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Click here to subscribeWiltshaw & Robinson - Carlton Ware - A pair of Anemone pattern vases, circa 1900, of shouldered flared form with frilled trumpet collar, and twin foliate moulded handles, decorated with gilt heightened flowering stems in pastel yellow and dusty pink over blush ground, the collar with gilt over blue floral pattern, pattern no.1749, printed blue marks, height 16cm. (2)
Wiltshaw & Robinson - Carlton Ware - A chrysanthemum pattern vase, circa 1900, of inverse baluster footed form, with fluted trumpet neck and shaped rim, decorated with gilt lined blue floral sprays over sponged gilt and ivory ground, seaweed gilding over blue glaze foot and collar, brown printed marks, height 26cm, together with a twin handled pedestal vase, flow blue and gild lined flowers over ivory ground, blue printed flowers, height 28cm. (2)
Wiltshaw & Robinson - Carlton Ware - A heather pattern table centrepiece, circa 1900, plated stand with central scroll frame supporting trumpet epergne, over fluted and lobed circular plate with flowering heather sprigs over blush ground, on circular plated base, pattern no. 1160, printed blue marks, height 34cm.
A collection of silver to include: a pair of Elizabeth II silver and mahogany coasters, hallmarked by PH Vogel & Co, Birmingham, 1990; a late Victorian silver cream jug, hallmarked Birmingham, 1901; an Edwardian silver small capstan inkwell, Birmingham, 1909; a set of six George VI silver coffee bean spoons, hallmarked by Adie Bros, Birmingham, 1947; a Birmingham silver small trumpet shaped vase; a Modern silver drip ring by Broadway & Co; an Edwardian silver topped cranberry glass perfume bottle, with stopper, hallmarked Birmingham, 1908; a set of six George III silver teaspoons, initialled MS by Hester Bateman; a George III Birmingham silver caddy shovel spoon (repaired handle) and a late Victorian Birmingham silver sifter spoon. (1 bag) Weight approx. 108.59 grams (3.49ozt) Further details: all tarnished, with wear, some rubbing and marks to spoons; dents to inkwell; small nibbles to glass perfume bottle; wear etc.
BAKER CHET: (1929-1988) American jazz trumpeter and vocalist. Signed album record sleeve for Broken Wing issued by Inner City (IC 1120) and released in 1981, signed by Baker in blue ink to the front cover which features a colour image of the musician in a close-up portrait pose playing his trumpet. Dated 1986 in his hand beneath the signature. Record still present. Scarce. Some very light, minor age wear, VG
Collection of Hearing Aids,to include a brass ear trumpet, with embossed plaque for 'F. C. REIN, INVENTOR 108 STRAND', a faux tortoiseshell ear trumpet, an early electric hearing aid stamped to the inside of the lid 'Mr. R. H. DENT'S ARDENTE FOR DEAF EARS, 309 OXFORD St, LONDON w.i. AND BRANCHES' in a black leatherette case
Delightful porcelain sculpture featuring an angel seated on a cloud, serenely holding a trumpet. The figure's expression and intricate detailing exemplify Armani's artistry, while the soft ivory tones of the angel's robe and wings contrast beautifully with the rich wooden base. The piece is mounted on a polished wooden plinth with a brass nameplate and is signed by the artist.Artist: Giuseppe ArmaniDimensions: 7.5"HCountry of Origin: ItalyCondition: Age related wear.
A particularly fine example of Alexander Davison’s Medal for Trafalgar 1805 Alexander Davison’s Medal for Trafalgar 1805, pewter with copper rim and integral suspension rings as issued, nearly extremely fine and rare thus £2,000-£3,000 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- It has long been stated that the Davison’s Trafalgar medal was given exclusively to the surviving crew of H.M.S. Victory, which would suggest a possible striking and issuance of some 600-700 medals. Such a high number is in stark contrast to the seemingly low survival rate for these medals which might indicate a lower number of medals having been struck. Recent and ongoing research by Arthur Satterley and Sim Comfort has resulted in an article in press for future publication. Amongst other things they have sourced the letter of John Brown, preserved at The Caird Library, National Maritime Museum, London, written on board “Victory, Chatham, December 18th, 1805”. In it Brown writes: “There is three hundred of us Pickt out to go to Lord Nelson Funral. We are to wear blue Jackets white Trowsers and a black scarf round our arms and hats besides gold medal (sic) for the battle of Trafalgar Valued £7 1s. round our necks. That I shall take care of until I take it home to Shew it to you.” This might suggest that approximately 300 medals were struck and given to the 300 ‘Pickt’ men of H.M.S. Victory who took part in the funeral proceedings on 9th January 1806. It is also becoming increasingly apparent that the medal was both designed and struck by Thomas Halliday at his own expense, rather than Davison. Halliday, whose initials appear on the medal [H.F - Halliday Fecit], is recorded as being a quiet fellow who didn't trumpet, kept himself to himself, but nevertheless had a successful long term business in Birmingham from c.1803 into the 1830s.
