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A Chinese carved pale green/grey jade disk amulet, the border pierced with prowling Bixie, 8 cm wide x 6.5 cm, together with a Chinese carved grey jade chime of arched form, pierced and carved with dragons, 7.5 cm x 4.2 cmGood order

A "Mano Cornuto" amulet tie pinGoldSet with ruby and rose cut diamond19th centuryUnmarked(signs of wear)Dim.: 3 cm4,8 g.

Two amulet pendantsCarved mother-of-pearlGold mountsEarly-20th century(signs of wear)Alt.: 4 cm

A COLLECTION OF JEWELLERY To include jadeite jade pendant necklace, the curb link chain to a scrolled clasp suspending a jadeite jade pendant carved with a bat above gourds and an articulated fish charm, rubbed stamps to the clasp; a jadeite jade hooped amulet pendant, with polished bale stamped 750 18K, suspended from a box link chain, stamped 750 with Italian control marks; a fancy link charm bracelet, suspending various charms including a teapot, a horseshoe, a bell, an anchor, the heart shaped padlock clasp stamped with Chinese control marks Size/dimensions: first necklace 41cm long, jade pendant 3.3cm long; bracelet 16cm long Gross weight: 33.7 grams Together with a gilt metal chain and enamelled pendant Condition Report: Some light wear commensurate with use. First pendant on chain with bat and gourds, jadeite approximately 3cm long, 1cm wide, 6mm deep, some typical host stone fractures, 17.5 grams gross, mark not readable Second stamped 18k and chain 750 indicating 18 carat gold, disc 2.2cm diameter 3mm deep, 9.4 grams gross Bracelet, marks on the clasp request images, 6.9 grams Condition Report Disclaimer

An Indian white metal and parcel gilt amulet necklace - probably early 20th century, with a large, rectangular gilt plaque chased with a representation of the Ashta-matrikas (the eight mothers), suspended from a three-strand foxtail chain with oval floral mounts and joined at the terminals by a double-strand belcher link chain (no clasp), the plaque 9.8 x 5.4cm, weight 242g.

An Indian white metal goddess amulet pendant necklace - probably early 20th century, the pendant plaque of peaked form, decorated in relief with a deity, with floral bale and suspending three bells beneath, on a belcher chain with S-scroll clasp, 59.5cm long.

Southern Europe Silver Decoration, round arched form with filigree ornaments and blue stone in the centre. Remains of gilding. with silver chain and amulet with red stone. Some plated parts. 17/18th Century. Diameter 15 cm, 22 cm long.

This striking sterling silver amulet pendent features and textured base with geometric shapes and a red stone. Marked M Israel 925. Weighs 20g. Issued: 20th centuryDimensions: 4"L x 1.75"WCountry of Origin: IsraelCondition: Age related wear. As is. Some tarnishing at scratches.

New Kingdom, Ca. 1550 - 1069 BC.A lovely Egyptian amethyst scarab with incised detailing to form a ridged carapace and naturalistic features. Shallow incisions suggests it once has legs that wrapped around the circumference of the piece. The underside has been left smooth and unadorned. The amulet has been pierced longitudinally for suspension. For similar see: MET Museum Accession Number: 22.1.272.Size: 22mm x 18mm; Weight: 6gProvenance: Private collection, London, UK; Ex. F. Piket 1980s, Netherlands.

Late Period, Ca. 664 - 30 BC.An Egyptian bronze amulet depicting most likely the goddess Bastet as a seated cat with symmetrical and stylised features. For similar see: The Metropolitan Museum of Art Accession Number: 74.51.4502.Size: 30mm x 22mm; Weight: 9gProvenance: Property of a London gallery; previously in a collection of a North London gentleman; formerly in a collection of Mrs B. Ellison, a deceased former member of the Egyptian Exploration Fund, bought from the 1940s, Cairo and London.

Third Intermediate Period, Ca. 1069 - 664 BC.An Egyptian amulet depicting the god Sekhmet standing on a rectangular base. It has a dorsal pillar on the back and it is pierced for suspension. Sekhmet is the god of war, healing and plague.Size: 26mm x 9mm; Weight: 1gProvenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.

