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19th century sampler, 'Charlotte Braimbridge, Work, Age 10, 1833', extensive work with alphabet, numbers and pictoral scenes including baskets of flowers, birds, dog and many stylised flower head designs, features the following quotes 'Thou God Seest Me, Great God and since thy piercing eye, My inmost heart can see, Teach me from every sin to fly, And turn that heart to thee', 'Cease to do evil' and 'Learn to do well', 63 x 55.5cm, framed and glazed

19th century sampler, 'Mary Powell, Her work, March 2 1837, the work features a building, figure, dogs and birds amongst stylised trees and flowers, all surrounded by trailing stylised vine, 27.5 x 29cm, framed and glazed

19th century sampler, 'Alice Birtwell, Work, Finished, September 9 1847', 'Solomons Temple', impressive building embroidery with words above, flanked by angel trumpeters 'When Solomons temple was raised, Its grander no mortal can tell, The Lord by his people was praised, He descended among them to dwell, This building was set on moria, Enriched with much silver and gold, For to represent the mesiah, Who should die for the sheep of is fold', with stylised borders with vine design, 55.5 x 61cm, framed and glazed

Early 19th century sampler, by Elizabeth H Nutting, embroidered with a hand-written poem 'On Human Grandeur by EN, Tis not in Grandeur peace of n, Mind to give Nor are those Happiest who in ******** Live, Content alone those blessings, Can bestow which teach the, Mind with heart felt joy to glow, Banish vain care and all her, Dismal train and give true, Pleasure unallay'd by pain', details of the family inscribed to paper verso, 32.5 x 25cm, framed and glazed

Two framed prints to include: "The Sampler" by Leonard Campbell Taylor and a portrait of an Elizabethan lady.

A small early Victorian sampler, by Sarah Barwell, aged 9, 1837, framed

A George IV needlework sampler, worked with alphabets and numbers, shrubbery and other motifs, by Mary Ann Oakes, 11 years 1821, 43 x 26.5 cm, framed and glazed to/w three circular miniature portrait prints after Lawrence (4)

A mixed box of pictures to include watercolours, engavings, Chinese embroidered panel, sampler, part sets of prints etc (box)

A Georgian needlework sampler bearing the verse "Remember now thy creator in the days of thy youth, While the evil days come not nor the years draw, Nigh when thou shalt say I have no pleasure in them" from Ecclesiastes 12:1, being the work of Maria Medd, Norton, dated April 12th, 1810, in period ebonised frame under glass, 55 cm x 55 cm overall

THREE NEEDLEWORK SAMPLERS, by Louise Adams, aged 11 years, dated 184*, comprising good early Victorian pictorial sampler with alphabet and numbers, 4-line poem, trees, shrubs, Georgian mansion, deer, birds, butterflies etc. 42 x 31cm, in pole screen frame, together with small Welsh aphorism sampler 'Onid Da Yn Bod Dyn Ei Hunan' with initials D.J., 9 x 16cm; and large letters and numbers sampler by Sarah Davis, dated June 12th 1850, 26.5 x 28cms (3)Provenance: private collection CardiffComments: first good bright and clean, second and last with background toned.

An Elizabeth II sampler, inscribed 'Cora J Reeve', 49 x 39cm.

A Victorian alphabet sampler, inscribed 'Maria Groocock, 1874', 29 x 24cm; together with another needlework sampler, both unframed. (2)

A WILLIAM AND MARY LINEN BAND SAMPLER by Sarah Letheiuler, 21st August 1695, aged 12, worked in coloured threads with alphabet, numerals and religious verse 'Favour is Deceitful and Beauty is Vain, but a Woman that feareth the Lord she shal(l) be praised', 49cm x 21cm, unframedProvenance: Sarah Letheiuler (1682-1761) and by direct descent to her 5th great granddaughter.

A small George III sampler by Suzanna Bowden March 1807 twinned with a quantity of antique silk christening gowns, linen tablecloths & lacework

Antique framed sampler by Elizabeth Smith Fuller aged 8 years 1844 frame 35cm x 34cm - losses to the frame

A framed needlework sampler by Mary Roberts aged 10 in 1804, 43 x 34 cm

Four assorted framed textile/sampler pictures. (4)

Group of two Navajo or Dine Germantown wool blanket sampler weavings, late 19th to early 20th century. Woven with vibrantly dyed wools of red, green, and purple.(Red) length: 1 ft 9 in x width: 1 ft 9 in. (Purple) length: 1 ft 7 in x width: 1 ft 7 in.Condition: The colors are bold and deep. There are no major tears, losses, or repairs to the purple sample. Light wear to the tassels. Wear along one edge of the red sample.

