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Click here to subscribeVinyl - 44 Rock & Pop LPs, 2 box sets (1 cassette box set), 1 12" to include Ramones (white vinyl private pressing), T-Rex x 2 (1 German), Bob Marley, John Otway & Wild Willy Barrett (9 LPs and 1 12"), Elvis Presley, James Brown, Dire Straits, ELO x 5, Stan Ridgway and more. At least Vg+ overall
Attributed to John Ridgway Three matching English porcelain sauce tureens and covers, c. 1830-40, painted with floral sprigs within elaborate gilt borders, further pink and gilt floral reserves, on claret ground, pattern no. 1917 to the underside, approximately 12cm high and 21cm wide. (3)CONDITION REPORT: No spoons present, just tureens. There is a hairline crack to one cover and a minor chip to the same cover. Good colour and detail to the decoration and ground. Some old dirt/stains to areas with further minor crazing. The gilt is generally good.
Middlesex Isaac Newton Halfpenny Token Obverse Head Of Newton, Sr ISAAC NEWTON, Reverse Winged caduceus with intertwined serpents, olive branch and cornucopia, HALFPENNY 1793, VF. 1794 Middlesex Fowler's Whale Fishery Token Obverse, Neptune with trident, HALFPENNY, Reverse Whale fishing scene, four men in a small boat harpooning whales by hand. PAYABLE AT I· FOWLERs LONDON· WHALE FISHERY 1794, VF. 1794 Hampshire (Emsworth) Halfpenny Token, Obverse, Head Of Lord Howe, EARL HOWE & THE GLORIOUS FIRST OF JUNE. F. 1795 Middlesex (Newgate) Halfpenny Token, Obverse View Of Newgate Prison, NEWGATE 1795, Reverse Plain, PAYABLE AT THE RESIDENCE OF MESSRS SYMONDS WINTERBOTHAM RIDGWAY & HOLT, VF. 4 tokens in total.
A small group of antique and vintage tools - comprising a Victorian/Edwardian brass and ebony wood-working mortise gauge; an early 20th century beech wood and brass cabinet maker's brace; a brass and ebony T-bar bevel square; and a roll of twelve graduated Sheffield steel wood working drill bits by Wm. Ridgway.
A quantity of blue and white china, mostly Spode Italian, together with a Davenport plate, a Mason's ironstone plate and a late Victorian majolica dish (a.f.). Condition - varies No Davenport plate seen. Fourth image Spode Girl at the Well pattern. Fifth image Mason’s Ironstone. Sixth image Ridgway (JR).
**Ridgway Porcelain Trio Circa 1850 with Additional Teacups and Saucer Set**This elegant collection includes three exquisite porcelain teacups and two matching saucers, showcasing the timeless craftsmanship of Ridgway ceramics from the mid-19th century. Noteworthy within the set is a tagged item reading "Trio Ridgway c1850," indicating its historical and collector's value.The first teacup and saucer set features a sophisticated blue and white colour palette, adorned with intricate gold embellishments, which exemplify the high-quality finish typical of the period. The second teacup, lacking a matching saucer, is decorated with delicate floral patterns, adding variety and charm to the ensemble. The third teacup and saucer, akin in its blue, white, and gold hues, also boasts beautiful floral designs, maintaining a cohesive aesthetic throughout the collection.This gathering of Ridgway porcelain not only highlights the brand's renowned attention to detail and artistry but also serves as an excellent representation of mid-19th century British ceramic craftsmanship. Whether for display purposes or enhancing a refined tea service, this set is a magnificent addition to any porcelain collection.