Ca. 3000 BC.A Mesopotamian red stone amulet, pierced sideways. It depicts a Boar with an arched back about to spring. Accompanied by a signed scholarly note by Professor Wilfrid George Lambert.Size: 22mm x 26mm; Weight: 4.8gProvenance: Property of a London gallery; formerly with a Mayfair Art dealer S.A.; Ex. 1990s London collections, studied and catalogued by professor Lambert in the early 90s (with original note, signed by him). Previously in an old British collection formed since the 1960s.

New Kingdom, Ca. 1550 - 1069 BC.A collection of blue faience amulets depicting Egyptian deities represented with different shapes and colours of faience. In the centre of the amulets is a Lapis Lazuli amulet in shape of a Hippopotamus. The amulets are from the New Kingdom. For similar see: Amulets of Ancient Egypt, Carol Andrews, British Museum Press.Size: 10-25mm x 45570mm; Weight: 8gProvenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.

Ca. 1200 - 800 BC.A collection of three round Bactrian bronze amulets. The first amulet, on the left, has a circle in the middle. The second has a cross in the middle. The third has a protruding sphere in the centre of a cross. Size: 60-70mm x 55-60mm; Weight: 70gProvenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets.

Late Period, Ca. 664 BC - AD 100.A collection of three Egyptian stone amulets of the goddess Bastet. The first amulet on the left has beautiful vermillion hues and is laying upon its base with its tail curled around its body. The front limbs have incised lines on the paws. The second and the third amulets are comprised of carnelian that has swirls of white among vermillion hues. The cats are seated on their haunches, with their tails curved around its body. The front limbs have a shallow groove to indicate two legs, with incised lines on the paws to denote toes. A perforation through the neck is secured with a gold ring, allowing the amulets to be worn to protect the wearer. Size: 20-27mm x 13-14mm; Weight: 9gProvenance: Property of a London gallery; previously in a collection of a North London gentleman; formerly in a collection of Mrs B. Ellison, a deceased former member of the Egyptian Exploration Fund, bought from the 1940s, Cairo and London. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Late Period, Ca. 664 - 30 BC.An Egyptian Wadj amulet of a papyrus column, comprising of a long cylindrical body that is pointed on the bottom. It has flat shoulders and a circular hoop on the top. For similar see: Cf. Andrews, C., 1994. Amulets of Ancient Egypt. Pl. 81-83. Petrie, W.M. Flinders. 1914. Amulets. Pl. 12-13.Size: 38mm x 10mm; Weight: 3gProvenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.

Late Period, Ca. 664 - 30 BC.An Egyptian bronze amulet depicting most likely the goddess Bastet as a seated cat. The cat is standing on its front paws with symmetrical and stylised features. For similar see: The Metropolitan Museum of Art Accession Number: 74.51.4502.Size: 16mm x 11mm; Weight: 3gProvenance: Property of a London art gallery; previously with R.U., Parthenon Gallery, London; formerly in the 1980s UK collection.

Late Period, Ca. 664 - 30 BC.An Egyptian green faience amulet depicting the "Eye of Horus," an ancient eye symbol of protection. Enveloped in a brilliant, pale green-hued glaze intended to represent the waters of the Nile. The amulet features thick pigment delineating the brow and pupil, as well as a lateral drill hole for suspension. For similar see: Christie's Live Auction 3498, Ancient jewellery, Lot. 247.Size: 18mm x 16mm; Weight: 2gProvenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.

Late Period, Ca. 664 - 30 BC.An Egyptian Late Period pale green faience amulet in the shape of the goddess Sekhmet, represented by a frontal muzzle, raised ears and a large pectoral. The piece is pierced behind the neck.Size: 21mm x 14mm; Weight: 2gProvenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.

