwood, FL 2000 Meza Fine Art, Coral Gables, FL   Selected Group Exhibitionsand Juried Shows>>> 2019 Laundromat Art Space, To the letter, Miami, FL Green Library at Florida International University, Papel, Miami, FL Bridge Red Studios, Miami, FL 2017 The Betsy Hotel, The Art of Bookmaking, Miami Beach, FL The Gallery at Penn College, Books Undone, the art of altered books, Williamsport, PA 2016 Flowerbox Gallery, Miami, FL Laundromat Art Space, Spin cycle, Miami, FL 2015 Scope Art Fair, Miami Independent Thinkers, Miami Beach, FL Girl's Club, 9TOPICS, Ft. Lauderdale, FL Meetinghouse, Page & Form, Miami, FL 2014 Juan Ruiz Gallery, Short Story, Wynwood, Miami, FL 2013 Scope Art Fair, Miami Independent Thinkers, Miami Beach, FL 2012 Frost Art Museum, All & Sundry, Miami, FL Verge Art Fair, Miami Beach, FL Brooklyn Waterfront Artist Coalition, Wide Open 3, Brooklyn, NY 2011 Miami's Independent Thinkers Art Fair, Miami, FL Art Now, Mexico City 2010 Artformz, Spill, Miami, FL Verge Art Fair, Small Wonderz (Art) Salon, Miami Beach, FL Artformz, Come hither, Miami, FL Centro Cultural Xicaranda, Artist Invites Artist, Valencia, Spain Armory Art Center, New Art, juried show, West Palm Beach, FL Dot FiftyOne Gallery, Eco Art Exhibit, Miami, FL 2009 Gallery ID, Miami, FL 2005, 2006 Fache Arts, Miami, FL 2003 - 2005 Virginia Miller Gallery, Coral Gables, FL 1994 - 1995 Palomas Gallery, San Juan, PR 1992 - 1995 Galería Luiggi Marrozzini, San Juan, PR 1989 Museo de Ponce, Ponce, PR   Collections>>> Bernice Steinbaum Gallery, Miami, FL University of Miami, Special collections, Miami, FL The Jaffee Center for Book Arts, Boca Raton, FL Johnson & Johnson Corp., San Juan, PR Blue Cross, San Juan, PR OMNI Magazine, New York, NY Dupont Corp., Manatí, PR   Artist Residencies, awards and additional opportunities>>> 2019 The Ellies Award, Oolite Arts; winner of a grant to study bookarts. 2018 Books Undone, juried exhibition, Gallery at Penn College, Winner, third place 2015 Associate artist residence, Bakehouse Art Complex, Miami, FL 2013 Burn Notice, TV series; paintings are featured prominently on the set of the main actress to represent the character's art work. 2012 Artist residency, Hungarian Multicultural Center, Budapest, Hungary   About the postcard artworks   Using pages from books, I focus on certain words to make found poetry. I incorporated image transfer, acrylic and ink to create images that are inspired by the words."

Mary Larsen Sorrow Melts, 2021 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Education   Raised in New York City, Mary Larsen attended an art magnet high school then studied printmaking and filmmaking at Hampshire College. Her education continued through her extensive travels throughout Europe, India, Nepal and China, filling sketchbooks and immersing herself in the art and culture of the places she stayed. She completed her Bachelor of Fine Arts at Florida International University, graduating Magna Cum Laude.   Exhibitions   She has exhibited in New York City, San Francisco, San Juan, Miami, Kyoto and currently resides in Miami.   Her work is in corporate and individual collections in New York, Miami, and San Juan including the Jaffe Center for Book Arts and the special collections at the University of Miami. BFA Florida International University   Selected Individual Exhibitions>>> 2018 Farside Gallery, Place disrupted, Miami, FL 2017 Bridge Red Studios, Miami, FL 2016 Gallery G-7, Indeterminate reality, Kyoto, Japan 2014 6th Street Container, Recalled a whisper, Miami, FL 2013 Upstairs Underground, dreamscapes, Miami, FL 2010 Gallery ID, Wynwood, FL 2007 Galería del Sol, Miami Beach, FL 2005 Fache Arts Gallery, Wynwood, FL 2000 Meza Fine Art, Coral Gables, FL   Selected Group Exhibitionsand Juried Shows>>> 2019 Laundromat Art Space, To the letter, Miami, FL Green Library at Florida International University, Papel, Miami, FL Bridge Red Studios, Miami, FL 2017 The Betsy Hotel, The Art of Bookmaking, Miami Beach, FL The Gallery at Penn College, Books Undone, the art of altered books, Williamsport, PA 2016 Flowerbox Gallery, Miami, FL Laundromat Art Space, Spin cycle, Miami, FL 2015 Scope Art Fair, Miami Independent Thinkers, Miami Beach, FL Girl's Club, 9TOPICS, Ft. Lauderdale, FL Meetinghouse, Page & Form, Miami, FL 2014 Juan Ruiz Gallery, Short Story, Wynwood, Miami, FL 2013 Scope Art Fair, Miami Independent Thinkers, Miami Beach, FL 2012 Frost Art Museum, All & Sundry, Miami, FL Verge Art Fair, Miami Beach, FL Brooklyn Waterfront Artist Coalition, Wide Open 3, Brooklyn, NY 2011 Miami's Independent Thinkers Art Fair, Miami, FL Art Now, Mexico City 2010 Artformz, Spill, Miami, FL Verge Art Fair, Small Wonderz (Art) Salon, Miami Beach, FL Artformz, Come hither, Miami, FL Centro Cultural Xicaranda, Artist Invites Artist, Valencia, Spain Armory Art Center, New Art, juried show, West Palm Beach, FL Dot FiftyOne Gallery, Eco Art Exhibit, Miami, FL 2009 Gallery ID, Miami, FL 2005, 2006 Fache Arts, Miami, FL 2003 - 2005 Virginia Miller Gallery, Coral Gables, FL 1994 - 1995 Palomas Gallery, San Juan, PR 1992 - 1995 Galería Luiggi Marrozzini, San Juan, PR 1989 Museo de Ponce, Ponce, PR   Collections>>> Bernice Steinbaum Gallery, Miami, FL University of Miami, Special collections, Miami, FL The Jaffee Center for Book Arts, Boca Raton, FL Johnson & Johnson Corp., San Juan, PR Blue Cross, San Juan, PR OMNI Magazine, New York, NY Dupont Corp., Manatí, PR   Artist Residencies, awards and additional opportunities>>> 2019 The Ellies Award, Oolite Arts; winner of a grant to study bookarts. 2018 Books Undone, juried exhibition, Gallery at Penn College, Winner, third place 2015 Associate artist residence, Bakehouse Art Complex, Miami, FL 2013 Burn Notice, TV series; paintings are featured prominently on the set of the main actress to represent the character's art work. 2012 Artist residency, Hungarian Multicultural Center, Budapest, Hungary   About the postcard artworks   Using pages from books, I focus on certain words to make found poetry. I incorporated image transfer, acrylic and ink to create images that are inspired by the words."