Bone China Dinnerware Set with Mazarin Blue and Gilt Design, John and William Ridgway, Cauldon Place and Bell Works, Shelton, Hanley, Staffordshire, circa 1825 - Pattern 964This refined bone china dinnerware set presents a stunning Mazarin blue and gilt motif, perfect for any discerning collector or dining connoisseur. The set comprises elegantly crafted pieces, including a series of ornate tureens and eight dessert plates. Each piece is unified by a broad Mazarin blue and gilt border, adorned with intricate C-scroll reserves in buff and gilt. At the centre lies a white tablet featuring a hand-painted floral arrangement in vibrant colours, providing a beautiful contrast to the rich border. The tureens are distinguished by their raised feet and elaborate side patterns, amplifying their decorative appeal. Furthermore, each item is accentuated with gilt edging and white mouldings delicately traced in gilt, highlighting the exquisite craftsmanship of this set. 3 plates, and 1 shallow dish, have a hairline fault which runs through the length of the item. This is visible in the photographs, therefore 4 items in total of the 14 are a/f. The other 10 pieces are better than expected with 200 years of age, with no obvious defects. Please view the photography for further explanation.
Two Staffordshire lilac and white pottery mugs, probably by Newhall to include one with floral pattern and the other with cherubs and another with wheat sheaf pattern likely by Ridgway with a similar jug and a larger Ridgway jug with mask head spout, tallest 13cm. Provenance: The Maisels Collection of British Ceramics
Collection of blue and white transfer printed pottery and pearlware to include Spode boy on a Buffalo pattern cup and saucer, a collection of saucers and dishes to include Ridgway, Heathcote & Co, Minton, Wolfe Mason, etc (14) (some a/f) Provenance: The Maisels Collection of British Ceramics
Masons Ironstone - a mid 19th century Victorian part stoneware service. The service comprising a Morley and Ashworth Imari colour platter, a Newstone Japanese serving platter, a Masons Ironstone octagonal table vase & matched Hydra jug, a Copeland Spode New Stone plate, a Davenport stone china soup bowl, a Ridgway plate, two matched side plates and a small twin handled serving platter; a Staffordshire Indian Tree dining plate, an early 19th century Crown Derby King's Pattern rimmed bowl, a Newstone Japanese plate, and a Wedgwood Royal semi porcelain Chrysanthemum pattern teapot with gilt & Imari style decoration. Some damage & repair, including one plate having been split in two, damage to extremities incl. chips, hairlines etc; please see images.Larger platter measures approx. 55cm x 43cm.
A pair of R Delinieres & Cie D&C Limoges cobalt blue and white dinner plates with gilt decoration and scalloped edges (d. 26cm), together with a pair of JWR 19thc stone china plates decorated with 'Japan Flowers' (a/f cracks and scratches to both), a Copeland teacup and saucer decorated with floral motifs and gilt edges, a Mona teacup and saucer decorated with exotic bird and floral motifs, two Royal Crown Derby teacups with accompanying saucers with floral and gilt decoration, a gilt and white milk jug raised on four bun feet together with two teacups of a similar design (a/f), and a collection of William Ridgway, Son & Co trinket dishes, small tureens etc (24)
Early 19th Century porcelain muffin dish with cover, possibly Spode, painted with floral sprays, butterflies, moths, and ladybirds, Dia.22cm overall; French porcelain Chelsea style dessert plate painted with exotic birds and floral sprays within a scalloped rim, gold anchor mark, Dia.21.5cm; Coalport "Rose Pompadour" ground plate with gilt and painted floral decoration, c.1855, blue "CBD" mark, Dia.24.5cm; Ridgway gilt and floral plate, pattern number 2/131; 3 other floral plates, 2 dishes, W.33.5cm the widest, slop bowl, and a Minton sucrier, without cover, H.9.7cm. (11) Slop bowl: surface scratches to exterior, interior decoration and gilding in good order, no chips, cracks or restoration.Peach serving dish: hairline crack running half the circumference (see image).Cobalt plate with flowers and heavily gilded decoration: overall condition good, surface scratches, the gilding slightly rubbed, a couple of 1mm nibbles to the underside rim.Muffin dish and cover: in good order with no chips or restoration. The cover has a shallow split to the rim approx 1cm which would have been created in the making (see image).Hexagonal plate: overall condition good, some rubbing to the gilt on corners.Sucrier: a few firing imperfections as splits at the rim and one thumbnail size internally (see image).Blue serving dish, scalloped birds plate, and all other plates not mentioned above: in good condition with no chips, cracks or restoration, possibly some very light scratches.
