We found 157839 price guide item(s) matching your search

A late Victorian silver plated teapot, stand and burner, a silver plated biscuit barrel and other items (box)

A Royal Crown Derby Imari pattern tea set, comprising teapot, sucrier, cream jug, sugar bowl, eleven cups, fourteen saucers, and thirteen 15 cm plates (box)Rubbing to the guilt throughout, 1 cup having a large crack and has been repaired. teapot has been repaired at the spout, 1 plate has been repaired and cracked

A Chinese famille rose teapot and cover, 15.5 cm high, lacks handle, four plates and a Chinese bowl and cover (6)General damages to all

A Chinese terracotta figure of a wise monkey, a blue and white plate and assorted other items (box)blue and white pieces both bearing cracks and firing faults, the plate having chips around the rim, metal box dented at the base, matching metal dishes have losses, one is misshapen, shall teapot has a loss to the finial and rubbing to the guilt

A 19th century Chinese exportware teapot, decorated figures, 17 cm highhandle repaired/glued, body cracked, finial glued, spout repaired

Eight Bottles of Whisky, comprising: an Auchentoshan Single Malt Scotch Whisky, 12yr, 40%, 700ml, a Jack Daniels Tennessee Whisky, 43%, 750ml, a Bushmills Single Malt Irish Whisky, 12yr, 40%, 700ml, a Glengoyne Highland Single Malt Scotch Whisky Teapot Dram, 58.5%, 70cl, a Glenfarclas Highland Single Malt Scotch Whisky, 15yr, 50%, 700ml, a Glenfiddich Single Malt Scotch Whisk Small Batch Reserve, 18yr, 40%, 70cl, a House of Commons Speaker Bercow's Single Malt Scotch Whisky, 10yr, 40%, 70cl, and a half bottle of Glenlivet Single Malt Scotch Whisky, 12yr, 40%, 350mlQty: 8House in SurreyGood Condition

A Chinese Yixing teapot and cover with incised script, blue and white porcelain rectangular tea caddy, Qing Dynasty with "Islimi" and lotus decoration with hardwood stand and cap, 13 cm high x 8.5 cm the caddy, A Chinese blue and white circular spice box and cover,, late Qing Dynasty, 19th-century Japanese porcelain figure of Kannon, a large Chinese blue and white "Thousand Boy" circular charger, a Famille Rose spill vase, bisque vase decorated with peonies. Ying and Yang circular dishBlue and white tea caddy base, cover missing, but with wooden stand and cover, no cracks or splitsCircular lidded box with slight chips around the handleLarge blue and white tea bowl OKSmall blue and white saucer surface scratchesKanon has a long crack running the length of her body.Pen rest OKSmall celadon vase okLarge charger OKFamille Rose spill vase OKYing Yang dish OKWhite prunus vase slight crack to the neck.Teapot has small internal chip to the rim under cover.

A Elizabeth II silver four piece tea set, with hammered decoration and engraved a bushel of wheat, comprising of a teapot, coffee pot, cream jug and sugar bowl, Robert Welch, London 1993, 52.7 ozt (all in) (4)

A Continental silver coloured metal teapot, and a matching cream jug, stamped .800 (2)26.5ozt, 824g

A George III silver teapot and stand, of navette form, London 1789, 14.1 ozt (all in)

A Victorian silver teapot, with ivory spacers, London 1873, 13 ozt, Ivory Exemption registration C12RMCJQ

A Victorian silver teapot, with ivory spacers, London 1855, 19.9 ozt (all in) Ivory Exemption registration PJVSUUC6

A collection of Wedgwood black basalt wares, 19th century, comprising a teapot,17cm high, a lidded jar, 14cm high, a saucer, 13.5cm wide, a miniature hot water pot, 6.3cm high, and a cover lacking jar, 9cm each decorated with polychrome enamelled decoration (5) Provenance: The property of the late Baron John Mauger Langin Condition ReportAll with scratches and wear.

