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A RIDGWAY TRIO, 2 Alcock cups and saucers, a Coalport cup and saucer, a Bisto cup and saucer and a Derby cup and saucer.

A good 19th century Elkington & Co electroplated centrepiece in the form of a fruiting vine with stag and fawn at the base, a glass bowl sits atop and the whole stands on a mirrored stand. This lot bears a presentation label for the Ridgway Coursing Meeting 1854, total height 68cm

A late 19th century Wedgwood vase with flaring neck over globular body decorated with swirls in blue brown and gilt 23cm high; a pair of modern Portuguese vases painted with birds and animals 28.5cm high; and a miniature Ridgway brown printed dinner service (qty)

DANIEL RIDGWAY KNIGHT (American 1839-1924)Gathering FlowersWatercolor on paper14.5in. x 10.25in.Signed and inscribed Paris lower leftBorn and trained in Philadelphia Daniel Ridgway Knight studied at the Ecole des Beaux-Arts in France where his fellow classmates included Alfred Sisley and Auguste Renoir. Following the Civil War he settled permanently in France where his impressionistic paintings of peasant figures in rural landscape settings earned him great acclaim.Provenance: Private Collection NebraskaRoughton Galleries Dallas TXacquired from the above by the present owner

A 19th Century Ridgway white glazed jug decorated in relief with a jousting scene, height 24cm.

A Ridgway child's chamber pot 'Jolly Jinks' and an Empire Superbe twin handled bowl and cover enamel decorated with fish against a turquoise ground.

English regional: Hansen A.N., Oxford Goldsmiths before 1800; Ridgway M.H., Chester Silver 1727-1837; A Directory of York Goldsmiths, Silversmiths & associated Craftsmen; York-Assay Office & Silversmiths 1766-1858; Kent T., Barnstaple Silver and its Makers; Norwich Silver in the Collection of Norwich Castle Museum and George Wicks, Royal Goldsmith, (6).

A child's late Victorian Ridgway part tea/dinner service, Maiden Hair Fern pattern in green, twelve 4 1/2" plates, six 3 3/4" plates, six 3" plates, six soup plates, six meat plates (various sizes), two gravy boats on stands, a pair of small covered tureens, a pair of medium covered tureens, one large soup tureen on stand with ladle, two vegetable dishes, two butter dishes together with a teapot, four cups, milk jug and sugar bowl in blue, all c.1880 (58)

A set of three graduated Royal Doulton water jugs, English early 20th century, together with; a Bass 1902 coronation jug, five Ridgway plates and two tankards. Tallest 15.5cm.

A Staffordshire Inkstand caricature portrait bust of John Ridgway, 19th century, modelled wearing a green shirt and white. tie with gilded highlights and with curled brown hair 3.5" high. John Ridgway, the powerful Industrialist was Potter to Queen Victoria and first Mayor of Handley and as such was a local celebrity. The Rhead brothers in their book Staffordshire Pots and Potters relate that 'Certain members of the Ridgway family bought up all the ink pots they could meet with, and destroyed them because they were good caricatures' therefore few of these examples have survived.

HOLGATE (DAVID) NEW HALL AND ITS IMITATORS, cloth, dustwrapper, 8vo, 1971; Shinn (Charles and Dorrie) Victorian Parian China, cloth, dustwrapper, 8vo, 1971; Cushion (John P.) Animals In Pottery And Porcelain, cloth, dustwrapper, small 4to, 1974; Smith (Alan) Liverpool Herculaneum Pottery, cloth, dustwrapper, 8vo, 1970; Godden (Geoffrey A.) Ridgway Porcelains, cloth, dustwrapper, 8vo, 1972; Godden (Geoffrey A.) Mason's Patent Ironstone China, cloth, dustwrapper, 8vo, 1971; Rice (D. G.) Rockingham Pottery And Porcelain, cloth, dustwrapper, 8vo, 1971; Jenyns (Soame) Later Chinese Porcelain, cloth, 8vo, 1951 (8).

Ridgway 'Windsor Festoon’ pattern blue and white transfer printed large hexagonal tureen, cover and stand, 12’ high (a.f).

Field (William). New Guide. An Historical and Descriptive Account of Leamington and Warwick, to which are added, Short Notices of the Towns, Villages, &c. Within the Circuit of Ten Miles, Abridged from a Larger Work, pub. Warwick, 1817, folding eng. map frontis., folding eng. map, ex-lib. copy with library bookplate, 20th c. qtr. morocco, 12mo, together with Ridgway (Rev. James), The Gem of Thorney Island; or, Historical Associations Connected with Westminster Abbey, 1860, tinted litho frontis., errata leaf present, contemp. calf, gilt dec. spine, extrems. slightly rubbed, 8vo, plus other topography related, mostly orig. cloth, many in d.j.s (3 shelves)

A selection of English porcelain tea wares, comprising; a Ridgway ‘London’ shape trio, painted pattern number 527 (saucer cracked), two other ‘London’ shape teacups, a Samuel Alcock coffee cup and saucer, painted pattern number 5695, and a Ridgway coffee cup and saucer, painted pattern number 5/265 (small crack to cup), various dates, first half 19th century.

