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Click here to subscribeMemphis-Wandspiegel "Barbara" von Ettore SottsassWeißer und roséfarbener Marmor sowie gelb-schwarz gemaserter Terrazzo und Spiegelglas. Querrechteckig angelegte Spiegelfläche mit Segmentbekrönung. Vorgelagerte Abstellfläche sowie vertikal angeordnete Pilaster. Unbez.; Entw. Ettore Sottsass. 62 cm x 68 cm.A marble and terrazzo memphis mirror designed by Ettore Sottsass. Unmarked.Italien. Mailand. Studio Memphis. 1980er Jahre.
Ettore Sottsass (1917-2007)2 Postmodernism black upholstered armchairs with seat and headrest covered with cowhide, standing on metal legs ending in a plastic ring, design Ettore Sottsass executed by Knoll International, model 'East Side', marked under the seat and on the bottom, Italy design year 1983, 85 cm high, 80 cm wide and 77 cm deep
Ettore Sottsass, Stehleuchte Modell SvincoloEttore SottsassMemphisEntwurf 1979. Ausführung Studio Alchimia aus der bau. haus art collection.Kunststofflaminiertes Holz, verchromter Stahl und rote + blaue Neonröhren. 250 x 62,5 x 45 cm.Gramigna & Giuliana, 1950/1980 Repertorio, Mailand 1985, Abb. S. 505.
Ettore Sottsass, Limitierte, zylindrische Vase aus der Rocchetti SerieEttore SottsassBitossiEntwurf 1957. Ausführung Bitossi 2001 in einer limitierten Auflage von 20 Stück, hier Exemplar Nr. 5. Keramik. H. 33, D. 9 cm. Unterseitig bezeichnet 'E. Sottsass 1957, Riedizione GM 2001, Made in Italy, N. 5/20'.
Ettore Sottsass, Regal Modell CasablancaEttore SottsassMemphisEntwurf 1981. Ausführung Memphis. Laminierte Oberflächen mit Dekor Spugnato in Rot, Gelb und Weiß und schwarzes Laminat. 223 x 160 x 40 cm. Rückseitig mit Memphis Plakette bezeichnet.Barbara Radice, Memphis Design, München 1982, Abb. S. 37.
Ettore Sottsass, Limitierte, große Fußschale aus der Rocchetti SerieEttore SottsassBitossiEntwurf 1959. Ausführung Bitossi 2002 in einer limitierten Auflage von 20 Stück, hier Exemplar Nr. 7. Keramik. H. 21,5, D. 22,5 cm. Unterseitig bezeichnet 'E. Sottsass 1959, Riedizione 2002 GM No 7/20 Made in Italy'.
Ettore Sottsass, Tischleuchte Modell Palmtree Caribe für das Modelabel FiorucciEttore SottsassTargettiEntwurf 1980er Jahre. Ausführung Targetti. Lackiertes Metall. 92 x 50 x 23 cm. Mit hersetllerlabel und Fiorucci bezeichnet.Guter Zustand. Leichte Gebrauchsspuren an der Lackierung des Stammes.
Ettore Sottsass, Limitierte, zylindrische Vase aus der Rocchetti SerieEttore SottsassBitossiEntwurf 1957. Ausführung Bitossi 2001 in einer limitierten Auflage von 20 Stück, hier Exemplar Nr. 5. Keramik. H. 33, D. 9 cm. Unterseitig bezeichnet 'E. Sottsass 1957, Riedizione GM 2001, Made in Italy, N. 6/20'.
Teekanne "Lapislazzuli" (Serie "The Indian Memory") - Ettore SottsassAusführung: Sesto Fiorentino / Italien, für Anthologie Quartett, Bad Essen, ca. 1987 Keramik, weiße Glanzglasur. Auf dem Boden in Gold bez.: E.SOTTSASS und No. 003. Deckel in Gold bez.: No. 003. H. 20,5 cm, B. 18,5 cm, T. 20,5 cm. Entwurf von Ettore Sottsass (1917-2007) aus dem Jahr 1972. - Hersteller Alessio Sarri Ceramiche (1981) - Herausgeber Anthologie Quartett (1983-2013, 2014-). Bei Online Collection Staatliche Kunstsammlungen Dresden in dieser Farbe als Prototyp bezeichnet. - https://skd-online-collection.skd.museum/Details/Index/5463163 - Zustand: min. Chip am oberen Deckelrand - auf unterer Stufe zwei Kratzer und min. Chip an der Kante.