Ca. 2300 - 2000 BC.A Mesopotamian black stone amulet of a bull. It most likely served as a votive offering to the goddess Inanna, the Mesopotamian moon god. This is a very rare piece from the Mesopotamian culture, replete with excellent carving details including lifelike horns, incised wrinkles and the low-relief tail that sweeps up the animal's back. Size: 35mm x 70mm; Weight: 120gProvenance: Private London collection of an Ancient Art dealer; Formerly in a central London family collection, 1990s; Suggested to be examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 1069 - 332 BC.A large collection of nine faience amulets depicting the Eye of Horus, represented in different shapes and colours from the New kingdom to the Ptolemaic Period. In the centre of the composition is a larger turquoise faience amulet with two suspension holes. For similar see: Amulets of Ancient Egypt, Carol Andrews, British Museum Press.Size: 8-20mm x 5-18mm; Weight: 4gProvenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.

Late Period, Ca. 664 - 30 BC.An Egyptian amulet of Bastet, the cat-headed god. It is carved in agate and made in a naturalistic manner, with long front legs surmounted by a globular head with raised ears. For similar see: MET Museum Accession Number: 56.16.1.Size: 20mm x 10mm; Weight: 1gProvenance: Private collection, London, UK; Ex. F. Piket 1980s, Netherlands.

Ca. AD 900 - 1100.A group of three Viking axe-shaped amulets, with a circular hoop to secure the amulet to a rope or chain.Size: 18-23mm x 13-13mm; Weight: 10.38gProvenance: Property of a London gallery; previously acquired at the art market in Vienna; formerly in an Austrian collection formed prior to 2000.

Ca. AD 100 - 300.A Roman bronze pendant shaped like a gladius, an iconic weapon of the Roman army. This kind of amulet was routinely worn by legionaries throughout the Roman Empire.Size: 49.5mm x 8.5mm; Weight: 8.8gProvenance: Private UK collection; previously acquired on the Belgian art market in the 1990s.

Late period, Ca. 664 - 332 BC.An Egyptian mould-formed faience amulet depicting a large avian Horus, the god of the sun. The bird stands on long legs, with its wings folded neatly against its sides. The amulet's feathers and striking face are enveloped in layers of lustrous green glaze. Atop the bird’s head are the feathers of Osiris, the King of the Underworld. For similar see: MET Museum Accession Number: 22.1.1325.Size: L:38mm / W:23mm ; 7.33gProvenance: From the collection of a London gentleman; formerly acquired in the early 2000s; previously in 1970s UK collection. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Late Period, Ca. 664 - 30 BC.An Egyptian carnelian phallus amulet in gold frame. The front of the amulet is embellished with gold spirals on the frontal side. On the top of the amulet is a round hoop decorated with vertical lines.Size: 22mm x 12mm; Weight: 3gProvenance: Private UK collection; From an old British collection formed in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Late period, Ca. 664 – 332 BC.An Egyptian red stone amulet representing the goddess Maat in profile with clasped hands. Maat is the ancient Egyptian goddess of truth, justice, harmony and balance. She is often depicted as a woman with an ostrich feather on her head, symbolising the principle of Maat. In Egyptian mythology, Maat's role was crucial in maintaining the order of the universe and the balance between the earth and the cosmos. Maat was also associated with the judgment of the dead, where hearts were weighed against her feather to determine the soul's fate in the afterlife. For similar see: MET Museum Accession Number: 10.130.2450.Size: L:28mm / W:20mm ; 3.7gProvenance: From the collection of a London gentleman; formerly acquired in the early 2000s; previously in 1970s UK collection. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Late Period, Ca. 664 - 30 BC.An Egyptian blue lapis lazuli amulet depicting the goddess Bastet as a seated cat. The cat is standing on its front paws with symmetrical and stylised features, on top of a rectangular base. For similar see: The Metropolitan Museum of Art Accession Number: 74.51.4502.Size: 10mm x 7mm; Weight: 0.5gProvenance: Property of a London gallery; previously in a collection of a North London gentleman; formerly in a collection of Mrs B. Ellison, a deceased former member of the Egyptian Exploration Fund, bought from the 1940s, Cairo and London.