A Wedgwood Jasperware tri-colour teapot, c.1860, with harebell and acanthas moulded decoration, lavender and green to a white ground, impressed marks,16cm highProvenance: The property of the late Baron John Mauger LanginCondition Reporthairline crack to the interior rim of the cover. The foot rim with scuffs.

A collection of Wedgwood Jasperware items, 20th century, to include a set of three footed vases, a similar larger example, 14.8cm high, a teapot, 18cm wide, a cream jug, 6.9cm high a pair of teacups and saucers, teacups 6.7cm high, and two side plates, 17cm diameter, and two cabinet plates, 23.5cm diameter, each with classical figures to a lavender ground, impressed marks (qty)Provenance: The property of the late Baron John Mauger Langin Condition ReportSmall chip to the end of the spout on the teapot. The rest with surface scratches and wear.

A Spode or Ridgeway tea and coffee service, c. 1840-50, pattern no. 887, with a buff ground, painted with flowers, comprising eleven saucers, 15cm diameter, eight coffee cups, 6.5cm high, twelve tea cups, 5cm high, a sucrier and cover, a slop bowl, a teapot, 16.5cm high, a milk jug, a circular plate, 19.5cm, and a pair of square dishes, 24.5cm (37)Condition ReportUsed. Gilt wear to most of the pieces. Some minor nibbles. No major damges or restoration.

A miniature silver five-piece tea service, by A Marston & Co, Birmingham 1948, comprising a teapot, 3cm high, a coffee pot, 4.5cm high, a twin handled sugar bowl, 3.5cm wide, a milk jug, 2.5cm wide and a tray 14.7cm wide 1.89ozt (5)Condition ReportOverall good order. Minor wear and rubbing.

William Moorcroft (1872-1945), a 'Poppy' teapot, for James Macintyre & Co., glazed earthenware, with printed factory stamp and registration number '401753',2.5cm highCondition ReportFine all over crazing with some discolouration, hairline running around part of foot rim, spout and handle in good order

A collection of Wedgwood black basalt ware, early 19th century and later, comprising, a teapot, with fluted decoration and figural finial, an oil lamp, lacking base, modelled with a figure holding an open book, a plaque, depicting Hercules and the Nemean Lion, 18.5x 13.8cm, The Frightened Horse plaque, after George Stubbs, plaque 7.5x 13cm, a bowl, together with a larger example (qty)Provenance: The property of the late Baron John Mauger Langin Condition ReportThe base missing from oil lamps. Small nibbles and wear. Light surface scratched but no obvious damage or restoration 

A Spode ‘Trade Winds’ porcelain tea service 20th century, comprising ten tea cups, eight saucers, in two sizes, a coffee pot, a teapot, a sucrier and cover, and a milk jug,the coffee pot 21cm high (22)Condition ReportSaucers worn to the dishes. Otherwise fiar overall.

A Sevres porcelain cabinet plate 19th century, the centre with a painted scene of a courting couple, to a gilt and pink ground border, printed mark S.57, 24cm diametertogether with a Sevres porcelain teapot on standwith a painted scene of musicians, signed Wateau, to a gilt and blue ground, painted marks, total 24cm highand two named view porcelain dishes,of shaped form, comprising a Dresden example titled 'Cattle on the Rhine, Germany', and another titled 'Northumberland',25cm wide (4)Provenance: The property of the late Baron John Mauger LanginCondition ReportNamed view dishes) The Northumberland example with a restored crack.Teapot) Wear to the painted scenes. Cabinet plate) Good condition, no apparent chips or cracks.

A large collection of porcelain teawares, 19th century, to include a teapot26cm wide11cm deep16cm high a sugar bowl and cover on stand and various cups and saucers (qty)Condition ReportSome cracks, chips, breaks and glue repairs. General surface wear, scratches and rubbing to paintwork throughout. Comprising of 37 pieces in total, with 24 pieces structurally intact but featuring some fading and rubbing to the decoration. Please see additional images.

