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A treacle glazed slip ware dish attributed to Sydney Tustin, Winchcombe Pottery, the centre field decorated with a butterfly, 27.3 cm diameter, bears old label verso "First dish by Syd Tustin Winchcombe Pottery" (ARR) CONDITION REPORTS There is a large hairline crack running from the rim to almost centre of the dish. Crazing and firing faults. In need of a good clean. Areas of glaze are patchy but assume this is manufacture. Remnants of old labels to underside. There is a blue mark to the outside edge approximately 1.5 cm long . Wear and tear conducive with age and use - see images for more details

§ Charles Tustin (1922-1966) at WInchcombe Pottery, a slipware dish, of high-sided elliptical form decorated with fish, impressed seal marks5.5 x 26 x 25.5cm

▲ Michael Cardew (1901-1983), a large Winchcombe Pottery stoneware teapot, of bellied form with a medial band and two applied handles, finished in a tenmoku glaze, impressed seal marks, complete with a letter signed by Michael Cardew outlining the delivery of the teapot to the original purchaser,36cm wide27cm high (2)Condition ReportNo chips or cracks. Minor surface wear commensurate with age. Some rubbing to the glaze towards the lower section. Othwerwise structurally sound. Please see additional images.

Winchcombe Pottery: two stoneware studio pottery dishes, probably by Ray Finch (1914-2012) - one of shallow form with a flattened rim, in a pale, faintly mottled oatmeal glaze with a darker toned swirl to the centre, incised spiral to base, 32.8cm diameter; the other of shallow form, in a light, slightly mottled toffee coloured glaze with incised spiral to centre and wavy line and leaves to the rim 28.7cm diameter, impressed pottery marks. (2)* Both pieces in good condition, with no faults.

Winchcombe Pottery: a collection of stoneware domestic studio pottery - in a mottled oatmeal glaze, comprising seven 7¾in plates; a 9¼in plate; a 10½in plate; a 5¾in dish; four 6in bowls; three mugs; and eight tea/coffee cups and saucers, all in good condition, some tea staining to cups.

Winchcombe Pottery: five pieces of stoneware studio pottery - comprising a flagon by Donald (Don) Jones, with ribbed decoration in an iron glaze, impressed potter's and pottery marks, 23.25cm high; two wide baluster shaped mugs in an iron glaze with wavy line decoration, impressed pottery mark, 9cm high; a small baluster jug, in a streaked brown, olive green and blue glaze, impressed pottery mark, 10.7cm high; and a small ovoid vase with flattened sides, impressed pottery mark, 8.6cm high; together with two other studio pottery pieces in a similar iron glaze, both marked with three incised lines. (7)* All of the pieces in good condition, with no faults.

Winchcombe Pottery: four pieces of salt glazed stoneware studio pottery - comprising a blue and caramel glazed teapot, 15.7cm high; a treacle glazed small bowl, 16.1cm diameter; a mottled caramel and grey glazed bowl, 23.8cm diameter; and a small brown glazed wall pocket, 12.6cm high, all with impressed pottery mark.* All four pieces in good condition, with no faults.

Eddie Hopkins (1941-2007) at Winchcombe Pottery: a stoneware studio pottery vase - of tall ovoid form, with moulded rim, glazed in mottled shades of blue with vertical lined panels with triple crescent decoration, impressed potter's and pottery marks, 14¼in high.* In good condition, with no faults.

Ray Finch (1914-2012) at Winchcombe Pottery: a large studio pottery charger - with kaki pours over a mottled deep green glaze, 34.75cm diameter, impressed pottery mark. * In good condition, with no faults.

Ray Finch (1914-2012) at Winchcombe Pottery: a studio pottery charger - with kaki pours over a mottled olive green, dark brown and mottled grey-blue glaze, 31cm diameter, impressed pottery mark.* In good condition, with no faults.

Winchcombe Pottery: a stoneware studio pottery vase - of ovoid form with a waisted neck and everted rim, three small, tightly looped handles to the shoulder and distinct ribbing to the body, glazed in shades of cream, oatmeal and pale ochre, impressed pottery mark, 27.5cm high.* In good condition, with no faults.

