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BINDING BENTZON (THÉRÈSE) Jacqueline... with Illustrations by Albert Lynch, NUMBER V O...
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Description
BINDING BENTZON (THÉRÈSE) Jacqueline... with Illustrations by Albert Lynch, NUMBER V OF 40 COPIES on Whatman paper with an ORIGINAL WATERCOLOUR BY ALBERT LYNCH on the half-title, and signed by the author below the vignette on the final page of text, title in red and black, specially printed frontispiece and colour plates and vignettes by Lynch, captioned tissue-guards, finely bound in full blue crushed morocco by D.W. Smith and F. Mansell (signed on front turn-in), sides with wide floral gilt tooled borders containing multiple small inlaid medallions with bluebells and irises in tan and black morocco, inner gilt dentelles with initials 'WTW' at corners, marbled endpapers, g.e., gilt panelled spine with similar inlays and floral decoration, raised bands, slight wear to joints and one or two spine bands, slipcase (worn and split at top), folio, New York, Boussod, Valdon & Co., 1893 Footnotes: 'BOUND BY R.W. SMITH. FINISHED BY F. MANSELL': a fine example of a binding by the Grolier Club's first in-house binders, produced for the businessman William Thompson Walters, whose art collection formed the basis of the Walters Art Museum in Liverpool, Pennsylvania. The volume is one of forty copies of the American edition, signed by the author, with an original watercolour by the illustrator Albert Lynch, and with specially produced colour versions of the plates. Provenance: William Thompson Walters (1820-1894), his monogram in corners of inner turn-ins; Francis Kettaneh (1897-1977), morocco bookplate on front free endpaper. This lot is subject to the following lot symbols: • • Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium. For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing
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BINDING BENTZON (THÉRÈSE) Jacqueline... with Illustrations by Albert Lynch, NUMBER V OF 40 COPIES on Whatman paper with an ORIGINAL WATERCOLOUR BY ALBERT LYNCH on the half-title, and signed by the author below the vignette on the final page of text, title in red and black, specially printed frontispiece and colour plates and vignettes by Lynch, captioned tissue-guards, finely bound in full blue crushed morocco by D.W. Smith and F. Mansell (signed on front turn-in), sides with wide floral gilt tooled borders containing multiple small inlaid medallions with bluebells and irises in tan and black morocco, inner gilt dentelles with initials 'WTW' at corners, marbled endpapers, g.e., gilt panelled spine with similar inlays and floral decoration, raised bands, slight wear to joints and one or two spine bands, slipcase (worn and split at top), folio, New York, Boussod, Valdon & Co., 1893 Footnotes: 'BOUND BY R.W. SMITH. FINISHED BY F. MANSELL': a fine example of a binding by the Grolier Club's first in-house binders, produced for the businessman William Thompson Walters, whose art collection formed the basis of the Walters Art Museum in Liverpool, Pennsylvania. The volume is one of forty copies of the American edition, signed by the author, with an original watercolour by the illustrator Albert Lynch, and with specially produced colour versions of the plates. Provenance: William Thompson Walters (1820-1894), his monogram in corners of inner turn-ins; Francis Kettaneh (1897-1977), morocco bookplate on front free endpaper. This lot is subject to the following lot symbols: • • Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium. For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing
Books, Manuscripts and Historical Photographs
Sale Date(s)
Venue Address
Montpelier St Knightsbridge
London
United Kingdom
SW7 1HH
United Kingdom
...
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Buyer's Premium Rates
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