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TWO LATE 19TH CENTURY CASED VIOLINS, comprising violin needing attention, one piece back, a printed yellow label inside 'Copie De Antonius Stradivarius cremonentis - Faciebat Anvo 1721 - AS, length of body 34.5cm, length from scroll 54.5cm, with two bows in need of attention, a green felt lined wooden lockable case with metal fittings, together with a violin, one piece back (small split), length 37cm, length from scroll 59cm, no maker's name and two bows in need of attention, a blue felt lined wooden case with metal fittings (2) (Condition Report: strings missing and broken on both violins, bumps and scuffs, bows all in need of attention)

4/4-GEIGE/ VIOLINE,Herst. Framus Modell Copy Stradivarius, innen orig. Klebeetikett, ohne Saiten, L ca. 60 cm, dazu 3 Geigenbögen, Pernambukholz, Drahtwicklung, Perlmutteinlagen, L je ca. 74,5 cm, Geigenkoffer (Lagerspuren)

A silver sculpture: Frankel Winning the 2000 Guineas. Charlie Langton, London, 2016. *ARRThe limited edition sculpture depicting Frankel at full stretch, galloping up the final straight to win the 2000 Guineas at Newmarket in 2011, the horse modelled mid-stride, with front legs raised, the off hind flat to the ground and the near hind lifting off, the flat and polished rectangular silver base signed Charlie Langton, 2015, 1/3, raised on a shallow rectangular bronze baseplate, base 11.1cm wide, 100.5cm long, sculpture 39.5cm high. Footnotes: This impressive sculpture of Frankel winning the 20000 Guineas by Charlie Langton is a limited edition (1/3) in sterling silver, and is currently the only one of its kind in existence today (at the time of auction the remaining two editions have not been produced). It was commissioned by The Osborne Studio Gallery in 2016 at the request of Juddmonte (the international thoroughbred horse racing and breeding enterprise founded by the late Prince Khalid bin Abdullah). The sculpture depicts the Juddmonte-owned Frankel winning the race by an unprecedented margin, a feat symbolised by the metre-long base. The victory was described as ‘one of the greatest performances in British horseracing history’ and earned Frankel a place in racing’s history books.This sculpture is of particular significance since Charlie Langton is one of only two sculptors ever to have been granted access to sculpt Frankel. In studying the 10-time Group One winner for this work, Charlie observed Frankel closely, noting that he had a unique stride length and cadence to his gallop, which enabled him to cruise effortlessly past his rivals. He sought to convey this quality in this sculpture, which shows Frankel at full stretch as he galloped up the finishing strait at Newmarket to win by six lengths. Charlie explains that his ‘ambition with every work is to sculpt the character, the presence, the movement and the likeness of the horse so that fleeting spark of excitement, passion and beauty can endure’. Frankel Winning the 2000 Guineas captures the spirit and power of a legendary horse and an iconic moment in racing history.Charlie Langton has sculpted many of racing’s greatest equine stars including Sadler’s Wells, Montjeu, Galileo, Goldikova, Giant’s Causeway, Fastnet Rock and Yeats. His works can be seen at racecourses across the UK – including a life-sized bronze of Yeats in the parade ring at Ascot – and are held in numerous private collections. In 2017 he completed a 20% over life-size mare and foal for Newmarket Racecourse, which was given to Her Majesty The Queen by His Highness Sheikh Mohammed and Her Highness Princess Haya and The Newmarket Commemoration Committee. A smaller bronze maquette (1 of 12 by Langton and Etienne Miller) of the life-sized sculpture sold at Tattersalls in 2022 for a six-figure sum. In the summer of 2023 Charlie received a very special commission from Queen Elizabeth II to sculpted her beloved Fell pony, Emma. Important commissions by Charlie Langton: A bronze sculpture of Emma for Queen Elizabeth II.A bronze sculpture of Nevis for the Duchess of York.A bronze sculpture of Stradivarius for Bjorn Nielson.Kempton Park Racecourse: a 5% over-life size bronze of Kauto Star.Ascot Racecourse: a 10% over life-size bronze of Yeats at Ascot Racecourse.Commission for HM the Queen’s 90th Birthday, Newmarket, : a 20% over life-size bronze of Mare and Foal.  The Jockey Club, Newmarket: a 1/3 life-size bronze of Long Run Jumping with Sam Waley-Cohen. The Investec Epsom Derby Trophy. Condition Report: The London Assay Office recorded the silver weight of this sculpture as 7700g. Please note that this does not include the weight of the bronze baseplate. 