Winchcombe Pottery: two stoneware studio pottery lamps - both of bulbous ovoid form, one a table lamp fitted for electricity, in a speckled deep brown glaze, 24.5cm high to top of brass shade rest; the other an oil lamp, in a black and iron red glaze with incised wavy line decoration, 22.75cm high to shade rest (both lack shade, but complete with chimneys), both with impressed pottery marks. (2)* In good condition, with no faults.

Winchcombe Pottery: three pieces of stoneware studio pottery - comprising a large, deep bowl and a near pair of small covered, twin handled casserole dishes, in a sage green and mottled dark blue with patches of iron, the bowl 23.5cm diameter, 15.4cm high, the casseroles with differently coloured glazes to interior, 15.5cm diameter plus handles, impressed pottery marks. (3)* All three pieces in good condition, with no faults.

Eddie Hopkins (1941-2007) at Winchcombe Pottery: a stoneware baluster jug, in a streaked blue-green and cream glaze with panelled decoration with crescent motifs, 16.3cm high, impressed potter's and pottery marks; together with two other pieces of Winchcombe Pottery, in a mottled grey-blue glaze, one a baluster jug with off-white waved line and banded decoration, 12.5cm high, the other a coffee cup and saucer, impressed pottery marks. (3)* All three pieces in good condition, with no faults.

Winchcombe Pottery: a stoneware salt glazed studio pottery vase - of ovoid form with a waisted neck and incised foliate sprigs to the body, in a grey-green, burnt caramel and grey-blue salt glaze, impressed pottery mark and also impressed 'F 10' to base, 23.2cm high.* In good condition, with no faults.

Sidney Tustin and Pat Groom at Winchcombe Pottery: six pieces - comprising a shallow circular saucer dish and two smaller bowls by Sidney Tustin, the saucer dish 25.75cm diameter; the three pieces by Pat Groom comprising a rectangular dish with pie crust rim and a small cream jug, painted with fish motifs, the dish 14cm long; and a small green and brown glazed wall pocket, decorated with an abstract motif, 11.3cm high, all with impressed potter's and pottery marks. (6)* The Sidney Tustin saucer dish has some glaze crazing and a few light scratches. The Pat Groom rectangular dish and jug both have a tiny rim chip. The other pieces are in good condition, with no faults.

Winchcombe Pottery: three stoneware studio pottery jugs - of matching baluster form, in various glazes, all with waved line and banded decoration, impressed pottery marks and each is also impressed '26 98' to base, 19.75cm high.* All three in good condition, with no faults.

Winchcombe Pottery: five pieces of stoneware studio pottery - comprising three pieces in a variety of mottled grey-brown glazes, comprising a tall jug, 26.5cm high; a baluster jug, 21cm high; and a waisted vase, 18.5cm high; plus a coffee pot and a teapot with bamboo handle, with mottled cream glaze to the covers and rim only, the coffee pot 20.5cm high, impressed pottery marks.* Four pieces in good condition, with no faults. The vase has a small glaze chip to the raised decoration on one side.

Winchcombe Pottery: five pieces of stoneware studio pottery - in a mottled cream glaze, comprising a circular covered casserole dish, 27.25cm diameter; a coffee pot, 20.5cm high; a teapot; a preserve jar; and a small flat-sided ovoid vase, 10.75cm high, all in good condition, with no faults.

Winchcombe Pottery: three pieces of stoneware studio pottery - comprising a covered cheese dish, in a toffee coloured glaze with feathered decoration, 20cm diameter; an iron glazed colander, 24.5cm diameter; and a square section tapered vase in a similar glaze with three lined decoration, 17.2cm high, impressed pottery marks.* All three pieces in good condition, with no faults.

Ray Finch (1914-2012) at Winchcombe Pottery: two pieces - comprising a stoneware footed bowl, in an iron and dark grey-blue salt glaze with oatmeal glazed interior, incised foliate decoration to the glaze, impressed pottery mark, 7.5cm high; and a single-handled casserole (no cover), in a pale grey-green glaze with stylised floral decoration, impressed pottery mark, 24cm long. (2)

A Ray Finch Winchcombe pottery slipware Dish, with crimped edge, impressed mark to base, W 23cm x L 25cm.