An early 19th century sampler worked by Caroline Husband 1834, 23cm x 41cm

A George III silk map sampler of England and Wales worked by Sarah Needham November 16th 1785 43cm x 54cmvarious holes, laid down/restored onto under layer

A George III silk verse sampler decorated with a floral boarder and Adam and Eve, worked by Ann Goodwin April 1819 37cm x 32cm

An early Victorian alphabet sampler worked by Sarah Tryphena Bird age 8 in 1845 38cm x 36cm

A George I alphabet and verse sampler, worked by Rebekah Barton 1725 with excellent colour worked in silk and metal thread with verses, numbers and motifs. 21cm x 45cmExcellent colour, it has been unframed for much of its time. some browning to the linin ground.

A George III silk sampler worked at York by Eliza Tuke 26cm x 36cmTwo small holes right side with some discolouration see extra images

19th Century alphabet sampler. Woollen thread on calico, written 'Elizabeth Mary Parker finished this sampler June 21 1834 Aged Ssix Years'. W 33cm, H 52cm.

Mahogany framed Georgian Sampler by Dinah Shephard aged 9 years dated 1833, 31.5cm x 34.5cm Ex.

A Victorian framed needlework samplerBy Susannah Griffin, aged 12, dated 27 May 1852, typically formally arranged with the alphabet above a verse "Jesus permit thy gracious name to stand . . . ", above a series of flower vases and a scene of a building amid further flora and fauna titled Mill School, within a contemporaneous birds-eye maple frame.45cm x 32cm (fame 61cm x 48.5cm)Footnote:Authorship of the verse in the present lot is unknown. Some attribute it to the hymn-writer Rev. John Newton (1725-1807), best known for 'Amazing Grace', Rev. John Newton was Rector of St. Mary Woolnoth, City of London and is said to have written it for the sampler of his niece, Miss Elizabeth Catlett. It has also been suggested that it was composed by Isaac Watts (1674-1748) for his niece.Condition:Textile is in good condition with no holes, repairs or staining. Needlework retaining good strong colour. Frame shows some minor signs of age.

A framed sampler with biblical text "Lord Jesu be our constant guide Then when the word is given" the rest of the text is hard to read, with alphabet and worked by Harriet Joachim aged 14 years, with a message written in pencil on the back dated 1817, 36 x 42cm / T31

A very old looking sampler with alphabet and numerals, with the words "Ann Shall Her Work" and dated 1829 (?), 20 x 35cm / T31

A large framed detailed sampler, with alphabet and various messages including "By those few lines you may see what my kind parents has done for me" worked by Ann Skel, aged 8, dated 1816, 43 x 49 cm / T32

A small sampler with biblical text and alphabet 'Favour is deceitful and beauty is vain but a woman that feareth the lord she shall be praised', worked by Martha Elmhirst, dated 1774, 19 x 24 cm / T31

A William IV needlework school sampler by Hannah Grounsill 1825, depicting Skipwith Hall above a depiction of Adam and Eve in the garden of Eden 57cm x 32cm

A George III needlework sampler, embroidered by Marie Thornton, 1816, with alphabet, verse, stylised tree and foliage, 40cm x 30cm, framed

An unusual George VI needlepoint sampler celebrating the birth of King Charles III 'first child of their royal highnesses The Duke & Duchess of Edinburgh' decorated with various United Kingdom commonwealth realms/countries and their national plant detailed border, verse to centre above Buckingham Palace, by Patricia Strong, framed, 42cm x 27.5cm, dated 1948

World War I - a needlework sampler, embroidered with 'In Memory of the poor Souls that perished on the Empress of Ireland on the twenty ninth day lof May 1914. As the ship was sinking the Salvationist sang the farewell hymn God be with you, Will we meet again' and the battleship, 36cm x 65cm, framed

A William IV needlework sampler, embroidered by Mary Streets 1832, with the register of her children, birth and death dates, with verse and meandering flowers, 56cm x 47cm

An early 19th century needlework sampler, embroidered by Sarah Pilgrim, aged 12, with alphabet, verse, stylised trees, animals and flowers, 30cm x 31cm, framed, c.1815

A 19th century needlework sampler, embroidered in silk with a vase of flowers, 54cm x 51cm

A George III needlework sampler, embroidered by Sarah Baker, aged 10, August 24 1810, with Adam and Eve, verse,  trees, birds and foliage within meandering border, 55cm x 32cm, framed

An eighteenth century Georgian embroidery sampler.  "On Time" by Martha Eales in the eleventh year of age. 1782. 47cm x 36.5cm frame inclusive. In good overall condition. Some minor deterioration to the material and loss of colour.

