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ARR Alan Caiger-Smith MBE (1930-2020) a plate decorated with brown brushwork design and stylised flowers to centre, painted signature to base, 26cm diameterIn good condition - no damage, repair or restoration.

Alan Caiger-Smith (1930-2020) at Aldermaston PotteryFooted platterdecorated in ruby lustrepainted monogram 39cm diameter. Sits well.  About six hairline cracks noticed.  Two dots, one larger, look like scorched marks.  Surface wear and a few marks, some removable dirt, and discolouration. New photos added.

Alan Caiger-Smith (1930-2020) at Aldermaston Pottery Two models of chickensin coloured glazessigned to the base21.5cm and 22cm high (2). One of the chickens has a large break and repair to the tail. The other has a break and repair to the beak. Overall display wear and minimal marks.

Alan Caiger-Smith (1930-2020) at Aldermaston Pottery Two tankardslustre glaze, earthenwarewith painted marks to the base12cm and 11cm high overall (2). Provenance:The late Oliver Watson (1949-2023), British Studio Pottery expert at the V & A, Emeritus Professor of Islamic Art and Architecture and curator of Islamic Art at the Ashmolean Museum, Oxford, and the School of Oriental Studies, London.Oliver Watson curated the pottery component of the 1985 Tate Britain exhibition St. Ives 1936–64 and contributed an essay on ceramics to the 1989 catalogue of the first major exhibition outside Britain to celebrate the work of St. Ives artists and potters, when St Ives potters toured Japan. In 1990 he published his groundbreaking book, British Studio Ceramics: a catalogue of the collection of the Victoria and Albert Museum, which was reprinted in 1993 as Studio Pottery: Twentieth-Century British Ceramics in the Victoria and Albert Museum Collection. At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.

Alan Caiger-Smith MBE (1930-2020)an Aldermaston Pottery tin-glazed goblet, painted with geometric panels in red on a silver-grey ground, a set of five Aldermaston Pottery goblets by Edgar Campden and five otherspainted monogram, minor damages15cm. high (11)

Alan Caiger-Smith MBE (1930-2020)an Aldermaston Pottery Albarello vase, waisted, shouldered form with painted foliate bands in red lustre on a tin-glaze,painted ACS monogram, date mark for 198022cm. high

Alan Caiger-Smith footed bowl, 20cm diameter, 16.5cm high

Late 18th or early 19th Century Crown Derby floral patterned muffin dish and cover; late 19th century famille vert Chinese ginger jar and cover; Staffordshire figure of a greyhound with hare, right facing; 19th century transfer printed blue and white tureen and cover; and a 20th century studio pottery salad bowl in the manner of Alan Caiger-Smith with monogram to base . (5)

† ALAN CAIGER-SMITH (1930-2020) for Aldermaston Pottery; a tin glazed earthenware tazza, painted ACS mark and date code, made 1962, diameter 22cm, height 17.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Alan Caiger-Smith (b.1930): tin glazed earthenware "Gypsy Bowl", inscribed, monograms to the underside, 15cm high

Dora Billington (1890-1968)  Large bowl decorated with abstract design, circa 1930-50  Glazed earthenware  Impressed mark 'DB'  14cm high, 34cm diameter  Footnote  Dora Billington is regarded as a seminal figure in the British studio pottery movement of the 20th century. Billington taught pottery for most of her life (between 1919 and 1955) at the Royal college of Art and Central Saint Martins respectively. Although she was an incredibly skilled and influential potter in her own right, her life and work remains under documented. Today she is better known for the people she taught than for her own work. Her students included Alan Caiger-Smith, William Newland, Margaret Hine, Kenneth Clark, Ann Wynne-Reeves, Gordon Baldwin, Quentin Bell, Katherine Pleydell-Bouverie, Stella Crofts, Ursula Mommens, Ray Finch, Ruth Duckworth to name but a few. Condition Report: Small area (approx. 2cm wide) of re-glued chip to rim, fine hair line emanating from said chip. There is another fine hairline to rim. Fine craquelure to glaze throughout. General overall surface wear to include light scuffs and marks commensurate with age and use.

A large Alan Caiger-Smith Aldermaston lidded casserole/soup pot, painted design. Monogram to base. 22cm high x 27cm diameter

A 1970s Aldermaston studio Pottery casserole dish, with handle, by family repute the work of Alan Caiger-Smith.

