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Click here to subscribeWedgwood Jasperware to include - black footed trumpet vase 19cm tall, two pin trays one circular, one heart shaped. Blue on white heart shaped lidded trinket box, bud vase, oval lidded trinket box, one teal urn shaped vase 9cm. Powder blue footed trumpet vase 19cm tall, bud vase, footed trumpet vase 9cm tall, square lidded trinket box, circular pin tray. Dark blue footed trumpet vase 15cm tall, small urn vase, Sage green jug 12cm, circular lidded trinket box, club shaped pin tray, (17)(1 tray)
An American Silver Napkin-Ring, Stamped '925', 20th Century, formed as a jazz musician playing the trumpet and with a mandolin beside him, both resting against the circular napkin-ring, the base of the figure stamped 'New Orleans', all on an oblong base, 95mm wide, 68mm high, 3oz, 94grProvenance: The Lion Collection.
A Pair of Duesbury Derby Porcelain Two-Handled Trumpet Vases, 19th century, painted frontally with circular reserves depicting sprays of flowers against a dark blue and vermicular gilt ground, on separate bases, puce crossed batons, crown and dots mark (a/f), 16cm high, together with Two Similar Duesbury Derby Porcelain Two-Handled Pedestal Baluster Vases, each painted with a basket of flowers on a ledge against a blue ground enriched with gilt, acanthus leaf handles and square feet, one with printed D and crown mark, the other with crossed batons, dots, crowns and D in red29cm high and 29.5cm high (a/f)Vase 1 base with rubbing and a firing flaw, the main with restoration throughout. Vase 2 some rubbing to the gilding one or two firing flaws and a repair to the rim to the main vase.Large vase 1 lacking both handles with numerous paint chips to the main body and repair to the rim, large vase 2 firing imperfection to the rim and some crazing
A PAIR OF DUTCH DELFT BLUE AND WHITE TRUMPET VASES LATE 18TH CENTURY Painted with Chinese figures in a garden, un-marked 29cm high, 15.5cm diameter, 12cm diameter at baseProvenance: Property of a Lady, Eaton Square, London Condition Report: PLEASE NOTE: ALL LOTS ARE LOCATED AT SACKVILLE WEST STORAGE IN ANDOVER (SP10 3SA) AND ARE NOT AVAILABLE TO VIEW Small chips and wear to leading edges of rims, one cracked and with restored section to rim. ADDITIONAL IMAGES: Please 'Ask a Question' to request additional images for this lot. Condition Report Disclaimer
ROYAL DOULTON; twelve Bunnykins figures including 'New Baby Bunnykins', 'Ice Cream Bunnykins', 'Mary Mary Quite Contrary', 'Santa Bunnykins', etc (12).Condition Report: No boxes, light surface wear and crazing, little boy blue is missing his hand and trumpet, happy Christmas has what looks like a burn on its back.
Walt Disney Classics Collection porcelain figurine titled Horace's High Notes from Symphony Hour. The figurine depicts Horace Horsecollar enthusiastically playing a trumpet while dressed in a tuxedo and top hat. Hand-painted with fine detailing and gold-tone accents on the trumpet. Marked on the underside with the Walt Disney Classics Collection backstamp and title. Includes the original blue box. Figurine 6.75"H, Box 7.5"L x 7.5"W x 12"H. Certificate of Authenticity included.Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.
This charming Royal Doulton Bunnykins figurine features a playful bunny dressed in a red coat and blue pants, enthusiastically playing a yellow trumpet. Part of the Bunnykins Oompah Band series, the Trumpeter DB24 was designed by Harry Sales and produced from 1984 to 1990. It comes with its original box, adding to its appeal for collectors. The figurine bears the Royal Doulton backstamp, ensuring its authenticity.Artist: Harry SalesIssued: 1983Dimensions: 3.5"HCountry of Origin: EnglandCondition: Age related wear.