Suzanne Jill Levy Journey On, 2021 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Connecticut based artist, Suzanne Jill Levy, was raised in a household saturated with art. It is her lifelong passion. With a primary focus on abstract art, Suzanne's work is bold and modern. Her use of color and graphic abstraction is powerful and exciting. Her paintings can be seen in gallery and juried exhibitions, auctions, corporate and private collections and on craft beer cans. While living in NYC she painted the New York City Marathon mural finish line art work on the road in Central Park. Her engagement in art was incorporated in all her educational endeavours. After earning a Master in Social Work degree and moving to Manhattan, she studied at the Art Students League of New York, the country's oldest independent art school. She had access to some of the greatest art museums and galleries for inspiration. Upon moving to Connecticut with her husband and two daughters, she chose to dedicate her energies to working as an artist full time. As an active member of the Canton Artist's Guild, she chairs the curation/hanging committee, assembling exhibitions of a community of artists. Currently the Gala Chair of the New Britain Museum of American Art, Suzanne donates work to the Museum's fundraising events and other organisations. With a background in social work and her artistic focus, Suzanne has taught art to adults with special needs and offers her time and talents to her community. Exhibitions Solo and Small Group Exhibitions Mallett Gallery, Hartford, CT 2019 Spectra Wired, Solo Exhibition, Hartford, CT 2018 Chase Family Gallery, West Hartford, CT 2017 Hartford Town and County, Hartford, CT 2016 Reynolds Fine Art, New Haven, CT Pieces: A Group Show 2016 The Underground Gallery, Collinsville CT 2016 and 2014 Gallery on the Green, Canton, CT 2015 Ceres Gallery, NYC 2014 Art Space, Hartford, CT 2014 Gallery Exhibitions Steidel Fine Art, Lake Worth, FL 2021 Open Studio Hartford, Union Station, Hartford, CT 2020 Gallery on the Green, Canton Art Guild, Canton, CT 2012 - present Lenox Art Walk, Lenox MA 2020 Open Studio Hartford, Union Station, Hartford, CT 2019 New Park Brewing, 485 New Park Avenue, West Hartford, CT 2019 - Present Craft Beer Can Artwork 2020 - present Salann Magazine, Salt and Light Studios, 1st Edition Open Studio Hartford, Union Station, Hartford, CT 2019 Paradise City Arts Festival, North Hampton, MA 2019 Clio Art Fair, NYC Armory Week 2019 The Voice of Art Gallery, Cheshire, CT 2019 About the postcard artworks Trees - a study in Colour and Form. I am an abstract artist motivated by the desire to interpret what I see in the most basic elements. A beautiful friend and a magnificent place inspired this series. Focusing on colour and subtle composition changes, I alter the outcome of each piece. There is a consistent pattern that travels throughout, while maintaining every painting's individuality. The images manipulate the visual field and allow for personal interpretation and contemplation. I see this work as an enchanted forest, a world where colour and shape dominate the story. This engaging and stimulating work invites the viewer to enter and journey through.