Ettore Sottsass (1917-2007) for Poltronova 'Vienna' dining table, circa 1989 Ash Branded mark 'SOTTSASS' 73cm high,184cm wide, 83cm deepCondition Report: Overall general surface wear to include small scratches and scuffs (Scuff marks particularly to corners and some marks to bottom of legs). Otherwise in generally good presentable condition.
GROßER STANDSPIEGEL " ULTRAFRAGOLA". Sottsass, Ettore. Datierung: Entwurf 1970. Ausführung Poltranova, Pistoia. Technik: Spiegelglas, Kunststoff, Leuchtstoffröhren. Die Rückwand aus geweißtem Holz. Beschreibung: Hochrechteckige Form mit breiter, fünfstufig gewellter und hinterleuchtete Rahmung mit hellgelbem Farbverlauf. Das Spiegelglas in den Ecken durch Verschraubung montiert. Maße: Höhe 195cm, Breite 100cm. Elektrifiziert. Provenienz: Privatsammlung Siegfried Mayska, Mönchengladbach. Erläuterungen zum Katalog Ettore Sottsass Italien Design Voraussichtliche Versandkosten für dieses Los: Absprache nach der Auktion.
ETTORE SOTTSASS (ITALIAN 1917-2007) FOR STILNOVO TWO 'DORAN' TABLE LIGHTS, DESIGNED 1978 applied Murano labels (to the glass), glass and enamelled metal 22cm high, 19.5cm wide (8 5/8in high, 7 5/8in wide) and 20cm high, 19.5cm wide (7 7/8in high, 7 5/8in wide) (2) ‘When I was young, all we ever heard about was functionalism, functionalism, functionalism. It’s not enough. Design should also be sensual and exciting.’Ettore Sottsass.Ettore Sottsass was a renowned Austrian-born Italian architect and designer whose work is instantly recognisable for the manner in which it disrupted tradition and expectation with bold colours and innovative forms. Born in 1917, he followed in his father’s footsteps by studying architecture, graduating from the Politecnico di Torino in Turin in1939. Following on from the Second World War, he set up his own architectural and industrial design studio experimenting and exploring with a wide range of materials: from ceramics to furniture and from jewellery to architecture. In 1958, Sottsass became a design consultant with the manufacturer Olivetti, and it was during this period that he started developing his use of bold colours, that began blurring the boundaries between pop culture and industrial design. Amongst the designs concepts that he created for Olivetti, was the Valentine typewriter in 1969, that ‘subverted the status quo’ of typewriter design, and it remains a milestone in the fiel, capturing the ethos of the counter-culture emerging in the late 1960s. Throughout this decade and the 1970s, Sottsass travelled widely, absorbing what he experienced and reproducing it in his larger, sometimes abstract work. Following his time at Olivetti, Sottsass formed the influential and groundbreaking Memphis Group, or Memphis Milano, in 1980. Active until 1987, its postmodern furniture, lighting, fabrics and objects were characterised by colourful and abstract decoration, asymmetrical forms, and references to earlier and exotic designs and styles. One of their great breaks from the immediate past was the idea that form and function should stand in equal partnership – the Memphis artists believed in an uninhibited creative freedom. As a result, the Memphis Group changed the course of design history, creating an aesthetic that represented a distinct moment in time immediately recognisable as a 1980s look. Its legacy is significant in allowing a new generation of designers to break all the rules.This autumn we are delighted to offer four works that convey Sottsass’ diverse and bold practice throughout his career. The Ultragragola mirror, produced for Poltronova, was designed by Sottsass in 1970 as part of the Mobili Grigi - the only piece from the collection to proceed beyond the prototype phase, and possibly one of the most iconic of his early designs. Compared to the Park Lane coffee table, produced for Memphis Milano in 1983, and the eye-catching large Claire de Lune Totem, designed around 1988 for Mirabili, it conveys his ability to master a range of materials and styles and to produce strikingly confident forms instantly recognisable in the history of twentieth-century design.
