We found 629 price guide item(s) matching your search

The Dying Gladiator, after the 1860 Parian by Bates, Brown, Westhead and Moore.

A collection of ten Pratt Ware pot lids, comprising 'Letter from the Diggings', 'The Cavalier', 'The Skewbald Horse', 'Snapdragon', 'Peasant Boys', 'Hide and Seek', 'The Wolf and the Lamb', 'Peace (after Wouvermann)', 'Alexandra Palace - 1873' and 'Lady Fastening Shoe' together with three Cauldon pot lids, 'The Shepherd Boy', 'Walmer Castle' and 'Musical Trio', and a Bates, Brown-Westhead and Moore pot lid 'May Day Dancers at the Swan Inn', most framed (faults).

A set of seven Brown Westhead Moore & Co hunting plates, registration lozenge for May 1875, each printed in brown and picked out in polychrome enamels with various hunting incidents, impressed marks, and painted 'H 3197' each 26cm diameter (7)

A Brown-Westhead & Moore cabinet cup & saucer, pattern number "2310"decorated with panels of a Doe's head surrounded by raised gilding, circa 1870's, together with a Newhall tea bowl, circa 1790

A Brown Westhead & Moore Majolica Jardinière and Stand, the jardinière moulded with lion masks and twining foliage on a dark blue ground, the stand raised on three temple dog mask embossed supports, terminating in a spreading circular base (jardinière with extensive hairline cracks, stand with extensive repair to base), 31" high overall

A pair of Brown Westhead, Moore & Co. creamware botanical dessert dishes, printed and enamelled, pattern H2293, 10.5in.

A Brown, Westhead, Moore and Co. tureen, printed in blue, together with a Victorian earthenware soup tureen with cover, blue printed strainer plate and blue printed oval meat dish

A 19th Century Staffordshire sixteen piece porcelain dessert service by Brown Westhead Moore & Co decorated with humerous hunting incidents (16)

A pair of Brown, Westhead, Moore & Co. earthenware chargers, amateur painted with coloured flowers and leaves, impressed mark, 14.5in.

A pair of dark green pate-sur-pate vases, probably Brown-Westhead, Moore, each decorated by Frederick Schenk with a nymph seated on rocks beside water, the sun rising or setting behind her, signed, gilt ring handles, c.1880, restoration to one, 20.5cm. (2) Cf. Bernard Bumpus, Pate-sur-Pate, p.162 for a similar example.

Brown Westhead And Moore Gilded Fish Plate Bearing Signature, J. Birkbeck, 23 Cm

The Lea Castle Table. An Elizabeth I oak six-leg refectory table, the massive one-piece top on joined frame with chamfered legs and short stretchers, one of the side rails and two of the legs stamped at the top with the initials 'ML', 80cm h; 363 x 77cm; depth of the top 6cm Provenance: Acquired by Joshua Procter Browne-Westhead, MP, JP (1807-1877) with Lea Castle (demolished 1943) and its estate at Wolverley, Worcestershire from John Browne; thence by descent to the vendor. John Browne acquired the estate in 1823 from John Knight (1765-1850), the third generation of the celebrated family of West Midlands Ironmasters resident at Wolverley and related by marriage to the descendants of William Sebright of Wolverley, Town Clerk of London in 1574. The table may well be estate-made for as late as 1848 the estate was described as "… a noble mansion surrounded by 550 acres of land enriched with plantations of oak…" Lea Castle was reconstructed by Edward Knight in 1762 and further embellished by John Browne or Joshua Procter Browne-Westhead in the fashionable Norman style (possibly by the Worcestershire architect Richard Varden) promoted by Edward Knight's cousin once removed Richard Payne Knight (1750-1824) of Downton Castle, Herefordshire. A dendrochronological survey of the table prepared by the Nottingham Tree Ring Dating Laboratory dates the discernible rings to pre-1570. On this premise, it is likely that it was constructed between the mid 1580s and 90s and certainly pre-dates 1600. The timber used is proved to have been growing in 1403. Analysis available on request. An important 16th century portrait of Queen Elizabeth 1 on panel, dendrochronologically dated 1595 was sold at Sotheby's on 22 November 2007 (lot 6) which had also been long associated with Lea Castle. ++Lacking the long stretcher rails and the legs slightly reduced in height. On the top a 4 inch (approx) diagonal cut from one end and a c5.5 x 7 inch old rectangular let-in 'plug' which does not penetrate through to the underside. Of fine colour and patina.