A collection of pottery mugs and jugs 19th century, comprising a teapot, c. 1885, with a transferware printed scene of an Emperor riding an elephant, 21cm wide, a Masons chinoiserie style mug, 16cm high, a Punch and Judy jug, with diamond registration mark, 18cm high, and two Staffordshire Christening mugs, 10.5cm high (5) Provenance: The property of the late Baron John Mauger Langin Condition ReportAll in need of a good clean. Repaired crack to the handle of the Masons jug.

William Moorcroft (1872-1945), a 'Poppy' teapot, for James Macintyre & Co., glazed earthenware, with printed factory stamp, registration number '447668' and red painted 'M2445',11cm highCondition ReportRestored chip to spout, wear to gilding, otherwise good overall condition with fine all over crazing as expected

A Victorian silver teapot by Albert Henry Thompson, Sheffield 1896, the gadrooned body with chased foliate decoration, each side with a vacant cartouche, and shaped wooden handle, 23cm wide11cm deep24cm high22.8oztCondition ReportHandle slightly loose.Minor knocks, scuffs and scratches throughout.

A collection of Wedgwood Jasperware miniatures, 19th century and later, to include, squat candlestick, a collection of vases, a teapot and plates, tallest 9.5cm highProvenance: The property of the late Baron John Mauger Langin Condition ReportChips, losses, cracks and some restoration.

A collection of Wedgwood Black Basalt and terracotta items, 19th century and later, to include vases, lidded pot and cover, a teapot, 26cm wide, and a jug, impressed marks (qty)Provenance: The property of the late Baron John Mauger Langin Condition ReportWith chips, cracks, restoration and losses. Surface wear and scratches. Scuffs. Photos of individual damages uploaded 

A Herend porcelain 'Rothschild Bird' pattern tea service 20th century, comprising a teapot, 15cm high, six teacups, 11cm diameter, six saucers, 15cm diameter, a sugar bowl, 10cm diameter, a cream jug, 9cm high, six plates, 20cm diameter, and a serving tray, 30cm wide, with painted birds and insects, printed marks (qty.)Condition ReportNo apparent chips or cracks. No apparent crazing, wear or rubbing to the gilding or decoration. 

A Belleek porcelain tea service late 19th century, First Period, comprising a tea pot, cream jug, sugar bowl, six teacups and saucers, and five plates, printed marks,teapot 20cm wide (qty.)Condition ReportMinor surface wear commensurate with use and age. One teacup with two firing cracks due to manufacture. Quantities as per description.

A silver three piece tea service by William Aitken, Birmingham 1921, comprising a teapot, 26cm wide, twin-handled suagr bowl, 15.5cm wide, a cream jug, 15cm wide, with an engraved Classical style swag border, total 33.34ozt (3)Condition ReportTarnishing and wear throughout.

STONE WARE FLAGGING, STONE WARE WICKER BOUND LARGE FLAGGING, VARIOUS WOODEN BOWLS, WOODEN KNIFE & FORK, WOODEN GRAIN SCOOP, PAIR OF LEATHER BOUND BELLOWS, PAIR OF IRON 2 POINT CANDLE HOLDERS, BRASS LANTERN, EARTHING WARE LIDDED TEAPOT, WROUGHT IRON DOOR STOPS ETC 

ZEBRA ORNAMENT, 3 ITALIAN STYLE FLORAL ORNAMENTS, LIDDED TEAPOT, LIDDED DOUBLE HANDLED URN, MODEL GALLION, POT SELLER 

LARGE METAL TRUNK WITH LARGE QUANTITY OF EARTHING WARE CONTAINERS, METAL LIDDED COOKING POTS, 3 JELLY PANS, LARGE TEAPOT, VARIOUS BRASS PANS ETC Condition