ETTORE SOTTSASS (ITALIAN 1917-2007) 'CLAIR DE LUNE' TOTEM, DESIGNED 1988 wood, metal and glazed ceramic, outside the edition of 29 190cm high (74 ¾in high) including wooden base, 175cm high (68 7/8in high) excluding wooden base P. Brillet Esq, from whom acquired by the current vendor;Private Collection, London. ‘When I was young, all we ever heard about was functionalism, functionalism, functionalism. It’s not enough. Design should also be sensual and exciting.’Ettore Sottsass.Ettore Sottsass was a renowned Austrian-born Italian architect and designer whose work is instantly recognisable for the manner in which it disrupted tradition and expectation with bold colours and innovative forms. Born in 1917, he followed in his father’s footsteps by studying architecture, graduating from the Politecnico di Torino in Turin in1939. Following on from the Second World War, he set up his own architectural and industrial design studio experimenting and exploring with a wide range of materials: from ceramics to furniture and from jewellery to architecture. In 1958, Sottsass became a design consultant with the manufacturer Olivetti, and it was during this period that he started developing his use of bold colours, that began blurring the boundaries between pop culture and industrial design. Amongst the designs concepts that he created for Olivetti, was the Valentine typewriter in 1969, that ‘subverted the status quo’ of typewriter design, and it remains a milestone in the fiel, capturing the ethos of the counter-culture emerging in the late 1960s. Throughout this decade and the 1970s, Sottsass travelled widely, absorbing what he experienced and reproducing it in his larger, sometimes abstract work. Following his time at Olivetti, Sottsass formed the influential and groundbreaking Memphis Group, or Memphis Milano, in 1980. Active until 1987, its postmodern furniture, lighting, fabrics and objects were characterised by colourful and abstract decoration, asymmetrical forms, and references to earlier and exotic designs and styles. One of their great breaks from the immediate past was the idea that form and function should stand in equal partnership – the Memphis artists believed in an uninhibited creative freedom. As a result, the Memphis Group changed the course of design history, creating an aesthetic that represented a distinct moment in time immediately recognisable as a 1980s look. Its legacy is significant in allowing a new generation of designers to break all the rules.This autumn we are delighted to offer four works that convey Sottsass’ diverse and bold practice throughout his career. The Ultragragola mirror, produced for Poltronova, was designed by Sottsass in 1970 as part of the Mobili Grigi - the only piece from the collection to proceed beyond the prototype phase, and possibly one of the most iconic of his early designs. Compared to the Park Lane coffee table, produced for Memphis Milano in 1983, and the eye-catching large Claire de Lune Totem, designed around 1988 for Mirabili, it conveys his ability to master a range of materials and styles and to produce strikingly confident forms instantly recognisable in the history of twentieth-century design.
ETTORE SOTTSASS (ITALIAN 1917-2007) 'PARK LANE' COFFEE TABLE, DESIGNED 1983 fiberglass and marble 36.5cm high, 97cm diameter (40 3/8in high, 38in diameter) Private Collection, London. Literature:Radice, Barbara, Memphis: Research, Experiences, Results, Failures and Successes of New Design, London, 1984, p. 177;Memphis Milano, manufacturer's catalogue, Milan, 1986, p. 19. ‘When I was young, all we ever heard about was functionalism, functionalism, functionalism. It’s not enough. Design should also be sensual and exciting.’Ettore Sottsass.Ettore Sottsass was a renowned Austrian-born Italian architect and designer whose work is instantly recognisable for the manner in which it disrupted tradition and expectation with bold colours and innovative forms. Born in 1917, he followed in his father’s footsteps by studying architecture, graduating from the Politecnico di Torino in Turin in1939. Following on from the Second World War, he set up his own architectural and industrial design studio experimenting and exploring with a wide range of materials: from ceramics to furniture and from jewellery to architecture. In 1958, Sottsass became a design consultant with the manufacturer Olivetti, and it was during this period that he started developing his use of bold colours, that began blurring the boundaries between pop culture and industrial design. Amongst the designs concepts that he created for Olivetti, was the Valentine typewriter in 1969, that ‘subverted the status quo’ of typewriter design, and it remains a milestone in the fiel, capturing the ethos of the counter-culture emerging in the late 1960s. Throughout this decade and the 1970s, Sottsass travelled widely, absorbing what he experienced and reproducing it in his larger, sometimes abstract work. Following his time at Olivetti, Sottsass formed the influential and groundbreaking Memphis Group, or Memphis Milano, in 1980. Active until 1987, its postmodern furniture, lighting, fabrics and objects were characterised by colourful and abstract decoration, asymmetrical forms, and references to earlier and exotic designs and styles. One of their great breaks from the immediate past was the idea that form and function should stand in equal partnership – the Memphis artists believed in an uninhibited creative freedom. As a result, the Memphis Group changed the course of design history, creating an aesthetic that represented a distinct moment in time immediately recognisable as a 1980s look. Its legacy is significant in allowing a new generation of designers to break all the rules.This autumn we are delighted to offer four works that convey Sottsass’ diverse and bold practice throughout his career. The Ultragragola mirror, produced for Poltronova, was designed by Sottsass in 1970 as part of the Mobili Grigi - the only piece from the collection to proceed beyond the prototype phase, and possibly one of the most iconic of his early designs. Compared to the Park Lane coffee table, produced for Memphis Milano in 1983, and the eye-catching large Claire de Lune Totem, designed around 1988 for Mirabili, it conveys his ability to master a range of materials and styles and to produce strikingly confident forms instantly recognisable in the history of twentieth-century design.