A BROWN WESTHEAD AND MOORE CAULDONWARE DESSERT SERVICE the cream ground painted with a spray of wild flowers within a royal blue and gilt cellular border comprising twelve plates, printed mark. (12)

A Brown, Westhead & Moore China Round Toilet Pail with cover having swing overhead wicker handle, on white ground with coloured bird and floral decoration, 30cm wide (chipped) (2)

A large 19th Century Brown Westhead & Moore dust pressed tile black line transfer printed and hand colour washed with a game bird with poppies over a white glazed ground, 8" square.

A set of four 19th Century Brown Westhead & Moore dust pressed tiles sepia line transfer printed with studies of British birds in garden settings over a white glazed ground, 6" square.

A Victorian Parian figure, 'Halia', holding a comedy mask, impressed for Bates, Brown, Westhead & Moore, further impressed 'Beattie' c1860

Bates, Brown-Westhead and Moore Pot Lid, 'Fair Sportswoman' and two prattware pot lids, 'On Guard' and 'Uncle Toby', all 10cms, (4"), (3).

Three Brown Westhead Moore raised comports, 'Aesops Fables',printed and painted with country wild life scenes,23cm diameter

A Mason's 19th Century Small Blue and White Meat Plate having dragon motif, a brown Westhead, Moore and Co. blue and white plate having floral and leaf decoration, a blue and white Abbey pattern side plate, and a Copeland blue and white cup and saucer having willow pattern decoration (5)

A pair of mid-19th Century John Ridgway & Co porcelain cabinet plates, each painted and gilded with the Westhead crest above a banner inscribed with the motto 'Ora et Labora', within a scroll gilt rim with angular blue banding against a claret ground, overlaid in gilt, printed factory mark to bases.

A Parian bust of Apollo, by Brown Westhead Moore & Company, signed C Delpech, impressed factory marks, inscribed "Art Union of London, 1861", raised on shallow Oriental hardwood stand, bust height 14"

A Bust of Garibaldi, Bates, Brown, Westhead & Moore, circa 1875, wearing a feather-plumed broad rimmed hat and gazing intensely to sinister, in military attire, on a swept integral plinth, titled in relief, impressed "By BW&M", 28.5cm high, upon an associated red veined marble plinth, 40cm high See illustration

Two Similar Classical Muses, perhaps representing Comedy and Tragedy, possibly Bates, Brown, Westhead & Moore, circa 1895, each parcel gilt and with blue enamel toga detail, circular bases, apparently unmarked, 34.5cm high

The Bather, Brown-Westhead, Moore & Co, circa 1865, a semi-nude young woman by bulrushes, impressed "Brown-Westhead, Moore", 34.5cm high; Another Similar, unknown factory, 34.5cm high; and Another Figure, unknown factory, depicting an Italian young woman standing by a tree stump holding a tambourine, 34cm high (3)

La Chasse and La Peche, a Pair of Figures, Bates, Brown-Westhead, Moore & Co, circa 1860, he wears an animal skin and holds the leg of a deer at his side, standing on a boar head, she stands full length holding a fishing net, her left foot on a fish trap, both on rocks and titled, impressed "BBW&M", 48cm by 47cm respectively See illustration Purchased at "The Parian Phenomenon, Catalogue of an Exhibition" arranged by Richard Dennis, Chelsea Town Hall, December 1984, item 531 and 532. Also illustrated in The Parian Phenomenon, A Survey of Victorian Parian Porcelain Statuary & Busts, edited by Paul Atterbury, published by Richard Dennis, fig.795, pg.240, where they are described as typical French genre subjects, probably modelled in Stoke by French artists. Hunters were common subjects in earlier porcelain designs, here it has been reinterpreted in a more robust and heroic way, almost certainly by one of the French sculptors working at Stoke during the 1860's.