A violin, early 20th century, bearing a label reading 'Antonius Stradivarius Cromonentis Faciebat Anno 17..' [Anthony Stradivarius of Cromonetti was performing in the year 17..], the two piece back 37cm long, 60cm long overall, in fitted hard case

A German copy of a Antonius Stradivarius violin, of two-piece back construction, together with an embossed leather case emulating Alligator

A box containing three violins for restoration one with apocryphal mark for Antonius Stradivarius

Important violoncelle de l'école française, fait par Joseph Hel (*1842 - + 1902), Lille 1892, 761 mm. Étiquette originale violoncelle n°36 , signature du maître dans le fond en bas et marque au fer sur l'éclisse en bas. Modèle Stradivarius. Avec son étui de transport. Tampon à l'encre Exposition universelle de Paris - Médaille d'or Instruments de musiqueExperts pour les Instruments du quatuor:M. Roland Baumgartner, expert et membre d'honneur de l'Entente Internationaledes Maîtres Luthiers et Archetiers d'Art (EILA).Experts pour les Archets:M. Pierre Guillaume, expert auprès du parquet de Bruxelles et membre de l'EntenteInternationale des Maîtres Luthiers et Archetiers d'Art (EILA).Les violons, violoncelles et alto du présent catalogue ont été examinés par M. Roland Baumgartner. Les archets ont été examinés par M. Pierre Guillaume. Nos experts certifient l'adéquation des descriptions avec les instruments et archets présentés et délivreront un certificat à la demande de l'acheteur pour tous les objets adjugés au-delà de CHF3000. En-dessous de cette somme, les certificats seront facturés à l'acheteur en supplément pour un minimum de CHF800.-

A full-sized violin, back measures 14", label to the inside reads Antonius Stradivarius Cremonenfis, Faciebad Anno 1713, with associated bow in hardshell casing

Violin bearing internal label "Antonius Stradivarius Cremona, faciebat anno 1766", one piece back, total length 61cm, with two bows & case (advised by vendor this was owned by John Player and given to the vendor's grandmother who worked in the factory and who's father was John Player's Chauffer/Valet)

Late 19th century Dresden violin labelled Copy of Antonius Stradivarius, Fecit Dresdae Anno ****, 14 1/8", 35.90cm

German violin labelled Robert A. Dolling, Markneukirchen, Made in Germany, Copie of Antonius Stradivarius, 14 1/8", 35.90cm

A cased violin and bow, Stradivarius label

CELLO NACH ANTONIO STRADIVARI Wohl Böhmen/Sachsen, Anfang 20. Jh. Zweiteilige Fichtenholzdecke und leicht geflammter Ahornboden, hellbraun Lack. 4/4 Cello, L. 126 cm, Korpusl. 76 cm. Cellozettel: 'Antonius Stradivarius Cremonensis Faciebat Anno 1722 AS'. Part. best. und ber., besch., rest., Vorderseitiger Deckenriss.

VIOLINE NACH ANTONIO STRADIVARI Böhmen/Sachsen, 19./20. Jh. Zweiteilige Fichtenholzdecke und geflammter Ahornboden, dunkelbrauner Lack. 4/4 Geige, L. 60 cm, Korpusl. 35,5 cm.. Geigenzettel: 'Antonius Stradivarius Cremonensis Faciebat Anno 1744 A.S.'.. Mit Koffer und Schlüssel. Part. best. und ber., min. besch., Steg fehlt.

VIOLINE UND VIOLINBOGEN WILHELM KRUSE Markneukirchen, Anfang 20. Jh. Zweiteilige Fichtenholzdecke und Ahornboden, brauner Lack. 4/4 Geige, L. 59,5, Korpusl. 36 cm. Geigenzettel: 'Copie nach Antonius Stradivarius Cremonensis Faciebat Anno 1725 Wilhelm Kruse Markneukirchen'. Violinbogen, Markneukirchen, Anfang 20. Jh., oktogonale Stange, Silbermontierung, Daumenleder und Wicklung, L. 74,5, Gew. ca. 60g, Geigenbogen gemarkt 'Wilh. Kruse' und 'Markneukirchen b/S.'. Part. best. mit altem Koffer, Ersatzsteg. Part ber. und min. best., eine Saite fehlt.

KONVOLUT VON VIER VIOLINEN Deutsch, 19./20. Jh. Zweiteilige Fichtenholzdecke und Ahornboden, dunkelbrauner Lack. 4/4 Geige L. 59,5/60 cm, Korpusl. 35,5/36 cm. Teilweise ungemarkt, mit Brandstempel an der Schnecke 'Stainer'. Eine Violine mit Tinte auf dem Boden datiert '1929' und Brandstempel unter den Zäpfchen außen 'Kleinod', Violine mit Geigenzettel: 'Antonius Stradivarius Cremonensis Faciebat Anno 1723 A.S. Best. und besch., Restaurationsbedarf, eine Geige ohne Griffbrett, Deckenrisse. Provenienz: Aus einem Nachlass aus Nordrhein-Westfalen.