Ettore Sottsass (Italian, 1917-2007), a 'Murmansk' centrepiece, designed in 1982 for the Memphis Group, silver-coloured metal, with a circular tray fitted with a detachable dish, supported by six zigzag columns on a circular base, two stamped marks 'Memphis Milano', 36.5cm diameter27.5cm high (2)Condition ReportOverall good order. Minor surface scratches and wear. Please see the additional images.
Ettore Sottsass (1917-2007) - a pair of polychrome aluminium floor lamps, designed by Ettore Sottsass Jr. In the model 'Callimaco', 1980s, both with chrome handles to sides of cylindrical stems, each approx. 201cm high. (2) Further details: both untested, scrape and loss to red paint on top of one, scratching to both, general wear.
Photo portrait Ettore Sottsass Italian architect by Philip Sayer, a founding member of Blueprint magazine, has been a freelance photographer since 1969. He works across a broad range of photographic media, including photojournalism, portraiture, interiors and architectural photography and learnt much of his craft as apprentice to eminent photographer Maurice Broomfield. Sayer has worked extensively for various major UK and international clients, including leading art galleries and museums such as the National Gallery, the Crafts Council, The Royal Academy of Arts and the Victoria & Albert Museum; and for publications including Domus, Crafts and Eye. 40 x 50cm 41 x 51cm (Asset No: ETORI )
Ettore Sottsass, Schreibmaschine "Valentine" für OlivettiEntwurf Ettore Sottsass, 1969, Schreibmaschine "Olivetti Valentine" mit Tragekoffer, roter Kunststoff und Metall, sehr geringe Gebrauchsspuren, sie gilt als Meilenstein des Industriedesigns und findet sich in allen wichtigen Designsammlungen, so auch im Museum of Modern Art in New York, 11,5 x 34 x 35 cm
Ettore Sottsass (Italian, 1917-2007), 'Basilissa', 1972, produced 1974-1976 by Vistosi Murano, the blue incalmo glass body with a green neck, etched 'E. Sottsass 31/250, Vistosi 77' underneath the base,21cm diameter24cm high Provenance: The Estate of Max Clendinning and Ralph Adron.Condition ReportRemnants from trail applications to the rim, and where these have contracted upon cooling and having been flat polished. These are following the line of the joins and are in line with manufacture. With a thin scratch down the neck that traces onto the body. With later applied felt feet to the base. Additional images uploaded.
Ettore Sottsass (Italian, 1917-2007), 'Veniera', 1972, produced 1974-1976 by Vistosi Murano, the yellow incalmo glass body of cylindrical form, surmounted by a black glass lid, raised on a domed red foot, etched 'E. Sottsass 31/250, Vistosi 77' underneath the base,22cm diameter28cm high Provenance: The Estate of Max Clendinning and Ralph Adron.Condition ReportNo chips, cracks or restoration. Some surface scratches to the underside of the foot rim.
Ettore Sottsass (Italian, 1917-2007), 'Tosca', 1996, a painted stoneware vase, produced in 1997 by Flavia Montelupo, for Édition Limitée, Paris, the gilt neck with red painted rim, raised on a white cylindrical base, signed and dated to the base 'E. Sottsass, 1997',19.5cm diameter36cm high Provenance: The Estate of Max Clendinning and Ralph Adron.Condition ReportNo chips, cracks or restoration. Minor surface marks. Please see the additional images.