A late 19th century Thüringen six piece anthropomorphic animals military band nodders, composition, probably French or German uniforms in blue jackets, red trousers and green caps with harp insignia, comprising a monkey playing a trombone, a blue playing a trumpet, a ram playing a clarinet, a camel playing cymbals, a donkey playing a flute and a boar playing a parade xylophone, all with metal instruments and painted circular wooden bases —7 ¾in. (20cm.) high (the last two with replacement modern instruments)— see Early Toys 2, Leipold/Bickert/Kreher, 2024 - page 171, figs 7 and 8 for these actual models
A GROUP OF COLOURED GLASSWARE, comprising a turquoise twisted glass trumpet/funnel, a clear cut crystal hinged inkwell, a glass basket, cranberry glass basket, two hat pin holders with silver monogrammed lids, one hallmarked London, the other Birmingham, a Vaseline glass tulip vase, height 19.5cm, four glass paperweights, etc. (14) (Condition Report: signs of wear, no obvious damage)
Preservation Hall Jazz Band – Vinyl LP "Vol. I" (1977, Columbia Masterworks)A signed vinyl record album of the Preservation Hall Jazz Band titled "Vol. I," released in 1977 under Columbia Masterworks, catalogue number M 34549. The cover, approximately 12 x 12 inches, depicts band members in formal wear outside Preservation Hall, New Orleans, with visible autographs in blue ink from members including Narvin Kimball (Banjo), Percy Humphrey (Trumpet), and Willie Humphrey (Clarinet). The back cover features liner notes, personnel details, and historical references to New Orleans jazz, credited to William Russell.The vinyl disc is black with a beige label design. Side 1 includes tracks such as "Tiger Rag" (6:37) and "Bill Bailey (Won't You Please Come Home)" (4:39), while Side 2 showcases "Joe Avery" (6:22) and "Panama" (9:51). Notable details include "Columbia Masterworks®" branding, "Library of Congress catalog card number 77-750558," and an SQ quadraphonic recording format. The item reflects CBS Inc.'s production standards of its era and includes contributions from band members born between 1900 and 1935.This 1977 vinyl album is a historical testament to the Preservation Hall Jazz Band’s legacy, incorporating traditional New Orleans jazz with authenticated autographs and original context.
**Collection of Mixed Silver Items, Including Continental Silver Piece**A diverse collection of silver items weighing approximately **212.82 grams**, featuring both decorative and utilitarian designs. The collection includes an unmarked continental silver piece, likely of Middle Eastern origin, contributing significantly to the overall weight. Without this piece, the remaining collection weighs **166 grams**. Estimated to date from the late 19th to early 20th century, the pieces display detailed craftsmanship and varying styles. ### Includes:1. **Trumpet-Shaped Bud Vase**: Intricate repoussé floral and foliate designs, unmarked, indicative of Middle Eastern or South Asian origins.2. **Serving Spoon**: Large silver spoon with plain oval bowl and elongated handle. Early 20th-century utilitarian design.3. **Small Spoon**: Slender teaspoon or condiment spoon with a rounded bowl.4. **Oval Trinket Tray**: Plain elongated design with smooth edges, likely a utilitarian table accessory.5. **Embossed Circular Lid**: Heavily decorated with floral scrollwork, possibly the lid of a jewellery or dressing box.6. **Pendant with Chain**: Shield-shaped centrepiece with ornate decorations, likely a medallion or fob.### Features:The collection includes minor tarnishing and wear, indicative of vintage or antique status. The repoussé and embossed pieces highlight traditional craftsmanship. The hallmarking is limited to some individual objects, requiring further inspection for maker identification and precise dating. This grouping offers a mixture of functional and decorative silverware, reflective of diverse regional influences. Ideal for collectors or enthusiasts of antique silver.
Wedgwood Jasperware to include - black footed trumpet vase 19cm tall, two pin trays one circular, one heart shaped. Blue on white heart shaped lidded trinket box, bud vase, oval lidded trinket box, one teal urn shaped vase 9cm. Powder blue footed trumpet vase 19cm tall, bud vase, footed trumpet vase 9cm tall, square lidded trinket box, circular pin tray. Dark blue footed trumpet vase 15cm tall, small urn vase, Sage green jug 12cm, circular lidded trinket box, club shaped pin tray, (17)(1 tray)
An American Silver Napkin-Ring, Stamped '925', 20th Century, formed as a jazz musician playing the trumpet and with a mandolin beside him, both resting against the circular napkin-ring, the base of the figure stamped 'New Orleans', all on an oblong base, 95mm wide, 68mm high, 3oz, 94grProvenance: The Lion Collection.