Japanese eggshell porcelain china Geisha girl tea set with teapot, Denby RAF coasters, etc (one shelf)

Assorted items including Chinese cloisonne box, a mid-century Crown Devon teapot, a Prattware-type jam pot, fish eaters etc

1960's conical smoked glass lampshade with abstract line decorations together with a brass inkwell, a silver plated teapot and a pair of iron wall hooks

Sterling silver teapot Birmingham Barker Brothers 1901Weight - 637g

Wedgewood Susie Cooper Colosseum tea set with teapot, sugar and cream

Christopher Dresser (1834-1904), a rare electroplate teapot, No. 2277, circa 1880, manufactured by James Dixon & Sons, Sheffield, England, electroplated metal with ebony handle, impressed with manufacturer's mark Chr. Dresser and 2277 12.5 x 22 x 13.5cm Provenance: Georgina Bourke (née Anderson, then Greenwood), who likely acquired the teapot in the early 20th century. A socialite who mixed in avant garde circles, Bourke first married Lieutenant J F B Greenwood, Kings Own Royal Regt., who was killed in action in May 1915, before moving to Cheltenham and then later, after the war, to Southern Ireland, where she lived in Castleconnell, Co. Limerick. After her death in 1967, the teapot remained undiscovered in a trunk containing her various possessions until a recent routine valuation. Literature: H.Lyons, Christopher Dresser: The People's Designer 1834-1904, p. 7 no. 8 W.Halén, Christopher Dresser, 1990, p. 182, pl. 206 W.Halén, Christopher Dresser: A Pioneer of Modern Design, London, 1993, p. 183, pl. 206 M.Whiteway, Shock of the Old: Christopher Dresser's Design Revolution, 2004, p. 158, pl. 200 Born in Glasgow in 1834, from age thirteen Christopher Dresser effectively began his career when he commenced his training at Somerset House's Government School of Design, one of a number of state-funded centres established from 1837 to train designers specifically for industrial production. This was a period defined by a stratospheric rise in machine manufacturing, making household items more widely available and creating an entirely new market for innovative and creative designs that were suited to modern methods of manufacture. Although he was only twenty-eight years old at the time of the 1862 Great London Exposition, whilst there Dresser claimed to have designed "as much as any man"; this was likely true as he was demonstrably accomplished in all aspects of industrial design, including carpets, ceramics, furniture, glass, graphics, metalwork and textiles. By the end of 1862, Dresser had published The Art of Decorative Design (1862) and The Development of Ornamental Art in the International Exhibition (1862), followed latterly, in 1873, by Principles of Decorative Design. Though he may have designed more than any other man at the Exposition, the Japanese works he saw at there inspired a lifelong interest in the country and its aesthetic principles. Closely associated with influential design reformers including Richard Redgrave, Henry Cole, Owen Jones, and Matthew Digby Wyatt, Dresser was not only interested in the practical facets of design, but also the moral and philosophical doctrines. For Dresser and his cohort, design had the capacity to "exalt" or "debase". Establishing his principles of 'Truth, Beauty and Power', Dresser looked to the natural world to inspire. Using reduced and abstracted forms from nature, Dresser aimed to express the essence of design in its most distilled form. Despite his pioneering aesthetic, many of Dresser's designs were too complex and costly to be easily mass-produced, limiting their accessibility. The present example, catalogued as no. 2277 in 1879, is a rare example of his work, with only around twelve known to exist. One such piece forms part of the collection at the Victoria and Albert Museum, London. Also displayed internationally by institutions including the Metropolitan Museum, New York, and the Musée d'Orsay, Paris, it is difficult to overstate the importance of Christopher Dresser in the history of industrial design. One foot is slightly bent inwards and the base very slightly dished around the area, a very minor crease to the underside of the base, just visible in the right light.  A couple of small marks to the cover where it has knocked against the handle.  Some tarnishing and the plating slightly rubbed to finial, hinge and the rim of the cover, also to joint where spout meets body.  A small dent to one side, and some other light surface wear and scratching more commensurate with age and use.  Please see additional images and video online.  The handle does not protrude beyond the metal at either end, but does not appear to be broken, again see images.  Handle rotates freely.