Suzanne Jill Levy Journey Through, 2021 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Connecticut based artist, Suzanne Jill Levy, was raised in a household saturated with art. It is her lifelong passion. With a primary focus on abstract art, Suzanne's work is bold and modern. Her use of color and graphic abstraction is powerful and exciting. Her paintings can be seen in gallery and juried exhibitions, auctions, corporate and private collections and on craft beer cans. While living in NYC she painted the New York City Marathon mural finish line art work on the road in Central Park. Her engagement in art was incorporated in all her educational endeavours. After earning a Master in Social Work degree and moving to Manhattan, she studied at the Art Students League of New York, the country's oldest independent art school. She had access to some of the greatest art museums and galleries for inspiration. Upon moving to Connecticut with her husband and two daughters, she chose to dedicate her energies to working as an artist full time. As an active member of the Canton Artist's Guild, she chairs the curation/hanging committee, assembling exhibitions of a community of artists. Currently the Gala Chair of the New Britain Museum of American Art, Suzanne donates work to the Museum's fundraising events and other organisations. With a background in social work and her artistic focus, Suzanne has taught art to adults with special needs and offers her time and talents to her community. Exhibitions Solo and Small Group Exhibitions Mallett Gallery, Hartford, CT 2019 Spectra Wired, Solo Exhibition, Hartford, CT 2018 Chase Family Gallery, West Hartford, CT 2017 Hartford Town and County, Hartford, CT 2016 Reynolds Fine Art, New Haven, CT Pieces: A Group Show 2016 The Underground Gallery, Collinsville CT 2016 and 2014 Gallery on the Green, Canton, CT 2015 Ceres Gallery, NYC 2014 Art Space, Hartford, CT 2014 Gallery Exhibitions Steidel Fine Art, Lake Worth, FL 2021 Open Studio Hartford, Union Station, Hartford, CT 2020 Gallery on the Green, Canton Art Guild, Canton, CT 2012 - present Lenox Art Walk, Lenox MA 2020 Open Studio Hartford, Union Station, Hartford, CT 2019 New Park Brewing, 485 New Park Avenue, West Hartford, CT 2019 - Present Craft Beer Can Artwork 2020 - present Salann Magazine, Salt and Light Studios, 1st Edition Open Studio Hartford, Union Station, Hartford, CT 2019 Paradise City Arts Festival, North Hampton, MA 2019 Clio Art Fair, NYC Armory Week 2019 The Voice of Art Gallery, Cheshire, CT 2019 About the postcard artworks Trees - a study in Colour and Form. I am an abstract artist motivated by the desire to interpret what I see in the most basic elements. A beautiful friend and a magnificent place inspired this series. Focusing on colour and subtle composition changes, I alter the outcome of each piece. There is a consistent pattern that travels throughout, while maintaining every painting's individuality. The images manipulate the visual field and allow for personal interpretation and contemplation. I see this work as an enchanted forest, a world where colour and shape dominate the story. This engaging and stimulating work invites the viewer to enter and journey through.

Christina Burch Butterfly Dreams, 2021 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) "Christina Burch's paintings are inspired by a variety of art and cultural contexts, including her extensive travels in Italy, Acupuncture and Oriental Medicine education at the Swedish Institute in New York, Japanese and Tantric painting, and passion for Contemporary Art. Characterized by vivid color, stylized ornament, clean surfaces, lyrical imagery, and a poetic, sensuous and magical quality, Burch has gained an important global clientele for her commissioned work. The Eastern view of energy and embodiment has been very influential in her recent works which contemplate the sensual, poetic dimension of figuration in painting. Education B.F.A. in Printmaking, Rhode Island School of Design, Providence, Rhode Island
European Honors Program, Rhode Island School of Design, Rome, Italy M.F.A. in Painting, New York University, New York, New York/ Venice, Italy Exhibitions Burch's work has been shown in a number of exhibitions including Voltz Clarke Gallery, New York, New York, and Adler & Co. Gallery, San Francisco, California. She has done special projects for Swarovski, Bazaar, Salvatore Ferragamo and others. Most recently her work has been on view at The Armory Show, Sotheby's, Christie's, Philip de Pury, and the Watermill Center in the Hamptons."

Christina Burch Butterfly Dreams, 2021 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) "Christina Burch's paintings are inspired by a variety of art and cultural contexts, including her extensive travels in Italy, Acupuncture and Oriental Medicine education at the Swedish Institute in New York, Japanese and Tantric painting, and passion for Contemporary Art. Characterized by vivid color, stylized ornament, clean surfaces, lyrical imagery, and a poetic, sensuous and magical quality, Burch has gained an important global clientele for her commissioned work. The Eastern view of energy and embodiment has been very influential in her recent works which contemplate the sensual, poetic dimension of figuration in painting. Education B.F.A. in Printmaking, Rhode Island School of Design, Providence, Rhode Island
European Honors Program, Rhode Island School of Design, Rome, Italy M.F.A. in Painting, New York University, New York, New York/ Venice, Italy Exhibitions Burch's work has been shown in a number of exhibitions including Voltz Clarke Gallery, New York, New York, and Adler & Co. Gallery, San Francisco, California. She has done special projects for Swarovski, Bazaar, Salvatore Ferragamo and others. Most recently her work has been on view at The Armory Show, Sotheby's, Christie's, Philip de Pury, and the Watermill Center in the Hamptons."

Christina Burch Butterfly Dreams, 2021 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) "Christina Burch's paintings are inspired by a variety of art and cultural contexts, including her extensive travels in Italy, Acupuncture and Oriental Medicine education at the Swedish Institute in New York, Japanese and Tantric painting, and passion for Contemporary Art. Characterized by vivid color, stylized ornament, clean surfaces, lyrical imagery, and a poetic, sensuous and magical quality, Burch has gained an important global clientele for her commissioned work. The Eastern view of energy and embodiment has been very influential in her recent works which contemplate the sensual, poetic dimension of figuration in painting. Education B.F.A. in Printmaking, Rhode Island School of Design, Providence, Rhode Island
European Honors Program, Rhode Island School of Design, Rome, Italy M.F.A. in Painting, New York University, New York, New York/ Venice, Italy Exhibitions Burch's work has been shown in a number of exhibitions including Voltz Clarke Gallery, New York, New York, and Adler & Co. Gallery, San Francisco, California. She has done special projects for Swarovski, Bazaar, Salvatore Ferragamo and others. Most recently her work has been on view at The Armory Show, Sotheby's, Christie's, Philip de Pury, and the Watermill Center in the Hamptons."