Late period, Ca. 664 - 332 BC.An Egyptian faience lion amulet. The lion is presented in a recumbent pose with a tail, and a mane that wraps around its stocky neck. The lion's head has cupped, attentive ears, gaunt eyes and a powerful muzzle. The lion's bony cheeks are suggestive of its advanced age. An integral suspension loop is centred on its back enabling this pendant to be worn on a necklace or woven into the linen wrappings of a mummy. For similar see: Amulets of Ancient Egypt, fig. 21. Size: L:40mm / W:20mm ; 4.89gProvenance: From the collection of a London gentleman; formerly acquired in the early 2000s; previously in 1970s UK collection. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Late Period, Ca. 664 - 332 BC.An Egyptian amulet features Sekhmet, the cat-headed deity. The amulet is constructed from banded agate and the amulet demonstrates a naturalistic design. The cat has long frontal legs, supporting a globular head and features raised ears. A gold ring on the back connects the amulet to a chain. Size: 26mm x 15mm; Weight: 2gProvenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.

Late Period, Ca. 664 - 332 BC.A collection of Egyptian carnelian amulet comprising of a double "Eye of Horus" and four heart scarabs made with naturalistic details and engraved with symbols on the back.Size: 15-25mm x 10-15mm; Weight: 10gProvenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.

Late Period, Ca. 664 - 30 BC.An Egyptian amulet depicting the jackal-headed god Anubis, standing on a rectangular base. It has a dorsal pillar at the back and is pierced for suspension.Size: 35mm x 15mm; Weight: 3gProvenance: Property of a London gallery; previously in a collection of a North London gentleman; formerly in a collection of Mrs B. Ellison, a deceased former member of the Egyptian Exploration Fund, bought from the 1940s, Cairo and London.

Ca. AD 900 - 1100.A group of three Viking axe-shaped amulets, with a circular hoop to secure the amulet to a rope or chain.Size: 18-22mm x 45604mm; Weight: 7.78gProvenance: Property of a London gallery; previously acquired at the art market in Vienna; formerly in an Austrian collection formed prior to 2000.

New Kingdom, Ca. 1550 - 1069 BC.A beautiful Egyptian bright blue faience amulet with black details depicting Sekhmet with a long lion face. The figure is holding a hoop-shaped sistrum and is sitting on a decorated openwork throne adorned with hieroglyphics. A folded cloth is shown covering her legs to the ankles. Behind the head of the figure is a round hoop. For similar see: Amulets of Ancient Egypt, fig. 30b.Size: L:95mm / W:57 (with stand)mm ; 22 (54g with stand)gProvenance: Private UK collection, acquired on the US art market, Ex. Private collection, Pennsylvania, USA; formerly in a European Private Collection, acquired in Brussels, in the early 1970s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. It also comes with an Art Loss Register Report: S00098626.

Late Period, Ca. 664 - 30 BC.An Egyptian faience amulet depicting a wadjet or wedjat, "Eye of Horus". This is an ancient ocular symbol of protection. Enveloped in a brilliant, pale green-hued glaze intended to represent the waters of the Nile, the amulet features thick pigment and a hole for suspension. For similar see: Christie's Live Auction 3498, Ancient jewellery, Lot. 247.Size: 30mm x 25mm; Weight: 5gProvenance: Property of a London gallery; previously in a collection of a North London gentleman; formerly in a collection of Mrs B. Ellison, a deceased former member of the Egyptian Exploration Fund, bought from the 1940s, Cairo and London.