ALAN CAIGER-SMITH (1930-2020) THREE VESSELS lustre-glazed earthenware, comprising a BOWL, 23cm diameter; a small BOWL, 17.5cm diameter; a VASE, 19cm high; together with another ALDERMASTON POTTERY BOWL, 21cm diameter; each with painted maker's marks (4)

Alan Caiger Smith (1930-2020) jug, the pale grey stoneware body decorated with royal blue italicised brushstrokes in a geometric pattern. 14cm High

Collection of Studio pottery with shapes by various artist potters including Nicola Werner and Alan Caiger Smith (qty)

Alan Caiger-Smith, bowl and a goblet, decorated with red lustre glaze, inscribed marks to bases, the bowl 13.5cm diameter and the goblet 13.5cm high

Alan Caiger-Smith (1930-2020) at Aldermaston Pottery tin-glazed lustre bowl with repeating brushwork motifs, signed and dated to the base, 26cm across x 9cm highProvenance: With Aldermaston Pottery 1993 Final Exhibition label to the base. With surface dust, dirt and scratches. No chips or cracks that we can see. Slightly dull sound when tapped.

Alan Caiger-Smith (1930-2020) at Aldermaston Pottery studio pottery jug with brushwork motifs, signed and dated 2005 to the base, 18cm high and an Andrew Hazelden (b.1963) at Aldermaston Pottery studio pottery jug with floral design, signed and with original label to the base, 19cm high (2) Both with minimal signs of age and use. Some dust, dirt and scratches as expected. The Caiger-Smith jug has a small loss of glaze to the spout, the Hazelden jug with small loss of glaze to the handle, we think this is when they were made and not damage. Otherwise seems ok.

Alan Caiger-Smith (1930-2020) at Aldermaston Pottery large collared tin-glazed vase, unsigned, 76.5cm high overall and a footed moonflask, unusually undecorated with only two bands of colour, unsigned, 59.5cm high (2) Provenance: Both of these pieces were purchased by the vendor directly from the artist. Both with overall signs of display wear and use. The tin-glazed collared vase with damage and repairs.

Alan Caiger-Smith, a studio pottery lustre bowl, 22cm diameter. Condition -good The bowl is free from damage and in very good condition.

▲ Alan Caiger-Smith (1930-2020), an Aldermaston Pottery footed bowl, finished in a red lustre glaze, painted mark and labelled 'Aldermaston Pottery 1993 Final Exhibition',13cm diameter11.2cm high,together with a footed bowl, with a flat rim, decorated with geometric motifs to a red lustre ground, painted marks,25.5cm diameter, and a goblet, with painted geometric motifs in tones of blue and red, painted mark,15.3cm high (3)Condition ReportBowl with a small chip to the edge of the foot rim.Minor surface wear. Otherwise, good order. Additional images of the chip (on the low wide rinmed bowl) uploaded.

BOOKS: MICHAEL CARDEW & ALAN CAIGER SMITH. Two books: Michael Cardew, Crafts Advisory Committee 1976 & Alan Caiger-Smith, Stoke City Art Gallery & Museum 1985. Both paperbacks.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

† ALAN CAIGER-SMITH (1930-2020) for Aldermaston Pottery; a tin glazed earthenware bowl decorated with red lustre, painted ACS mark, glaze and date codes, made 1975, diameter 20.5cm, and a larger Aldermaston style bowl by a different maker, diameter 27.5cm (2).Condition Report: Appears good with no obvious signs of faults, damage or restoration.

CIPRIANO PICCOLPASSO; 'The Three Books of the Potter's Art', a facsimile of the manuscript in the Victoria and Albert Museum, London, translated and introduced by Ronald Lightbown and Alan Caiger-Smith, published in two volumes by Solar Press, London, 1980, hardcovers with case (2).Provenance: Estate of Chris Jensen.

† ALAN CAIGER-SMITH (1930-2020) for Aldermaston Pottery; a tin glazed earthenware lamp base with loop handles decorated with gold and red lustre, painted ACS mark, glaze and date codes, made 1972, height 30.5cm, and a goblet, dated 1995 (2).Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Alan Caiger Smith, An Aldermaston pottery figure of a grouse type bird. With typical polychrome decoration, height 23cm.This piece is not signed.There is an oval 'blown' section on the body which appears to have happened in the studio, the edge seems to be glazed and painted over.There is no other apparent damage.