A PARCEL-GILT SILVER REPOUSSE STEM-BOWL AND COVER, QINGTibetan-Chinese, 18th-19th century. The lobed floral tray and tiered circular cover each applied with auspicious symbols, flowers, and scrolling vines in gilt-bronze on a repousse ground of scrolling vines, the cover with a coral finial.Provenance: Henry Harrison Getty (1838-1919), by repute. Courtenay Morgan, the Viscount Tredegar (1867-1934), by repute. Mark Dineley (1901-1975). Peter Dineley (1938-2018), inherited from the above, and thence by descent in the same family. Father and son Dineley were British arms designers and art connoisseurs, who built a substantial collection of Buddhist art over many decades. Their firm was the largest theatrical armory in the world, supplying to legendary films such as Star Wars or Indiana Jones.Condition: Excellent condition with minor wear, few small dents, minuscule nicks here and there.Weight: 210.2 gDimensions: Height 11.5 cm清代葵瓣式鎏金捶揲銀蓋盞 漢藏，十八至十九世紀。葉狀花托和分層圓蓋，纏枝紋地，開光中有不同吉祥圖案，局部鎏金，蓋子上有珊瑚鈕。 來源：知名的Henry Harrison Getty（1838-1919）收藏。著名的Courtenay Morgan子爵（1867-1934）。 Mark Dineley（1901-1975）。Peter Dineley，1938-2018年。從上述繼承而來，並因此在同一個家族中世系傳承。Dineley父子是英國武器設計師和藝術鑑賞家，他們數十年來積累了大量佛教藝術收藏。 他們的公司是世界上最大的戲劇軍械庫，供應《星球大戰》或《印第安納·瓊斯》等傳奇電影。 品相：狀況極佳，少量磨損，少量凹痕，到處都有微小的刻痕。 重量：210.2 克 尺寸：高 11.5 厘米

Miao China, embroidered on silk, frame measures 50 cm. x 50 cm. Provenance: Armory Asian Art Fair, New York 1999.

Ansichtenteller, KPM Berlin, Marke 1962-92, 2. W., Form Kurland auf mintgrüner Bordüre mit starker Goldverzierung, im Spiegel polychrome Malerei mit Ansicht von der neuen Wache und vom Zeughaus Unter den Linden in Berlin, verso bez., Ø 25,5 cmView plate, KPM Berlin, mark 1962-92, 2nd choice, form Kurland on mint green border with strong gold decoration, in the mirror polychrome painting with view of the new guard and armory Unter den Linden in Berlin, verso marked, Ø 25,5 cm