A Ridgway porcelain part dessert service, printed in pale-green with a central vignette of fruit, within fruiting vine borders, the gilt-line rims moulded with flowerheads, comprising; a shaped-oval two-handled serving dish, two shaped-square two-handled serving dishes, and five plates, painted iron-red pattern number ‘2019’, circa 1835 (minor wear).

A selection of Ridgway porcelain tea wares, painted and gilt with blue foliate scrolls within cafe-au-lait border, comprising; a pair of two-handled serving dishes, four coffee cups, and two teacups, painted iron-red pattern number ‘5/2304’, circa 1835, (minor rubbing to gilding).

A Ridgway porcelain trio, painted in butterscotch and gilt with a stiff leaf band within a pale-pink border, and a teacup and eight saucers ensuite, painted iron-red pattern number 2/2853, and a Davenport ‘Rococo revival’ trio, printed factory mark, painted pattern number 1561.

A Ridgway creamware pierced basket, painted in sepia with a band of fruiting vine reserved on a butterscotch ground, moulded with two vine-leaf and grape handles, 26cm in length, circa 1815 (some enamel flaking); and a later pottery octagonal plate painted with a kingfisher (crazed).

A VICTORIAN BLUE RELIEF MOULDED POTTERY JUG, decorated with panels of Robert Burns and with dogs head handle, 8" high, a lidded relief moulded jug, with classical scenes and a Ridgway & Abington green salt glazed lidded jug, relief moulded with Moses on the mount (3)

A W RIDGWAY & SON LIDDED JUG with jousting scenes, 6 1/2" high and one other jug by Ridgway & Abington of Hanley, relief moulded with 'The Wedding Festival'. 8" high (3)

A W RIDGWAY SON & CO. PAIR OF GREEN SALT GLAZED JUGS, with moulded jousting scenes and bands of vine leaves, 10" high and a salt glazed jug, relief moulded with 'Rebecca at the Well', marked to the base Arabic, 9" high

A Royal Worcester parian Horse's Head "Eous", and a quantity of Goss and other crested China, a Royal Doulton 1977 Christmas Plate, a Ridgway "Fantasia" Teapot with Imari design, and a Toilet Jug and Bowl printed pink roses

A pair of 19thC porcelain pedestal comports, probably Ridgway, each centrally painted with a lakeland landscape with figures, within green borders with scroll detail and enriched with gilt, on pierced and knopped stems and conforming foot, pattern no 727, 10" diameter

House of Commons. Select Committee. Report together with minutes of evidence and accounts from the Select Committee appointed to inquire into the cause of the high price of gold bullion Ordered by the House of Commons to be printed 8 June 1810. London: Johnson 1810. 8vo. later half calf marbled boards by Maclehose of Glasgow part of previous owner's signature torn from the upper edge of the title-page; A Digest of the evidence of the Bank Charter taken before the Committee of 1832. London: Ridgway 1833. 8vo. later half calf marbled boards by Maclehose of Glasgow; Mills Richard Horner. The principles of currency and banking. London: Groombridge 1853. First edition 8vo. original cloth; Shaw W.A. The history of currency 1252 to 1894. London: Wilson 1896 second edition 8vo large folding table original cloth and 3 others. (7).

F W Ridgway, Reading a will, oil on board, 21 x 12cm.

A Ridgway two handled baluster Vase painted bouquet of flowers and fruit in coloured enamels, gilt rims, 6 1/4in, rim re-gilded

Ridgway Tea and Dinner Ware, Heathcote China Tea Services, other Tea, Coffee and Glassware etc

THE RESIDUE OF A RIDGWAY DESSERT SERVICE each piece with bold fruiting vine moulded handles, painted with orange flowers, on a pale green ground with chocolate rim, comprising; one square dish, one shell dish and one oval dish, impressed Ridgway and pattern no. 612

A COLLECTION OF POTTERY AND GLASSWARE TO INCLUDE VICTORIAN BLUE & WHITE JUG, PAIR PLATES, RIDGWAY COFFEE SET, ROYAL VALE TEASET AND OLD OIL PAINTING ON CANVASS IN GILT FRAME

An early 19th Century blue and white printed plate by Cornfoot Coalville & Company in the Country Church pattern, diameter 22cm, impressed mark verso; a Staffordshire blue and white plate with a Japan landscape scene; a blue and white plate attributed to Job Ridgway (3).