Early 19th Century Swansea-style porcelain trio comprising coffee, teacup, and saucer, each with a moulded body and painted insect, rose, convolvulus, and other flowers, the saucer Dia.15cm; English porcelain Sevres style trio with roses, thistles and a turquoise rope twist design, pattern number 8912, the teacup with incised "S" and the saucer with an impressed "S" and horseshoe-type mark; another trio; pair of cups, each with a saucer, pattern 3709; Ridgway cup, 2/187, another cup, 4 jugs, and 2 "Faith" and "Hope bowls". (21)
ENID SEENEY FOR RIDGWAY POTTERIES: A 'HOMEMAKER' PATTERN PART-SERVICE1950s or 1960s, comprising a coffee pot, a milk jug, a dinner plate, 25cm diameter, seven saucers, six larger saucers, two side plates, 18cm diameter, one shallow bowl and six all black cups, the service decorated in a black and white monochrome pattern depicting contemporary furniture and other domestic objects in an illustrative style, maker's marks to the base; together with a 'Fiesta' saucer by Barker Bros. (a lot)
ALT / NEW WAVE / COOL POP - LP / 12" COLLECTION. A collection of 102 x LPs/ 12". Artists/ Titles include Curve - Clipped, Nine Below Zero - Third Degree, Elvis Costello and the Attractions, Divine - You Think You're A Man, Sham 69 - Tell Us The Truth, Pete Shelley, Stan Ridgway, Sabrina, Blondie, Erasure, The Blue Nile, David Bowie, Sparks, Level 42, Street Moves, Frankie Goes To Hollywood, Yazoo, Talk Talk, Crucified and Thomas Dolby. The condition is generally VG+ to Ex+.
A box of plates including blue & white meat plate, 18" x 14 1/2", two decorative floral plates with gilt edging, six Royal Winton 'Daffodil' soup/dessert plates, 8 3/4" diameter, four retro Ridgway 'Homemaker' plates, Moorcroft bowl (damaged/repaired), blue and white plates by Noritake, etc.
Hellblazer No. 1 first issue featuring the appearance of Papa Midnight (DC Comics, 1988).Key DC/Vertigo 1st issue. First issue of the now legendary Hellblazer comic book run.This lot features:Hellblazer (1st series) No. 1Creators: Story by Jamie Delano, interior art by John Ridgway, painted cover by Dave McKean..1st print, US Cents copy.Issue complete without cut coupons, missing stamps or missing pages.Issue comes bagged and boarded in new polypropylene bag and board.~(1)
Ultimate comics All-New Spider-Man No. 1 x2 copies of 1st issue featuring first solo issue and origin of Miles Morales, 1 still sealed (Marvel Comics, 2011).Key Marvel Spider-Man 1st issue. 2nd appearance of Miles Morales. Origin issue.This lot features:Ultimate comics All-New Spider-Man (1st series) No. 1, 1(sealed in polybag).Creators: Story by Jamie Delano, interior art by John Ridgway, painted cover by Dave McKean..1st prints, US Cents copies.Issues complete without cut coupons, missing stamps or missing pages.Issues comes bagged and boarded in new polypropylene bag and board.~(2)Condition Report: No. 1 Opened - VF (Very Fine) condition (8.0)No. 1 Sealed.Uncleaned/Unpressed.