ZWEI VIOLINEN MIT GESCHNITZTEN LÖWENKÖPFEN Böhmen/Sachsen, 19./20. Jh. Einteilige Fichtenholzdecke und einteiliger/zweiteiliger Ahornboden, dunkelbrauner Lack. 4/4 Geige L. 59,5/60 cm, Korpusl. 35,5/36 cm. Geigenzettel: 'Antonius Stradivarius Cremonensis Faciebat Anno 1692?' und 'Jacobus Stainer in Absam Prope Oenipontum 1655'. Part. best. und besch. eine Geige am Zargenrand besch. und ohne Griffbrett.

A wooden cased early 20th century Czechoslovakian student’s violin, bears ‘Copy of Stradivarius’ label, body length, 35.5cm, without bow

A cased Czechoslovakian student’s violin with Stradivarius label, length of body, 35.5cm, with spare strings

A cased German student’s violin, ‘copy of Antonius Stradivarius’, without bow

A Czechoslovakian student’s violin with Stradivarius label inside the body, length of body, 35.5cm, in a good modern case with fitted hygrometer

A Berlin made special copy of a Stradivarius Piccolo violin of two-piece back construction with fitted case (bow not included) (Russel Redpath  bridge) (paper label to interior)

A Czechoslovakian two piece back half size Stradivarius copy, with case and bow, together with a further two piece back violin, cased.

A German trade violin after Stradivarius, with two-piece, flamed back and ribs, light amber varnish, printed paper label, length of back 36cms., cased with bow.

Three violins, one bearing label for Antonio Stradivarius Cremonensis 1725 (further ink stamped Made in W Germany), 14" back; the two others as found, also 14" backs, all cased, with one modern Chinese bow.Qty: 3Condition report:Please see additional uploaded images of the backs of the violins.

A Czecko-Slovakian cased violin and bow bearing a label reading "copy of Antonius Stradivarius", having a two-piece back and front, circa 1930s, length 60 cm

Violin - A Czechoslovakian Stradivarius copy, 60 cm (l), contained in case with bow. [W]

An Antonius Stradivarius Violin Copy - labelled inside '1763'. Lion carved scroll. Pegbox/scroll in good condition. The main body and neck are in poor condition. Does come with a wooden fitted case.

A BACH STRADIVARIUS MODEL 50BLG TROMBONEIn Bach case with labels indicating it was once owned by Frank Mathison, former Principal Bass Trombone in the London Symphony Orchestra, trombone 74cm high excluding slide

Violine, Anfang 20. Jh. mit undeutlichem Modellzettel, wohl: "Antonius Stradivarius Cremonensis Faciebat anno 1726", ungeteilter, schwach geflammter Boden, umlaufende Randeinlage, rissige Decke, Fehlteile, stark restaurierungsbedürftig, Korpus-L. 36 cm.

A Tatra by Rosetti Stradivarius Model violin, bears paper label, 53cm long, with bow, cased.

A Czechoslovakian Violin with Paper Label for Stradivarius, Complete with Bow

An old violin with copy label for Stradivarius, 14" two-piece back in fitted wooden case by Edward Withers of London

Violin 14 1/8" two piece back, ebony fingerboard labelled 'Stradivarius' in coffin case with two bows

Violin 14 1/8" two piece back, ebony fingerboard and tailpiece, labelled 'Antonius Stradivarius Made by E. R. Schmidt & Co. Violin Makers Saxony' with signature 'E R Schmidt' in ink, cased

Violin 14 1/8" two piece back, ebony fingerboard, labelled 'Stradivarius', (cased with bow)

A Stradivarius type violin lacks chin rest, possibly made in China, with an un-marked bow, with case made in China, 58.5cm overall, back 36cm.

Three 19th and early 20th century violins, one with Antonius Stradivarius label in a mahogany case along with another leather cased violin and Trade Mark Japanese horsehair bow. (Needs restringing and pieces loose. H.60cm

A violin, the two-piece back 36cm long excluding button, paper Stradivarius label, ebonised tuning pegs, outlined throughout with purfling, 60.5cm long overall

TWO FULL SIZED VIOLINS IN NEED OF SOME ATTENTION, comprising a violin with a two piece back, approximate total length 58cm, length of body 35.5cm, some wear to the top surfaces, no visible branding, the second violin has a one piece back, paper label inside for Antonius Stradivarius Cremonensis, approximate total length 58.5cm, body 35.5cm, together with three unbranded bows, approximate lengths 73cm, 72cm and 68cm, Condition Report: the first violin has wear and tear to the top surface, the second has some wear and tear with rough edges to one of the sound holes

HALF-SIZE GERMAN VIOLIN, CIRCA EARLY 20TH CENTURY Stradivarius copy with spurious label to interior, two-piece back, cased with nickel-mounted bowthe back 31.3cm long

An early 20th century cased concert violin with Stradivarius label, dated 1722. H.7 W.40 D.30cm.