Late period, Ca. 1550 - 1069 BC.An Egyptian blue faience amulet with black details representing Anubis with a decorated pectoral. Anubis is a prominent figure in Egyptian mythology. He is commonly depicted as a human figure with the head of a jackal, a significant animal in Egyptian culture. Anubis held a crucial role in overseeing the preservation of the deceased through the process of embalming and in administering the judgment of souls in the Hall of Maat.Size: L:36mm / W:33mm ; 5.9gProvenance: From the collection of a London gentleman; formerly acquired in the early 2000s; previously in 1970s UK collection. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 2500 - 1500 BC.A Mesopotamian Lapis Lazuli fly bead or amulet, pierced behind the head. The face is decorated with grooves. Accompanied by a signed scholarly note by Professor Wilfrid George Lambert.Size: 20mm x 17mm; Weight: 4gProvenance: Property of a London gallery; formerly with a Mayfair Art dealer S.A.; Ex. 1990s London collections, studied and catalogued by professor Lambert in the early 90s (with original note, signed by him). Previously in an old British collection formed since the 1960s.

Ca. 3000 - 2500 BC.A Mesopotamian red stone amulet of a standing pig. It is depicted with an arched back and it's head down. The head is decorated with more details than the rest of the body. Accompanied by a signed scholarly note by Professor Wilfrid George Lambert.Size: 36mm x 44mm; Weight: 16gProvenance: Property of a London gallery; formerly with a Mayfair Art dealer S.A.; Ex. 1990s London collections, studied and catalogued by professor Lambert in the early 90s (with original note, signed by him). Previously in an old British collection formed since the 1960s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Late Period, Ca. 664 - 332 BC.An Egyptian mould-formed faience amulet of a cat seated atop an integral rectangular plinth. The feline raises its head to showcase its pointed ears. Small globules of dark glass are applied to create the eyes. A thick suspension loop protrudes from the back. For similar see: MET Museum Accession Number: 74.51.4502.Size: 25mm x 15mm; Weight: 3gProvenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.

Late period, Ca. 664 – 332 BC.An Egyptian faience amulet in the shape of the god Anubis, composed of a jackal head and a human standing body. Anubis is know for overseeing the embalming process and as the protector of the necropolis. Anubis had a significant role in the judgment of the dead, where he supervised the weighing of the heart for Osiris. For similar see: MET Museum Accession Number: 04.2.151.Size: L:49mm / W:17mm ; 8.67gProvenance: From the collection of a London gentleman; formerly acquired in the early 2000s; previously in 1970s UK collection. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. 600 - 100 BC.A Mesopotamian fish amulet made out of fawn stone. The fish has a large top fin detailed scales. Accompanied by a signed scholarly note by Professor Wilfrid George Lambert.Size: 35mm x 45mm; Weight: 15gProvenance: Property of a London gallery; formerly with a Mayfair Art dealer S.A.; Ex. 1990s London collections, studied and catalogued by professor Lambert in the early 90s (with original note, signed by him). Previously in an old British collection formed since the 1960s.

Ca. 3000 - 2500 BC.A Mesopotamian black stone amulet with a suspension loop on top. This amulet depicts a perching vulture. Accompanied by a signed scholarly note by Professor Wilfrid George Lambert.Size: 41mm x 60mm; Weight: 48gProvenance: Property of a London gallery; formerly with a Mayfair Art dealer S.A.; Ex. 1990s London collections, studied and catalogued by professor Lambert in the early 90s (with original note, signed by him). Previously in an old British collection formed since the 1960s.

Large, antique, Chinese amulet of jade, with workmanship. Size: 17.2 cm. In good condition.

This exquisite gold ring, dating to approximately 100 B.C., showcases the fusion of Roman and Egyptian artistry through its elegant depiction of a cobra snake. The ring is intricately crafted with the coiled body of the cobra forming the band, while the head and raised hood are rendered in remarkable detail, capturing the lifelike essence of this revered creature. The fine texture along the serpent's body mimics the scales. In Egyptian culture, the cobra, often associated with the goddess Wadjet, symbolized protection and royal power, and its incorporation into jewelry would have served not only as a decorative piece but also as a powerful amulet. The combination of goldâ€â€a metal linked with the divineâ€â€and the cobra motif underscores the significance of this ring, likely worn by someone of high status to convey both their wealth and their connection to protective divine forces. D:2.1cm  Weight: 7g  