Russell Antony Collins (b.1942): A Stoneware Jar and Cover, oatmeal glaze, impressed potter's mark,31cm highJane Hamlyn (b.1940): A Salt Glazed Stoneware Jar and Cover, with twist handle, impressed potter's mark,14cm highJohn Jelfs (b.1946): A Stoneware Jar and Cover, tenmoku glaze, impressed swan mark,15cm highTobias Harrison (b.1950): An Earthenware Jar and Cover, blue lustre and gilding, incised and labelled,20.5cm highFour Winchcombe Pottery Stoneware Jars and Covers, tenmoku glazes, three with impressed Winchcombe Pottery mark,largest 17cm high (8)Two of the Winchcombe ottery jars have very tiny nicks to the covers. The Collins jar has wear on the foot - possibly done in making process. The Harrison jar has wear to the gilding and lustre, chips to the ribbon effect handles.

Michael Cardew for Winchcombe, a studio pottery flagon, early 20th century, shouldered form, slip glazed and sgraffito decorated with wavy line band, impressed marks and makers seal, 19.5cm high

A large Winchcombe Pottery glazed jug by John Forster - impressed marks to base, height 32cm

A Phil Rogers studio pottery beaker, 9cm high, impressed monogram; another, John Leach for Muchelney Pottery; a Winchcombe Pottery jug, by Sidney Tustin, 17.5cm high; a bowl, conforming (4)

Ray Finch (1914-2012), a Winchcombe studio pottery punch bowl, 38cm diameter, signed with monogram

A collection of nineteen pieces of Winchcombe Pottery including six various mugs, four egg cups, a lustre glazed vase, 16 cm high, two pots and covers, four various bowls, Charlie Tustin bowl (no cover) and a small shallow dish

A Ray Finch pottery lamp base of vase form, bears "Winchcombe" impressed mark to base (vendor told by the potter that he made this vase circa 1948), 26.5 cm high, together with a Winchcombe Pottery brown glazed ribbed jug, 30.5 cm high and a Winchcombe Pottery slip glazed jug, 22 cm high

A Marianne de Trey porcelain bowl, the interior incised with stylised blooms under pale green washes, impressed personal mark, 14cm; together with a Winchcombe Pottery stoneware jar and cover with finger trailed decoration under green glaze, impressed seal, 15cm high.

A mixed group of studio pottery, comprising a Pat Armstrong raku fired stoneware vase under copper fuming, a Dartington Pottery flambé glazed porcelain vase, a Yelland Pottery stoneware dish, a Winchcombe stoneware jug and a further jug and bowl by other hands. [7]

A Winchcombe Pottery studio vase, of slightly waisted ribbed form with stylised opposing decoration, in deep brown tones, studio seal mark to outer edge of footrim, h.21.2cm

A collection of studio pottery items to include David Leach, Lowerdown Pottery, Phil Rogers, Winchcombe Pottery, Colin Kellam, John Hughes, Ted Hughes etc. 

Richard Batterham, a studio pottery tureen and cover, 22cm wide, together with a Sidney Tustin studio pottery bowl with impressed mark and Winchcombe Pottery mark, 14cm diameter.

A Winchcombe Pottery charger by Ray Finch, the centre field decorated with two fish, on a mottled brown ground, 33.8 cm diameter, together with another Ray Finch charger with wave decoration on a mottled blue ground, 30.8 cm diameter and a Winchcombe mottled blue ground glazed plate with red crescent central motif, 22.3 cm diameter CONDITION REPORTS The Ray Finch fish decorated charger - there is a small chip to the glaze on the underside of the rim. Otherwise all three have general wear and tear conducive with age and use. In need of a light clean. Various pin head firing faults etc. See images for more details

COLLECTION OF CONTEMPORARY STUDIO POTTERY, including vases, jugs and a Winchcombe Pottery teapot the tallest vase 41cm high Some glazing imperfections,crazing to some items, images of makers marks have been added to the website,

Studio pottery - Svend Bayer (b.1946) for Winchcombe Pottery, stoneware vase, ovoid with flared neck, tooled striated decoration covered in dark brown glaze with mottled grey splashes, impressed marks, 26cm high

Attributed to Michael Cardew (1901-1983) at Winchcombe Potteryearly rectangular dish with trailed slipware decoration, impressed design to the border/rim, with pottery mark impressed to the base, 20cm wide x 3.5cm high x 14cm deep Overall ok, with age related wear etc. No major damage or restoration.