Thalia and Euterpe, Two Companian Figures, after William Beattie, Bates, Brown-Westhead & Moore, circa 1860, one holds a syrinx, the other a comedy mask, on (titled) circular bases, both impressed "BBW&M", 36.5cm and 37cm high respectively See illustration A similar figure of Thalia is illustrated in The Parian Phenomenon, A Survey of Victorian Parian Porcelain Statuary & Busts, edited by Paul Atterbury, published by Richard Dennis, fig.794, pg.240. Thalia was the muse of Comedy and Pastoral Poetry. A companion figure to Terpsichore, also modelled by W Beattie.

A Ridgeway or Brown Westhead and Moore Pot Lid "Walmer Castle" (No 45), 4" diameter

A Brown Westhead and Moore puce printed Oriel pattern part dinner service circa 1870, comprising pedestal tureen and cover, two smaller dishes and cover, dinner plates, serving platters etc.

A Brown Westhead Moore & Co blue printed toilet bowl, printed with figures in a landscape setting with a building in the distance, impressed mark.

A late 19th Century Classically inspired ewer polychrome decorated with a continuous frieze depicting a battle between the Greeks and the Amazons, fully titled to the base, 8” high; a similar Bates, Brown-Westhead and Moore spill vase decorated with a lady dressing for the theatre, 4.5” high. (2).

A Brown Westhead and Moore blue and white oval Meat Plate "Meissen" pattern and a large Victorian Cheese Dish and Cover with over painted floral pattern

A majolica strawberry basket, of oblong form, moulded in a basket-weave pattern with cabled rim, the central handle also cabled and having bifurcated terminals, the sides of the basket decorated with raised oakleaf sprigs where the latter attach, impressed marks T. C. BROWN-WESTHEAD, MOORE & Co. circa 1860-70, 29cm long

An extensive Brown-Westhead, Moore & Co. Cauldon composite 'Teutonic' pattern blue printed service, decorated with foliate scrollwork, comprising, two soup tureens and covers and a ladle, four vegetable tureens and covers, five oval graduated platters, a tree and well meat dish, two sauce tureens with covers and stands and one ladle, two sauceboats, thirteen soup plates, four smaller soup plates, seventeen dinner plates, sixteen dessert plates, seven tea plates, fifteen side plates, four teacups and three saucers, nine coffee cups and eight saucers, a teapot and cover, a hot water pot and cover, a milk jug, two sugar bowls, a slop bowl, a water jug and a cachepot, together with six 'Indian Ornament' pattern dinner plates and a sauce tureen, cover and stand, blue printed and impressed marks (minor faults).

A Brown Westhead & Moore Onion pattern Charger, 14 1/2in D, chipped, a Sauce Tureen, Ladle & Stand, a Soup Plate and a Bowl

A T.C. Brown Westhead and Moore earthenware charger outside painted with a titled portrait The Lady Arabella Stuart on a gilt ground stamped mark and painted J.M. Rogers London 1883 32cm diameter

Victorian Brown Westhead & Moore blue & white 'Canova' pattern bidet liner, 17.6ins. long.

Pair of late Victorian moonflasks painted in puce with nesting birds & flowers, with gilt decorations, circa 1880, red painted pattern numbers '7265' and '7266', possibly Brown, Westhead & Moore, each 9.4ins. high (2).

BROWN-WESTHEAD, MOORE & CO DESSERT SERVICE each with raised shell type borders and transfer printed with a series of wild animals and birds upon a pale blue ground comprising four comports and eleven plates, registration no. 80107 (damage to one comport base rim and one plate) (15)

A Derby trio, Harebell pattern, puce mark; a Ridgeway pattern trio; a saucer dish and a Brown, Westhead Moore & Co trio

A Victorian Brown-Westhead & Moore oval blue printed Meat Platter in the Meissen pattern 41cm wide.