Hanns Bolz 1885 Aachen - 1918 Kuranstalt Neuwittelsbach (bei München) Porträt des Kunsthändlers Alfred Flechtheim. Um 1910/11. Öl auf Leinwand. 41 x 33 cm (16,1 x 12,9 in). • Wunderbare Arbeit aus dem kleinen aber qualitativ herausragenden Werk des wiederentdeckten Rheinischen Expressionisten Hanns Bolz. • Bolz’ Gemälde wurden in den führenden Avantgarde-Galerien von Alfred Flechtheim in Düsseldorf und Hans Goltz in München ausgestellt und waren auch auf Herwarth Waldens legendärem 'Erstem Deutschen Herbstsalon' (1913) in Berlin vertreten. • Da der früh verstorbene Künstler vor seinem Tod seine Werke teils selbst vernichtet und teils testamentarisch deren Vernichtung verfügt hat, sind heute nur noch wenige Arbeiten des Künstlers erhalten. • Bisher wurden erst 23 Gemälde des Künstlers auf dem internationalen Auktionsmarkt angeboten (Quelle: www.artnet.de) • Porträts des bedeutenden Moderne-Händlers Alfred Flechtheim wurden u.a. auch von Karl Hofer (1922, Musée de Grenoble) und Otto Dix (1926, Nationalgalerie Berlin) geschaffen. Mit einer Expertise von Herrn Ernst Cremer, Aachen, vom 10. Okotber 2008 (in Kopie). PROVENIENZ: Der Neue Kunstsalon Max Dietzel, München (auf dem Keilrahmen mit dem Stempel). Neue Kunst Hans Goltz, München (auf dem Keilrahmen mit dem Etikett). Privatsammlung Süddeutschland (bis 2008, Ketterer Kunst, 3.12.2008). Privatsammlung (seit 2008, Ketterer Kunst, 3.12.2008). LITERATUR: Vgl. J. Heusinger von Waldegg, In memoriam Hanns Bolz, in: Aachener Kunstblätter, Bd. 47, 1976, S. 293ff. Ketterer Kunst, Auktion 342, Moderne Kunst, 3.12.2008, Los-Nr. 230, mit Abb. Ernst Cremer, Hanns Bolz. Botschafter der Moderne, Alsdorf 2018, S. 232. Der früh verstorbene Hanns Bolz gehört zu den großen expressionistischen Talenten des Rheinlandes. Erst in den 1960er Jahren beginnt die kunsthistorische Forschung langsam den Namen Hanns Bolz aus der Vergessenheit zu holen, wobei einer umfassenden Beschäftigung mit seinem Werk leider bis heute die geringe Zahl an erhaltenen Arbeiten entgegensteht, da Bolz testamentarisch die Vernichtung seines Werkes verfügt und den Großteil seine Werke vor seinem Tod selbst vernichtet hat. Hanns Bolz absolviert wohl um 1905/1908 ein Studium an der Düsseldorfer Kunstakademie. Im Anschluss geht er nach Paris, wo er bis Kriegsbeginn die meiste Zeit verbringt. Er mietet sich ein Atelier auf dem Montmartre, rue Gabrielle 49, das zuvor von Pablo Picasso genutzt wurde. Im Café du Dôme ist er ständiger Gast und gehört bald zu der kleinen deutschen Künstlerkolonie, die sich dort um Purrmann und Levy etabliert hatte. Spätestens hier lernt er den Kunsthändler Alfred Flechtheim kennen, der den illustren und in seinen Stilrichtungen ganz heterogenen Kreis der 'Dômiers' 1914 erstmals in seiner Galerie zeigt. Bolz wird bereits zu Lebzeiten bei den Kunsthändlern Hans Goltz in München und bei Alfred Flechtheim in Düsseldorf ausgestellt, die beide als Wegbereiter der Moderne gelten. In seinem malerischen Werk zeigt sich deutlich die Auseinandersetzung mit dem französischen Kubismus und Fauvismus. In den ersten Pariser Jahren ist wohl auch unser Porträt entstanden, das wahrscheinlich den berühmten Moderne-Händler Alfred Flechtheim zeigt. Auffällig ist die charakteristische Physiognomie des Dargestellten: die große, markante Nase, die fliehende Stirn, das spitze Kinn und der große Mund mit den vollen Lippen. Die Beleuchtung von schräg hinten verleiht den ernergischen Gesichtszügen eine besondere Prägnanz. Typisch für das Werk von Bolz ist hier die gedämpfte Farbpalette und die kubistisch beeinflusste Behandlung von Licht und Schatten, die ein Gegeneinandersetzen heller und dunkler Bildzonen mit sanften Modulationen und Übergängen zu vereinen versteht. Hanns Bolz ist auf allen wichtigen Ausstellungen seiner Zeit vertreten. Er nimmt an der Sonderbundausstellung 1912 in Köln, der Armory Show in New York und Chicago und an Herwarth Waldens 'Erstem Deutschen Herbstsalon' 1913 in Berlin teil. 1914 wird der Künstler zum Militärdienst eingezogen und erleidet eine schwere Gasvergiftung, die ihn teilweise erblinden lässt. Bolz wird vorzeitig entlassen und verstirbt 1918 an den Folgen seiner Kriegsverletzung in der Kuranstalt Neuwittelsbach bei München. Alfred Flechtheim zeigt 1922 in seiner Galerie unter dem Titel 'Hanns Bolz. In Memoriam' eine Gedächtnisausstellung mit 30 Gemälden des damals hoch geschätzten und heute leider nahezu vergessenen Rheinländers. [JS] Aufrufzeit: 11.12.2020 - ca. 19.02 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONHanns Bolz 1885 Aachen - 1918 Kuranstalt Neuwittelsbach (bei München) Porträt des Kunsthändlers Alfred Flechtheim. Um 1910/11. Oil on canvas. 41 x 33 cm (16.1 x 12.9 in). • Wonderful work from the small yet remarkable oeuvre of the rediscovered Rhenish Expressionist Hanns Bolz. • Bolz` paintings were shown at the leading vanguard galleries of Alfred Flechtheim in Düsseldorf and Hans Goltz in Munich and were also shown at Herwarth Walden's legendary '1. Deutschen Herbstsalon'(1913) in Berlin. • As the early deceased artist destroyed most of his art before his death, only very few works are still in existence today. • To date only 23 paintings by the artist have been offered on the international auktion market (source:www.artnet.de). Accompanied by an expertise from Mr. Ernst Cremer, Aachen, dated October 10, 2008. PROVENANCE: Neue Kunst Hans Goltz, Munich (with a label on the stretcher). Der Neue Kunstsalon Max Dietzel, Munich (with a stamp on the stretcher). Private collection Southern Germany (until 2008, Ketterer Kunst, December 3, 2008). Private collection (since 2008, Ketterer Kunst, December 3, 2008). LITERATURE: Ketterer Kunst, auction 342, Modern Art, December 3, 2008, cat. no. 230, with illu. Called up: December 11, 2020 - ca. 19.02 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

Chambers Encyclopaedia, new edition, 1895 10vols, half leather binding, ex-libris, together with a quantity of other books including Hans Andersen's Fairy Stories with pop up pictures, 'Bookano Stories', with pop up pictures, Burke's Landed Gentry, 1937, Burke's Armory, Welford 'The county Families' etc., (approx 45 in total), a Victorian 'Scrap' book and a large leather scrap book, mostly empty (a lot)

SPRINGFIELD A .30-06 SPORTERISED 'MODEL 1903' BOLT-MAGAZINE SERVICE RIFLE, 1342315, 23 7/8in. blued barrel, block-mounted bead fore-sight, folding ladder rear-sight, graduated to 2700 yards, receiver marked 'U.S. SPRINGFIELD ARMORY MODEL 1903', manual flag safety, detachable floorplate, 13in. well-figured straight stock with steel butt-plate, sling swivels. S1 - Sold as a Section 1 Firearm under the 1968 Firearms Act

EDWARD & WALLIS: EDWARD, DUKE OF WINDSOR (1894-1972) King of the United Kingdom January-December 1936 & WALLIS, DUCHESS OF WINDSOR (1895-1986) Wife of Edward, Duke of Windsor. Bold red ink signatures by both Edward ('Edward, Duke of Windsor') and Wallis ('Wallis Duchess of Windsor'), individually signed to a 4.5 x 3.5 card bearing the red embossed armory printed monogram of the Duke at the head. The card has been neatly affixed to a slightly larger 4 x 6 page removed from the Duke´s block note bearing the printed heading “From the Desk of the Duke of Windsor”. Accompanied by a printed 5.5 x 3.5 card of the Secretary to the Duke and Duchess of Windsor. VG