This exquisite amulet, meticulously carved from agate, represents a seated cat, a symbol of protection and grace in ancient Egyptian culture. Dating from the Late Period to the Ptolemaic Period (664-30 B.C.), the amulet embodies the reverence Egyptians had for felines, often associated with the goddess Bastet, the deity of home, fertility, and domesticity. Provenance: Private UK collection.  H: 3cm 

Carved from clear rock crystal, depicts a seated monkey, a form that carries both cultural and symbolic significance in ancient Egypt, particularly during the Talmudic period. The figure showcases the exceptional skill of the artisan, with detailed facial features and a posture that captures the naturalistic essence of the animal. The monkey is portrayed sitting on its haunches, with hands resting on its knees, a pose that suggests both alertness and contemplation. The choice of rock crystal as the medium is particularly noteworthy, as this material was highly valued in antiquity for its clarity and rarity. The translucent nature of the crystal enhances the figure's visual appeal, with light reflecting off its smooth surfaces to create an almost ethereal effect. This suggests that the figure may have had a significant role, perhaps as a protective amulet or a votive offering. Provenance: Private collection UK. H: 3.5cm 

This striking amulet, carved from a rich red-orange agate, is likely a representation of a mummiform figure, a common motif in ancient Egyptian art. The figure, with its detailed facial features and distinctive headdress, suggests a connection to the afterlife and the protection of the deceased. The back of the amulet features a loop, indicating it may have been worn as a pendant, serving both as a protective talisman and a statement of devotion. Provenance: Private UK collection.  H: 2cm

This remarkable Roman artifact, dating to the 2nd - 3rd century AD or later, is a concave rock crystal intaglio featuring a detailed depiction of a wolf's head. The wolf, an animal often associated with Roman mythology and symbolism, is intricately carved with attention to the texture of the fur and the ferocity of its expression, capturing the essence of the creature in a compact and durable form. Rock crystal was a highly prized material in antiquity, valued for its clarity and hardness, making it an ideal medium for detailed intaglio work. The concave shape of this piece adds an additional level of craftsmanship, allowing the image to appear almost three-dimensional and providing a unique viewing experience from different angles. This intaglio would have likely been used as a personal seal or amulet, symbolizing strength, protection, or connection to the legendary Roman she-wolf, symbol of the founding myth of Rome. D: 1.3cm 

This finely crafted gold amulet represents the Eye of Horus, also known as the Wedjat, one of the most iconic symbols in ancient Egyptian culture. The Eye of Horus was believed to offer protection, health, and restoration, making it one of the most important symbols in the Egyptian pantheon. The amulet showcases meticulous craftsmanship, with intricate detailing in the eye’s design, including the coiled brow and stylized markings that capture the essence of this powerful symbol. The gold's luster adds a layer of luxury, emphasizing the amulet’s significance, possibly worn by someone of high status or used in religious or funerary contexts to invoke the protective power of Horus. The reverse of the amulet is smooth, with a loop at the top for suspension, indicating that it was likely worn as a pendant. Provenance: Private UK collection.  H: 2.5cm, W: 3cm  Weight: 1.9g

This amulet, made from green faience, depicts a seated cat, a creature deeply revered in ancient Egyptian culture. The cat, often associated with the goddess Bastet, symbolized protection, fertility, and domesticity. This amulet captures the feline's poised and alert stance, with finely modeled features that reflect the importance of cats in ancient Egyptian society. The cat is shown seated, with a small kitten nestled between its front paws, further emphasizing the themes of protection and motherhood. The loop on the back of the figure suggests that this amulet was worn as a pendant, likely serving both a protective and decorative function. The vibrant green color of the faience, achieved through a glazing process, gives the amulet a striking appearance. Provenance: Private UK collection.  H: 3.6cm 