An antique French violin, label for Villaume à Paris, with 36 cm two-piece flame back, 60 cm overall, in case with bow to/w a German violin with 'Stradivarius' label, 35.5 cm two-piece flame back and mother-of-pearl inlaid tail-piece, 60 cm overall, also in case with bow (2 - both a/f, but with no splits)

A violin with 34 cm one-piece back and 'Stradivarius' label within, 56 cm overall, in case with bow

A Maidstone School Orchestra Association London violin, in hard shell case, with label to interior relating to the Maidstone School Orchestra. also labelled Antionio Stradivarius. L - 30cm. Back L - 12 inches.

TWO EARLY 20TH CENTURY VIOLINS, both Czechoslovakian made, one has a paper label inside K.H. ' Made in Czechoslovakia- Antonius Stradivarius Cremonsis Faciebat 1713', length of body 37cm/ from scroll 59cm, with chin rest, hard case and bow, length 64.5cm together with a violin with a paper label inside 'Copy of Stradivarius' together with a hard case and bow stamped 'Lupot', length 74.5cm (2) (Condition Report: cases, violins and bows in need of restoration)

Czechoslovakian student violin baring label for Stradivarius, in a case with bow marked PIEMA, in distressed condition. Not available for in-house P&P

A two-piece back Stradivarius copy violin, 59cms long, in a painted grained case.

An old Stradivarius style violin bearing no makers label, no bow 59cm overall, back 36cm with a case.

An old violin in the Stradivarius style bearing no makers labels, 59 cm overall, back 35.5cm with an un-marked bow, with a case.

A German made violin with "Stradivarius" label inside, the bridge marked 'A. Coad', the two piece back with inlaid mother of pearl decoration, with bow and in wooded case, length of back 36cms

A French full size violin, c. 1900, Mirecourt, bearing "Stradivarius" paper label, with two-piece back, in a good modern case fitted with a hygrometer and with two bows. Length of back 36cm

Japanese one-tenth size child's violin outfit labelled Stradivarius Copy, Suzuki Viol in Co., LTD, Nagoya, Japan, Established 1887, 1/10 No. 102, 1972, 9 1/8", 23.1cm, bow, case

Good French violin labelled Antonius Stradivarius..., the one piece back of medium curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a reddish colour on a golden ground, 14 3/16", 36cm *This lot is subject to VAT at 20% on the hammer price

An early 20th Century Stradivarius copy Violin, with two-piece back, bears label “Copie de Antonius Stradivarius Cremonensis Facibat Anno 1721”, in ebonised wood 'coffin' case with bow, violin overall length 59cm.

A VIOLIN, the wide grained fascia with notched sound holes, inlaid single purfling and mother of pearl inlaid tail piece, maple ribs and two piece back, ebony turners, paper inked script "Stradivarius", back 14" long, overall length 23", in a coffin case with un-named bow (3) (Est. plus 24% premium inc. VAT)Condition Report: repair to edge next to chin rest, chip to upper edge near finger board, no obvious cracks to body, splitting where rosewood(?) finger board meets main bracket. Case and bow generally good

A three quarter size violin, label to the inside Stradivarius 7B, in associated hardshell casing

A half-size violin, in hardshell casing, label to the inside reads "Antonius Stradivarius Cremonensis, Fasiebat Anno 1713, made in Czechoslovakia", second label inside violin reads "The London Violin Company Ltd, 25 Nottingham Street, W1, Regd no. 13L2109", in associated hardshell casing, violin back length 12", a second quarter size violin, label to the inside is in Chinese, English translation, "No. MV:009, made in Canton China", in associated hardshell casing, with 2 bows, violin length 11", a three quarter size violin, violin length 13", no maker's labels, bow or casing

Late 19th century violin with bow, the violin bearing Stradivarius label, in wooden case

TENORPOSAUNE, Stradivarius Modell 36,Herst. Vincent Bach Co./ Elkhart Ind., Messing, L über alles ca 116 cm, Seriennr. 30719, Spiel- und Gebrauchsspuren, dazu versilbertes Mundstück V. Bach 6 1/2A