UK Comic Art Convention Catalogue 1989 signed by a large number of attending comic writers, artists, and creators featuring a painted Batman cover by John Bolton (1989)Signed by Denny ONeil to page 17.Signed by Hunt Emerson to page 20.Signed by Bob Burden to page 23.Signed by David Pugh to page 30.Signed by John Ridgway to page 50.Signed by Dave Gibbons to page 53.Signed by Bryan Talbot to page 64.Signed by Howard Chaykin to page 65.Signed by Kev ONeill signed by page 68.Signed by Alan Grant signed by page 76.Signed by Carlos Ezquerra, Tom De Falco, Archie Goodwin, and others to page 102.Complete without cut coupons or missing pages.Spine split. To lower portion of spine.~(1)Condition Report: Mid-Grade condition
GROUP OF ENGLISH CANEWARE MOSTLY 19TH CENTURY comprising a Wedgwood game pie dish with liner and cover, moulded with game birds, rabbits and fruiting vines, impressed WEDGWOOD; a late 18th century Turner plate crisply moulded with a central flowerhead within radiating stylised petal motifs, the rim with scrolling floral designs, impressed TURNER; a Turner cream jug of oval form, moulded to one side with putti at play and to the reverse with a weeping maiden with her dog, impressed TURNER; an inkwell, probably Ridgway, moulded with a band of acanthus leaves, with an inner well, unmarked; an egg hoop with engine turned basket weave moulding, unmarked; and a coffee cup, probably Davenport, the lower body with moulded vertical ribs, rim, handle and body with blue line detail, painted in blue enamel with a ‘C’, no factory mark, base inscribed in pencil ‘C D G Langley’ (6) game pie dish 22.8cm wide, 13.5cm high, plate 19.6cm diameter The Maisels Collection of British Ceramics The egg hoop has a paper label for the Geoffrey Fisk Collection No. 1214a
FIVE VARIOUS BLUE AND WHITE TRANSFER PRINTED MEAT PLATES AND A STAND 19TH CENTURY one a tree and well example printed with the ‘Family and Mule’ pattern, marked in underglaze blue '2'; one by Rogers, printed with a pastoral scene of cattle in the water with two castles in the distance, impressed ROGERS 16; one by James Keeling, printed with ‘Lakeside Meeting’ pattern, marks in underglaze blue ‘1’, a Zacharia Boyle Antique Scenery plate printed with ‘A North East View of Lancaster’, with cartouche mark and title; and a Ridgway plate printed with a gothic mansion, a horses and a trap in the foreground, underglaze ‘12’ mark; the stand from the ‘Stafford Gallery’ series, printed with a landscape scene depicting architectural ruins in the foreground and a grand house in the distance, cartouche mark to the reverse with Stafford Gallery Opaque China (6) largest 56cm wide, smallest 36cm wide The Maisels Collection of British Ceramics David Maisels noted in his personal catalogue that ‘Stafford Gallery’ is a series that may be after four volumes of engravings illustrating the Collection of Paintings of the Most Noble Marquis of Stafford.
COLLECTION OF BLUE AND WHITE TRANSFER PRINTED BASKETS AND DISHES 19TH CENTURY comprising a Wooley ‘Ornate Pagoda' basket with pierced leaf details; a Rathbone of Portobello basket in ‘The Font’ pattern; a Davenport ‘Chinoiserie Ruins’ basket; a John Meir ‘Italian Scenery’ basket; a pearlware basket weave basket, late 18th century; a pair of Rogers scallop edged dessert dishes each printed with a mansion within a rural riverside setting; two similar dishes, one by Turner, one by Heathcote, each of shell-shaped form with scroll moulded handles and edges; a heart-shaped Henshall dish with ‘Castle and Bridge’ pattern; a Henshall dish printed with two swans and a mansion; a dish, possibly by Hamilton, printed with ‘Fishermen with Nets’; a small Charles Meigh shaped pickle dish printed with ‘Chinese Gardener’; a Ridgway scalloped ‘Eastern Port’ pickle dish; a pearlware shell-formed pickle dish; a flat, shaped dish, probably Mason's, printed with ‘Pagoda’ pattern; various marks, some unmarked (16) Italian Scenery basket 31cm wide, Rogers dishes 22cm wide The Maisels Collection of British Ceramics The Meigh ‘Chinese Gardener Pickle dish has a paper label inscribed ’From the Collection of Vernon Roberts Esq, Kincardine Castle'.