Ettore Sottsass (Italian, 1917-2007), a ‘Gopuram’ side table, designed in 1988 as part of the Bharata series, lacquered in polychrome, unlabelled, 40cm wide 40cm deep 40.5cm high, together with a pedestal, late 20th century, designed by Max Clendinning (1924-2020) and Ralph Adron (1939-2023), the circular top raised on a turned support, terminating on to a stepped foot, 38cm wide 38cm deep 85cm high top 33.2cm diameter (2) Provenance: The Estate of Max Clendinning and Ralph Adron, the latter made for the artists' home in Italy. Condition ReportThe Gopuram table with some knocks to the base, and some some minor wear to the edges. The MC pedestal with some scratches to the top. The turned stem with some knocks in places. Additional images uploaded.
Ettore Sottsass (Italian, 1917-2007). 'Y28', a stoneware vase, originally designed c.1969 for the 'Yantra di Terracotta series', EAD edition published c.1990, of stepped wedged form, decorated in a white enamel glaze, unsigned, 35cm wide12cm deep38cm highProvenance: The Estate of Max Clendinning and Ralph Adron.Condition ReportWith a hairline crack to the side. One of the corners of the foot with a chip. One corner with a chip. WIth a filled chip to one edge. With general scuffs and marks, the glaze rubbed in areas. Would benefit from a clean. Additional images uploaded.
Ettore Sottsass (Italian, 1917-2007), an Italian 'ET1' porcelain vase, designed in 1990 for Alessio Sarri, decorated in yellow, stamped to the base with facsimile signature and manufacturer's mark, 11.5cm diameter23cm highProvenance: The Estate of Max Clendinning and Ralph Adron.Condition ReportThe base rim with some scuffs traces from previous labels. With some minor black scratches to the yellow exterior. The foot with some stains to the outside. Internally with water staining. Additional images added.
Ettore Sottsass (Italian, 1917-2007), an 'Alcor' vase, designed in 1983 for Memphis Milano, manufactured by Toso Vetri d'Arte, Murano, the opaque glass bowl on a clear glass neck with black applications, on a green glass rim over two clear glass cups, one with applications in blue, the other with orange, signed to the base 'Memphis Milano by Toso Vetri d'Arte',44cm highProvenance: The Estate of Max Clendinning and Ralph Adron.Condition ReportWith two scratches under the white top section. With a small scuffed area below the join of the green and blue speckled section. The base with some rubbing. With some general, minor scratches to the glass, but none that detract visibly from the piece.
Ettore Sottsass (Italian, 1917-2007), a 'Schiavona' vase, 1972, produced 1974-1976 by Vistosi Murano, the opaque bowl with a ruby glass rim, raised on a ruby glass stem and foot, etched 'E. Sottsass 69/250, Vistosi 77' underneath the base,30cm diameter26cm high Provenance: The Estate of Max Clendinning and Ralph Adron.Condition ReportWith some scratches to the underneath of the base. The rim with a small recess from the application - contemporaneous with manufacture.
Ettore Sottsass (Italian, 1917-2007), 'Totem Menta', designed in 1985, EAD edition, executed in 1995, ceramic shapes, glazed and enamelled in polychrome, signed to the base, numbered '23/150',12cm diameter58cm high Provenance: The Estate of Max Clendinning and Ralph Adron.Condition ReportThe black mid section with restoration, this appears to have been executed professionally, however - there are still traces and cracks visible to the section. The top red section with scuffs to the edges.
Ettore Sottsass (Italian, 1917-2007), Y38, c.1969, a stoneware vase, designed for the 'Yantra di Terracotta' series, of stepped form, decorated in a red glaze, signed to the base 'Sottsass Y/38',22cm square53cm highProvenance: The Estate of Max Clendinning and Ralph Adron.Condition ReportWith a small glaze chip to the bottom corner. Debris to the inside - would benefit from a clean.
Ettore Sottsass (Italian, 1917-2007), 'Morosina', 1972, produced 1974-1976 by Vistosi Murano, the opaque glass body of stepped cylindrical form, each edge with an applied black glass rim, etched 'E. Sottsass 8/250, Vistosi 77' underneath the base,15cm diameter41cm high Provenance: The Estate of Max Clendinning and Ralph Adron.Condition ReportNo detected chips, damages or restoration. With some faint blue paint splatters to the top rim – these appear surface-based and come out when scratched. With folds where the black rims have been applied. With later applied rubber feet to the base. Scratches to the base commensurate with age.