Framed Georgian Sampler appears to be dated 21st April1797.

A framed silk and gold threaded napkin or sampler

A collection of royal memorabilia. including various mugs, plates, a framed sampler, scrapbook, newspapers and other items.

A collection of four 19th century cross stitch alphabet samplers and a larger earlier sampler embroidered by Elizabeth Sizmur aged 11 dated 1795, designed with spot motifs and religious verse. 18th century sampler 42cm x 44cm. Condition - the four 19th century samplers have slight fading, the 18th century sampler is holed in places and has staining.

Georgian needlework sampler, worked by Ann Pitcher, Aged 7 Years November 1815, under glass within a burr frame, 31 x 37cm

Two 19th century samplers. Comprising a George III sampler worked by 'Jane Bendell Aged Twelve Years', featuring a poem to the centre surrounded by embroidered birds, trees and urns of flowers, within a strawberry border, dated '1819', 42cm x 33cm. The other a Victorian sampler worked by 'Jane Tylee Aged 13 Years', featuring a prayer to the centre surrounded by trees, birds, classical figures flowers and a deer, within a strawberry border, dated '1844', 32cm x 32cm, both mounted and glazed

A small Victorian sampler, signed Sarah Ann Guy, aged 11 years, Bottesford, 1875, framed

A collection of twenty-five 12" and 7" vinyl records on The Factory Label (FAC/FACT) to include Factory flexidisc sampler FAC176, Meatmouth - white label - FAC196, Fadela - white label - FAC 197, Vermorel FAC198/7, Miaow FAC179, Biting Tongues FAC188, The Railway Children FACT185, Miaow FAC189, Fadela FAC197, The Jazz Defektors FAC 205, Cath Carroll FAC210, Karl Denver FAC228, Electronic FAC257/7, Durutti Column FAC284, Cath Carroll FAC255, Karl Denver FAC278, Electronic FAC287, Electronic FAC287R, Electronic FAC290, Northside FAC298/7, Cath Carroll FAC307/7, Northside FAC308/7, Northside FAC310, The Adventure Babies FACT335, Electronic FAC328

A framed sampler dated 1845, also reading 'frit par Camille Laurent agee de 12, IHS Cleve de Madame Boudry', with various figures below, including a boat, birds, potted plants, IHS cross and examples of sample stitching below - 38.5cm x 38.5cm

An Alphabet and Verse Sampler worked by Jane Luxton Dated June 1839, with central verse flanked by decorative motifs including parrots, birds, flowering trees and plants within a blue and cream floral border, in a modern maple frame, 41cm x 43cmA small area of wear to the bottom left hand corner, several pin head size holes overall and a couple to the lower part of the verse, colours slightly faded and slight wear

A Victorian needlework sampler, worked by Mary Kaye of Whitegate School and dated 1863, worked with a church, a cottage, a tomb, two vignettes and poetry, in ebonised frame, size without frame, 80 x 65cm.

A framed early 19th century needlework sampler a map of the counties of England by Jane Mather 1828. In good condition framed.

A mid 18th century needlework sampler dated 1743 by Mary Reader aged 14 the detailed needlepoint with alphabet and script verses and floral patterns. 20x44cm

An 18th century sampler by Martha Alexander 'A Thought at Waking' 1783

An early 19th century sampler, Martha Jeffreys, Brent House, 1825 (a boarding school for young ladies that later became an orphanage). Size 30 x 30 cm.

A George IV rectangular woolwork sampler, Hannah Mansfield, Feb 1 1822, worked with verse, dogs, flowering urns, and a crown, meandering border, 28.5cm x 29.5cm

A George III needlework sampler, by Mary Merrikin, North Somercotes (Lincolnshire), with Adam and Eve, verses titled Friendship, and Eve Eating of the Forbidden Fruit, birds, flowers and trees, within meandering borders, 48cm x 40cm, dated 1818

A Victorian needlework alphabet sampler, by Mary Walker, Lanark 1863, with verse 'I love them that love me and they that seek me early shall find me', embroidered with birds, animals, trees and crowns, 44.5cm x 24cm

A 19th century needlework sampler, worked in coloured threads with trees, birds and flowers, named Betty Middleton, 26cm x 28cm, c.1860, rosewood frame

A George III needlework sampler, Elizabeth Luntley's Work, Aged 10, 1816, 31cm x 20cm; another, Mary Whitehead Aged 10 ** Finished This Work June 12 1816, 23.5cm x 31cm (2)