LARGE COLLECTION OF REFERENCE BOOKS ON BRITISH CERAMICS including ‘New Hall Porcelains’, by G Godden; ‘The New Hall Pattern Book’, by P Preller; ‘Illustrated Guide to Printed Minton Pottery’, G H Priestman; ‘Dictionary of Minton; Atterbury and Batkin; ’Spode', by L Whiter; ‘Spode Transfer Printed Ware’, by Drakard and Holdway; ‘Mason’s China and Ironstone Wares', G Godden; ‘Worcester Porcelain The Zorensky Collection’, Spero and Sanden; ‘Dictionary of Worcester Porcelain Vol 1’, J Sandon; ‘English Blue and White Porcelain’, by B Watney; ‘Lowestoft Porcelains’, by G Godden; ‘Ridgway Porcelains', by G Godden; ‘Longton Hall Porcelain’, by Watney; ‘The Castleford Pottery Pattern Book’, ‘Liverpool Herculaneum Pottery’, by A Smith; ‘Bow Porcelain’, by Adams and Redstone; ‘Neale Pottery and Porcelain’ by D Edwards; and other similar (qty) Provenance: The Maisels Collection of British Ceramics
LARGE COLLECTION OF BLUE AND WHITE TRANSFER PRINTED WARES BY VARIOUS MAKERS 19TH CENTURY comprising a large Rogers jug printed with ‘Camel’ pattern; a large Wedgwood jug printed with a chinoiserie scene and a vase issuing flowers; a Herculaneum baluster coffee pot and cover; three spittoons, two by Copeland, one by Rogers; a ‘Queen Charlotte’ pattern honey pot with domed cover; an Argyll, probably by Turner; a ‘British Scenery’ series cruet stand; a shaped footed dish printed with two men with a net and a domed pavilion; a lozenge shaped Spode ‘Temple and Panel’ dish; a ‘Flying Pennant’ shaped footed dish; a lozenge shaped dish with oriental scenes; a Ridgway soup dish, a plate from the ‘Angus ’Seats' series; a ‘Net’ pattern ladle; a Wedgwood shell dish printed with Vesuvius erupting; a Minton shell shaped ‘Italian Ruins’ dish; three various oblong boxes including one by Herculaneum printed with ‘View in the Fort Madura’ pattern; a Rogers scalloped dish marked to the reverse ‘Boucher & Co, London’; two sugar castors; a Herculaneum oblong plate printed with fishermen in a riverside setting; and a circular dish with a raised, ribbed rim printed with ‘Two Figures’ pattern; various marks, some unmarked (qty) largest jug 23cm high, Argyll 16cm high From the Maisels Collection of British Ceramics
COLLECTION OF SCOTTISH POTTERY MOSTLY 19TH CENTURY including a Pratt ware ‘Miser Jug’, probably Preston Pans; a Port Dundas, Glasgow, saltglazed three pint hunting jug, impressed mark; a small cream jug, possibly Bellfield, Preston Pans, polychrome painted with floral sprigs and scrolls; a pearlware polychrome painted figure of a stag, possibly Portobello; a late 18th century Prattware tea canister with cover, Bellfield, Preston Pans, modelled to either side with ‘macaroni’ style figures of a man and a lady; a small brown salt glazed stoneware storage jar, impressed to the base GG, probably for George Gordon, Preston Pans; together with SEVEN VARIOUS PIRLIE PIGS, five modelled as Mrs Ridgway, one as a cottage, one modelled as a lady, possibly Queen Victoria, and one modelled as an orange with enamelled decoration (14) Miser jug 22.3cm high, cream jug 10cm high, smallest Pirlie Pig 5.3cm high The Maisels Collection of British Ceramics