Ettore Sottsass (Italian, 1917-2007), 'Y29', a stoneware vase, originally designed c.1969 for the 'Yantra di Terracotta' series, EAD edition published c.1990, of stepped wedged form, decorated in a white enamel glaze, unsigned, 35cm wide12cm deep37cm highProvenance: The Estate of Max Clendinning and Ralph Adron.Condition ReportOne corner of the foot with some scuffs and marks. The top edge with some scuffs and marks. Some glaze bubbling to the bottom.
Ettore Sottsass (Italian, 1917-2007), a 'Pausania' desk lamp, designed in 1983 for Artemide, the mesh-lined shade raised on moulded resin elements and chromed supports, terminating on to a rectangular resin base, with manufacturer's label to the base, 48cm wide11cm deep42cm highProvenance: The Estate of Max Clendinning and Ralph Adron.Condition ReportSome minor scratches to the plastic. Wired for Italian mains. No detected losses to the shade or base.
Ettore Sottsass (Italian, 1917-2007), 'Y31', a stoneware vase, originally designed c.1969 for the 'Yantra di Terracotta' series, EAD edition published c.1990, of stepped wedged form, decorated in a white enamel glaze, unsigned, 36cm wide17cm deep35cm highProvenance: The Estate of Max Clendinning and Ralph Adron.Condition ReportWith some burst glaze bubbles - most prominently occurring in the deepest recesses of the steps. One of the front corners with a small scuff - possibly a polished chip. With dust to the recesses - would benefit from a clean. Additional images uploaded.
Ettore Sottsass (Italian, 1917-2007), 'Alucia', 1972, produced 1974-1976 by Vistosi Murano, the red incalmo glass bowl with a black rim, raised on a black glass stem and foot, etched 'E. Sottsass 24/250, Vistosi 77' underneath the base,22cm diameter20cm high Provenance: The Estate of Max Clendinning and Ralph Adron.
Ettore Sottsass (Italian, 1917-2007), an Italian 'ET2' porcelain vase, designed in 1990 for Alessio Sarri, finished in grey, stamped to the base with facsimile signature and manufacturer's mark, 17cm wide8cm deep20cm high Provenance: The Estate of Max Clendinning and Ralph Adron.Condition ReportThe base with some minor scuffs and marks. The side of the foot with traces from an old sticker. Internally with some dried dust - Would benefit from a clean.
ETTORE SOTTSASS (Innsbruck 1917-Milano 2007). Essetre with three shelves in gray colored resin reinforced with fibreglass. Gray Furniture Series. POLTRONOVA production. 70's. Signs of wear and tear over time. 182x89.5x50 cm approx. ETTORE SOTTSASS (Innsbruck 1917-Milano 2007). Essetre a tre ripiani in resina colorata grigia rinforzata con fibra di vetro. Serie Mobili Grigi. Produzione POLTRONOVA. Anni '70. Segni di usura del tempo. 182x89,5x50 cm ca.
ETTORE SOTTSASS FOR OLIVETTI, AN ITALIAN PAINTED METAL AND LAMINATE DESK 20TH CENTURY With arrangement of six drawers, and supported on cantilever legs 66cm high, 121cm wide, 60cm deep The Italian architect, Ettore Sottsass (1917-2007), was noted for designing furniture, jewellery, glass, lighting, home, and office wares, as well as numerous buildings and interiors. In 1956, Sottsass was hired by Adriano Olivetti to design electronic devices, office equipment, typewriters, and furniture. Ettore Sottsass was a founding member of The Memphis Group, Milan, a postmodern, collaborative, architecture and design studio. The group focused on furniture design with an emphasis on the unconventional juxtapositions of geometric shapes and bright clashing colours. Condition Report: Overall with marks, knocks, scratches, abrasions consistent with age and use, chips and losses to the laminate top, rust and corrosion to the sides of the metal drawers - paint loss in these areas too. Overall solid and stablePlease see additional images for visual reference to condition Condition Report Disclaimer