A large 19th century blue printed ashet, with bold flower spray in a basket to the well, 52cm wide; and a quantity of other 19th century blue printed wares with oriental patterns, comprising; a large ashet depicting figures in a landscape, 52cm wide; another smaller ashet, Copeland & Garrett, 42cm wide; a 'Willow' pattern tureen and cover, 28cm wide; a 'Chinoiserie' Ruins' pattern twin-handled oval dish, Davenport, 28cm wide; three shell-form bowls; two 'Eastern Port' pattern soup plates, Ridgway; a 'Mausoleum of Kausim Solemanee at Chunar Gur' meat plate; five 'Chinese Landscape' series soup bowls, each with a gadrooned edge; another soup bowl; and four side plates also with gadrooned edge; a soup bowl; and three side plates (25)

A Ridgway blue and white meat platter, 19th Century, decorated in the 'Japan Flowers' pattern.

A pair of 19th Century John Ridgway porcelain rectangular two handled dessert plates of shaped outline, the centres enamelled in colours with floral sprays within royal blue, yellow, white and gilt decorated borders, 11.5ins x 9.25ins (puce printed Coat of Arms and No. 6916 to base)

An early 19th Century Derby porcelain coffee can and saucer enamelled in colours and decorated in gilt in the “Imari” manner with “Witches” pattern (red painted mark), a 19th Century Staffordshire porcelain tea cup and saucer enamelled in colours and decorated in gilt in the “Imari” manner with flowers and leaves within royal blue and gilt borders (possibly Ridgway - pattern No. 435), and two other Staffordshire porcelain tea cups and saucers decorated in the “Imari” manner

LINDLEY (J) LADIE'S BOTANY or A FAMILIAR INTRODUCTION TO THE STUDY OF THE NATURAL SYSTEM OF BOTANY 2 vols with numerous hand coloured plates 5th ed green cloths faded and bumped Ridgway c1839

An early 19th Century Ridgway part tea/coffee service, comprising twelve teacups, eight coffee cans, sixteen saucers, a deep dish, two handled sucrier, milk jug and slop bowl, painted with cartouches of black and nut-brown leaves resembling oak leaves on a salmon pink ground (40).

A pair of Granite China Oriental Birds pattern plates by Ridgway and sundry decorative plates

A SET OF SIX EARLY 19TH-CENTURY "INDIAN TEMPLE" PATTERN DESSERT PLATES having scalloped edges with blue and white transfers, marked verso INDIAN TEMPLE, STONE CHINA J.W.R (John and William RIDGWAY) 26cm (10.5in) diameter (6)

A Ridgway sunflower-head shaped dish with central bouquet of summer flowers, the surround of gilt and yellow leaves on an alternating blue ground, having gilt handles to the sides, 26.5cm (10.5") diameter

A Ridgway specimen plate with flowers, fruit and a bird painted to the centre within a stylised foliate border, signed Samuel Yate December 8th 1832, 23cm (9.25") diameter

A WILLIAM RIDGWAY OVAL MEAT PLATTER, c.1840, underglaze blue transfer printed, "Oriental" pattern, printed mark, length 48cm

A 19th Century porcelain two handled Dish, painted floral sprigs, yellow scrolled border and hatched designs, all richly gilt, possibly Ridgway, pattern no. 1173

A John & William Ridgway Oxford and Cambridge College series soup plate, printed in blue with Pembroke Hall, Cambridge within the usual octagonal frame and border of flowers with goat and cherub vignettes, diameter 25cm, printed mark, circa 1820-30. See Coysh & Henrywood 1, page 280, for a similar soup plate

Three blue-printed soup plates: an Angus Seats series soup plate attributed to Ridgway, diameter 23.5cm, unmarked; a Spode Lattice Scroll pattern soup plate, diameter 24cm, printed framed upper-case mark; and a British Marine series soup plate, diameter 26cm, printed title mark (crack in rim); generally between 1815 and 1830. See Coysh & Henrywood 2, page 15, for a similar Angus Seats series soup plate; Drakard & Holdway P803 for the Lattice Scroll pattern on a dinner plate; and FOB32 for a similar British Marine soup plate

A British Scenery series meat dish, attributed to Ridgway, printed in blue with the Village Fishermen scene within the usual flower and leaf border, length 43cm, printed series title mark, circa 1820-30. See FOB35 for a similar dish; the central scene is very similar to the Handley Village Fishermen pattern which can be seen in Coysh 1/170.