COLLECTION OF BLUE AND WHITE TRANSFER PRINTED VINE PICKLE DISHES, LADLES, EGG HOOPS AND EGG CUPS 19TH CENTURY comprising eight pickle dishes including two Ridgway ‘Angus Seats’ examples, a Spode ‘Castle Pattern’ example and an example in the ‘Flying Pennant’ pattern, maker unknown; six various ladles including a Rogers ‘Athens’ example, a Minton pierced example, a 'Wild Rose' and a ‘Girl at the Well’ examples; four egg hoops; and five egg cups including a Spode campagna shaped example and one in the ‘Hotun on the Canton River’ pattern; together with FIVE BUTTER BOATS including a Spode ‘Forest Landscape’ example, and one with a ‘Herculaneum’ border, some factory marks, mostly unmarked (22) The Maisels Collection of British Ceramics
A mixed collection of blue and white comprising, an early 19th century pearlware sauce tureen (a/f crack to lid), a similar dish decorated in the chinoiserie style, four Arklow egg cups with gilt decoration to the top of three (a/f crack to two), a Ridgway Morley, Wear & Co transferware "Flowers" shallow lidded dish (l. 21cm) together with a Royal Worcester tea pot decorated with blue darts and gilt to the top (a/f cracks), a similar Royal Worcester lidded dish with twin handles, and a selection of M. Raynaud Limoges wear comprising, three teacups and five saucers, all with pink floral and gilt decoration (17)
A mixed group of English pottery and porcelain, 19th and 20th century, including a Ridgway pink and gilt decorated teapot, cover and stand, pattern No. 2/2411, a turquoise ground centrepiece painted with pink roses, a pair of Royal Crown Derby 2451 Japan pattern coffee cans and saucers, a similar pair with silver cup holders, three other cups and two saucers with silver cup holders and a Bretby oval plaque decorated with a bird and insects amidst prunus blossom, length 39cm (some faults).
An English porcelain jug, dated 1869, painted with a pair of opposing panels depicting country folk at work, within gilt framing against a pale apricot ground, a floral edged panel beneath the spout with gilt monogram, unmarked, height 24cm, together with a mixed group of mostly 19th century relief moulded or sprigged jugs, including examples by Mayer, Ridgway and Wilson, a green stoneware Ridgway & Abington two-handled pot, cover and stand moulded with oak leaves and acorns within branch handles, diameter of stand 19.5cm, and two pot lids (faults and restoration).
George Sinclair Hortus Gramineus Woburnensis: Or, An Account of the Results of Experiments on the Produce and Nutritibe Qualities of Different Grasses ad Other Plants..... Third edition, half dark green morocco with marbled boards, corners turned in, raised bands and morocco label to spine, marbled end papers, ex libris label Courney Library to binders leaf, ink owner signature to title page 1846, xx, pp.438, pp.6 of advertisement to rear, hand coloured plates throughout, some spotting and offsetting, vg, James Ridgway, London, 1826
(Agriculture, Soils, Weeds and Pests etc) Forty eight good works John Morton. 'The Nature and Property of soils; Their connexion with the Geological Formation on Which They Rest.....,' third edition, later cloth with morocco label, ex libris to front pastedown Ernest Ridley Debenham (1865-1952, Debenhams Ltd), Courtney Library label to ffep, some light sporadic spotting, vg, James Ridgway, London, 1842; Primrose McConnell. 'the Elements of Agricultural Geology: A Scientific Aid to Practical Farming,' original green cloth with gilt lettering, ex libris label, frontis fold out map detached, plates and illustrations, spotting to edge of text block, vg, Crosby Lockwood and Son, London, 1902; Eleanor A. Ormerod. 