A Shelley china Art Deco style teaset with green decorated edge comprising six angular cups, six saucers, six tea plates, serving plate, teapot, sugar bowls and milk jug

An Art Deco Cosycraft Heatmaster ceramic and chromium plated spherical coffee pot with matching teapot, pair of lidded egg cups and cruets

A Staffordshire pottery rectangular teapot and stand with Chinese figure decoration

An Edward VII silver three piece tea set comprising an oval teapot with gadrooned decoration and ebonised handle, matching two handle sugar basin and milk jug, Sheffield marks 1902

A GEORGE V SILVER THREE PIECE TEA SERVICEby Aaron Lufkin Dennison, Birmingham 1936, of Art Deco design, comprising teapot, milk jug and sugar basin, gross weight 28 tr. ozs

AN ENGLISH PORCELAIN PART TEA SERVICEearly 19th century, pattern number 6/522, the white ground decorated with sprays of flowers and highlighted in gilt, comprising teapot, 20cm high, slop bowl, sugar box, jug, seventeen cups, twelve saucers, two large plates and a stand (a lot)

A group of Worcester teawares decorated with the 'Three Flowers' pattern, circa 1775, comprising a sugar bowl and cover, a hexagonal teapot stand and six tea bowls and saucers The teapot stand with a very small shallow chip to footrim.Sugar bowl cover with some minor chipping to flower finial. The bowl with a small shallow chip to top and foot rims.One saucer with a short hairline crack from rim. Three saicers each woth a very small rim chip. Two saucers in good conditon. Two teabowls each with a small rim chip.

An English creamware teapot and cover, circa 1780, of globular form inscribed ‘Let your conversation be as becometh the Gospel of Christ' to one side and 'Prepare to meet thy God’, to the other, within trailing foliage, 14cm highThe cover extensively cracked and restored, finial reattached, losses, chipping to tip of spout, chipping to rim of teapot, some wear and flaking to glaze and enamels overall

A quantity of Spode Copeland fleur-de-lys pattern china, comprising six dinner plates, six side plates, six soup bowls, six cereal bowls, a sauce boat and dish, a large oval platter, three oval serving dishes, a square serving dish, six tea cups and saucers, five tea plates, a milk jug, a sugar bowl and cover and a teapotIn excellent, unused condition.

▲ Michael Cardew (1901-1983), a large Winchcombe Pottery stoneware teapot, of bellied form with a medial band and two applied handles, finished in a tenmoku glaze, impressed seal marks, complete with a letter signed by Michael Cardew outlining the delivery of the teapot to the original purchaser,36cm wide27cm high (2)Condition ReportNo chips or cracks. Minor surface wear commensurate with age. Some rubbing to the glaze towards the lower section. Othwerwise structurally sound. Please see additional images.

Archibald Knox (1864-1933), a five-piece pewter 'Tudric' tea set, early 20th century, designed for Liberty & Co., comprising a teapot, sucrier, creamer, coffee pot and hot water jug, with a rounded twin-handled tray, the set decorated with a planished surface, wicker handles and stylised foliate motifs in relief, stamped 'Made in England Solkets 'Tudric' 0231 RD 420290',largest vessel 22cm hightray 48cm wide (6)Condition ReportWith scratches, small dents and tarnishing throughout commensurate with use. The tray with some surface marks. With dust and would benefit from a clean.