Sid Tustin (1913-2005) at Winchcombe Pottery collection of slipware comprising four beakers, a twin dish, small bowl, jug, a green glazed pin dish and a small bowl, all bearing personal and pottery marks, a small vase bearing marks for Charles Tustin at Winchcombe, two Winchcombe pottery beakers with green slip decoration, a cream slipware vase and a small jug (13) All with overall age related wear and marks. Minimal glaze faults in places. All with crazing. Two of the Tustin beakers with damage, chips and hairline cracks. Chips to the spout on the jug. The same jug and the large bowl with bruises in places.

A large Winchcombe pottery bowl by Neil Alcock, a ‘lizard’ jardiniere and a lustre glazed small jardiniere, tallest 19cm.Condition - two fair, smallest example poor

A SMALL COLLECTION OF STUDIO POTTERY, comprising a baluster shaped vase with indistinct mark, approximate height 15cm, a jug with unknown makers mark to the side, a Pat Groom for Winchcombe pottery wall vase (cracked), an unmarked bowl with the Amnesty International logo to the inside, an earthenware bowl with unidentified makers mark to the base, two small planters? with indistinct signatures to the base and a bowl with green cracked glaze to the top surface, raku firing marks with unknown signature to the base, approximate diameter 34cm (cracked) (8)

The current owner of the dish informs us that the plate was purchased by his late mother for his father as a gift in the 1920's who was a keen hunter.  Dimensions - 21.5cm wide, 18.5cm depth, 5.5cm high WINCHCOMBE POTTERY - HISTORY There has been a pottery on the current site in Greet since at least 1800, 1 mile (1.6 km) north of Winchcombe. Known as Greet Potteries under the management of R A Beckett (who died in 1913), it produced a range of farmhouse ware, advertised as "Garden, Sea-Cale, Rhubarb, & Chimney Pots". Closed in 1914 at the outbreak of World War I, it did not restart again after the war. Bernard Leach is credited with restarting craftsman pottery in Britain in 1920. One of his early students was Michael Cardew who, at 25, was looking for a suitable site for his own pottery and in 1926 rented the old pottery buildings. Influencing his choice were the availability of local clay and the original bottle kiln. Cardew recruited two locals, critically Elijah Comfort, aged 63 and who had worked before in the pottery, and inspirationally, in 1927, Sidney Tustin (aged 13). Cardew wanted people to use his pottery in regular daily use, as has been the tradition in early centuries. He followed the classic English slipware style using the red earthenware Winchcombe clay. After a difficult star and many trials, he managed to start slipware production. Experiments with firing the pots in the bottle kiln were eventually successful. For the produce of three men, the bottle kiln was really too large but it was what they had. A firing went on for three days. Gradually Cardew's skills and hard work were recognised. In 1935 he had one of his pots exhibited in the Victoria and Albert Museum. In 1935 the team was expanded to include Charlie, Sid's younger brother. A young chemist called Ray Finch tried to join the pottery staff in 1935 but was sent away by Cardew to gain some pottery experience. Finch returned in 1936, aged 22, and was able to convince Cardew that he now knew enough and he joined the team. Source www.winchcombepottery.co.uk 12/7/24