Arnau y Mascot, Eusebio (Spanish, 1863-1933); b. Barcelona, and Bernardo Castells (Barcelona, fl. 1834-1980), specifically Genaro Castells y Reig (1883-1930); b. Barcelona SPAIN, Exposición Universal de Barcelona [Barcelona Universal Exhibition], 1888, a gilt-bronze medal by E. Arnau y Mascot for Castells, conjoined busts of Maria Cristina and Alfonso XIII left, rev. Fame to right, blowing trumpet, winged cherub holding tablet without legend at left, panoply of the exhibition grounds below, 50mm, 59.65g (Crusafont 760a; BDM VII, 26; cf. Hervera 1134, 4256). About extremely fine; with crown and ring for suspension £30-£40 --- Provenance: Bt E. Preiswerk May 2010. The Barcelona Universal Exposition, Spain’s first international world’s fair, was staged at the city’s Ciutadella Park from 8 April to 9 December 1888; it was opened by Maria Cristina and the boy king Alfonso XIII, and attracted some 2 million visitors
Dupon, Josuë (Belgian, 1864-1935); b. Ichtegem, and Établissements Jules Fonson (Brussels, fl. 1848-1973), specifically Jean Fonson (1871-1937); b. Brussels BELGIUM, Exposition Internationale Coloniale, Maritime et d’Art Flamande, Antwerp [International Colonial, Maritime and Flemish Art Exhibition], 1930, an octagonal bronze medal by J. Dupon for Fonson, seated figure of Neptune watching African boy playing a trumpet-horn, aeroplane above and ship in background, rev. naked female riding side-saddle on a horse, port behind, edge impressed j. fonson, 80mm, 160.81g (BM Acq. 1978-82, p.15, 64; cf. DNW 130, 1732). Extremely fine, attractively patinated £30-£40 --- Provenance: Emporium Hamburg Auktion 26 (Hamburg), 30 November 1992, lot 1446; Münz Zentrum Rheinland Auktion 114 (Solingen), 8 January 2003, lot 6334. The Exposition, held to mark the centenary of Belgian independence, was opened on 26 April 1930 by King Albert and Queen Elisabeth and closed on 5 November. It attracted over 468,000 visitors
Charming Goebel Hummel porcelain figurine titled "Mischief Maker," model number 95. Designed in Germany, this piece features a young boy sitting on a wooden fence, holding a trumpet as he interacts with a crow perched on a nearby tree. Hand-painted in vivid hues, the scene is brought to life with intricate details and a playful composition. The base is marked "Goebel Germany," confirming authenticity, along with the artist's signature and date.Issued: 20th centuryDimensions: 5"HCountry of Origin: GermanyCondition: Age related wear.
2nd-3rd century A.D. Bust and torso of an indigenous nobleman modelled in the round; with rounded facial features, the shoulder-length hair dressed in hanks and cut into tiers, centre-parted and framing the face; the eyes exaggerated, probably originally emphasised with sheet-silver detailing; the broad chest smooth with ring-and-dot nipples; a thick collar or torc sitting high on the collar-bone, with braided detailing and finished with a D-shaped pendant; each upper-arm supported by a barley-twist column with cup finial and stylised flames above; the centre supported by a rectangular block with incised herringbone linear pattern interspersed with pointillé pellets; the base broad and gently curved away from the figure, with a lattice of bilinear panels bearing groups of three ring-and-dot motifs, D-shaped loop to the forward edge flanked by smaller lobes; the reverse plain, the head hollow with remains of a thick loop at the lower edge of the hair; significant iron deposits to surface from its deposition environment; of provincial Roman workmanship. See Boucher, S. & Tassinari, S., Musée de la Civilisation Gallo-Romaine a Lyon: Bronzes Antiques I. Inscriptions, Statuaire, Vaisselle, Lyon, 1976. 461 grams, 13 cm (5 1/8 in.). [No Reserve] From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.Its construction with a central block flanked by two short pillars (i.e. leaving two slots) suggests that the piece may have been intended as a rein-guide for a chariot, whereby the leather or fabric straps would pass through the two apertures and, by their separation, be prevented from tangling. Bronze figural busts are known from Gallo-Roman contexts: they are usually female and interpreted as tutelae or protective tribal spirits (Boucher & Tassinari, 1976, items 62-4). The present example is evidently designed to impress the viewer with its portrayal of the 'noble barbarian' as a suitable conveyor of martial splendour (Boucher & Tassinari, 1976, item 321). The impressive figure recalls the famed statue 'The Dying Gaul' in the Capitoline Museum, Rome, showing a 'barbarian' warrior with a neck torc, thick hair and moustache, discarded weapons and shield carved on the ground and a carnyx trumpet between his legs. The statue is a copy of a Hellenistic original celebrating a Greek victory over the Galatians.
1st century B.C.-1st century A.D. Comprising: appliqué of three domes, pierced at the centre; la Tène style mount with trumpet-comma motifs above domes. 14 grams total, 22-35 mm (7/8 - 1 3/8 in.). [2, No Reserve] Previously in Yorkshire and Derbyshire, UK, collections. Property of a private collector, West London, UK.
1st-2nd century A.D. Formed as two trumpet-shaped elements radiating from a cluster of three discs, each with a gold pelletted plaque secured by a silver stud; each trumpet-end with similar disc and stud; remains of catch to the reverse. Cf. Heeren, S. & van der Feijst, L., Fibulae uit de Lage Landen. Beschrijving, Analyse en Interpretatie van een Archeologische Vondstcategorie, Amersfoort, 2017, item NL-0715-05a-028, for type. 6.53 grams, 37 mm (1 3/8 in.). [No Reserve] From an old UK collection, 1980s.
15th-16th century A.D. With broad flat hoop and trumpet bezel, disc with incuse pseudoscript legend. 10.72 grams, 32.39 mm overall, 20.81 mm internal diameter (approximate size British W, USA 11, Europe 25, Japan 24) (1 1/4 in.). Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of Surrey, UK, gentleman.