Guillim (John). A Display of Heraldry ... The sixth edition. Improv'd with large additions of many hundred coats of arms, under their respective bearings..., London: printed by T.W. for R. & J. Bonwicke, R. Wilkin, J. Walthoe & Tho. Ward, 1724, engraved armorial frontispiece (torn & frayed to lower outer corner with slight text loss and lined to verso), title in red & black, 64 engraved plates (including 17 portrait plates and 47 armorial plates), woodcut armorials to text, margins of 3H2 & 3H3 strengthened, one armorial plate torn to upper margin at head & repaired, some toning, dust-soiling, spotting & few marks, some dampstaining (particularly at rear), bookplates of F.J.W. Crowe and the Reverend Dr. G.B. Westwood to front endpaper, 19th century marbled endpapers with later cloth hinges, near-contemporary dark brown morocco, rebacked, lower joint cracked at foot, corners & board edges worn and showing (corners consolidated), boards scuffed, folio, together with: Phillipps (Thomas). Heralds Visitation Disclaimers, [Middle Hill, Worcestershire]: Ex zincographia Appelana, 1854, letterpress title (with few spots) and facsimile leaves of manuscript printed on blue paper, top edge gilt, armorial bookplates of Henry J.B. Clements and Rev. Dr. G.B. Westwood to front endpaper, late 19th century brown half morocco, gilt crest Henry Clements at foot of spine, slim folio (only three UK institutional locations found), Heraldry. Genealogical and Heraldic Notes from County Histories etc., by Jas. Eddes, circa 1900, volume containing 57 mounted reading room book request slips, each with detailed manuscript notes relating to genealogy & heraldic devices of various families, title in pencil at front and index at rear, top edge gilt, remainder untrimmed, bookplates of Frederick A. Heygate Lambert, Garratts Hall Library, and Rev. Dr. G.B. Westwood to front endpaper, contemporary half vellum (by F.A. Crisp) with gilt title to spine 'Armory (Thorpe. Dugdale. Blomefield &c)', some dust-soiling, 4to, Albums - crests & armorials, Two albums containing a selection of mounted crests, armorials and monograms etc. late 19th century, (possibly excised from letterheaded paper and envelopes), one volume with all edges gilt, and in contemporary gilt decorated morocco, rubbed, 4to and the other in late 19th century cloth, small 4to, Fox-Davies (Arthur Charles). Armorial Families, 2 volumes, 7th edition, London: Hurst & Blackett, Ltd., 1929, numerous armorials to text, top edge gilt, original cloth, large 8vo, [Stirling Maxwell, William], Examples of the Ornamental Heraldry of the Sixteenth Century, London, 1867, decorative title in red & black, numerous monochrome armorials throughout, top edge gilt, contemporary brown quarter morocco, cloth sides, folio, Purey-Cust (A.P.), The Heraldry of York Minster..., 2 volumes, Leeds: Richard Jackson, 1890, colour lithograph frontispiece to each, colour & uncoloured lithograph plates, top edge gilt, remainder untrimmed, modern cloth, with inset upper cover panel and spines preserved, folio, and other heraldry relatedQty: (15)NOTESProvenance: Rev. Dr. G.B. Westwood. (Guillim) - Rear free-endpaper with typed note "This book was discovered in PLas yn Llan (Nannerch Hall) probably in the mid-50s by the people then living there - Mrs J.C. Mather. It was re-backed about that time, probably by that family."

A steel 'tiger's claw' (Bagh Nakh) India, 19th/ 20th centurywith five curved blades flanked by two spear head motifs, rings for thumb and finger to the sides 12.3 cm. longFootnotes:The Bagh Nakh was a popular weapon among Sikh Akali who often wore them in their turbans or on the hand with which they were not holding their principle weapon. A very similar but earlier example is in the Higgins Armory Museum, Worcester Massachusetts (No. 1953). For another in the Victoria and Albert Museum see Jackson and Jaffer, Maharaja: The splendour of India's royal courts, 2010, p. 17.For further information on this lot please visit Bonhams.com

DANDEE PATEE; a wood fired porcelain cup, height 8.5cm.Provenance: Purchased from Pawtucket Armory Arts Center, Providence, Rhode Island, 2015.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

STEVE THEBERGE; a stoneware cup, impressed T mark, height 9.5cm.Theberge's work is grounded in historical pots from the American Northeast and South, and strongly influenced by Japanese and Korean firing and making techniques.Provenance: Purchased from Pawtucket Armory Arts Center, Providence, Rhode Island, 2015.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

ELENOR WILSON; a porcelain yunomi decorated with a linear pattern covered in turquoise glaze, impressed EAW mark, height, 10.5cm.Provenance: Purchased from Pawtucket Armory Arts Center, Providence, Rhode Island, 2015.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

HEIDI BLETT; a wood fired stoneware mug, incised signature, height 12.5cm.Provenance: Purchased from Pawtucket Armory Arts Center, Providence, 2015.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

JIM BUSBY (born 1976); a small wood fired stoneware cup, height 6cm.Provenance: Purchased from Pawtucket Armory Arts Center, Providence, Rhode Island, 2015.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

ANDREW DUTCHER; a waisted salt glazed mug, impressed A mark, height 11.5cm.Provenance: Purchased from Pawtucket Armory Arts Center, Providence, Rhode Island, 2015.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

TYRA FORKER: a porcelain teabowl, height 8.5cm.Provenance: Purchased from Pawtucket Armory Arts Center, Providence, Rhode Island, 2015.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