ALAN CAIGER-SMITH (1930-2020): Tin glazed earthenware jug with typical stylised decoration with year mark 1967, has firing crack at bottom of handle and three restored chips to rim, also another Aldermastton jug of same proportions, painted marks to base, maybe Mary O'Gorman, both 18cm high

ALAN CAIGER-SMITH (1930-2020): Tin glazed earthenware lustre bowl with copper stylised fruit decoration to inside. Painted potters marks to base, 26cm diameter

A pair of Aldermaston Pottery studio goblets by Alan Caiger Smith, painted marks to base. 18cm high. (Flake chip to underside of one)

A collection of assorted 20th Century dust pressed tiles, to include Pilkington's with a hand painted stylised tree, Carter Tiles with a screenprint tree and fence in black and yellow over white, an Aldermaston Pottery tile decorated with an abstract motif by Alan Caiger-Smith and two H&R Johnson tiles with screen printed and hand painted abstract designs. (5)

Alan Caiger-Smith (1930-2020) at Aldermaston PotteryFooted bowldecorated in gold lustrepainted monogram9cm high, 26.5cm diameter. A good condition overall - however there's no ring or ding to it. Smooth rim, minor dots of firing to glaze, there does not appear to be any cracks.

Alan Caiger-Smith (1930-2020) at Aldermaston PotteryFooted bowl, 2000decorated in dark blue and green lustrepainted monogram and date cypher10cm high, 27.5cm diameter. No ring or ding however appears to be a good condition bar some firing dots.

Attributed to Alan Caiger-Smith (1930-2020) at Aldermaston PotteryTiledecorated in ruby and gold lustre15 x 15cm.

Alan Caiger-Smith (1930-2020) at Aldermaston PotteryLarge footed bowldecorated in ruby and gold lustrepainted monogram and glaze codes16.8cm high, 44.5cm diameter. The glaze has some lines in it, most prominently a circular one to the well - these are to the glaze surface and not cracks. Some firing imperfections, overall good.

Alan Caiger-Smith (1930-2020) at Aldermaston PotteryFooted bowl, 1985decorated in ruby lustrepainted monogram and date cypher8cm high, 27cm diameter. Appears good with no damage or restoration - rings well. Some firing imperfections.

Alan Caiger-Smith (1930-2020) at Aldermaston PotteryFooted bowl, 1995decorated in dark blue and green lustrepainted monogram and date cypher10cm high, 27cm diameter. Appears good with no damage or restoration. Rings well. Some glaze imperfections.

Andrew Hazelden (b.1963) at Yarnton Potterytwo piecesin blue and red lustresignedtogether with an Alan Caiger Smith footed bowl and Jenny Jowett cups (6).

λ &nbspAN ALDERMASTON POTTERY GLAZED EARTHERNWARE DISH ALAN CAIGER-SMITH (B.1931), 20TH CENTURY 38cm diameter Together with the remaining Studio Pottery Condition Report: Firing fault to base of circular bowl with foot with some restoration to base. The rectangular dish has minor scratching to underside of base in line with age and use. Firing faults throughout the selection. The other pieces appear to be in good condition please see additional images for further details.Condition Report Disclaimer

Alan Caiger-Smith (British 1930-2020) Tin-Glazed Earthenware Bowl Decorated in cream, green and red lustre, red banding and speckling to exterior, marked to base.17.5cm diameterScratches, one small area of surface loss to centre.

Alan Caiger Smith (1930-2020) studio pottery charger decorated with two cockerels, signed verso, 33 x 33cm

ALAN CAIGER SMITH: TWO GOBLETS AND A BOWL. Dia. 27cms.

Alan Caiger- Smith 1930 -2020 British  A large deep circular pottery bowl. The iridescent blue/brown ground decorated with motifs in light green, inscribed to base, date code 1997, diameter 46cm

Alan Caiger- Smith 1930 -2020 British  A blue ground baluster pottery vase decorated with polychrome and iridescent designs, inscribed to base, date code 2002, height 33cm

Ceramics.- Rackham (Bernard) Early Netherlands Maiolica, light foxing, 1926; Victoria & Albert Museum: Catalogue of Italian Maiolica, 2 vol., later cloth, 1940 § Piccolpasso (Cipriano) I Tre Libri dell'Arte del Vasaio, 2 vol., facsimile reprint, original cloth-backed boards, slip-case, 1980 § Caiger-Smith (Alan) Tin-Glaze Pottery in Europe and the Islamic World; The Tradition of 1000 Years in Maiolica, Faience & Delftware, 1973 § Crellin (J.K.) Medical Ceramics: A Catalogue of the English and Dutch Collections in the Museum of the Wellcome Institute of the History of Medicine, 1969 § Scholten (Frits T.) The Edwin van Drecht Collection: Dutch Majolica & Delftware, The Hague, 1993 § Brulon (D.G.) Histoire de la Faience Française, vol.1-4 (Lyon & Nevers; Moustiers & Marseille; Bordeaux & La Rochelle; Paris & Rouen), Paris, 1997-98, plates and illustrations, many colour, all but the second & third original cloth, the first two rubbed, the last four with dust-jackets; and a quantity of others on Delftware, maiolica and faience including a photograph album of items in the van Drecht collection, many pamphlets, 4to & 8vo (Qty) 