14th century A.D. With trumpet-shaped bezel, reserved cross on a field with punched annulets, pellet to centre. Cf. Popovic, M., Gabelic, S., Cvetovic, B., Popovic, B., The Church of St. Nicholas in Stanicenje' Beograd, 2005, p.41, figs.19-20, for rings with similar decoration. 8.05 grams, 24.58 mm overall, 19.80 mm internal diameter (approximate size British Q 1/2, USA 8 1/4, Europe 18.12, Japan 17) (1 in.). Acquired on the London art market in the late 1980s-1990s. From the family collection of an East London, UK, gentleman.Similar rings were found in the aristocratic cemetery of Stanicenje, in Serbia. These graves often contained traces of gold embroidered textile fabrics associated with hollow metal ball buttons, earrings and rings. Such rings were used by pre-Ottoman Balkan nobles as indicators of rank, particularly in the Serbian and Bulgarian empires.
18th century A.D. Comprising a round-section penannular body and trumpet-shaped terminals. 87 grams, 60 mm (2 3/8 in.). [No Reserve] From the private collection of Kenneth Machin (1936-2020), Buckinghamshire, UK; his collection of antiquities and natural history was formed since 1948; thence by descent.
19th-20th century A.D. Globular and squat with trumpet-shaped mouth and narrow U-section spout; red painted body with reserved band to the shoulder, hatched triangles and other motifs. 1.3 kg, 21 cm wide (8 1/4 in.). [No Reserve] From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.
3rd century B.C.-1st century A.D. Single-edged iron blade with sturdy back and slightly curved inner cutting edge; fixing pegs with rosette finials for a scale-tang hilt and ellipsoid pommel above with pierced upper face; scabbard chape with trumpet-shaped foot. Cf. Torbov, N., Antique Weapons, Plovdiv, 2016, pp.24-25, for similar examples. 1.34 kg total, 84 cm long (33 in.). Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of Surrey, UK, gentleman. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12495-230594.
Circa 300-200 B.C. Comprising a squat body with two lateral loop handles and a trumpet-shaped base, dished lid with disc handle; with old collector's label: 'Ancient Greek / Smsall Kyli with cover / BC 300-200 / Excavated at Corinth / A rare and desirable specimen from Sir Sheridan Fry's coll'n.'. 147 grams total, 9-13.6 cm (3 1/2 - 5 3/8 in.). [2, No Reserve] Believed to have been part of the Duke of Northumberland collection. From an early 20th century collection with reference no.12/6. From a Hampshire, UK, private collection. Accompanied be an early 20th century inked information packet.
5th-4th century B.C. Ovoid body with black sidewall, deep shoulder with radiating lotus buds, trumpet-shaped mouth and strap handle; with old record card 'Black-Ground Lekythos. Attic. inverted lotus buds. C.5th-4th B.C. (similar to RC7928 Tarquinia) / 01. (14.12.82) Sotheby's H.13.5 Sh 7.4 B 4.3 cm.'. Cf. Metropolitan Museum of Art, New York, accession no.07.286.68, for type. 134 grams, 13.3 cm (5 1/4 in.). with Sotheby's, London, 14 December 1982, lot 389. Collection of the late Sir Clinton Charles Donald Cory (1937-2022), 5th Baronet of Coryton. Private collection, UK. Accompanied by an old handwritten collector's ticket, and copies of the relevant Sotheby's catalogue pages.Sir Clinton Charles Donald Cory was a lifelong connoisseur with a deep appreciation for objets d’art and antiquities, particularly Attic pottery and numismatics. He took great pleasure in meticulously cataloguing and archiving his collection. The selection of pottery, glass, and stone fragments will be presented across twenty-four lots, many of which boast provenance from renowned dealerships and auction houses, including Charles Ede, Sotheby’s, and Bonhams.
5th century B.C. Comprising a conical foot, splayed body of the vase, strongly carinated walls and trumpet- shaped mouth; small strap handles; foot, lip, handles and retracting part slightly worn. 185 grams, 14.3 cm wide (5 5/8 in.). (For this specific lot, 5% import VAT is applicable on the hammer price.) Hans Knorr, acquired in Athens in the 1940s. Accompanied by a copy of an Art Loss Register certificate no.S00075503.
5th century B.C. Of ovoid form with trumpet-shaped spout and strap handle, reserved image of a lady wearing a large himation, on a baseline with scrolled foliage. Cf. similar item (undecorated) in the Metropolitan Museum of Art, New York, under accession no.41.162.237; cf. also a lekythos with image of an Amazon in Isler, H.P., Archäologische Sammlung der Universität Zürich. Jahresbericht Nr. 33, 2006-2007, Zürich, 2007, p.6, under nos.1259-1292. 106 grams, 11 cm (4 3/8 in.). (For this specific lot, 5% import VAT is applicable on the hammer price.) Ex German collection, 1970. with Galerie Chenel, Paris, 22 July 2008.The word lekythos had a wide meaning in ancient Greece, probably generally meaning all oil jugs, including the athletes' oil bottle (now called aryballos) as well as the types now given this name by archaeologists. Certain lekythoi resemble certain oenochoe superficially, at a first glance. Oenochoes, however, were wine-pitchers and in most cases were larger than the lekythoi, which were small jugs for oil, perfumes, etc.