TYLER GULDEN; a stoneware yunomi, incised signature, height 10cm.Provenance: Purchased from Pawtucket Armory Arts Center, Providence, Rhode Island, 2015.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Heraldry. Genealogical and Heraldic Notes from County Histories etc., by Jas. Eddes, circa 1900, volume containing 57 mounted reading room book request slips, each with detailed manuscript notes relating to genealogy & heraldic devices of various families, title in pencil at front and index at rear, top edge gilt, remainder untrimmed, bookplates of Frederick A. Heygate Lambert, Garratts Hall Library, and Rev. Dr. G.B. Westwood to front endpaper, contemporary half vellum (by F.A. Crisp) with gilt title to spine 'Armory (Thorpe. Dugdale. Blomefield &c)', some dust-soiling, 4to, together with: Albums - crests & armorials , Two albums containing a selection of mounted crests, armorials and monograms etc. late 19th century, (possibly excised from letterheaded paper and envelopes), one volume with all edges gilt, and in contemporary gilt decorated morocco, rubbed, 4to and the other in late 19th century cloth, small 4toQty: (3)

19th century Indian made British pattern percussion pistol with brass fittings and armory stamp. Length of barrel is 22.5 cm approx.(B.P. 21% + VAT) Very dirty blade and action has surface rust.

Heraldry.- Holme (Randolph) The Academy of Armory, or, a Storehouse of Armory and Blazon, first edition, presentation copy inscribed on engraved title verso "A Gift of Randall Holme of the citty of Chester Herauld Painter to the Worshipfull Colledge of Heraulds Anno MDCXCII" with his arms arms added in ink to an engraved blank shield pasted above, engraved additional title (repaired and restored at foot with some loss and show-through from inscription on verso), numerous full-page engraved illustrations, L1, 2L3, 2T3, second A4 and second L4 with rust-holes causing loss to 2 or 3 letters of text, 2X4 with loss to upper margin, not affecting text, second V2 with repaired tear to lower margin, foxing and browning, 3 repaired and restored proof sheets bound at end, ink stamp to foot of title, ink inscriptions to front free endpaper, red morocco, gilt, by Riviere & Son, spine faded, g.e., [Wing H2513], folio, Chester, for the author, 1688.⁂ Provenance: College of Arms (ink inscription and stamps with "Duplicate" stamp to endpaper); E. H. & E. M. Dring (ink inscriptions, sold, their sale, Bloomsbury Auctions, 27th June, 1991, lot 303).

A collection of gun related equipment, six gun sights, AGS x2, SMK x2, Sussex Armory, a giyo shock pump, a pair of Russian binoculars, B-50 Bowstring, etc.

dating: 1961 provenance: USA, 'The John Woodman Higgins Armory', Worcester; Massachusetts 1961; 128 pages with b/w illustrations. 'Loan Exhibition of Mediaeval and Renaissance Arms and Armour from the Met.', San Francisco 1953, 34 pages and b/w plates. Both bound with hardcover with title in gold. height 25 cm.

dating: 1980 provenance: Venice, 'L'Armeria del Castello di Monselice' Castle armory catalogue. Neri Pozza Editore, Venice, 1980. 100 pages with 392 b/w illustrations. Paperback. height 25 cm.

dating: about 1480 provenance: Brescia, In two pieces. Smooth upper part with raised neckline and gussets. Under the neck a still clearly visible mark with two towers. A riveted loop in the center, for fixing an additional piece for the joust, further down a pivot; lance-rest on the right side. Two restored buckles above. Lower plate sharpened at the end, chiselled at the borders and with floral engravings at the edge, with central raiser and with two grooves, embossed on sides, two cusps on each side of the upper border. Gothic breast-plates rarely appear on the international market. Similar specimens are usually found only in museums and first-class private collections. See a breast-plate on an armour from the same period in the Wallace Collection (Vol. I, plate 3 No. A 20). Another breast-plate in the collection of the Royal Armory of Turin, illustrated in 'L'Armeria Reale di Torino' by Franco Massini, Ill. No. 3. The Odescalchi collection hosts five breast-plates of this type (see the catalogue, numbers 103-107), all in two pieces, two with a lance-rest, but all, a part number 107, of a simpler manufacture than the one presented by us.PROVENANCE:The historic armour collection of the Zeughaus in Solothurn, SwitzerlandRoselius House Museum, Bremen. Sotheby’s Olympia London, 30 June 2004, lot 93Private collectionLITERATURE: Mario Scallini, The Armoury of the Castle of Churburg, Udine 1996, pp. 72, 89, pl. 29 height 34 cm.

dating: 1840 circa provenance: Germany, Interlocking helmet, with skull in one piece, blasted, with two twisted combs and with large longitudinal fullers on sides. Fine, well visor shaped as grotesque mask, with rectangular eyelets, surmounting a face, finely relieved, complete with pierced eyes, nose and mouth with sharpened teeth, open as well. Beaver with interlocking neckline that incorporates the twisting at the skull base. Closures with snaps. Back part with plume-holder. Visor hinges with rosette-head. Gorget with four plates, file-roped and twisted neckline, for helmet interlocking. Rounded breast-plate, with gusset and neckline with typical twisted ropes, very thick and faced outwards. A folding rest on the right side. Back-plate decorated en suite with the breast. Three-plated loin-guards. Four-plated tassets, both with twisted lower border. Complete brassards. Epaulettes provided with neck-collar with file-roped border, elbow-piece with big fan plates. Inarticulated gauntlet with cuffs provided with a thick spiral. Full-leg defense, provided with shoes overtaking the drawing of the other parts. Knee-cop fan plates with twisted border. All the armour is finely carved en suite: plates with longitudinal fullers, that outline the relieved and outlined bands, plates with festooned border. Complete with leather strings, all with iron rivets. The armour is presented on its wooden mannequin complete with high pedestal. High quality work, comparable to antique originals. Total height with the base: abt. 220 cm. See a similar armour (antique) in the collection of Vienna armory which belonged to Duke Ulrico of Württemberg, illustrated in 'Armi e Armature Europee' by Thomas/Gamber/Schedelmann No. 56. height as shown circa 185 cm.