A Pair of Duesbury Derby Porcelain Two-Handled Trumpet Vases, 19th century, painted frontally with circular reserves depicting sprays of flowers against a dark blue and vermicular gilt ground, on separate bases, puce crossed batons, crown and dots mark (a/f), 16cm high, together with Two Similar Duesbury Derby Porcelain Two-Handled Pedestal Baluster Vases, each painted with a basket of flowers on a ledge against a blue ground enriched with gilt, acanthus leaf handles and square feet, one with printed D and crown mark, the other with crossed batons, dots, crowns and D in red29cm high and 29.5cm high (a/f)Vase 1 base with rubbing and a firing flaw, the main with restoration throughout. Vase 2 some rubbing to the gilding one or two firing flaws and a repair to the rim to the main vase.Large vase 1 lacking both handles with numerous paint chips to the main body and repair to the rim, large vase 2 firing imperfection to the rim and some crazing
A PAIR OF DUTCH DELFT BLUE AND WHITE TRUMPET VASES LATE 18TH CENTURY Painted with Chinese figures in a garden, un-marked 29cm high, 15.5cm diameter, 12cm diameter at baseProvenance: Property of a Lady, Eaton Square, London Condition Report: PLEASE NOTE: ALL LOTS ARE LOCATED AT SACKVILLE WEST STORAGE IN ANDOVER (SP10 3SA) AND ARE NOT AVAILABLE TO VIEW Small chips and wear to leading edges of rims, one cracked and with restored section to rim. ADDITIONAL IMAGES: Please 'Ask a Question' to request additional images for this lot. Condition Report Disclaimer
ROYAL DOULTON; twelve Bunnykins figures including 'New Baby Bunnykins', 'Ice Cream Bunnykins', 'Mary Mary Quite Contrary', 'Santa Bunnykins', etc (12).Condition Report: No boxes, light surface wear and crazing, little boy blue is missing his hand and trumpet, happy Christmas has what looks like a burn on its back.
Walt Disney Classics Collection porcelain figurine titled Horace's High Notes from Symphony Hour. The figurine depicts Horace Horsecollar enthusiastically playing a trumpet while dressed in a tuxedo and top hat. Hand-painted with fine detailing and gold-tone accents on the trumpet. Marked on the underside with the Walt Disney Classics Collection backstamp and title. Includes the original blue box. Figurine 6.75"H, Box 7.5"L x 7.5"W x 12"H. Certificate of Authenticity included.Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.
This charming Royal Doulton Bunnykins figurine features a playful bunny dressed in a red coat and blue pants, enthusiastically playing a yellow trumpet. Part of the Bunnykins Oompah Band series, the Trumpeter DB24 was designed by Harry Sales and produced from 1984 to 1990. It comes with its original box, adding to its appeal for collectors. The figurine bears the Royal Doulton backstamp, ensuring its authenticity.Artist: Harry SalesIssued: 1983Dimensions: 3.5"HCountry of Origin: EnglandCondition: Age related wear.
Arnau y Mascot, Eusebio (Spanish, 1863-1933); b. Barcelona, and Bernardo Castells (Barcelona, fl. 1834-1980), specifically Genaro Castells y Reig (1883-1930); b. Barcelona SPAIN, Exposición Universal de Barcelona [Barcelona Universal Exhibition], 1888, a gilt-bronze medal by E. Arnau y Mascot for Castells, conjoined busts of Maria Cristina and Alfonso XIII left, rev. Fame to right, blowing trumpet, winged cherub holding tablet without legend at left, panoply of the exhibition grounds below, 50mm, 59.65g (Crusafont 760a; BDM VII, 26; cf. Hervera 1134, 4256). About extremely fine; with crown and ring for suspension £30-£40 --- Provenance: Bt E. Preiswerk May 2010. The Barcelona Universal Exposition, Spain’s first international world’s fair, was staged at the city’s Ciutadella Park from 8 April to 9 December 1888; it was opened by Maria Cristina and the boy king Alfonso XIII, and attracted some 2 million visitors
Dupon, Josuë (Belgian, 1864-1935); b. Ichtegem, and Établissements Jules Fonson (Brussels, fl. 1848-1973), specifically Jean Fonson (1871-1937); b. Brussels BELGIUM, Exposition Internationale Coloniale, Maritime et d’Art Flamande, Antwerp [International Colonial, Maritime and Flemish Art Exhibition], 1930, an octagonal bronze medal by J. Dupon for Fonson, seated figure of Neptune watching African boy playing a trumpet-horn, aeroplane above and ship in background, rev. naked female riding side-saddle on a horse, port behind, edge impressed j. fonson, 80mm, 160.81g (BM Acq. 1978-82, p.15, 64; cf. DNW 130, 1732). Extremely fine, attractively patinated £30-£40 --- Provenance: Emporium Hamburg Auktion 26 (Hamburg), 30 November 1992, lot 1446; Münz Zentrum Rheinland Auktion 114 (Solingen), 8 January 2003, lot 6334. The Exposition, held to mark the centenary of Belgian independence, was opened on 26 April 1930 by King Albert and Queen Elisabeth and closed on 5 November. It attracted over 468,000 visitors
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