A HARD STONE ROMAN AMULET, 2ND - 3RD CENTURY A.D. L: 2.3cm 

This finely carved Egyptian amulet, dating from the Late Period to the Ptolemaic Period, represents a hippopotamus, a symbol often associated with protection and fertility in ancient Egyptian culture. Crafted from sardonyx agate, the amulet showcases the natural banding of the stone, adding a striking visual contrast to the figure. The hippopotamus is depicted in a stylised yet charming form, with carefully rendered details such as the facial features and body proportions. Amulets like this were believed to offer protection to the wearer, and the hippopotamus, known for its strength and formidable presence, was a potent symbol in Egyptian mythology. L: 3.2cm  Private UK Collection  

This delightful Roman amulet, carved in the form of a hen, dates from the 2nd to 3rd century A.D. The amulet is crafted from a pale, creamy stone, intricately detailed to capture the essence of the bird in a stylized yet recognizable form. The hen, often associated with fertility, protection, and domestic life in the Roman world, would have been a meaningful talisman for its wearer. The detailed carving includes incised lines to represent the hen’s feathers and other features, showcasing the artisan’s skill in transforming a simple piece of stone into a symbolic object of personal significance. The compact size and charming depiction suggest it was intended to be worn or carried, serving both as a protective amulet and a personal ornament. H: 2.5cm 

An Egyptian green faience amulet of Horus as a falcon with outstretched wings, c.600-300 BC. 11.75cm wide, 7.5cm highProvenance - Reverend William MacGregor (1848-1937) collection label verso, (inventory no.34?).This piece may have come from the Sotheby, Wilkinson and Hodge sale of the MacGregor collection of Egyptian antiquities in 1922. Good condition, old hand inscribed labels verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Edith Nesbit  - A Collection of Novels, including; ‘The Railway Children’, published by Wells Gardner, Darton & Co, London, 1906, ‘Five Children and It’, published by T Fisher Unwin, London, 1904, and ‘New Treasure Seekers’, published by T Fisher Unwin, London, 1907,   The Wouldbegoods, 5th edition, (C. 1900), The Story of The Treasure Seekers, 4th edition, (1904), Five Children and It, 2nd edition, (1904), Oswald Bastable and Others, 1st edition, (1905), The Story of The Amulet, 1st edition, (1906), The Railway Children, 1st edition, (1906), New Treasure Seekers, 2nd edition, (1907), The House of Arden, 1st edition, (1908) and Harding’s Luck, 1st edition (1909) (19) Images are within the attached Dropbox link https://www.dropbox.com/scl/fo/ppwnfvttb8ejjb97tzktw/h?rlkey=l8g0qyv7tlifu384l1rkazxl2&dl=0

A carved jade amulet pendant, on beaded green rope twist necklace, with green tassel.

Various Yemeni silver items, including Mahfaza belt purse, Bedouin hirz amulet pendant, etc (5)

A collection of white metal pendants and belt buckles to include three Indian filigree pendants set with enamel and glass, an Indian belt buckle set with glass cabochon, an Ethiopian African prayer box pendant with bell droplets, an Indian amulet with granulation work and another belt buckle in the form of a flower. Measures 12cm length approx. Total weight 244g. All weights, sizes, and measurements are approximate.

A collection of ethnic jewellery. The jewellery to include a Yemeni white tone metal prayer scroll box amulet with bell tassels, unmarked. A Yemeni Bedouin white tone metal mesh link chain belt/head dress with tassels and rope twist metalwork decoration, unmarked. A string of wooden prayer/rosary beads. The lot to also include a mounted Arabic coin pendant, unmarked. Prayer box measures 12cm x 8.5cm. Prayer beads measure 46cm. Chain link head dress/belt measures 40.5cm. Coin pendant measures 7.2cm x 6.5cm. Weighs 300g. All weights, measurements and sizes are approximate. 

An Islamic white metal prayer scroll holder talisman. The amulet case of cylindrical form with domed ends and three rows with metal bead work and rope twist decoration with three suspension rings to top. The cylindrical case having a sliding internal section that opens to store a scroll, likely a verse of the Qur'an/Koran. Unmarked, surface tests in parts as silver. Measures 8.5cm x 2cm x 2cm. Weighs 36g. All weights, measurements and sizes are approximate.