An early dish believed to have been produced and decorated by Michael Cardew. The current owner of the dish informs us that the plate was purchased by his late father for his mother as a gift in the 1920's. Making this the first time it has come to the open market. We are advised by the pottery that the circles in the cat are very much in the style of Michael Cardew. Dimensions - 21.9cm width, 20.2cm depth, 4cm high WINCHCOMBE POTTERY - HISTORY There has been a pottery on the current site in Greet since at least 1800, 1 mile (1.6 km) north of Winchcombe. Known as Greet Potteries under the management of R A Beckett (who died in 1913), it produced a range of farmhouse ware, advertised as "Garden, Sea-Cale, Rhubarb, & Chimney Pots". Closed in 1914 at the outbreak of World War I, it did not restart again after the war. Bernard Leach is credited with restarting craftsman pottery in Britain in 1920. One of his early students was Michael Cardew who, at 25, was looking for a suitable site for his own pottery and in 1926 rented the old pottery buildings. Influencing his choice were the availability of local clay and the original bottle kiln. Cardew recruited two locals, critically Elijah Comfort, aged 63 and who had worked before in the pottery, and inspirationally, in 1927, Sidney Tustin (aged 13). Cardew wanted people to use his pottery in regular daily use, as has been the tradition in early centuries. He followed the classic English slipware style using the red earthenware Winchcombe clay. After a difficult star and many trials, he managed to start slipware production. Experiments with firing the pots in the bottle kiln were eventually successful. For the produce of three men, the bottle kiln was really too large but it was what they had. A firing went on for three days. Gradually Cardew's skills and hard work were recognised. In 1935 he had one of his pots exhibited in the Victoria and Albert Museum. In 1935 the team was expanded to include Charlie, Sid's younger brother. A young chemist called Ray Finch tried to join the pottery staff in 1935 but was sent away by Cardew to gain some pottery experience. Finch returned in 1936, aged 22, and was able to convince Cardew that he now knew enough and he joined the team. Source www.winchcombepottery.co.uk 12/7/24

Ray Finch for Winchcombe, a studio pottery jug, shouldered form with three moulded tongues to each side, tenmoku glazed, impressed seal mark, 22.5cm high

Ray Finch (British, 1914-2012), for Winchcombe brown glazed bowl, with internal blue pattern. Impressed Ray Finch mark to base, with original Winchcombe pottery sticker. Diameter 25cm, height 10.5cm.

Ray Finch (British, 1914-2012), for Winchcombe pottery glazed butter dish. Impressed Ray Finch mark to base. Height 11cm, diameter 16cm.

Ray Finch (British, 1914-2012), for Winchcombe pottery tea bowl, bowl and cup. All impressed with Ray Finch mark, plus two further studio pottery bowls marked 568 to base. (5)

Ray Finch (British, 1914-2012), for Winchcombe pottery four brown glazed cups. All impressed with Ray Finch marks. Heights approx. 11cm, one larger 13cm. (4)

Ray Finch (British, 1914-2012), for Winchcombe pottery group of four glazed tea bowls. All impressed with Ray Finch mark. Heights approx. 8cm. (4)

Ray Finch (British, 1914-2012), for Winchcombe pottery salt earthen glaze storage jar with lid. Impressed Ray Finch mark to base. Height 16cm.

Ray Finch (British, 1914-2012), for Winchcombe pottery earthenware glazed pitcher with yellow drip down pattern. Marked to handle with Ray Finch mark. Height 22cm.

Ray Finch (British, 1914-2012), for Winchcombe pottery large glazed earthenware jug with brown, green with blue banded design. Impressed Ray Finch pottery mark. Height 33cm.

Ray Finch (British, 1914-2012), for Winchcombe pottery glazed brown and ochre ware earthenware jug. Impressed Ray Finch pottery mark, height 25cm.

Ray Finch (British, 1914-2012), for Winchcombe pottery glazed brown and ochre ware earthenware jug with simple banded pattern. Impressed Ray Finch pottery mark. Height 26cm.

Ray Finch (British, 1914-2012), for Winchcombe pottery large charger with kaki pours. Impressed Ray Finch mark to base. Diameter 36cm.

Ray Finch (British, 1914-2012), for Winchcombe pottery glazed brown teapot, raised spotted decoration to exterior. Impressed Ray Finch mark to base. Height 15cm.

Ray Finch (British, 1914-2012), for Winchcombe pottery three brown glazed cups. All impressed with Ray Finch marks. Heights approx. 11cm. (3)

Ray Finch (British, 1914-2012), for Winchcombe pottery large charger with kaki pours. Impressed Ray Finch mark to base. Diameter 39cm.

Ray Finch (British, 1914-2012), for Winchcombe pottery salt glazed storage jar with lid. Impressed Ray Finch mark to base. Height 15cm.

Ray Finch (British, 1914-2012), for Winchcombe pottery large charger with kaki pours. Impressed Ray Finch mark to base. Diameter 36cm.