A Brown-Westhead Moore & Co Cauldon part dinner service, post 1868, the rims reserved with gilt panels decorated with flowers against a gilt dotted ground beneath a pink rim, the centres with an entwined monogram, comprising an open two handled footed dish, six soup plates, six dinner plates, six dessert plates and five crescent shaped dishes, black printed diamond registration lozenges, red script pattern number 6575, Storey & Son printed retailer stamp (faults)

    A Brown Westhead Moore earthenware oval platter, printed in blue with a classical Florentine design; a pearlware elliptical small tray, printed with willow pattern in blue pierced borders (2)

Two Victorian fox and hound dog transfer plates, manufactured by Soane and Smith, impressed Brown-Westhead-Moore & Co; one French hand-painted bird Bordeaux plate, impressed; cornucopia modern centrepiece; and green glass vase, etc. (quantity)

A Brown Westhead and Moore Turkey Plate and matching Meat Plate, all printed in blue with the ‘Teutonic’ design, both approximately 20” long

Brown Westhead and Moore part dinner service with orange rims and crests to white ground

A maiolica garden or conservatory seat Continental majolica formed as a crouching Egyptian slave girl supporting the seat with palm frond brackets a lotus plant and cobras below 77cm high See Karmason Marilyn G. and Stacke Joan B. Majolica: A Complete History and Illustrated Survey (New York 1989) p.123 for an illustration of the original majolica example by T. C. Brown-Westhead Moore & Co. circa 1875

A Brown, Westhead and Moore pottery token for the Paris Exhibition 1878, brown transfer printed, 7cm diameter (see lot 38 for illustration)

Brown-Westhead, Moore & Co. 19th Century Large Blue and White Meissen Pattern Dinner Service, comprising oval meat plate with well, 6 other oval graduated meat plates, a carving strainer, a 2-handled lidded soup tureen with saucer, a pair of 2-handled lidded tureens, a smaller lidded tureen with saucer, odd saucer and lid, 31 dinner plates, 11 soup bowls, 17 dessert plates, 7 side plates (86)

A set of four Brown, Westhead, Moore & Co. ceramic tiles, painted with medieval scenes and humorous French titles, 8.25in. - one repaired

A Victorian Wedgwood blue and white jardiniere 'swallow' pattern, a quantity of blue and white serving plates and other household china (mostly A/F) # 10 - 15. 145. AFTER C DELPICH; A parian bust of Apollo by Brown-Westhead Moore & Co the socle inscribed 'Published February 1, 1881, Art Union of London', 13 inches high

A Westhead and Moor chinoiserie panel, late 19th century, of rectangular form, enriched with swallows flying among prunus blossom, set within a printed green border. Panel 26cm x 43cm.

Late 19th Century Brown-Westhead & Moore tea for two decorated with the Canova pattern depicting birds amongst foliage in brown transfer print

A Yates & May cup and saucer, with gilt banding and central floral motif, circa 1835; a W Brownfield & Son cup and saucer with moulded berry and leaf decoration with gilt rim, circa 1877; a George F Bowers cup and saucer with seaweed pattern; a Brown Westhead & Moore cup and saucer; a Factory '22' trio and a Rockingham trio.

Five brown and white transfer tiles, one unframed, two circular: includes two Mintons (including 'Evening'), E. Smith & Co, Brown-Westhead Moore & Co, and lion (five)

19th Century Willow pattern blue printed covered Sauce Tureen and Stand, one further Stand, a Brown Westhead & Moore 'Meissen' pattern Plate and further blue printed oval Platter

A novelty TC Brown Westhead, Moore & Co majolica desk stand, c.1870, with central terrier's head flanked by two inkwells and pen tray in shades of white, brown, green red and blue, on bun feet, impressed motto, 11.5ins

Late Victorian "Trentham" pedestal Comport, decorated in purple with summer flowers and four matching Plates, by Brown, Westhead & Moore, impressed diamond registration mark.

A late 19th century Cauldon ware, Brown-Westhead Moore porcelain baluster shaped vase decorated in the Louis XV mode, having a dull green ground with tooled gilt fern and flowerhead detail, shield shaped reserve outlined with gilt enhanced with turquoise and painted in 18th century style with seated female songstress and attendant lute playing putto, signed A Boullemier, two scrolled projecting gilt and similar turquoise enhanced grips, neck, rim and base, 40cm

A Brown, Westhead and Moore charger printed with hibiscus flowers on a gilt ground stamped mark 48cm. diam.