A tin glazed earthenware pottery tankard, designed by Alan Caiger-Smith (1930-2020) for Aldermaston Pottery

Alan Caiger-Smith (1930-2020) at Aldermaston Pottery tin-glazed earthenware dinner service, to include pieces by Alan Caiger-Smith and David Tipler amongst other potters, consisting of: tureens with covers, egg cups, plates, bowls, storage jar etc All with signs of overall wear and use. Some glaze faults and crazing due to firing. Several pieces have chips, small losses and some with cracks. Some sound dull when tapped but with no visible damage. If you would like information on any specific pieces, please contact the saleroom.

† ALAN CAIGER-SMITH (1930-2020) for Aldermaston Pottery; a tin glazed earthenware jug decorated with gold and red lustre, painted ACS mark, glaze and date codes, made 1973, height 19.5cm.Provenance: Purchased from The Oxford Gallery.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Alan Caiger-Smith MBE (1930-2020)Gin Flagonan Aldermaston Pottery tin-glaze flagon, with cork bung and wooden tapand an Alan Caiger-Smith Whisky Flagonpainted signature36.5cm. high (2)

Φ Alan Caiger-Smith MBE (1930-2020)an Aldermaston Pottery tin-glaze bowl, footed form, painted with simple abstract flower design in pink and green on a grey ground, and another smaller decorated in ruby lustrepainted marks, 32cm. diam. (2)

Alan Caiger-Smith MBE (1930-2020)an Aldermaston Pottery tin-glaze bowl, painted with brown foliate panels on a grey ground, two Aldermaston Pottery beakers, a jug painted with hares by Andrew Hazelden and another small bowl,painted marks, 17.5cm. diam. (5)

* Caiger-Smith MBE (Alan, 1930-2020) for Aldermaston Pottery. A yellow lustre bowl, tin-glazed earthenware decorated in a yellow and gold lustre abstract design, various marks to base including artist monogram and symbol for 2006, overall condition is good with no sign of damage or restoration, 28.2 cm diameter, together with a Caiger-Smith mug, circa 1981, decorated in a similar style, 11.2 cm high, the latter with original receipt when purchased from Oxford Gallery in 1981QTY: (2)

Books. One shelf of Art and Studio Pottery reference, 20th c, including Alan Caiger-Smith, Ruskin, Hans Cooper, Leach, etc., mixed bindings and sizes

An Alan Caiger-Smith Aldermaston Pottery jug with ochre glaze and scrolling design on a white ground, 25.5 cm high, bears various signatures and label inscribed "Made by Alan Caiger-Smith Aldermaston Pottery" to base

A 20th Century Bullers studio pottery dish by Agnete Hox, of circular section shape 283, decorated to the interior with incised floral decoration and glazed in a pale green, stamped marks, diameter 20cm, together with a shape 295 Bullers small tapered dish in a tonal brown glaze with a band of floral decoration, and an Alan Caiger-Smith tureen with scroll decoration over a mottled green glaze, signed, width 30cm, damage. (3)

Two boxes of assorted household ceramics and pottery including a large Portmeirion Botanic Garden Bread Crock and cover, an Alan Caiger Smith tankard, another British art pottery jug painted with heron and kingfisher, an Isnik-style vase, Chinese Prunus vase with four-character mark (damages), and other modern household tableware and vases, etc.

ALAN CAIGER-SMITH (1930-2020) A WHITE-GLAZED CHARGERdecorated in silver lustre, initialled to the rim, marked to the underside, 45.5cm diameter

Alan Caiger-Smith (British, 1930-2020) for Aldermaston Pottery - a vintage mid 20th century studio pottery ceramic planter. The plant pot featuring orange peach fruit design with green & blue foliate motifs surrounding. With potter's monogram to base. Measures approx. 24cm, 30cm in diameter.

ALAN CAIGER-SMITH (1930-2020) FOR ALDERMASTON POTTERY, A LARGE TIN GLAZED EARTHENWARE EWERPainted ACS mark and Aldermaston pottery label to underside, 39cm highGood conditionPurchased by the vendor's parents from Aldermaston Pottery

ALAN CAIGER-SMITH (1930-2020) FOR ALDERMASTON POTTERY, A TIN GLAZED EARTHENWARE VASE OF BULBOUS FORM (2)With repeating abstract decoration, painted ACS mark, 19cm high, together with a tin glazed dish with red and gold lustre design, 25.5cm diameter (2)Good conditionPurchased by the vendor's parents from Aldermaston Pottery