Two Dutch shape blue-printed jugs: a Castle pattern jug with an ornate moulded handle, printed with a version of the Spode pattern and border, height 20.5cm, unmarked, circa 1820-30 (crack near handle); and a William Ridgway, Son & Co. Humphreys Clock series jug with simple strap handle and strainer behind the spout, printed with a picnic scene and the usual geometric and scroll border, height 18cm, printed title mark with makers initials, circa 1838-48 (cover missing, riveted repair at top of handle) See Coysh & Henrywood 1, page 182, for a plate from the Humphreys Clock series; also the same volume, page 73, for information on the Castle pattern and its makers, with Clews a possibility for the jug in this lot #70-100 58. A Buffalo pattern presentation jug dated 1794, with outward flaring neck and ovoid shape body moulded with two bands of leaves, scroll-moulded handle, and ochre rim, printed in blue with a version of the Buffalo pattern on either side and a typical chinoiserie border around the neck and inside the rim, with blue feather edging outside the rim, the neck painted underglaze in blue with the name Thos. Compere, the front with the date 1794, height 22cm, unmarked (sections of body and handle glued)

Various small or toy blue-printed wares: comprising a small Davenport stone china tea plate with a dragons pattern; a Minton Dresden Flowers pattern toy stand; a Ridgway Humphreys Clock series toy plate; a toy plate with an unidentified romantic scene (no border); a miniature plate with a transitional period pattern featuring fishermen hauling nets: and a Kenelworth Priory pattern toy plate from the Minton Miniature series; various dates See FOB73 for the transitional fishermen pattern on a trefoil dessert dish but with a different border

A Ridgway porcelain seeded butterscotch ground sucrier, painted in blue and gilt with cornucopiae, pattern 2/355; and a Staffordshire porcelain coffee pot and cover painted with blue floral sprigs, 27cm high (restored), first quarter 19th century

A selection of mostly ÔRococo revival porcelain, comprising; a Coalport flower-encrusted basket; a Copeland & Garrett teapot, cover & stand; a teapot & cover; a blue ground plate; a Ridgway slop bowl and a grey-ground teacup and saucer, circa 1840 (some damage)

A Ridgway carving platter, English 19th century, of canted rectangular form, printed in brown with flowering fronds and polychrome landscape vignettes. Length 52cm.

Quantity of china includes Ridgway Cunard Steam ship company ashtray, Plichta Wemyss style hand painted shamrock pig, Villeroy & Bosch poppy jug and TG Green cream jug (q)

19th Century parian ware Bust, Handel, marked J. Ridgway, Bates & Co.

A Staffordshire blue glazed jug moulded with monkeys possibly Ridgway c.1840 together with fourteen further Victorian relief moulded jugs. Minor damage. 24cm. (15)

Staffordshire jug of panelled form, painted with floral sprays and with gilt script William Ridgway 1847, 18cm high (glaze cracking).

Twenty seven pieces of Homemaker design tea and dinnerware, by Ridgway comprising five cups, six saucers, two other saucers, six side plates, seven dinner plates and one other plate.

a Group of Four Tinted Parian Relief Moulded Jugs, circa 1830, various colours, all modelled with deer; one showing a lion pouncing on the back of a stag, one impressed with "Ridgway & Co, 1835", approximately 16cm to 21cm (one damaged)

Eighteen English porcelain cups and saucers also one trio, to include factories such as Coalport, Spode, Davenport, Ridgway, Alcock, Chamberlains, 19th century (some damages) (39)

THREE 19TH-CENTURY POTTERY ASHETS or meat plates comprising: an Amherst Japan pattern stone china example, printed and overpainted in Imari colours, blue printed scroll mark verso, impressed number 18, 48cm, (19in) wide (rim chip); A pearlware example decorated in Net pattern with a hexagonal cellular central scroll cartouches of chinoiserie waterside pavilions reserved on a floral field, within diapered border with further scroll cartouches, 42cm, (16.5in) wide (rim chip), and a third with two-handled vase of flowers within six niches with baskets of flowers and floral sprays, the diagonally-pinstriped border with scattered leaves, flowers and scrolls, 43cm, (17in) (3) *** For a plate with printed design matching the second example, by Job Ridgway, see Coysh, A. W., and Henrywood, R. K., The Dictionary of Blue & White Printed Pottery, 1780-1880, Vol 1, p.259.

A Ridgway porcelain part tea and coffee service, comprising: two bread and butter plates, a milk jug, sugar basin and cover, waste bowl, twelve tea cups, six coffee cups and twelve saucers, each piece painted with a panel of garden flowers on a gold decorated cream and deep blue ground, Pattern No. 2/5423, circa 1840, some damage. * Produced for Josh Green & Sons. 11 St Pauls Church Yard, London.

A John & William Ridgway 'Christ Church, Oxford' pattern dinner plate from the Oxford and Cambridge College series, printed in blue with the titled view within an octagonal frame and the usual border with cherub vignettes, 25cm diameter, printed mark, circa 1815-30 (chip on footrim) See Coysh & Henrywood 1, page 84, for a similar plate