Heraldry & Genealogy.- Carter (Matthew) Honor Redivivus: or, the Analysis of Honor and Armory, third edition, engraved frontispiece, additional architectural title and 9 plates, woodcut coats-of-arms, modern bookplates, modern calf, spine gilt, g.e., [Wing C661], for Hen.Herringman, 1673 § [Caraccioli (Charles A.)] The Antiquities of Arundel; the Peculiar Privilege of its Castle and Lordship..., first edition, half-title, list of subscribers, light foxing, a few minor marginal defects, contemporary calf, spine gilt, a little worn, upper cover detached, for the Author, 1766; and 2 others on the British nobility, 8vo et infra (4)

Italic late 6th-1st half 5th cent. B.C.. Bronze. H. 19 cm. W. max. 23.6 cm. D. max. 26.7 cm Compact bronze helmet whose closed crown rises up to a sharp medial ridge; two holes at the top to the left and right of the ridge for attaching a horsehair crest. A second, shallower angle marks the transition from the crown to the tall band around the base leading to a low, turned-up rim. The crown falls away very steeply at either side. The iron nails that have been preserved in the rim would have held the lining in place. Helmets of the Vetulonia subtype were especially widespread in Central Italy and in the majority of cases come from Etruria, where most of these helmets are thought to have been made. Condition: About half the rim restored. Crown preserved to a large extent reinforced with minor restoration work; a larger fragment restored; several cracks closed. Formerly Sumner Healey, New York, 6 July 1932. Thereafter Collection John Woodman Higgins (1874-1961), founder of the Higgins Armory Museum, Worcester, Massachusetts; JWHA inv. no. 1735. On the inside in red ink "T 35".

A QUANTITY OF BOOKS ON HERALDRY ETC. RELATING TO THE SOUTHERN COUNTIES OF ENGLAND to include Sabine Baring-Gould & Robert Twigge - "An Armory of The Western Counties", 1898 facsimile edition c. 2018, Sir John Maclean & W. C. Heane - "The Visitation of the County of Gloucester taken in the year 1623", 1885, various other visitations and Tewkesbury Battlefield Society - "The Street Banners of Tewkesbury" 2013 (8)

J. B. RIETSTAP - "ARMORIAL GENERAL" two volumes reproduced from the second edition 1884 , 1965 together with "Burke's General Armory" facsimile edition 1989 and Willoughby A. Littledale - "A Collection of Miscellaeous Grants, Crests, Confirmations, Augmentations and Exemplifications of Arms in the MSS" 1925 two volumes and Peter Summers - Hatchments in Britain twelve volumes with Addendum 2001 (17)

SPRINGFIELD ARMORY, USAA SCARCE .50 (C/F) SERVICE-RIFLE, MODEL '1871 ROLLING-BLOCK', no visible serial number, WITH BAYONET,manufactured 1872, with brushed bright (as original) 36in. barrel, , block and blade fore-sight, small elevating ladder rear-sight, colour hardened rolling block action marked 'MODEL 1871' on the left hand side and 'US SPRINGFIELD 1872' below an American eagle on the right, special 'locking' central hammer action (hammer deliberately drops to half-cock when breech closed), top-tang marked with 'REMINGTON'S PATENT' over 'PAT MAY 3D. NOV 15TH 1864. APRIL 17TH 1868', walnut butt-stock with 'U.S' marked heel-plate, iron sling swivels and two barrel-bands, complete with matching socket bayonet (unmarked, no scabbard). 800

A British 1856 pattern Pioneers sawback sword:, the straight blade with double edge point and sawback, stamped with broad arrow and 'WD' also dated '92' with later armory stamps, gilt brass hilt with single quillon and guard, two piece ribbed brass grip in a gilt brass mounted black leather scabbard with belt stud to throat stamped en suite, blade length 57cm.

A selection of various Cornish volumes including Blight (J T) A Week at the Lands End 1876; Ancient & Holy Wells of Cornwall 1894; Old Falmouth; The Cornish Church Guide; A Cornish Armory and others, etc

CARL STERRY (1861-?) GERMAN, A German armour for man and horse from the Maximilian era in the Berlin Armory, signed and inscribed, watercolour heightened in white, 60 x 47cm.

The Property of a Gentleman A LUGGED SPEAR, LATE 15TH CENTURY, GERMAN OR SWISS with tapering head of flattened-diamond section (tip rounded), recessed at the base and formed with a pair of wing-like lugs, stamped with a cross crosslet mark on each face, tapering socket, and a pair of short straps (one chipped), on a wooden haft 43.7 cm; 17 1/8 in head A similar spear, from the armoury at Veste Hohenwerfen and latterly in the John Woodman Higgins Armory Collection, was sold in this room, 7th May 2014, lot 90.

CARTER MATT.  Honor Rediviuus or An Analysis of Honor & Armory. Eng. frontis & title (by Richard Gaywood), 7 eng. plates of figures in their robes & text armorial engs. 12mo. Rebound calf. Henry Heringman, 1660.

Humphrey-Smith (Cecil R). Anglo Norman Armory 1973 and 1974 and two other works on Anglo-Norman Heraldry. (4 volumes)

Burke's General Armory For 1884, and Burke's Dormant and Extint Peerages for 1883 and 1844, and another reprinted copy. (4)

Fox-Davies (Arthur Charles). The Art of Heraldry, An Encyclopedia of Armory, together with other volumes of Heraldry, Arms and associated interest. (20 volumes)