ETTORE SOTTSASS (1917-2007)Bibliothèque CarltonCréation en 1981Edition MemphisPlaque de l'éditeurBois et mélaminé polychromeH: 197cm.(77 9/16in.); L: 190cm.(74 13/16in.); P: 40cm.(15 3/4in.).A 'Carlton' bookcase in wood and polychrome melamine by Ettore Sottsass designed in 1981 and edited by Memphis.Footnotes:Bibliographie :G. Gramigna, 1950/1980 Repertorio, Ed. Mondadori, Milan, 1985, p. 512Ettore Sottsass. Architect and Designer, catalogue d'exposition, Los Angeles County Museum of Art, Los Angeles, 12 mars-11 juin 2006, p. 12P. Thomé, Sottsass, Ed. Phaidon, Londres, 2014, p. 303Ettore Sottsass. L'Objet Magique, catalogue d'exposition, Centre national d'art et de culture Georges Pompidou, Paris, 13 octobre 2021-3 janvier 2022, p. 183, n. 4Provenance:Christie's Amsterdam, Arts décoratifs du XXème siècle, 22 novembre 2006, lot 414Acquis auprès de cette dernière par l'actuel propriétaireThis lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
ETTORE SOTTSASS (1917-2007)VaseCréation en 1957, exemplaire de 2003Edition Giovanni MasoniSigné, monogrammé, daté, localisé et numéroté '5/20'Céramique émailléeH: 38cm. (15in.); D: 16cm. (6.1/4in.) A signed, monogrammed, dated, located and numbered vase in glazed ceramic by Ettore Sottsass designed in 1957 and edited by Giovanni Masoni in 2003.Footnotes:Bibliographie:F. Ferrari, Ettore Sottsass: Tutta la Ceramica, Ed. Umberto Allemandi & C, Turin, 1996, p. 48, n. 119This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
ETTORE SOTTSASS (1917-2007)VaseCréation en 1957, exemplaire de 2003Edition Giovanni Masoni, épreuve d'artisteSigné, monogrammé, daté, localisé et numéroté 'P.A. 2/2'Céramique émailléeH: 37cm. (14.1/2in.); D: 18cm. (7in.)A signed, monogrammed, dated, located and numbered artist proof vase in glazed ceramic by Ettore Sottsass designed in 1957 and edited by Giovani Masoni in 2003.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
ETTORE SOTTSASS (1917-2007)BoîteCréation en 1955, exemplaire de 2001Edition Giovanni MasoniSignée, monogrammée, datée, localisée et numérotée /20Céramique émailléeH: 19cm. (7.1/2in.); D: 15cm. (5.7/8in.)A signed, monogrammed, dated, located and numbered box in glazed ceramic by Ettore Sottsass designed in 1955 and edited by Giovanni Masoni in 2001.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
ETTORE SOTTSASS (1917-2007)VaseCréation en 1957, exemplaire de 2003Edition Giovanni MasoniSigné, monogrammé, daté, localisé et numéroté '3/20'Céramique émailléH: 28cm. (11in.); D:21cm.A signed, monogrammed, dated, localised and numbered vase in glazed ceramic by Ettore Sottsass designed in 1957 and edited by Giovanni Masoni in 2003.Footnotes:Bibliographie:F. Ferrari, Ettore Sottsass: Tutta la Ceramica, Ed. Umberto Allemandi & C, Turin, 1996, p. 50, n. 123This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
ETTORE SOTTSASS (1917-2007)Totem ChocolatCréation circa 1994, exemplaire de 2004Edition MirabiliSigné 'Ettore Sottsass', signé 'Sottsass', titré 'CHOCOLAT', numéroté '42/99' et plaque de l'éditeurCéramique émaillée, formica et aggloméréH: 190cm. (74.3/4in.); L: 50cm. (19.3/4in.); P: 50cm. (19.3/4in.)A signed, titled and numbered 'Chocolat' totem in glazed ceramic, formica and particle board by Ettore Sottsass designed in 1994 and edited by Mirabili in 2004.Footnotes:Bibliographie:S. Cammilli, A. Vezzosi, Mirabili : arte d'abitare, Ed. Mirabili, Florence, 2007, p. 173This lot is subject to the following lot symbols: AR WAR Goods subject to Artists Resale Right Additional Premium.W Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
ETTORE SOTTSASS (1917-2007)VaseCréation en 1957, exemplaire de 2003Edition Giovanni MasoniSigné, monogrammé, daté, localisé et numéroté '7/20'Céramique émailléeH: 28cm. (11in.); D: 22,5cm. (8.7/8in.)A signed, monogrammed, dated, located and numbered vase in glazed ceramic by Ettore Sottsass designed in 1957 and edited by Giovanni Masoni in 2003.Footnotes:Bibliographie:F. Ferrari, Ettore Sottsass: Tutta la Ceramica, Ed. Umberto Allemandi & C, Turin, 1996, p. 50, n. 124 pour un modèle similaireThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
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