Teapot with coverChinese porcelainWith underglaze blue decoration depicting a riverside landscape with pagodasJiaqing period (1796-1820)Alt.: 23 cm

A tea and coffee setComprising of tray, teapot, coffee pot, milk jug and sugar bowlSiler 833/000Floral motifs decorationOporto hallmark (1887-1937), goldsmith's mark José Gil Y Poy (1917-1938) and commercial mark LORY & Cia. LISBOA(signs of wear, dents)Alt.: 18 cm (cafeteira)66,5x25 cm3050 gLiterature:VIDAL, Manuel Gonçalves; ALMEIDA, Fernando Moitinho de - "Marcas de Contrastes e Ourives Portugueses (1887 a 1993)", vol. II. Lisboa: IN-CM, nº 73 e 2258

A João V style tea and coffee set with traySilver 833/000Comprising of tray, teapot, coffee pot, milk jug and sugar bowlShells and foliage motifs reliefs and chased decorationOporto hallmark (1938-1984) and goldsmith's mark Artur Teixeira Veludo (1923-1958)(signs of wear, minor dent to sugar bowl cover)80,5x44,5 cm (tabuleiro)Alt.: 29,5 cm (cafeteira)6770 g (total)Literature:VIDAL, Manuel Gonçalves; ALMEIDA, Fernando Moitinho de - "Marcas de Contrastes e Ourives Portugueses (1887 a 1993)", vol. II. Lisboa: IN-CM, nº 49 e 1204

A teapot and burnerSilvered metalWooden handle20th century(signs of wear)Alt.: 36 cm

A tea and coffee setComprising of coffee pot, teapot, milk jug and sugar bowlSilver 833/000Polished decoration of foliage motifs friezes, swan neck spout, and resting on four zoomorphic feetWooden handle to tea and coffee potsOporto hallmark (1938-1984), goldsmith's mark Monteiro & Filhos (regd. 1949) and commercial mark GUIA Lisboa(signs of wear, light dents)Alt.: 18,5 cm (bule)Alt.: 14 cm (açucareiro1774,2 gLiterature:VIDAL, Manuel Gonçalves; ALMEIDA, Fernando Moitinho de - "Marcas de Contrastes e Ourives Portugueses (1887 a 1993)", vol. II. Lisboa: IN-CM, nº 73 e 1941

A tete-a-tete setComprising of teapot, coffee pot and milk jugSilver (950/000)Faceted bodyWooden handles and finialsFrance, 19th / 20th centuryFrance assay warrantee mark and commercial mark G. KELLER PARIS16,5 g1039 g.

A tea setComprising of coffee pot, teapot and sugar bowlSilver 833/000Chased decorationWood finials and handlesOporto hallmark (1938-1984) and goldsmith's mark LUA PRATA (signs of wear, one loose finial)Alt.: 25 cm2140,2 g

A Kutani Tea and Coffee Service SetJapanese Kutani porcelain, polychrome decoration depicting landscapes with figures. Comprising 60 pieces, including: 1 teapot with cover, 1 sugar bowl with cover (bearing the label of the Comandante Ernesto de Vilhena Collection), 1 milk jug with cover, 9 teacups with 12 saucers, 9 coffee cups with 12 saucers, 2 serving plates, 12 dessert plates, and 1 bowlFirst half of the 20th centuryAlt.: 21 cm (max)Diam.: 21,5 cm (max)

A tea setComprising of teapot, milk jug and sugar bowlSilver 833/000Wooden handlesOporto hallmark (1938-1984) and goldsmith's mark Florêncio José da Costa (1903-1962)(signs of wear)Alt.: 19,5 cm (bule)1879 gLiterature:VIDAL, Manuel Gonçalves; ALMEIDA, Fernando Moitinho de - "Marcas de Contrastes e Ourives Portugueses (1887 a 1993)", vol. II. Lisboa: IN-CM, nº 49 e 1792

Teapot and kettleSilver 925/000Wing and handle in wickerLondon city hallmark (1880) and silversmith's mark of Jonathan Wilson Hukin & John Thomas Heath(signs of use)Alt.: 16,5 cm (chaleira)276 + 429 g705 g