'A Manual of Injurious Insects, with Methods of Prevention and Remedy for Their Attacks to Food Crops, Forest Trees, and Fruit....,' first edition, original embossed cloth, label to front pastedown reads Presented to the Library of the Royal Institution of Cornwall by John D. Enys...1904 (1837–1912, naturalist and botanist of Enys House), vignette engravings throughout, vg, W. Swan Sonnenschein & Allen, London, [n.d. but preface dated 1881]; With a second edition; Sir E. John Russell. 'The World of the Soil,' first edition, original green cloth, small nibbles to near fine unclipped dj, ex libris label, plates, vg to fine, The New Naturalist, Collins, London, 1957; Kenneth Mellanby. 'Pesticides and Pollution,' first edition, small nibbles to near fine unclipped dj, ex libris label, plates, vg to fine, The New Naturalist, Collins, London, 1967; G. R. Clark. 'The Study of the Soil in the Field,' fourth edition, 1957; Sir. A. D. Hall and G. W. Robinson. 'The Soil,' reprint, 1945; Brian T. Bunting. 'The Geography of Soil,' 2nd ed, 1967; Hugh Hammond Bennett. 'Elements of Soil Conservation,' 1st ed 5th imp, 1947; Sir E. John Russell. 'Soil Conditions & Plant Growth,' 8th ed, 1950; G. V. Jacks. 'Soil,' 1st ed, dj, 1954; C. S. Piper. 'Soil and Plant Analysis,' 2ndimp, 1944; C. Harold Wright. 'Soil Analysis,' 2nd ed, 1939; C. W. Rose. 'Agricultural Physics,' 1st ed, 1966; R. Adams, Clifford O. Jensoen and Paul M. Althouse. 'Introduction to Agricultural Biochemistry,' 1st ed, 1951; Arthur H. Savory. 'Grain and Chaff from an English Manor,' 1927; Donald E. H. Frear (ed). 'Agricultural Chemistry,' 2 vols, reprint, 1952; G. E. Fussell. 'The Farmers Tools 1500-1900,' 1st ed, 1952; Frank Hollis. 'Tractors on the Move,' 1st ed, 1963; Harold Bennett. 'Saga of the Steam Plough,' 1st ed, 1965; George H. Clark. 'Farm Weeds of Canada,' 2nd ed, 1909; Sir Charles A. Cameron and C. M. Aikman. 'Johnston's Elements of Agricultural Chemistry,' 17th ed, 1894; Walter Conrad Muenscher. 'Weeds,' 11th ed, 1952; 'Farm Weeds An aid to their recognition,' Shell Chemical Company, n.d; J. H. G. Lebon. 'the Evolution of Our Countryside,'; H. F. Barne. 'Gall Midges of Economic Importance,' two copies, 1946; E. C. Large. 'The Advance of the Fungi,' reprint, 1950; Ernst Gram, Prosper Bovien and Chr. Stapel. 'Recognition of Diseases and Pests of Farm Crops,' 1st ed, 1958; 'Common Farm Weeds Illustrated,' 1st ed, 1952; C. L. Walton. 'Farmers Warfare,' 1st, 1947; R. Randal Phillips. 'The Servantless House,' 1st ed, 1923; Hubert Martin (ed). 'Insecticide and Fungicide Handbook,'; Eleanor A. Ormerod. 'A Text-Book of Agricultural Entomology,' 2nd ed, 1892; D. H. Robinson and S. G. Jary. 'Agricultural Entomology,' 1st ed, n.d; Kenneth M. Smith. 'A Textbook of Agricultural Entomology,' 1st ed, 1931. (48)
(Signed and inscribed) J. Allen Ransome The Implements of Agriculture Signed to title page Wm Crasskill with the authors respects, original brown cloth with gilt lettering to spine, corners turned in and very slightly cocked, ex libris label Courtney Library, xi, pp.276 runs true, some sporadic dark spots but generally vg, wood engraved illustrations throughout, J. Ridgway, London, 1843.
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